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Thomas Baskerville, whimsical enthusiast, recluse and Oxford scholar, aged 70. Engraving by George Cruikshank from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
Thomas Baskerville, whimsical enthusiast, recluse and Oxford scholar, aged 70. Engraving by George Cruikshank from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4601782: Thomas Baskerville, whimsical enthusiast, recluse and Oxford scholar, aged 70. Engraving by George Cruikshank from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

ID: FLO4601782

Thomas Baskerville, whimsical enthusiast, recluse and Oxford scholar, aged 70. Engraving by George Cruikshank from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

William Atkins, eccentric quack doctor known as the Gout Doctor, 18th century. Engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
William Atkins, eccentric quack doctor known as the Gout Doctor, 18th century. Engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4601796: William Atkins, eccentric quack doctor known as the Gout Doctor, 18th century. Engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

ID: FLO4601796

William Atkins, eccentric quack doctor known as the Gout Doctor, 18th century. Engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

Henry Evans, died 1771 aged 129. Engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
Henry Evans, died 1771 aged 129. Engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4601969: Henry Evans, died 1771 aged 129. Engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

ID: FLO4601969

Henry Evans, died 1771 aged 129. Engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

Andrew Fletcher, republican and Monmouth supporter, died 1716. Engraving by W. Maddocks from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
Andrew Fletcher, republican and Monmouth supporter, died 1716. Engraving by W. Maddocks from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4601976: Andrew Fletcher, republican and Monmouth supporter, died 1716. Engraving by W. Maddocks from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

ID: FLO4601976

Andrew Fletcher, republican and Monmouth supporter, died 1716. Engraving by W. Maddocks from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

John Keiling, Blind Jack, London street performer on the flageolet with his nose. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
John Keiling, Blind Jack, London street performer on the flageolet with his nose. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4602026: John Keiling, Blind Jack, London street performer on the flageolet with his nose. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

ID: FLO4602026

John Keiling, Blind Jack, London street performer on the flageolet with his nose. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

Edward King, Abel Roper's man Toby, his face covered with warts, died 1726. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
Edward King, Abel Roper's man Toby, his face covered with warts, died 1726. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4602037: Edward King, Abel Roper's man Toby, his face covered with warts, died 1726. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

ID: FLO4602037

Edward King, Abel Roper's man Toby, his face covered with warts, died 1726. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

James Poro and his parasitic twin Matthew, exhibited in 1704 in London. Engraving by W. Maddocks from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
James Poro and his parasitic twin Matthew, exhibited in 1704 in London. Engraving by W. Maddocks from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4602057: James Poro and his parasitic twin Matthew, exhibited in 1704 in London. Engraving by W. Maddocks from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

ID: FLO4602057

James Poro and his parasitic twin Matthew, exhibited in 1704 in London. Engraving by W. Maddocks from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

John Ker, of Kersland, Scottish spy during the Jacobite rebellion, died 1726. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
John Ker, of Kersland, Scottish spy during the Jacobite rebellion, died 1726. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4602321: John Ker, of Kersland, Scottish spy during the Jacobite rebellion, died 1726. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

ID: FLO4602321

John Ker, of Kersland, Scottish spy during the Jacobite rebellion, died 1726. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

John Hardman, corn cutter and bunion doctor to King William III. Engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
John Hardman, corn cutter and bunion doctor to King William III. Engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4602006: John Hardman, corn cutter and bunion doctor to King William III. Engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

ID: FLO4602006

John Hardman, corn cutter and bunion doctor to King William III. Engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

Nathaniel Oldham, who spent his inheritance on hunting and the races, died in the king's bench prison. From a painting by Faber showing him in green velvet hunting coat and jockey cap, with dog and gun. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
Nathaniel Oldham, who spent his inheritance on hunting and the races, died in the king's bench prison. From a painting by Faber showing him in green velvet hunting coat and jockey cap, with dog and gun. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4602362: Nathaniel Oldham, who spent his inheritance on hunting and the races, died in the king's bench prison. From a painting by Faber showing him in green velvet hunting coat and jockey cap, with dog and gun. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

ID: FLO4602362

Nathaniel Oldham, who spent his inheritance on hunting and the races, died in the king's bench prison. From a painting by Faber showing him in green velvet hunting coat and jockey cap, with dog and gun. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

