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Solar eruption - Illustratio
Solar eruption - Illustratio

PIX4629416: Solar eruption - Illustratio, Dixon, Don (b.1951) / Bridgeman Images

Rhododendron pendulum. Copied from Joseph Dalton Hooker. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851.
Rhododendron pendulum. Copied from Joseph Dalton Hooker. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851.

FLO4629504: Rhododendron pendulum. Copied from Joseph Dalton Hooker. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851. / Bridgeman Images

Acoquila tree, Tourrettia lappacea. South America. Handcoloured lithograph by Stroobant from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851.
Acoquila tree, Tourrettia lappacea. South America. Handcoloured lithograph by Stroobant from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851.

FLO4629521: Acoquila tree, Tourrettia lappacea. South America. Handcoloured lithograph by Stroobant from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851. / Bridgeman Images

Speedwell hybrid, Veronica x andersonii. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851.
Speedwell hybrid, Veronica x andersonii. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851.

FLO4629556: Speedwell hybrid, Veronica x andersonii. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851. / Bridgeman Images

Bracteate chysis orchid, Chysis bractescens. Handcoloured lithograph by Stroobant from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851.
Bracteate chysis orchid, Chysis bractescens. Handcoloured lithograph by Stroobant from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851.

FLO4629599: Bracteate chysis orchid, Chysis bractescens. Handcoloured lithograph by Stroobant from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851. / Bridgeman Images

Tiger-like stanhopea orchid, Stanhopea tigrina. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851.
Tiger-like stanhopea orchid, Stanhopea tigrina. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851.

FLO4629814: Tiger-like stanhopea orchid, Stanhopea tigrina. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851. / Bridgeman Images

Golden dryandra, Dryandra nobilis. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851.
Golden dryandra, Dryandra nobilis. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851.

FLO4629893: Golden dryandra, Dryandra nobilis. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851. / Bridgeman Images

The Solar System-Artist View - The Solar System-Artist View
The Solar System-Artist View - The Solar System-Artist View

PIX4630121: The Solar System-Artist View - The Solar System-Artist View, Dixon, Don (b.1951) / Bridgeman Images

A woman serves wine to a young man holding his horse by the bridle, under an arcade of the courtyard - Lithograph after the manuscript enlumine of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - A female attendant serving wine to a groom with horse, beneath a courtyard archway - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
A woman serves wine to a young man holding his horse by the bridle, under an arcade of the courtyard - Lithograph after the manuscript enlumine of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - A female attendant serving wine to a groom with horse, beneath a courtyard archway - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630146: A woman serves wine to a young man holding his horse by the bridle, under an arcade of the courtyard - Lithograph after the manuscript enlumine of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - A female attendant serving wine to a groom with horse, beneath a courtyard archway - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

The Battle of Roosebeke (or Battle of Mount d'Or) (Flanders), 1382, between the arms of King Charles VI of France, known as the Good Aime or Le Fol (1368-1422) and the Flemish militiamen of Philip van Artevelde (1340-1382) - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissen Art (1337-1404), 1868 - The battle of Rosebecque (Roosebeke) 1382 between the royal army of King Charles VI of France and Flemish militiamen commanded by Philip Van Artevelde - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
The Battle of Roosebeke (or Battle of Mount d'Or) (Flanders), 1382, between the arms of King Charles VI of France, known as the Good Aime or Le Fol (1368-1422) and the Flemish militiamen of Philip van Artevelde (1340-1382) - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissen Art (1337-1404), 1868 - The battle of Rosebecque (Roosebeke) 1382 between the royal army of King Charles VI of France and Flemish militiamen commanded by Philip Van Artevelde - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630176: The Battle of Roosebeke (or Battle of Mount d'Or) (Flanders), 1382, between the arms of King Charles VI of France, known as the Good Aime or Le Fol (1368-1422) and the Flemish militiamen of Philip van Artevelde (1340-1382) - Lithography from the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissen Art (1337-1404), 1868 - The battle of Rosebecque (Roosebeke) 1382 between the royal army of King Charles VI of France and Flemish militiamen commanded by Philip Van Artevelde - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

