Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2497657 Search Results

Tools of the extinct Coroados people including lip plugs, hammock, bow, arrow, axe head, and feather ornament. The Coroados lived along the Paraiba river, Sao Paulo, Brazil. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Tools of the extinct Coroados people including lip plugs, hammock, bow, arrow, axe head, and feather ornament. The Coroados lived along the Paraiba river, Sao Paulo, Brazil. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621337: Tools of the extinct Coroados people including lip plugs, hammock, bow, arrow, axe head, and feather ornament. The Coroados lived along the Paraiba river, Sao Paulo, Brazil. Handcoloured copperplate engraving by Nasi from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

Khoikhoi people and San people of Angola. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Khoikhoi people and San people of Angola. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620163: Khoikhoi people and San people of Angola. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Coins and medals from ancient Egypt, including portraits of Ptolemy Euergetes 1,13, Berenice 2, Arsinoe 3, Ptolemy II Philadelphus 4, Arsinoe 5, Ptolemy V Epiphanes 6, Ptolemy VIII Physcon 7, Ptolemy IX Lathyros 8, Ptolemy XI Alexander 9, Ptolemy XII Auletes 10, and Cleopatra 12. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Coins and medals from ancient Egypt, including portraits of Ptolemy Euergetes 1,13, Berenice 2, Arsinoe 3, Ptolemy II Philadelphus 4, Arsinoe 5, Ptolemy V Epiphanes 6, Ptolemy VIII Physcon 7, Ptolemy IX Lathyros 8, Ptolemy XI Alexander 9, Ptolemy XII Auletes 10, and Cleopatra 12. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4619823: Coins and medals from ancient Egypt, including portraits of Ptolemy Euergetes 1,13, Berenice 2, Arsinoe 3, Ptolemy II Philadelphus 4, Arsinoe 5, Ptolemy V Epiphanes 6, Ptolemy VIII Physcon 7, Ptolemy IX Lathyros 8, Ptolemy XI Alexander 9, Ptolemy XII Auletes 10, and Cleopatra 12. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Costume of the noble ladies married to whites or mulattos of Ndor (Saint-Louis), Senegal. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Costume of the noble ladies married to whites or mulattos of Ndor (Saint-Louis), Senegal. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4619945: Costume of the noble ladies married to whites or mulattos of Ndor (Saint-Louis), Senegal. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Costumes of the Bijagos women, native to Cazegut in the Bissagos Islands off Guinea Bissau. Women with their hair dyed red and dressed with palm oil, and grass skirts. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Costumes of the Bijagos women, native to Cazegut in the Bissagos Islands off Guinea Bissau. Women with their hair dyed red and dressed with palm oil, and grass skirts. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4619988: Costumes of the Bijagos women, native to Cazegut in the Bissagos Islands off Guinea Bissau. Women with their hair dyed red and dressed with palm oil, and grass skirts. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

La Musique Jeune femme de condition sociale very modest embodying music, a score in hand. Painting by Salvator (Salvatore) Rosa (1615-1673) 17th century Sun. 75x62 cm Rome, Galleria Nazionale d'Arte Antica di Palazzo Corsini
La Musique Jeune femme de condition sociale very modest embodying music, a score in hand. Painting by Salvator (Salvatore) Rosa (1615-1673) 17th century Sun. 75x62 cm Rome, Galleria Nazionale d'Arte Antica di Palazzo Corsini

LRI4620227: La Musique Jeune femme de condition sociale very modest embodying music, a score in hand. Painting by Salvator (Salvatore) Rosa (1615-1673) 17th century Sun. 75x62 cm Rome, Galleria Nazionale d'Arte Antica di Palazzo Corsini, Rosa, Salvator (1615-73) / Bridgeman Images

Village of the Tswana or Batswana (Bechuana), South Africa. Circular hut, kraal, reed fence and cattle. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Village of the Tswana or Batswana (Bechuana), South Africa. Circular hut, kraal, reed fence and cattle. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620247: Village of the Tswana or Batswana (Bechuana), South Africa. Circular hut, kraal, reed fence and cattle. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

House in Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
House in Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620324: House in Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Tools and weapons of the Camacan people of Bahia, Brazil. Bow 1, arrow 2,3, woven apron 4, bag 5, headdress with foliage 6, a gourd percussion instrument or kechieeh 7, and a bundle of dried leaves or herenehedioca 8. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.
Tools and weapons of the Camacan people of Bahia, Brazil. Bow 1, arrow 2,3, woven apron 4, bag 5, headdress with foliage 6, a gourd percussion instrument or kechieeh 7, and a bundle of dried leaves or herenehedioca 8. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.