John Dennis, critic and playwright, and writer of turgid, heavy and obscure poetry. Died 1734. Copperplate engraving by J. van Gucht from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
John Dennis, critic and playwright, and writer of turgid, heavy and obscure poetry. Died 1734. Copperplate engraving by J. van Gucht from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4601950: John Dennis, critic and playwright, and writer of turgid, heavy and obscure poetry. Died 1734. Copperplate engraving by J. van Gucht from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

ID: FLO4601950

John Dennis, critic and playwright, and writer of turgid, heavy and obscure poetry. Died 1734. Copperplate engraving by J. van Gucht from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

Virgin with child with st Catherine and st Mary Magdalene (tempera on panel, 1490)
Virgin with child with st Catherine and st Mary Magdalene (tempera on panel, 1490)

LRI4601984: Virgin with child with st Catherine and st Mary Magdalene (tempera on panel, 1490), Bellini, Giovanni (c.1430-1516) / Bridgeman Images

ID: LRI4601984

Virgin with child with st Catherine and st Mary Magdalene (tempera on panel, 1490)

Bellini, Giovanni (c.1430-1516)

St Agnes of Rome and St Martina of Rome (Fresco, 1495)
St Agnes of Rome and St Martina of Rome (Fresco, 1495)

LRI4602166: St Agnes of Rome and St Martina of Rome (Fresco, 1495), Ambrogio da Fossano (Il Bergognone) (c.1460-1523) / Bridgeman Images

ID: LRI4602166

St Agnes of Rome and St Martina of Rome (Fresco, 1495)

Ambrogio da Fossano (Il Bergognone) (c.1460-1523)

Henry Carey, illegimate son of George Saville, Marquis of Halifax, writer and composer. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
Henry Carey, illegimate son of George Saville, Marquis of Halifax, writer and composer. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4602185: Henry Carey, illegimate son of George Saville, Marquis of Halifax, writer and composer. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

ID: FLO4602185

Henry Carey, illegimate son of George Saville, Marquis of Halifax, writer and composer. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

Muhammad Caratha, the Turkish Equilibriest, celebrated 18th century rope and wire dancer. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.
Muhammad Caratha, the Turkish Equilibriest, celebrated 18th century rope and wire dancer. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.

FLO4602298: Muhammad Caratha, the Turkish Equilibriest, celebrated 18th century rope and wire dancer. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819. / Bridgeman Images

ID: FLO4602298

Muhammad Caratha, the Turkish Equilibriest, celebrated 18th century rope and wire dancer. Copperplate engraving by R. Grave from John Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, Young, London, 1819.

Christopher Layer, rebel supporter executed for treason at Tyburn, 1723. Engraving by from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
Christopher Layer, rebel supporter executed for treason at Tyburn, 1723. Engraving by from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4602336: Christopher Layer, rebel supporter executed for treason at Tyburn, 1723. Engraving by from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

ID: FLO4602336

Christopher Layer, rebel supporter executed for treason at Tyburn, 1723. Engraving by from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

Portrait of Mademoiselle Lantelme Young woman dresses in black fashion Belle Epoque. Painting by Giovanni Boldini (1842-1931) 1907 Sun. 227x118 cm Rome, Galleria Nazionale d'Arte Moderna
Portrait of Mademoiselle Lantelme Young woman dresses in black fashion Belle Epoque. Painting by Giovanni Boldini (1842-1931) 1907 Sun. 227x118 cm Rome, Galleria Nazionale d'Arte Moderna

LRI4602339: Portrait of Mademoiselle Lantelme Young woman dresses in black fashion Belle Epoque. Painting by Giovanni Boldini (1842-1931) 1907 Sun. 227x118 cm Rome, Galleria Nazionale d'Arte Moderna, Boldini, Giovanni (1842-1931) / Bridgeman Images

ID: LRI4602339

Portrait of Mademoiselle Lantelme Young woman dresses in black fashion Belle Epoque. Painting by Giovanni Boldini (1842-1931) 1907 Sun. 227x118 cm Rome, Galleria Nazionale d'Arte Moderna

Boldini, Giovanni (1842-1931)

Louis Maximilian Muhammad, Turkish servant to King George I, died 1726. Engraving by W. Maddocks from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
Louis Maximilian Muhammad, Turkish servant to King George I, died 1726. Engraving by W. Maddocks from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4602350: Louis Maximilian Muhammad, Turkish servant to King George I, died 1726. Engraving by W. Maddocks from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

ID: FLO4602350

Louis Maximilian Muhammad, Turkish servant to King George I, died 1726. Engraving by W. Maddocks from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

Rigging plans for sailing ships, 18th century. Copperplate engraving by Milton after an illustration by J. Glover from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819.
Rigging plans for sailing ships, 18th century. Copperplate engraving by Milton after an illustration by J. Glover from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819.

