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Transit instruments for moving telescopes and other astronomical instruments. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Transit instruments for moving telescopes and other astronomical instruments. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4594361: Transit instruments for moving telescopes and other astronomical instruments. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4594361

Transit instruments for moving telescopes and other astronomical instruments. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Ancient bronzes of warriors in armour from the collection of Peter Knight. (A, D) and in the British Museum (B, C). Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Ancient bronzes of warriors in armour from the collection of Peter Knight. (A, D) and in the British Museum (B, C). Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4594028: Ancient bronzes of warriors in armour from the collection of Peter Knight. (A, D) and in the British Museum (B, C). Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4594028

Ancient bronzes of warriors in armour from the collection of Peter Knight. (A, D) and in the British Museum (B, C). Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

the Nativity or Adoration of Baby Jesus (polychrome terracotta)
the Nativity or Adoration of Baby Jesus (polychrome terracotta)

LRI4594281: the Nativity or Adoration of Baby Jesus (polychrome terracotta), Della Robbia, Andrea (1435-1525/28) / Bridgeman Images

ID: LRI4594281

the Nativity or Adoration of Baby Jesus (polychrome terracotta)

Della Robbia, Andrea (1435-1525/28)

Presbyteres agaric (Agaricus personatus 1), russule heterophyll (Russula heterophylla 2), clavary amethyst (Clavaria amethystina 3) - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi” (English), Robert Hardwicke Edition, London, 1862
Presbyteres agaric (Agaricus personatus 1), russule heterophyll (Russula heterophylla 2), clavary amethyst (Clavaria amethystina 3) - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi” (English), Robert Hardwicke Edition, London, 1862

FLO4594412: Presbyteres agaric (Agaricus personatus 1), russule heterophyll (Russula heterophylla 2), clavary amethyst (Clavaria amethystina 3) - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi” (English), Robert Hardwicke Edition, London, 1862 / Bridgeman Images

ID: FLO4594412

Presbyteres agaric (Agaricus personatus 1), russule heterophyll (Russula heterophylla 2), clavary amethyst (Clavaria amethystina 3) - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi” (English), Robert Hardwicke Edition, London, 1862

English reflecting circle by Edward Troughton, maker of astronomical instruments. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
English reflecting circle by Edward Troughton, maker of astronomical instruments. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4594136: English reflecting circle by Edward Troughton, maker of astronomical instruments. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4594136

English reflecting circle by Edward Troughton, maker of astronomical instruments. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

Bust of young lady Marble sculpture by Desiderio da Settignano (ca. 1430-1464) Dim. 146 cm Florence, Museo Nazionale del Bargello
Bust of young lady Marble sculpture by Desiderio da Settignano (ca. 1430-1464) Dim. 146 cm Florence, Museo Nazionale del Bargello

LRI4594308: Bust of young lady Marble sculpture by Desiderio da Settignano (ca. 1430-1464) Dim. 146 cm Florence, Museo Nazionale del Bargello, Desiderio da Settignano (1428-64) / Bridgeman Images

ID: LRI4594308

Bust of young lady Marble sculpture by Desiderio da Settignano (ca. 1430-1464) Dim. 146 cm Florence, Museo Nazionale del Bargello

Desiderio da Settignano (1428-64)

Amanite kills flies, Agaricus muscarius - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi””, edition Robert Hardwicke, London, 1862
Amanite kills flies, Agaricus muscarius - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi””, edition Robert Hardwicke, London, 1862

FLO4594351: Amanite kills flies, Agaricus muscarius - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi””, edition Robert Hardwicke, London, 1862 / Bridgeman Images

ID: FLO4594351

Amanite kills flies, Agaricus muscarius - Chromolithography based on a drawing by Mordecai Cubitt Cooke (1825-1914), published in “A Plain and Easy Account of British Fungi””, edition Robert Hardwicke, London, 1862

Sacrifice of Isaac Bas relief of gilded bronze by Lorenzo Ghiberti (1378-1455) 1401. Dim. 45 cm Museo Nazionale del Bargello, Florence
Sacrifice of Isaac Bas relief of gilded bronze by Lorenzo Ghiberti (1378-1455) 1401. Dim. 45 cm Museo Nazionale del Bargello, Florence