FLO4621419: Tools and weapons of the Camacan people of Bahia, Brazil. Bow 1, arrow 2,3, woven apron 4, bag 5, headdress with foliage 6, a gourd percussion instrument or kechieeh 7, and a bundle of dried leaves or herenehedioca 8. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842. / Bridgeman Images

Interior of a large communal house in Nootka Sound, with villagers smoking and drying fish, sleeping and caring for children. The beams are decorated with large totemic faces. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
Interior of a large communal house in Nootka Sound, with villagers smoking and drying fish, sleeping and caring for children. The beams are decorated with large totemic faces. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621639: Interior of a large communal house in Nootka Sound, with villagers smoking and drying fish, sleeping and caring for children. The beams are decorated with large totemic faces. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

View of sailing ships in the South Bay of Spitsbergen island, Norway. Handcoloured copperplate engraving by Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
View of sailing ships in the South Bay of Spitsbergen island, Norway. Handcoloured copperplate engraving by Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621744: View of sailing ships in the South Bay of Spitsbergen island, Norway. Handcoloured copperplate engraving by Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

Interior of the Great Pyramid of Cheops (Khufu), Giza, Egypt. Arab men with torches climbing walls and staircases in a narrow room. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Interior of the Great Pyramid of Cheops (Khufu), Giza, Egypt. Arab men with torches climbing walls and staircases in a narrow room. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620600: Interior of the Great Pyramid of Cheops (Khufu), Giza, Egypt. Arab men with torches climbing walls and staircases in a narrow room. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

The observatory of the Sun Scientists observing the sun at long sight. Painting by Donato Creti (1671-1749) 18th century Rome Pinacoteca Vaticana
The observatory of the Sun Scientists observing the sun at long sight. Painting by Donato Creti (1671-1749) 18th century Rome Pinacoteca Vaticana

LRI4620796: The observatory of the Sun Scientists observing the sun at long sight. Painting by Donato Creti (1671-1749) 18th century Rome Pinacoteca Vaticana, Creti, Donato (1671-1749) / Bridgeman Images

Wrapped Reichstag, Project for Berlin, 1995 (photo)
Wrapped Reichstag, Project for Berlin, 1995 (photo)

OMG4620811: Wrapped Reichstag, Project for Berlin, 1995 (photo), Christo (1935-2020) & Jeanne-Claude de (1935-2009) / Bridgeman Images

Wrapped Reichstag, Project for Berlin, 1995 (photo)
Wrapped Reichstag, Project for Berlin, 1995 (photo)

OMG4620820: Wrapped Reichstag, Project for Berlin, 1995 (photo), Christo (1935-2020) & Jeanne-Claude de (1935-2009) / Bridgeman Images

Heads of various natives of Egypt, ancient Egyptian 1, copts 2, mamluks 3, and arabs 4, in turbans and beards. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1847.
Heads of various natives of Egypt, ancient Egyptian 1, copts 2, mamluks 3, and arabs 4, in turbans and beards. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1847.

FLO4620824: Heads of various natives of Egypt, ancient Egyptian 1, copts 2, mamluks 3, and arabs 4, in turbans and beards. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1847. / Bridgeman Images

The pier of Algiers harbour, early 19th century. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
The pier of Algiers harbour, early 19th century. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620838: The pier of Algiers harbour, early 19th century. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Egyptian gods Horus, Harpocrates 1-4, Typhon or Set 5-8, and vulture god Nehkbet 9. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Egyptian gods Horus, Harpocrates 1-4, Typhon or Set 5-8, and vulture god Nehkbet 9. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620455: Egyptian gods Horus, Harpocrates 1-4, Typhon or Set 5-8, and vulture god Nehkbet 9. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Interior of an Egyptian burial chamber with hieroglyphic murals. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Interior of an Egyptian burial chamber with hieroglyphic murals. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620496: Interior of an Egyptian burial chamber with hieroglyphic murals. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Egyptian wedding and funeral rites, 18th century. A wedding party under a huge canopy follows a group of musicians and acrobats. Below, a dead body is carried under a winding cloth and followed by a band of mourners. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Egyptian wedding and funeral rites, 18th century. A wedding party under a huge canopy follows a group of musicians and acrobats. Below, a dead body is carried under a winding cloth and followed by a band of mourners. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620541: Egyptian wedding and funeral rites, 18th century. A wedding party under a huge canopy follows a group of musicians and acrobats. Below, a dead body is carried under a winding cloth and followed by a band of mourners. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

The gate of Cairo, Egypt, 1820s. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
The gate of Cairo, Egypt, 1820s. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620651: The gate of Cairo, Egypt, 1820s. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Soldiers and weapons of Carthage. Carthaginian soldiers in breastplate and helmet 1,2, Hannibal's shield 3, and war machine 4, a battering ram within a portable hut covered in cowhide. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Soldiers and weapons of Carthage. Carthaginian soldiers in breastplate and helmet 1,2, Hannibal's shield 3, and war machine 4, a battering ram within a portable hut covered in cowhide. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620762: Soldiers and weapons of Carthage. Carthaginian soldiers in breastplate and helmet 1,2, Hannibal's shield 3, and war machine 4, a battering ram within a portable hut covered in cowhide. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Native Americans grilling and roasting fish, boiling meat with hominy, and a couple seated on a mat eating from a plate between their legs. From illustrations by John White. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1841.
Native Americans grilling and roasting fish, boiling meat with hominy, and a couple seated on a mat eating from a plate between their legs. From illustrations by John White. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1841.

