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Cuphea, Cigarette Plant - Black-eyed cuphea, Cuphea cyanea (Coarse-haired cuphea, Cuphea strigillosa). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846.
Cuphea, Cigarette Plant - Black-eyed cuphea, Cuphea cyanea (Coarse-haired cuphea, Cuphea strigillosa). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846.

FLO4588901: Cuphea, Cigarette Plant - Black-eyed cuphea, Cuphea cyanea (Coarse-haired cuphea, Cuphea strigillosa). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846. / Bridgeman Images

Bergenie ciliee - Bergenia ciliata (Coarse-fringed Indian saxifrage, Saxifraga thysanodes). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846.
Bergenie ciliee - Bergenia ciliata (Coarse-fringed Indian saxifrage, Saxifraga thysanodes). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846.

FLO4589039: Bergenie ciliee - Bergenia ciliata (Coarse-fringed Indian saxifrage, Saxifraga thysanodes). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846. / Bridgeman Images

Rhynchostele cervantesii subsp. membranacea orchid (membrane-sheathed toothtongue, Odontoglossum membranaceum). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846.
Rhynchostele cervantesii subsp. membranacea orchid (membrane-sheathed toothtongue, Odontoglossum membranaceum). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846.

FLO4589051: Rhynchostele cervantesii subsp. membranacea orchid (membrane-sheathed toothtongue, Odontoglossum membranaceum). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1846. / Bridgeman Images

Bucket representing a lion attacking a bull and deers running, terracotta, 520-510 BC
Bucket representing a lion attacking a bull and deers running, terracotta, 520-510 BC

LRI4589438: Bucket representing a lion attacking a bull and deers running, terracotta, 520-510 BC, Etruscan, (6th century BC) / Bridgeman Images

Akebie has five leaves - Chocolate vine or five-leaved akebia, Akebia quinata. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.
Akebie has five leaves - Chocolate vine or five-leaved akebia, Akebia quinata. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.

FLO4589551: Akebie has five leaves - Chocolate vine or five-leaved akebia, Akebia quinata. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847. / Bridgeman Images

Etruscan civilization: head of a warrior, stone sculpture 550-525 BC Dim 43 cm Coming from Orvieto, Italy (Etruscan art, head of a warrior, sculpture, from Orvieto, Italy, 550-525 BC) Florence, Archaeological Museum
Etruscan civilization: head of a warrior, stone sculpture 550-525 BC Dim 43 cm Coming from Orvieto, Italy (Etruscan art, head of a warrior, sculpture, from Orvieto, Italy, 550-525 BC) Florence, Archaeological Museum

LRI4590745: Etruscan civilization: head of a warrior, stone sculpture 550-525 BC Dim 43 cm Coming from Orvieto, Italy (Etruscan art, head of a warrior, sculpture, from Orvieto, Italy, 550-525 BC) Florence, Archaeological Museum, Etruscan, (6th century BC) / Bridgeman Images

Chinese musical instruments, Qing Dynasty: iron Hien-pan 1, bronze vase 2, drum, wooden percussion instrument in the shape of a fish 4, and Bong-gui 5. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese musical instruments, Qing Dynasty: iron Hien-pan 1, bronze vase 2, drum, wooden percussion instrument in the shape of a fish 4, and Bong-gui 5. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590326: Chinese musical instruments, Qing Dynasty: iron Hien-pan 1, bronze vase 2, drum, wooden percussion instrument in the shape of a fish 4, and Bong-gui 5. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Kylix decorated with a winged naked male figure, holding a young woman in his arms. 350-325 BC (terracotta)
Kylix decorated with a winged naked male figure, holding a young woman in his arms. 350-325 BC (terracotta)

LRI4590307: Kylix decorated with a winged naked male figure, holding a young woman in his arms. 350-325 BC (terracotta), Etruscan, (4th century BC) / Bridgeman Images

Female musician playing chimes and gongs, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Female musician playing chimes and gongs, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590318: Female musician playing chimes and gongs, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Terracotta stamnos representing boxing scene,  500-490 BC
Terracotta stamnos representing boxing scene,  500-490 BC

LRI4590332: Terracotta stamnos representing boxing scene, 500-490 BC, Etruscan, (5th century BC) / Bridgeman Images

Terracotta fish plate,  350-300 BC
Terracotta fish plate,  350-300 BC

LRI4590347: Terracotta fish plate, 350-300 BC, Etruscan, (4th century BC) / Bridgeman Images