LRI4594472: Sacrifice of Isaac Bas relief of gilded bronze by Lorenzo Ghiberti (1378-1455) 1401. Dim. 45 cm Museo Nazionale del Bargello, Florence, Ghiberti, Lorenzo (1378-1455) / Bridgeman Images

ID: LRI4594472

Sacrifice of Isaac Bas relief of gilded bronze by Lorenzo Ghiberti (1378-1455) 1401. Dim. 45 cm Museo Nazionale del Bargello, Florence

Ghiberti, Lorenzo (1378-1455)

Francis I of Medicis (Francesco I de Medici, 1541-1587) Grand Duke of Tuscany listening to the reading of a decree Wax sculpture of Giambologna (Giovanni da Bologna or Jean de Bologna or Boulogne, 1529-1608) Museo Nazionale del Bargello Florence
Francis I of Medicis (Francesco I de Medici, 1541-1587) Grand Duke of Tuscany listening to the reading of a decree Wax sculpture of Giambologna (Giovanni da Bologna or Jean de Bologna or Boulogne, 1529-1608) Museo Nazionale del Bargello Florence

LRI4594649: Francis I of Medicis (Francesco I de Medici, 1541-1587) Grand Duke of Tuscany listening to the reading of a decree Wax sculpture of Giambologna (Giovanni da Bologna or Jean de Bologna or Boulogne, 1529-1608) Museo Nazionale del Bargello Florence, Giambologna (Giovanni da Bologna), (1529-1608) / Bridgeman Images

ID: LRI4594649

Francis I of Medicis (Francesco I de Medici, 1541-1587) Grand Duke of Tuscany listening to the reading of a decree Wax sculpture of Giambologna (Giovanni da Bologna or Jean de Bologna or Boulogne, 1529-1608) Museo Nazionale del Bargello Florence

Giambologna (Giovanni da Bologna), (1529-1608)

Dress (Robe) of the reign of George I, 1714-1727, copied from one preserved from the era. She wear a flat hat decorated with ribbons, a dress with long train in floral stripes, tied at the bust with a ribbon. Based on The World, Addison's “Spectator,””” Watteau's pictures. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress (Robe) of the reign of George I, 1714-1727, copied from one preserved from the era. She wear a flat hat decorated with ribbons, a dress with long train in floral stripes, tied at the bust with a ribbon. Based on The World, Addison's “Spectator,””” Watteau's pictures. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594727: Dress (Robe) of the reign of George I, 1714-1727, copied from one preserved from the era. She wear a flat hat decorated with ribbons, a dress with long train in floral stripes, tied at the bust with a ribbon. Based on The World, Addison's “Spectator,””” Watteau's pictures. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

ID: FLO4594727

Dress (Robe) of the reign of George I, 1714-1727, copied from one preserved from the era. She wear a flat hat decorated with ribbons, a dress with long train in floral stripes, tied at the bust with a ribbon. Based on The World, Addison's “Spectator,””” Watteau's pictures. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

Dress (Robe) of the reign of King George II, 1727-1760. She wear a pink hat with plumes and ribbons, a tight bodice with lace cuffs, and a full crinoline petticoat. Based on Thomas Jeffery's Collection of Dresses, Gray's Inn Journal, Spectator, Rose Bradwardine's dress in Sir Walter Scott's Waverley. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress (Robe) of the reign of King George II, 1727-1760. She wear a pink hat with plumes and ribbons, a tight bodice with lace cuffs, and a full crinoline petticoat. Based on Thomas Jeffery's Collection of Dresses, Gray's Inn Journal, Spectator, Rose Bradwardine's dress in Sir Walter Scott's Waverley. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594765: Dress (Robe) of the reign of King George II, 1727-1760. She wear a pink hat with plumes and ribbons, a tight bodice with lace cuffs, and a full crinoline petticoat. Based on Thomas Jeffery's Collection of Dresses, Gray's Inn Journal, Spectator, Rose Bradwardine's dress in Sir Walter Scott's Waverley. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

ID: FLO4594765

Dress (Robe) of the reign of King George II, 1727-1760. She wear a pink hat with plumes and ribbons, a tight bodice with lace cuffs, and a full crinoline petticoat. Based on Thomas Jeffery's Collection of Dresses, Gray's Inn Journal, Spectator, Rose Bradwardine's dress in Sir Walter Scott's Waverley. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