Louis I of Flanders (ca. 1304-1346) (known as Louis de Dampierre, Louis de Nevers or Louis de Crecy) surrounds courtiers, a jester and Jean Lyon (?) in red dress (legende by mistake: J. van Artavelde at the court of Ghent) - Lithography from the enlumine manuscript of the Chronicles (from 1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Louis, Count of Flanders, with brokers, jester and Jean Lyon in red robes. (Mistakenly titled: Jacob van Artavelde holding his state in Ghent) - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
Louis I of Flanders (ca. 1304-1346) (known as Louis de Dampierre, Louis de Nevers or Louis de Crecy) surrounds courtiers, a jester and Jean Lyon (?) in red dress (legende by mistake: J. van Artavelde at the court of Ghent) - Lithography from the enlumine manuscript of the Chronicles (from 1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Louis, Count of Flanders, with brokers, jester and Jean Lyon in red robes. (Mistakenly titled: Jacob van Artavelde holding his state in Ghent) - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630186: Louis I of Flanders (ca. 1304-1346) (known as Louis de Dampierre, Louis de Nevers or Louis de Crecy) surrounds courtiers, a jester and Jean Lyon (?) in red dress (legende by mistake: J. van Artavelde at the court of Ghent) - Lithography from the enlumine manuscript of the Chronicles (from 1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Louis, Count of Flanders, with brokers, jester and Jean Lyon in red robes. (Mistakenly titled: Jacob van Artavelde holding his state in Ghent) - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

Charles de Blois, dit le Blessed (1319-1364), Duke of Brittany, takes possession of the town and castle of Jugon Les Lacs (Cotes d'Armor) in 1342 - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Lord Charles of Blois, Duke of Brittany, takes possession of the town and castle of Jugon -Les Lacs, 1342- Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
Charles de Blois, dit le Blessed (1319-1364), Duke of Brittany, takes possession of the town and castle of Jugon Les Lacs (Cotes d'Armor) in 1342 - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Lord Charles of Blois, Duke of Brittany, takes possession of the town and castle of Jugon -Les Lacs, 1342- Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630242: Charles de Blois, dit le Blessed (1319-1364), Duke of Brittany, takes possession of the town and castle of Jugon Les Lacs (Cotes d'Armor) in 1342 - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - Lord Charles of Blois, Duke of Brittany, takes possession of the town and castle of Jugon -Les Lacs, 1342- Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

Administrative building in Brasilia (Brazil). Architect Oscar Niemeyer. Photograph 14/04/07.
Administrative building in Brasilia (Brazil). Architect Oscar Niemeyer. Photograph 14/04/07.

TEC4629856: Administrative building in Brasilia (Brazil). Architect Oscar Niemeyer. Photograph 14/04/07., Niemeyer, Oscar (1907-2012) / Bridgeman Images

Satsuki azalea, Rhododendron indicum (Azalea indica). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1870.
Satsuki azalea, Rhododendron indicum (Azalea indica). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1870.

FLO4630137: Satsuki azalea, Rhododendron indicum (Azalea indica). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1870. / Bridgeman Images

Carnation hybrid, Louis Napoleon, Dianthus caryophyllus. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851.
Carnation hybrid, Louis Napoleon, Dianthus caryophyllus. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851.

FLO4629816: Carnation hybrid, Louis Napoleon, Dianthus caryophyllus. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851. / Bridgeman Images

Bertolonia marmorata in flowerpot (Eriocnema marmoraea). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851.
Bertolonia marmorata in flowerpot (Eriocnema marmoraea). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851.

FLO4630031: Bertolonia marmorata in flowerpot (Eriocnema marmoraea). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851. / Bridgeman Images

The funeral cortege of King Richard II of England (1367-1400), leaving the castle of Pontefract for the Cathedral of Saint Paul of London (England), 1400 - Lithography from the enluminated manuscript of John (Jehan) Froissart (1337-1404), 1868 - The funeral cortege of King leaving Richard II Pontefract Castle on its way to St. Paul's in London, 1400 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
The funeral cortege of King Richard II of England (1367-1400), leaving the castle of Pontefract for the Cathedral of Saint Paul of London (England), 1400 - Lithography from the enluminated manuscript of John (Jehan) Froissart (1337-1404), 1868 - The funeral cortege of King leaving Richard II Pontefract Castle on its way to St. Paul's in London, 1400 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630119: The funeral cortege of King Richard II of England (1367-1400), leaving the castle of Pontefract for the Cathedral of Saint Paul of London (England), 1400 - Lithography from the enluminated manuscript of John (Jehan) Froissart (1337-1404), 1868 - The funeral cortege of King leaving Richard II Pontefract Castle on its way to St. Paul's in London, 1400 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

The Coronation of King Edward III of England (1312-1377), Christmas Day 1326, in the Palace of Westminster (London) - Lithography from the enluminated manuscript of John (Jehan) Froissart's Chronicles (1337-1404), 1868 - The coronation of King Edward III on Christmas Day 1326 in Westminster Palace - Coloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
The Coronation of King Edward III of England (1312-1377), Christmas Day 1326, in the Palace of Westminster (London) - Lithography from the enluminated manuscript of John (Jehan) Froissart's Chronicles (1337-1404), 1868 - The coronation of King Edward III on Christmas Day 1326 in Westminster Palace - Coloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630256: The Coronation of King Edward III of England (1312-1377), Christmas Day 1326, in the Palace of Westminster (London) - Lithography from the enluminated manuscript of John (Jehan) Froissart's Chronicles (1337-1404), 1868 - The coronation of King Edward III on Christmas Day 1326 in Westminster Palace - Coloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