FLO4593360: Rigging plans for sailing ships, 18th century. Copperplate engraving by Milton after an illustration by J. Glover from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819. / Bridgeman Images

ID: FLO4593360

Rigging plans for sailing ships, 18th century. Copperplate engraving by Milton after an illustration by J. Glover from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819.

Nautical engineering: Captain William Bolton's machine for drawing bolts, Mr Phillips' tubes for driving bolts, bits, ring rope, application of the messenger and nippers, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey Jr. from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.
Nautical engineering: Captain William Bolton's machine for drawing bolts, Mr Phillips' tubes for driving bolts, bits, ring rope, application of the messenger and nippers, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey Jr. from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.

FLO4593389: Nautical engineering: Captain William Bolton's machine for drawing bolts, Mr Phillips' tubes for driving bolts, bits, ring rope, application of the messenger and nippers, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey Jr. from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816. / Bridgeman Images

ID: FLO4593389

Nautical engineering: Captain William Bolton's machine for drawing bolts, Mr Phillips' tubes for driving bolts, bits, ring rope, application of the messenger and nippers, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey Jr. from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.

Etruscan civilization: “” kouros”” Bronze sculpture, 520-500 BC Dim 12 cm (Etruscan art, kouros, bronze sculpture, 520-500 BC, Dim 12 cm) Florence, Museo Archeologico
Etruscan civilization: “” kouros”” Bronze sculpture, 520-500 BC Dim 12 cm (Etruscan art, kouros, bronze sculpture, 520-500 BC, Dim 12 cm) Florence, Museo Archeologico

LRI4593407: Etruscan civilization: “” kouros”” Bronze sculpture, 520-500 BC Dim 12 cm (Etruscan art, kouros, bronze sculpture, 520-500 BC, Dim 12 cm) Florence, Museo Archeologico, Etruscan, (6th century BC) / Bridgeman Images

ID: LRI4593407

Etruscan civilization: “” kouros”” Bronze sculpture, 520-500 BC Dim 12 cm (Etruscan art, kouros, bronze sculpture, 520-500 BC, Dim 12 cm) Florence, Museo Archeologico

Etruscan, (6th century BC)

Compound microscope mechanisms and parts including Adams' and Martin's Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Compound microscope mechanisms and parts including Adams' and Martin's Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593789: Compound microscope mechanisms and parts including Adams' and Martin's Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593789

Compound microscope mechanisms and parts including Adams' and Martin's Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Cometarium, a mechanical device designed to illustrate the motion of a comet about the Sun. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Cometarium, a mechanical device designed to illustrate the motion of a comet about the Sun. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593815: Cometarium, a mechanical device designed to illustrate the motion of a comet about the Sun. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593815

Cometarium, a mechanical device designed to illustrate the motion of a comet about the Sun. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Rigging for sailing ships, including cordage, bale slings, butt slings, can hook slings, ropes, blocks and pulleys, 18th century. Copperplate engraving by Milton after an illustration by J. Glover from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.
Rigging for sailing ships, including cordage, bale slings, butt slings, can hook slings, ropes, blocks and pulleys, 18th century. Copperplate engraving by Milton after an illustration by J. Glover from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.

FLO4593384: Rigging for sailing ships, including cordage, bale slings, butt slings, can hook slings, ropes, blocks and pulleys, 18th century. Copperplate engraving by Milton after an illustration by J. Glover from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816. / Bridgeman Images

ID: FLO4593384

Rigging for sailing ships, including cordage, bale slings, butt slings, can hook slings, ropes, blocks and pulleys, 18th century. Copperplate engraving by Milton after an illustration by J. Glover from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.

The etruscan goddess Menerva (Menrva) - Bronze sculpture, 440-420 BC
The etruscan goddess Menerva (Menrva) - Bronze sculpture, 440-420 BC

LRI4593390: The etruscan goddess Menerva (Menrva) - Bronze sculpture, 440-420 BC, Etruscan, (5th century BC) / Bridgeman Images

ID: LRI4593390

The etruscan goddess Menerva (Menrva) - Bronze sculpture, 440-420 BC

Etruscan, (5th century BC)

Pneumatics: barometer, section, elevation, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.
Pneumatics: barometer, section, elevation, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.

FLO4593523: Pneumatics: barometer, section, elevation, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816. / Bridgeman Images

ID: FLO4593523

Pneumatics: barometer, section, elevation, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.