Dress (Dress) of the reign of George IV, 1820-1830. Woman in feathered headdress, high-waisted gown and embroidered skirt, gloves and fan. Based on dresses preserved after the first Dressingroom held by the king, when hoops were abolished by command. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress (Dress) of the reign of George IV, 1820-1830. Woman in feathered headdress, high-waisted gown and embroidered skirt, gloves and fan. Based on dresses preserved after the first Dressingroom held by the king, when hoops were abolished by command. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594805: Dress (Dress) of the reign of George IV, 1820-1830. Woman in feathered headdress, high-waisted gown and embroidered skirt, gloves and fan. Based on dresses preserved after the first Dressingroom held by the king, when hoops were abolished by command. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

ID: FLO4594805

Dress (Dress) of the reign of George IV, 1820-1830. Woman in feathered headdress, high-waisted gown and embroidered skirt, gloves and fan. Based on dresses preserved after the first Dressingroom held by the king, when hoops were abolished by command. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

Mr. George Smith as Robin in “No Song No Supper” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Samuel de Wilde. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.
Mr. George Smith as Robin in “No Song No Supper” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Samuel de Wilde. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

FLO4594901: Mr. George Smith as Robin in “No Song No Supper” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Samuel de Wilde. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825. / Bridgeman Images

ID: FLO4594901

Mr. George Smith as Robin in “No Song No Supper” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Samuel de Wilde. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

Anglo-Norman Lady from the reign of King William I, the Conqueror, 1066-1087. She wears a long green full Dress (Dress) with long flared sleeves, a veil and gold diadem. Cotton MS (Nero C.4) in the British Museum. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Anglo-Norman Lady from the reign of King William I, the Conqueror, 1066-1087. She wears a long green full Dress (Dress) with long flared sleeves, a veil and gold diadem. Cotton MS (Nero C.4) in the British Museum. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594492: Anglo-Norman Lady from the reign of King William I, the Conqueror, 1066-1087. She wears a long green full Dress (Dress) with long flared sleeves, a veil and gold diadem. Cotton MS (Nero C.4) in the British Museum. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

ID: FLO4594492

Anglo-Norman Lady from the reign of King William I, the Conqueror, 1066-1087. She wears a long green full Dress (Dress) with long flared sleeves, a veil and gold diadem. Cotton MS (Nero C.4) in the British Museum. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

Dress (Dress) of the reign of King Edward IV, 1461-1470. She wears a tall conical headdress with long falling veil, and a fur-trimmed striped dress with open collar. Based on a Royal manuscript, Cotton Collection, Paradin, Froissart, Monstrelet. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress (Dress) of the reign of King Edward IV, 1461-1470. She wears a tall conical headdress with long falling veil, and a fur-trimmed striped dress with open collar. Based on a Royal manuscript, Cotton Collection, Paradin, Froissart, Monstrelet. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594566: Dress (Dress) of the reign of King Edward IV, 1461-1470. She wears a tall conical headdress with long falling veil, and a fur-trimmed striped dress with open collar. Based on a Royal manuscript, Cotton Collection, Paradin, Froissart, Monstrelet. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

ID: FLO4594566

Dress (Dress) of the reign of King Edward IV, 1461-1470. She wears a tall conical headdress with long falling veil, and a fur-trimmed striped dress with open collar. Based on a Royal manuscript, Cotton Collection, Paradin, Froissart, Monstrelet. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

Horned HeAddress (Robe) of the 15th century, reign of Edward IV 1461-1483. She wears a blue dress with voluminous sleeves, lined with ermine. Based on a Royal manuscript, effigy of Beatrice, Countess of Arundel, satirical writings of John de Meum, Strutt's Habits. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Horned HeAddress (Robe) of the 15th century, reign of Edward IV 1461-1483. She wears a blue dress with voluminous sleeves, lined with ermine. Based on a Royal manuscript, effigy of Beatrice, Countess of Arundel, satirical writings of John de Meum, Strutt's Habits. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594612: Horned HeAddress (Robe) of the 15th century, reign of Edward IV 1461-1483. She wears a blue dress with voluminous sleeves, lined with ermine. Based on a Royal manuscript, effigy of Beatrice, Countess of Arundel, satirical writings of John de Meum, Strutt's Habits. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