The funeral of Philippe de Valois (Philippe VI of France) (1293-1350), at the cathedrale Notre Dame de Paris, in August 1350 - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The funeral of Philip of Valois, King of France, at Notre Dame in Paris August 1350 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
The funeral of Philippe de Valois (Philippe VI of France) (1293-1350), at the cathedrale Notre Dame de Paris, in August 1350 - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The funeral of Philip of Valois, King of France, at Notre Dame in Paris August 1350 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630371: The funeral of Philippe de Valois (Philippe VI of France) (1293-1350), at the cathedrale Notre Dame de Paris, in August 1350 - Lithography after the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The funeral of Philip of Valois, King of France, at Notre Dame in Paris August 1350 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

The payment of the ransom to Bayezid I for John the Fearless, 1868 (lithograph)
The payment of the ransom to Bayezid I for John the Fearless, 1868 (lithograph)

FLO4630528: The payment of the ransom to Bayezid I for John the Fearless, 1868 (lithograph) / Bridgeman Images

William IV of Hainaut (William of Wittelsbach) (1365-1417), Count of Ostrevant, took the start of the expedition to take over Friesland (Netherlands), with his army of knights, in 1396 - Lithography based on the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - William of Hainault, Count d'Ostrevant, setting out on his expedition to recapture Friesland, 1396 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
William IV of Hainaut (William of Wittelsbach) (1365-1417), Count of Ostrevant, took the start of the expedition to take over Friesland (Netherlands), with his army of knights, in 1396 - Lithography based on the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - William of Hainault, Count d'Ostrevant, setting out on his expedition to recapture Friesland, 1396 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630600: William IV of Hainaut (William of Wittelsbach) (1365-1417), Count of Ostrevant, took the start of the expedition to take over Friesland (Netherlands), with his army of knights, in 1396 - Lithography based on the enluminated manuscript of the Chronicles (1322 to 1400) by John (Jehan) Froissart (1337-1404), 1868 - William of Hainault, Count d'Ostrevant, setting out on his expedition to recapture Friesland, 1396 - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

Two men and a kamuro walking past a teahouse in Yoshiwara Nichome. Inside the barred resthouse, two courtesans play shamisen and wait for customers. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.
Two men and a kamuro walking past a teahouse in Yoshiwara Nichome. Inside the barred resthouse, two courtesans play shamisen and wait for customers. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

FLO4630767: Two men and a kamuro walking past a teahouse in Yoshiwara Nichome. Inside the barred resthouse, two courtesans play shamisen and wait for customers. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880. / Bridgeman Images

The siege of Mahdia (Tunisia) in 1390, the French and English forces set up their encampment in front of the city walls and attacked with cannons and crossboils - Lithograph of the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The siege of Mahdia, Tunisia, 90; English and French forces encamped outside the castle town attack it with cannon and crossbow - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868
The siege of Mahdia (Tunisia) in 1390, the French and English forces set up their encampment in front of the city walls and attacked with cannons and crossboils - Lithograph of the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The siege of Mahdia, Tunisia, 90; English and French forces encamped outside the castle town attack it with cannon and crossbow - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868

FLO4630433: The siege of Mahdia (Tunisia) in 1390, the French and English forces set up their encampment in front of the city walls and attacked with cannons and crossboils - Lithograph of the enluminated manuscript of the Chronicles (1322 to 1400) by Jean (Jehan) Froissart (1337-1404), 1868 - The siege of Mahdia, Tunisia, 90; English and French forces encamped outside the castle town attack it with cannon and crossbow - Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's Chronicles, London, 1868 / Bridgeman Images

Samurai in a sedan chair, courtesans and tradesmen walking in Yoshiwara. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.
Samurai in a sedan chair, courtesans and tradesmen walking in Yoshiwara. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

FLO4630813: Samurai in a sedan chair, courtesans and tradesmen walking in Yoshiwara. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880. / Bridgeman Images

Courtesans and a street entertainer with performing monkey in front of a barred shopfront in the pleasure quarters. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.
Courtesans and a street entertainer with performing monkey in front of a barred shopfront in the pleasure quarters. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

FLO4630900: Courtesans and a street entertainer with performing monkey in front of a barred shopfront in the pleasure quarters. Woodblock print by Masanobu Okumura (1686-1764) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880. / Bridgeman Images