Chinese florist selling miniature trees and bushes, Penjing or Penzai, from a bamboo yoke, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese florist selling miniature trees and bushes, Penjing or Penzai, from a bamboo yoke, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590419: Chinese florist selling miniature trees and bushes, Penjing or Penzai, from a bamboo yoke, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Itinerant Chinese barber ringing finger bells to find customers, Qing Dynasty. He carries a stool and bucket on a bamboo yoke, along with razor, scissors, strop, etc. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Itinerant Chinese barber ringing finger bells to find customers, Qing Dynasty. He carries a stool and bucket on a bamboo yoke, along with razor, scissors, strop, etc. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590497: Itinerant Chinese barber ringing finger bells to find customers, Qing Dynasty. He carries a stool and bucket on a bamboo yoke, along with razor, scissors, strop, etc. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Chinese lamp on a chair stand and wax candles made of tallow from the tallow tree, Triadica sebifera, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese lamp on a chair stand and wax candles made of tallow from the tallow tree, Triadica sebifera, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590583: Chinese lamp on a chair stand and wax candles made of tallow from the tallow tree, Triadica sebifera, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Terracotta amphora representing two sphinx, a Painter of two sphinxes, a painter bock, 610-600 BC
Terracotta amphora representing two sphinx, a Painter of two sphinxes, a painter bock, 610-600 BC

LRI4590658: Terracotta amphora representing two sphinx, a Painter of two sphinxes, a painter bock, 610-600 BC, Etruscan, (7th century BC) / Bridgeman Images

Terracotta plate representing animals,  600-590 BC
Terracotta plate representing animals,  600-590 BC

LRI4590675: Terracotta plate representing animals, 600-590 BC, Etruscan, (6th century BC) / Bridgeman Images

Tahitian pahie canoe with outrigger, South American balza sailing raft, English lifeboat rowboat, and Indonesian caracore with sails and outrigger. Copperplate engraving by Milton after a drawing by W. Anderson from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Tahitian pahie canoe with outrigger, South American balza sailing raft, English lifeboat rowboat, and Indonesian caracore with sails and outrigger. Copperplate engraving by Milton after a drawing by W. Anderson from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4590701: Tahitian pahie canoe with outrigger, South American balza sailing raft, English lifeboat rowboat, and Indonesian caracore with sails and outrigger. Copperplate engraving by Milton after a drawing by W. Anderson from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Ancient water clocks or clepsydrae. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.
Ancient water clocks or clepsydrae. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819.

FLO4590720: Ancient water clocks or clepsydrae. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1819. / Bridgeman Images

Thirty-hour clock with a larum and count wheel striking work. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1816.
Thirty-hour clock with a larum and count wheel striking work. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1816.

FLO4590980: Thirty-hour clock with a larum and count wheel striking work. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1816. / Bridgeman Images

Bee hive and ice house, mortar mill, and artist's guide to drapery and horse. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Bee hive and ice house, mortar mill, and artist's guide to drapery and horse. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591069: Bee hive and ice house, mortar mill, and artist's guide to drapery and horse. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Dividing and cutting engines with diagonal motion. Copperplate engraving by Duncan after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.
Dividing and cutting engines with diagonal motion. Copperplate engraving by Duncan after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

FLO4591122: Dividing and cutting engines with diagonal motion. Copperplate engraving by Duncan after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812. / Bridgeman Images

Marquis of Worcester Timothy Marshal's secret escutcheon for a lock, and self-acting candle extinguishers including John Isaac Hawkins'. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.
Marquis of Worcester Timothy Marshal's secret escutcheon for a lock, and self-acting candle extinguishers including John Isaac Hawkins'. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.

FLO4591144: Marquis of Worcester Timothy Marshal's secret escutcheon for a lock, and self-acting candle extinguishers including John Isaac Hawkins'. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810. / Bridgeman Images

Different types of chains and clay mills. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Different types of chains and clay mills. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591196: Different types of chains and clay mills. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Daniel Masere's original suspension pulley and fire escape machine simplified by Mr. Forster, painter's easel and indigo mills. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.
Daniel Masere's original suspension pulley and fire escape machine simplified by Mr. Forster, painter's easel and indigo mills. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.