ID: FLO4594612

Horned HeAddress (Robe) of the 15th century, reign of Edward IV 1461-1483. She wears a blue dress with voluminous sleeves, lined with ermine. Based on a Royal manuscript, effigy of Beatrice, Countess of Arundel, satirical writings of John de Meum, Strutt's Habits. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

Dress (Robe) of the reign of Edward V and Richard III, 1483-1485. She wears a tall headdress with long veil, a furtrimmed mantle with wide collar over a striped dress. Seated in a medieval carved chair with lions on the arms. Based on portraits of Elizabeth Woodville, queen of Edward IV, description of the dress of Anne Neville, queen of Richard III, illuminated Royal manuscript 16F2, and effigy of Lady Peyton, Isleham Church, Cambridgeshire. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress (Robe) of the reign of Edward V and Richard III, 1483-1485. She wears a tall headdress with long veil, a furtrimmed mantle with wide collar over a striped dress. Seated in a medieval carved chair with lions on the arms. Based on portraits of Elizabeth Woodville, queen of Edward IV, description of the dress of Anne Neville, queen of Richard III, illuminated Royal manuscript 16F2, and effigy of Lady Peyton, Isleham Church, Cambridgeshire. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594617: Dress (Robe) of the reign of Edward V and Richard III, 1483-1485. She wears a tall headdress with long veil, a furtrimmed mantle with wide collar over a striped dress. Seated in a medieval carved chair with lions on the arms. Based on portraits of Elizabeth Woodville, queen of Edward IV, description of the dress of Anne Neville, queen of Richard III, illuminated Royal manuscript 16F2, and effigy of Lady Peyton, Isleham Church, Cambridgeshire. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

ID: FLO4594617

Dress (Robe) of the reign of Edward V and Richard III, 1483-1485. She wears a tall headdress with long veil, a furtrimmed mantle with wide collar over a striped dress. Seated in a medieval carved chair with lions on the arms. Based on portraits of Elizabeth Woodville, queen of Edward IV, description of the dress of Anne Neville, queen of Richard III, illuminated Royal manuscript 16F2, and effigy of Lady Peyton, Isleham Church, Cambridgeshire. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

Dress (Dress) of the reign of King Henry II, Curtmantle, 1154-1189. Long red ermine-lined mantle over long green dress, white veil and wimple. Based on an effigy of Queen Eleanora in Fontevraud Abbey, Miss Agnes Strickland's description of this dress, and Matthew Paris's Observations and Quotations. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress (Dress) of the reign of King Henry II, Curtmantle, 1154-1189. Long red ermine-lined mantle over long green dress, white veil and wimple. Based on an effigy of Queen Eleanora in Fontevraud Abbey, Miss Agnes Strickland's description of this dress, and Matthew Paris's Observations and Quotations. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594517: Dress (Dress) of the reign of King Henry II, Curtmantle, 1154-1189. Long red ermine-lined mantle over long green dress, white veil and wimple. Based on an effigy of Queen Eleanora in Fontevraud Abbey, Miss Agnes Strickland's description of this dress, and Matthew Paris's Observations and Quotations. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

ID: FLO4594517

Dress (Dress) of the reign of King Henry II, Curtmantle, 1154-1189. Long red ermine-lined mantle over long green dress, white veil and wimple. Based on an effigy of Queen Eleanora in Fontevraud Abbey, Miss Agnes Strickland's description of this dress, and Matthew Paris's Observations and Quotations. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

Dress (Dress) of the reign of Queen Elizabeth I, 1558-1603. She wears a high lace ruff and cuffs, elaborately jeweled bodice, belt and headdress. Stubbs, Stow, portrait at Henham, described by Miss. Agnes Strickland, pictures and prints. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress (Dress) of the reign of Queen Elizabeth I, 1558-1603. She wears a high lace ruff and cuffs, elaborately jeweled bodice, belt and headdress. Stubbs, Stow, portrait at Henham, described by Miss. Agnes Strickland, pictures and prints. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594667: Dress (Dress) of the reign of Queen Elizabeth I, 1558-1603. She wears a high lace ruff and cuffs, elaborately jeweled bodice, belt and headdress. Stubbs, Stow, portrait at Henham, described by Miss. Agnes Strickland, pictures and prints. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

ID: FLO4594667

Dress (Dress) of the reign of Queen Elizabeth I, 1558-1603. She wears a high lace ruff and cuffs, elaborately jeweled bodice, belt and headdress. Stubbs, Stow, portrait at Henham, described by Miss. Agnes Strickland, pictures and prints. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