Three oiran courtesans in kimono following a customer in the pleasure quarters. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.
Three oiran courtesans in kimono following a customer in the pleasure quarters. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

FLO4630955: Three oiran courtesans in kimono following a customer in the pleasure quarters. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880. / Bridgeman Images

Jean Alexandre Francois Delaistre as Rapalo in Lucio, or Le Chateau de Valenza, by Paul Henri Foucher and Jules-Edouard Alboize, Theatre de la Gaite, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.
Jean Alexandre Francois Delaistre as Rapalo in Lucio, or Le Chateau de Valenza, by Paul Henri Foucher and Jules-Edouard Alboize, Theatre de la Gaite, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844.

FLO4630988: Jean Alexandre Francois Delaistre as Rapalo in Lucio, or Le Chateau de Valenza, by Paul Henri Foucher and Jules-Edouard Alboize, Theatre de la Gaite, 1844. Handcoloured lithograph after an illustration by Victor Dollet from Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1844. / Bridgeman Images

Courtesans painting a large sumi-e (ink-wash painting). A samurai customer watches, and a kamuro maid prepares the ink. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.
Courtesans painting a large sumi-e (ink-wash painting). A samurai customer watches, and a kamuro maid prepares the ink. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880.

FLO4630994: Courtesans painting a large sumi-e (ink-wash painting). A samurai customer watches, and a kamuro maid prepares the ink. Woodblock print by Moronobu Hishikawa (1618-1694) from Fuzoku Emakimono, Picture Scroll of the Water Trade, Tokyo, reprint circa 1880. / Bridgeman Images

Italian tenore di grazia singer Italo Gardoni as Bothwell in Mary Stuart by Louis Niedermeyer, Academy Royale de Musique, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Italian tenore di grazia singer Italo Gardoni as Bothwell in Mary Stuart by Louis Niedermeyer, Academy Royale de Musique, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631059: Italian tenore di grazia singer Italo Gardoni as Bothwell in Mary Stuart by Louis Niedermeyer, Academy Royale de Musique, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

Paul Grassot as Tourangeot in Sylvandire by Leuven/Vanderburch, Theatre du Palais-Royal, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Paul Grassot as Tourangeot in Sylvandire by Leuven/Vanderburch, Theatre du Palais-Royal, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631329: Paul Grassot as Tourangeot in Sylvandire by Leuven/Vanderburch, Theatre du Palais-Royal, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

Pauline Dejazet in La Marquise de Carabas by Brazier and Simonnin, Theatre du Palais Royal, 1843. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Pauline Dejazet in La Marquise de Carabas by Brazier and Simonnin, Theatre du Palais Royal, 1843. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631500: Pauline Dejazet in La Marquise de Carabas by Brazier and Simonnin, Theatre du Palais Royal, 1843. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

Luciano Bouffe in the role of Nantais-le-Pensif in Les Deux Compagnons du Tour de France, by Lockroy and Jules de Wailly, Theatre des Varietes, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Luciano Bouffe in the role of Nantais-le-Pensif in Les Deux Compagnons du Tour de France, by Lockroy and Jules de Wailly, Theatre des Varietes, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631437: Luciano Bouffe in the role of Nantais-le-Pensif in Les Deux Compagnons du Tour de France, by Lockroy and Jules de Wailly, Theatre des Varietes, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

Noel Bardou as Maitre Jacques in Le Diable-a-Quatre by Delaporte, Theatre du Vaudeville, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.
Noel Bardou as Maitre Jacques in Le Diable-a-Quatre by Delaporte, Theatre du Vaudeville, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

FLO4631472: Noel Bardou as Maitre Jacques in Le Diable-a-Quatre by Delaporte, Theatre du Vaudeville, 1845. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845. / Bridgeman Images

English baritone Paul-Bernard Barroilhet as the King in L'Etoile de Seville by Michael Balfe, Royal Academy of Music, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.
English baritone Paul-Bernard Barroilhet as the King in L'Etoile de Seville by Michael Balfe, Royal Academy of Music, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

FLO4631542: English baritone Paul-Bernard Barroilhet as the King in L'Etoile de Seville by Michael Balfe, Royal Academy of Music, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. / Bridgeman Images

Landscape, 19th century (oil on canvas)
Landscape, 19th century (oil on canvas)

LRI4622015: Landscape, 19th century (oil on canvas), Pissarro, Camille (1830-1903) / Bridgeman Images

Natives of the Island of Cape Verde, early 19th century. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Natives of the Island of Cape Verde, early 19th century. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620901: Natives of the Island of Cape Verde, early 19th century. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images


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