FLO4591200: Daniel Masere's original suspension pulley and fire escape machine simplified by Mr. Forster, painter's easel and indigo mills. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814. / Bridgeman Images

Anatomy of human musculature from the front showing inner muscles, 1820 (copperplate engraving)
Anatomy of human musculature from the front showing inner muscles, 1820 (copperplate engraving)

FLO4591280: Anatomy of human musculature from the front showing inner muscles, 1820 (copperplate engraving) / Bridgeman Images

Charles Valoue's pile-driving machine used at Westminster Bridge 1739 and Joseph Bramah's pile-drawing machine. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.
Charles Valoue's pile-driving machine used at Westminster Bridge 1739 and Joseph Bramah's pile-drawing machine. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.

FLO4591453: Charles Valoue's pile-driving machine used at Westminster Bridge 1739 and Joseph Bramah's pile-drawing machine. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814. / Bridgeman Images

Oil lamps designed by Aime Argand, Mr. Kier, and a rolling lamp in a gyro. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Oil lamps designed by Aime Argand, Mr. Kier, and a rolling lamp in a gyro. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591487: Oil lamps designed by Aime Argand, Mr. Kier, and a rolling lamp in a gyro. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Plan of a coal mine and mode of ventilation, 19th century. Geological sections of metallic veins, chalk, basalt, and limestone. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818.
Plan of a coal mine and mode of ventilation, 19th century. Geological sections of metallic veins, chalk, basalt, and limestone. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818.

FLO4591504: Plan of a coal mine and mode of ventilation, 19th century. Geological sections of metallic veins, chalk, basalt, and limestone. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818. / Bridgeman Images

Plans and views of magnetic compasse, including the dipping needle built by Dr. John Lorimer (1732-1795), surgeon, mathematician, politician and cartographer. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.
Plans and views of magnetic compasse, including the dipping needle built by Dr. John Lorimer (1732-1795), surgeon, mathematician, politician and cartographer. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.

FLO4591575: Plans and views of magnetic compasse, including the dipping needle built by Dr. John Lorimer (1732-1795), surgeon, mathematician, politician and cartographer. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808. / Bridgeman Images

Anatomy of the human ear showing cochlea and internal parts. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Anatomy of the human ear showing cochlea and internal parts. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591625: Anatomy of the human ear showing cochlea and internal parts. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Dipping needle compassed made by Edward Nairne for the Board of Longitude based on plans for the Reverend John Mitchell, Rector of Thornhill, 1772. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.
Dipping needle compassed made by Edward Nairne for the Board of Longitude based on plans for the Reverend John Mitchell, Rector of Thornhill, 1772. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.

FLO4591577: Dipping needle compassed made by Edward Nairne for the Board of Longitude based on plans for the Reverend John Mitchell, Rector of Thornhill, 1772. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810. / Bridgeman Images

Hydraulic pumps including Captain Jekyll's improved ship pump and Benjamin Martin's pump. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815
Hydraulic pumps including Captain Jekyll's improved ship pump and Benjamin Martin's pump. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815

FLO4591675: Hydraulic pumps including Captain Jekyll's improved ship pump and Benjamin Martin's pump. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815 / Bridgeman Images

Metal casting equipment: open sand casting 1, trowel 2, ramming tool 4, lifting screw 5, sand casting between flasks 6, cog wheel casting 7-10, and moulds for loam casting 11-13. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.
Metal casting equipment: open sand casting 1, trowel 2, ramming tool 4, lifting screw 5, sand casting between flasks 6, cog wheel casting 7-10, and moulds for loam casting 11-13. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.

FLO4591842: Metal casting equipment: open sand casting 1, trowel 2, ramming tool 4, lifting screw 5, sand casting between flasks 6, cog wheel casting 7-10, and moulds for loam casting 11-13. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809. / Bridgeman Images

Electrical condensers, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.
Electrical condensers, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.

FLO4592097: Electrical condensers, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810. / Bridgeman Images

Drawing frames used to straighten fibres in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.
Drawing frames used to straighten fibres in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.

FLO4592105: Drawing frames used to straighten fibres in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808. / Bridgeman Images

Anatomy of the human eye, showing eyeball, optic nerve, muscle, cornea, retina, sections through eye. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Anatomy of the human eye, showing eyeball, optic nerve, muscle, cornea, retina, sections through eye. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591961: Anatomy of the human eye, showing eyeball, optic nerve, muscle, cornea, retina, sections through eye. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images


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