ID: KNT4597785

Bianca Stephens and Hayley Carmichael in The Burning Tower by Helena Thompson at Kensal House Estate. S.P.I.D. Theatre in association with Bush Theatre, September 2018 (photo)

Kenton, Tristam

ID: KNT4597853

Duane Gosa in Dying Swan by Les Ballets Trockadero De Monte Carlo at Peacock Theatre, London, September 2018 (photo)

Kenton, Tristam

ID: FLO4597702

Sunbittern, Eurypyga helias, purple swamphen, Porphyrio porphyrio, and common moorhen, Gallinula chloropus. Handcoloured engraving on steel by Fournier after a drawing by Edouard Travies from Richard's “New Edition of the Complete Works of Buffon,”” Pourrat Freres, Paris, 1837.

ID: KNT4597783

Alice Franziska and Bianca Stephens in The Burning Tower by Helena Thompson at Kensal House Estate. S.P.I.D. Theatre in association with Bush Theatre, September 2018 (photo)

Kenton, Tristam

ID: LRI4597343

Ceramic plate decoree of the representation of Scipio l'Africain (185-129 BC) produced in Deruta, Italy. 1520 around Florence, Museo Nazionale del Bargello

Italian School, (16th century)

ID: KNT4597851

Duane Gosa in Dying Swan by Les Ballets Trockadero De Monte Carlo at Peacock Theatre, London, September 2018 (photo)

Kenton, Tristam

ID: FLO4598165

The bull carcass is dragged out of the bullring by a team of mules decorated with flags. Chromolithograph by E. Casanova after an illustration by Daniel Perea from Bullfight, Corrida del Toros, Madrid, Boronat & Satorre, 1894.

ID: KNT4597916

Natalia Osipova and David Hallberg in The Leaves Are Fading from Pure Dance by Natalia Osipova at Sadler's Wells, September 2018 (photo)

Kenton, Tristam

ID: FLO4593887

Pneumatics of the Girandoni air rifle showing the air reservoir in the butt and lead bullets in a magazine, and loading mechanism. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

ID: LRI4593437

Terracotta pyxis with scene of palaestra with athletes, 550-500 BC

Etruscan, (6th century BC)

ID: FLO4594049

Ancient Roman armour, helmet, breastplate, shield and weapons from the British Museum, Bartoli's Triumphal Arches and Sir William Hamilton's vases. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

ID: FLO4594063

Artillery: Aries or wooden battering ram and catapult used by Lord Heathfield at the siege of Gibraltar. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

ID: FLO4594434

Cepe de Bordeaux (Boletus edulis) - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi””, edition Robert Hardwicke, London, 1862

ID: LRI4594097

Venere Italica. Marble sculpture, 1810

Canova, Antonio (1757-1822)

ID: LRI4593930

Detail of Roman constructions (opus mixtum (or Opus vagecum and Opus compositum), 5th century BC-1st century AD

Roman

ID: FLO4593941

Single Welsh harp, ancient triple Welsh harp and modern triple Welsh harp. Copperplate engraving by John Lee from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

ID: LRI4594271

Virgin and Child and Angel. 15th century (Terracotta low relief)

Della Robbia, Luca (1400-82)

ID: FLO4594851

Mr. Edward Knight as Hodge in the opera “Love in a Village” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by George Clint. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

ID: FLO4594571

Dress (Dress) of the reign of King Richard II, 1377-1399. She carries the king's badge or cognizance, a white hart with a crown of gold on its neck. Her fur-trimmed dress is sky blue with white embroidered lilies, part of the king's crest. Based on Caxton, Froissart, Gower, Confessio Amantis, Chaucer. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

ID: FLO4594898

Mr. John Cooper as Clement Cleveland in “The Pirate” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Michael William Sharp. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

ID: FLO4594977

Miss Felicite Hullin, dancer, in the ballet “” La Paysanne Supposee”” at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

ID: FLO4594793

Dress (Dress) of the reign of George III, 1760-1820. Woman in feathered headdress, gown of purple silk with lace sleeves, large hooped petticoats with bunches of flowers. Wardrobes preserved of the court of Queen Charlotte. Prints and recollections of the style, and the panier hoop still in the possession of a lady. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

ID: FLO4594929

Mr. Etienne le Blond, ballet dancer, at the Theatre Royal Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

ID: FLO4594957

Miss Harriet Constance Smithson as Miss Dorrillon in “Wives as They Were and Maids as They Are” the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by George Clint. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

ID: LRI4595038

David Wax sculpture attributed to Michelangelo Buonarroti dit Michelangelo (Michelangelo or Michel Ange, 1475 - 1564), 16th century. Dim. 56 cm Firenze, Casa Buonarroti

Buonarroti, Michelangelo (1475-1564) (attr.to)

ID: FLO4595098

Peach varieties, Prunus persica: Duke of Marlborough's Peach, blossom, Rumbullion Peach and segment showing stone and flesh. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

ID: FLO4595120

Currant varieties: Blackcurrant, Ribes nigrum; Dutch redcurrant, Ribes rubrum; and white currant, Ribes glandulosum. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

ID: TEC4595211

Statue of Charles de Gaulle on the Champs Elysees, Paris (bronze)

Cardot, Jean (1930-2020)

ID: FLO4595252

Pear varieties, Pyrus communis: Winter Swan's Egg and Easter Bergamot. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

ID: FLO4595550

Sporophile small singer and big African beak - Cuban grassquit, Tiaris canorus, and unknown African grosbeak. (Brown-cheeked grosbeak, Loxia canora, and black-bellied grosbeak, Loxia afra or Loxia melanogastra). From the collection of Marmaduke Tunstall. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.

ID: LRI4595583

Map of the Indostan (Hindustan) at the top of the Ganges, c.1567. (mural painting)

Danti, Egnazio (1536-86)

ID: FLO4595255

Different kinds of figs, fig fruit - Fig varieties, Ficus carica: Brown Malta, White Marseilles, Purple Fig and Brown Naples or Italian Fig. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

ID: FLO4595112

Peach varieties, Prunus persica: Bourdine, blossom, leaf, and Nivette or Bel de Vitry. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

ID: FLO4595383

Cherry varieties, Prunus avium: the Bleeding-Heart, Ox-Heart and MapleHeart. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

ID: LRI4595504

Moscow region Map, c.1567. (mural painting)

Danti, Egnazio (1536-86)

ID: LRI4595565

Map of India, c.1567. (mural painting)

Danti, Egnazio (1536-86)