River Modele in wood, clay, wool and fabric designed for Medici tombs. Marble sculpture made by Michelangelo Buonarroti dit Michelangelo (Michelangelo or Michel Ange, 1475 - 1564), about 1524. Dim. 180 cm. Casa Buonarroti Florence
River Modele in wood, clay, wool and fabric designed for Medici tombs. Marble sculpture made by Michelangelo Buonarroti dit Michelangelo (Michelangelo or Michel Ange, 1475 - 1564), about 1524. Dim. 180 cm. Casa Buonarroti Florence

LRI4595009: River Modele in wood, clay, wool and fabric designed for Medici tombs. Marble sculpture made by Michelangelo Buonarroti dit Michelangelo (Michelangelo or Michel Ange, 1475 - 1564), about 1524. Dim. 180 cm. Casa Buonarroti Florence, Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

ID: LRI4595009

River Modele in wood, clay, wool and fabric designed for Medici tombs. Marble sculpture made by Michelangelo Buonarroti dit Michelangelo (Michelangelo or Michel Ange, 1475 - 1564), about 1524. Dim. 180 cm. Casa Buonarroti Florence

Buonarroti, Michelangelo (1475-1564)

Grape de Calmes grape, Vitis vinifera. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Grape de Calmes grape, Vitis vinifera. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

FLO4595166: Grape de Calmes grape, Vitis vinifera. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797. / Bridgeman Images

ID: FLO4595166

Grape de Calmes grape, Vitis vinifera. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.

Map of Anatolia, c.1567. (mural painting)
Map of Anatolia, c.1567. (mural painting)

LRI4595540: Map of Anatolia, c.1567. (mural painting), Danti, Egnazio (1536-86) / Bridgeman Images

ID: LRI4595540

Map of Anatolia, c.1567. (mural painting)

Danti, Egnazio (1536-86)

Amadine a tete rouge - Red-headed finch, Amadina erythrocephala (Fringilla erythrocephala) from Mauritius, and unknown brown warbler in the possesion of Marmaduke Tunstall. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.
Amadine a tete rouge - Red-headed finch, Amadina erythrocephala (Fringilla erythrocephala) from Mauritius, and unknown brown warbler in the possesion of Marmaduke Tunstall. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.

FLO4595577: Amadine a tete rouge - Red-headed finch, Amadina erythrocephala (Fringilla erythrocephala) from Mauritius, and unknown brown warbler in the possesion of Marmaduke Tunstall. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology. / Bridgeman Images

ID: FLO4595577

Amadine a tete rouge - Red-headed finch, Amadina erythrocephala (Fringilla erythrocephala) from Mauritius, and unknown brown warbler in the possesion of Marmaduke Tunstall. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.

Ortolan Sparrow - Variant of the ortolan bunting, Emberiza hortulana, or yellowhammer, Emberiza citrinella? (Green-headed bunting, Emberiza chlorocephala). From a specimen in the possession of Marmaduke Tunstall. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.
Ortolan Sparrow - Variant of the ortolan bunting, Emberiza hortulana, or yellowhammer, Emberiza citrinella? (Green-headed bunting, Emberiza chlorocephala). From a specimen in the possession of Marmaduke Tunstall. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.

FLO4595598: Ortolan Sparrow - Variant of the ortolan bunting, Emberiza hortulana, or yellowhammer, Emberiza citrinella? (Green-headed bunting, Emberiza chlorocephala). From a specimen in the possession of Marmaduke Tunstall. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology. / Bridgeman Images

ID: FLO4595598

Ortolan Sparrow - Variant of the ortolan bunting, Emberiza hortulana, or yellowhammer, Emberiza citrinella? (Green-headed bunting, Emberiza chlorocephala). From a specimen in the possession of Marmaduke Tunstall. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.

Black-capped bulbul, Pycnonotus melanicterus, and unknown Sri Lankan warbler. (Yellow breasted flycatcher, Muscicapa melanictera, and green warbler, Motacilla singalensis.) Based on illustrations by Pieter de Bevere supplied by Gov. Joan Gideon Loten. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.
Black-capped bulbul, Pycnonotus melanicterus, and unknown Sri Lankan warbler. (Yellow breasted flycatcher, Muscicapa melanictera, and green warbler, Motacilla singalensis.) Based on illustrations by Pieter de Bevere supplied by Gov. Joan Gideon Loten. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.