Ancient Roman musical instruments. A timbrel of Basque drum (1), a citharistria or female minstrel (2), a double Lithuus (3), Pan playing on the syrinx (4), a bacchanal playing on two flutes of the same pitch, tibiae pares (5), antique theatrical masks (6,7), and a genuine ancient metalline Lithuus (8). Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Ancient Roman musical instruments. A timbrel of Basque drum (1), a citharistria or female minstrel (2), a double Lithuus (3), Pan playing on the syrinx (4), a bacchanal playing on two flutes of the same pitch, tibiae pares (5), antique theatrical masks (6,7), and a genuine ancient metalline Lithuus (8). Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593639: Ancient Roman musical instruments. A timbrel of Basque drum (1), a citharistria or female minstrel (2), a double Lithuus (3), Pan playing on the syrinx (4), a bacchanal playing on two flutes of the same pitch, tibiae pares (5), antique theatrical masks (6,7), and a genuine ancient metalline Lithuus (8). Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593639

Ancient Roman musical instruments. A timbrel of Basque drum (1), a citharistria or female minstrel (2), a double Lithuus (3), Pan playing on the syrinx (4), a bacchanal playing on two flutes of the same pitch, tibiae pares (5), antique theatrical masks (6,7), and a genuine ancient metalline Lithuus (8). Copperplate engraving from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

John Smeaton's water pressure engine, elevations and sections of valve, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1812.
John Smeaton's water pressure engine, elevations and sections of valve, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1812.

FLO4593415: John Smeaton's water pressure engine, elevations and sections of valve, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1812. / Bridgeman Images

ID: FLO4593415

John Smeaton's water pressure engine, elevations and sections of valve, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1812.

Pneumatics ventilator, section and plan, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817.
Pneumatics ventilator, section and plan, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817.

FLO4593496: Pneumatics ventilator, section and plan, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817. / Bridgeman Images

ID: FLO4593496

Pneumatics ventilator, section and plan, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817.

Quarries, pits and mines, sections of their drainage systems, and the Quendon barrow for carrying water. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Quarries, pits and mines, sections of their drainage systems, and the Quendon barrow for carrying water. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593601: Quarries, pits and mines, sections of their drainage systems, and the Quendon barrow for carrying water. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593601

Quarries, pits and mines, sections of their drainage systems, and the Quendon barrow for carrying water. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Clock with chimes showing clockwork mechanism. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Clock with chimes showing clockwork mechanism. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593679: Clock with chimes showing clockwork mechanism. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593679

Clock with chimes showing clockwork mechanism. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Clockwork mechanism showing the striking part with one wheel and pinion, Huygheus' endless cord, forcing spring, bolt and shutter. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Clockwork mechanism showing the striking part with one wheel and pinion, Huygheus' endless cord, forcing spring, bolt and shutter. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593719: Clockwork mechanism showing the striking part with one wheel and pinion, Huygheus' endless cord, forcing spring, bolt and shutter. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593719

Clockwork mechanism showing the striking part with one wheel and pinion, Huygheus' endless cord, forcing spring, bolt and shutter. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Dial work of a clock showing the moon age, lunar phase, etc. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Dial work of a clock showing the moon age, lunar phase, etc. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593785: Dial work of a clock showing the moon age, lunar phase, etc. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593785

Dial work of a clock showing the moon age, lunar phase, etc. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Interior mechanism of an English church organ showing pipes, bellows, stops, keys, choir, swell and great organ. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Interior mechanism of an English church organ showing pipes, bellows, stops, keys, choir, swell and great organ. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593808: Interior mechanism of an English church organ showing pipes, bellows, stops, keys, choir, swell and great organ. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4593808

Interior mechanism of an English church organ showing pipes, bellows, stops, keys, choir, swell and great organ. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

View of the house called casa a Graticcio, 5th century BC-1st century AD
View of the house called casa a Graticcio, 5th century BC-1st century AD

LRI4593851: View of the house called casa a Graticcio, 5th century BC-1st century AD, Roman / Bridgeman Images

ID: LRI4593851

View of the house called casa a Graticcio, 5th century BC-1st century AD

Roman

Designs for a rotative roof for an astronomical telescope by Reverend William Pearson and John Smeaton. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Designs for a rotative roof for an astronomical telescope by Reverend William Pearson and John Smeaton. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4594306: Designs for a rotative roof for an astronomical telescope by Reverend William Pearson and John Smeaton. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4594306

Designs for a rotative roof for an astronomical telescope by Reverend William Pearson and John Smeaton. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.


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