FLO4622004: Native Americans grilling and roasting fish, boiling meat with hominy, and a couple seated on a mat eating from a plate between their legs. From illustrations by John White. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1841. / Bridgeman Images

Village road (oil on canvas, 1903-1904)
Village road (oil on canvas, 1903-1904)

LRI4621023: Village road (oil on canvas, 1903-1904), Fattori, Giovanni (1825-1908) / Bridgeman Images

View of Harvard College, Boston, early 19th century. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
View of Harvard College, Boston, early 19th century. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621848: View of Harvard College, Boston, early 19th century. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

William Penn and Native Americans at the foundation of Philadelphia (1682). Handcoloured copperplate engraving by Sasso after the painting William Penn's Treaty with the Indians by Benjamin West from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
William Penn and Native Americans at the foundation of Philadelphia (1682). Handcoloured copperplate engraving by Sasso after the painting William Penn's Treaty with the Indians by Benjamin West from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621867: William Penn and Native Americans at the foundation of Philadelphia (1682). Handcoloured copperplate engraving by Sasso after the painting William Penn's Treaty with the Indians by Benjamin West from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

Decorated horn and Runic tablets of the Vikings. Handcoloured copperplate engraving by Giarre from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Decorated horn and Runic tablets of the Vikings. Handcoloured copperplate engraving by Giarre from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4623092: Decorated horn and Runic tablets of the Vikings. Handcoloured copperplate engraving by Giarre from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

View of the Grand Plaza of Mexico City, circa 1820. Handcoloured copperplate engraving by R. F. from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
View of the Grand Plaza of Mexico City, circa 1820. Handcoloured copperplate engraving by R. F. from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4622221: View of the Grand Plaza of Mexico City, circa 1820. Handcoloured copperplate engraving by R. F. from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Carroccio, a four-wheeled war altar, with huge vexillum standard, drawn by six oxen, used in battle by the medieval republics of Italy. Handcoloured copperplate engraving by Verico after Giuseppe Bramati from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844
Carroccio, a four-wheeled war altar, with huge vexillum standard, drawn by six oxen, used in battle by the medieval republics of Italy. Handcoloured copperplate engraving by Verico after Giuseppe Bramati from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844

FLO4623379: Carroccio, a four-wheeled war altar, with huge vexillum standard, drawn by six oxen, used in battle by the medieval republics of Italy. Handcoloured copperplate engraving by Verico after Giuseppe Bramati from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844 / Bridgeman Images

Iroquois women dancing to music played by men on drums and percussion. Handcoloured copperplate engraving by Fr. Setti from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
Iroquois women dancing to music played by men on drums and percussion. Handcoloured copperplate engraving by Fr. Setti from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621850: Iroquois women dancing to music played by men on drums and percussion. Handcoloured copperplate engraving by Fr. Setti from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

Native American (Timucuan) tattooed chief in painted deerskin robe accompanied by his wives in necklaces and sashes, and two servant boys with fans. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1841.
Native American (Timucuan) tattooed chief in painted deerskin robe accompanied by his wives in necklaces and sashes, and two servant boys with fans. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1841.

FLO4621994: Native American (Timucuan) tattooed chief in painted deerskin robe accompanied by his wives in necklaces and sashes, and two servant boys with fans. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1841. / Bridgeman Images

Aztec bas-relief depicting ancient warriors. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Aztec bas-relief depicting ancient warriors. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4622051: Aztec bas-relief depicting ancient warriors. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Teocalli temple pyramid of the Aztecs, Mexico city. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Teocalli temple pyramid of the Aztecs, Mexico city. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4622083: Teocalli temple pyramid of the Aztecs, Mexico city. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Red bull's mouth orchid, Chysis bruennowiana (Chysis aurea var. maculata). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851.
Red bull's mouth orchid, Chysis bruennowiana (Chysis aurea var. maculata). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851.

FLO4629637: Red bull's mouth orchid, Chysis bruennowiana (Chysis aurea var. maculata). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1851. / Bridgeman Images

Palmgrass, Setaria palmifolia (Panicum plicatum foliis level-vittatis). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1867.
Palmgrass, Setaria palmifolia (Panicum plicatum foliis level-vittatis). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1867.

FLO4629247: Palmgrass, Setaria palmifolia (Panicum plicatum foliis level-vittatis). Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1867. / Bridgeman Images

Bloodleaf, Iresine lindenii. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1867-1868.
Bloodleaf, Iresine lindenii. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1867-1868.

FLO4629252: Bloodleaf, Iresine lindenii. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1867-1868. / Bridgeman Images


Back to top