FLO4595613: Black-capped bulbul, Pycnonotus melanicterus, and unknown Sri Lankan warbler. (Yellow breasted flycatcher, Muscicapa melanictera, and green warbler, Motacilla singalensis.) Based on illustrations by Pieter de Bevere supplied by Gov. Joan Gideon Loten. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology. / Bridgeman Images

ID: FLO4595613

Black-capped bulbul, Pycnonotus melanicterus, and unknown Sri Lankan warbler. (Yellow breasted flycatcher, Muscicapa melanictera, and green warbler, Motacilla singalensis.) Based on illustrations by Pieter de Bevere supplied by Gov. Joan Gideon Loten. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.

Silky starling - Red-billed starling, Sturnus sericeus. Silk starling from North of China in the possession of Marmaduke Tunstall Esq. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.
Silky starling - Red-billed starling, Sturnus sericeus. Silk starling from North of China in the possession of Marmaduke Tunstall Esq. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.

FLO4595648: Silky starling - Red-billed starling, Sturnus sericeus. Silk starling from North of China in the possession of Marmaduke Tunstall Esq. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology. / Bridgeman Images

ID: FLO4595648

Silky starling - Red-billed starling, Sturnus sericeus. Silk starling from North of China in the possession of Marmaduke Tunstall Esq. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.

Tadorne casarca (female) - Ruddy shelduck, Tadorna ferruginea, female. (Grey-headed duck, Anas cana.) From a specimen in the possession of Thomas Pennant. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.
Tadorne casarca (female) - Ruddy shelduck, Tadorna ferruginea, female. (Grey-headed duck, Anas cana.) From a specimen in the possession of Thomas Pennant. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.

FLO4595701: Tadorne casarca (female) - Ruddy shelduck, Tadorna ferruginea, female. (Grey-headed duck, Anas cana.) From a specimen in the possession of Thomas Pennant. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology. / Bridgeman Images

ID: FLO4595701

Tadorne casarca (female) - Ruddy shelduck, Tadorna ferruginea, female. (Grey-headed duck, Anas cana.) From a specimen in the possession of Thomas Pennant. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.

Map of Greece, c.1581 (mural painting)
Map of Greece, c.1581 (mural painting)

LRI4595731: Map of Greece, c.1581 (mural painting), Buonsignori, Stefano (d.1589) / Bridgeman Images

ID: LRI4595731

Map of Greece, c.1581 (mural painting)

Buonsignori, Stefano (d.1589)

Men's Fashion 1920 - Men in Raglan and Ulsterette coats, with cloth caps, gloves, canes and spats. Chromolithograph from a catalog of male winter fashions from Bruner Woolens, 1920.
Men's Fashion 1920 - Men in Raglan and Ulsterette coats, with cloth caps, gloves, canes and spats. Chromolithograph from a catalog of male winter fashions from Bruner Woolens, 1920.

FLO4595806: Men's Fashion 1920 - Men in Raglan and Ulsterette coats, with cloth caps, gloves, canes and spats. Chromolithograph from a catalog of male winter fashions from Bruner Woolens, 1920. / Bridgeman Images

ID: FLO4595806

Men's Fashion 1920 - Men in Raglan and Ulsterette coats, with cloth caps, gloves, canes and spats. Chromolithograph from a catalog of male winter fashions from Bruner Woolens, 1920.

Men's Fashion 1920 - Men in double-breasted Ulster coats, with hats, gloves, canes and spats, in a snow scene. Chromolithograph from a catalog of male winter fashions from Bruner Woolens, 1920.
Men's Fashion 1920 - Men in double-breasted Ulster coats, with hats, gloves, canes and spats, in a snow scene. Chromolithograph from a catalog of male winter fashions from Bruner Woolens, 1920.

FLO4595823: Men's Fashion 1920 - Men in double-breasted Ulster coats, with hats, gloves, canes and spats, in a snow scene. Chromolithograph from a catalog of male winter fashions from Bruner Woolens, 1920. / Bridgeman Images

ID: FLO4595823

Men's Fashion 1920 - Men in double-breasted Ulster coats, with hats, gloves, canes and spats, in a snow scene. Chromolithograph from a catalog of male winter fashions from Bruner Woolens, 1920.

Neptune and Amphitrite. Detail of a wall mosaic from the triclinium of the casa di Nettuno e Anfitrite, 5th century BC-1st century AD
Neptune and Amphitrite. Detail of a wall mosaic from the triclinium of the casa di Nettuno e Anfitrite, 5th century BC-1st century AD

LRI4595875: Neptune and Amphitrite. Detail of a wall mosaic from the triclinium of the casa di Nettuno e Anfitrite, 5th century BC-1st century AD, Roman / Bridgeman Images

ID: LRI4595875

Neptune and Amphitrite. Detail of a wall mosaic from the triclinium of the casa di Nettuno e Anfitrite, 5th century BC-1st century AD

Roman

The Tree Purple has double and white flowers. Rose mallow, Hibiscus syriacus. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
The Tree Purple has double and white flowers. Rose mallow, Hibiscus syriacus. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4595888: The Tree Purple has double and white flowers. Rose mallow, Hibiscus syriacus. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4595888

The Tree Purple has double and white flowers. Rose mallow, Hibiscus syriacus. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

The Queen of Women Hyacinth. Hyacinth hybrid, Hyacinthus orientalis. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
The Queen of Women Hyacinth. Hyacinth hybrid, Hyacinthus orientalis. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4595909: The Queen of Women Hyacinth. Hyacinth hybrid, Hyacinthus orientalis. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4595909

The Queen of Women Hyacinth. Hyacinth hybrid, Hyacinthus orientalis. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

Unknown birds of Sri Lanka - Unknown birds of Sri Lanka: Pink-coloured warbler, Motacilla caryophyllacea, and green wagtail, Motacilla viridis. Sri Lanka tussah silk moth, Antheraea cingalesa (Ceylon silk moth, Bombia paphia). After an illustration by Pieter de Bevere supplied by Governor Joan Gideon Loten. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.
Unknown birds of Sri Lanka - Unknown birds of Sri Lanka: Pink-coloured warbler, Motacilla caryophyllacea, and green wagtail, Motacilla viridis. Sri Lanka tussah silk moth, Antheraea cingalesa (Ceylon silk moth, Bombia paphia). After an illustration by Pieter de Bevere supplied by Governor Joan Gideon Loten. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.

FLO4595626: Unknown birds of Sri Lanka - Unknown birds of Sri Lanka: Pink-coloured warbler, Motacilla caryophyllacea, and green wagtail, Motacilla viridis. Sri Lanka tussah silk moth, Antheraea cingalesa (Ceylon silk moth, Bombia paphia). After an illustration by Pieter de Bevere supplied by Governor Joan Gideon Loten. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology. / Bridgeman Images

ID: FLO4595626

Unknown birds of Sri Lanka - Unknown birds of Sri Lanka: Pink-coloured warbler, Motacilla caryophyllacea, and green wagtail, Motacilla viridis. Sri Lanka tussah silk moth, Antheraea cingalesa (Ceylon silk moth, Bombia paphia). After an illustration by Pieter de Bevere supplied by Governor Joan Gideon Loten. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.

Microcebe mignon ou chirogale mignon (lemurien de Madagascar) - Gray mouse lemur, Microcebus murinus (Maucauco, Lemur murinus) in the possession of Marmaduke Tunstall. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.
Microcebe mignon ou chirogale mignon (lemurien de Madagascar) - Gray mouse lemur, Microcebus murinus (Maucauco, Lemur murinus) in the possession of Marmaduke Tunstall. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.

FLO4595694: Microcebe mignon ou chirogale mignon (lemurien de Madagascar) - Gray mouse lemur, Microcebus murinus (Maucauco, Lemur murinus) in the possession of Marmaduke Tunstall. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology. / Bridgeman Images

ID: FLO4595694

Microcebe mignon ou chirogale mignon (lemurien de Madagascar) - Gray mouse lemur, Microcebus murinus (Maucauco, Lemur murinus) in the possession of Marmaduke Tunstall. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of Zoology.

La Crassule or Grassette. Jade plant, Crassula ovata. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
La Crassule or Grassette. Jade plant, Crassula ovata. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596062: La Crassule or Grassette. Jade plant, Crassula ovata. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596062

La Crassule or Grassette. Jade plant, Crassula ovata. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.


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