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The suburbs of Teheran (present-day Iran). Drawing by Jules Laurens (1825-1901), to illustrate Arthur Gobineau's journey to Persia from 1855 to 1858. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
The suburbs of Teheran (present-day Iran). Drawing by Jules Laurens (1825-1901), to illustrate Arthur Gobineau's journey to Persia from 1855 to 1858. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324295: The suburbs of Teheran (present-day Iran). Drawing by Jules Laurens (1825-1901), to illustrate Arthur Gobineau's journey to Persia from 1855 to 1858. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Laurens, Jules Joseph Augustin (1825-1901) / Bridgeman Images

Rade and peak of the island of Borabora, drawing by Evremond Auguste de Berard (1824-1881), to illustrate the journey of a naturalist in the Galapagos archipelago and the coral islands, in 1858 by Charles Darwin (1809-1882). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
Rade and peak of the island of Borabora, drawing by Evremond Auguste de Berard (1824-1881), to illustrate the journey of a naturalist in the Galapagos archipelago and the coral islands, in 1858 by Charles Darwin (1809-1882). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324316: Rade and peak of the island of Borabora, drawing by Evremond Auguste de Berard (1824-1881), to illustrate the journey of a naturalist in the Galapagos archipelago and the coral islands, in 1858 by Charles Darwin (1809-1882). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Berard, Evremond de (19th century) (after) / Bridgeman Images

View of Kabra, Port of Timbuktu, on the Niger River (Mali), drawing by Adolphe Rouargue (1810-187?) and Emile Rouargue (ca1795-1865), to illustrate the journey of Dr. Henri Barth to central Africa in 1849-1855. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
View of Kabra, Port of Timbuktu, on the Niger River (Mali), drawing by Adolphe Rouargue (1810-187?) and Emile Rouargue (ca1795-1865), to illustrate the journey of Dr. Henri Barth to central Africa in 1849-1855. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324327: View of Kabra, Port of Timbuktu, on the Niger River (Mali), drawing by Adolphe Rouargue (1810-187?) and Emile Rouargue (ca1795-1865), to illustrate the journey of Dr. Henri Barth to central Africa in 1849-1855. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., French School, (19th century) / Bridgeman Images

General view of Havana, capital of Cuba, drawing by Lancelot to illustrate the voyage to the island of Cuba, in 1859, by Richard Dana (1815-1882). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
General view of Havana, capital of Cuba, drawing by Lancelot to illustrate the voyage to the island of Cuba, in 1859, by Richard Dana (1815-1882). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324358: General view of Havana, capital of Cuba, drawing by Lancelot to illustrate the voyage to the island of Cuba, in 1859, by Richard Dana (1815-1882). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Lancelot, Dieudonne Auguste (1822-94) / Bridgeman Images

A funeral scene in Calcutta (India), drawing to illustrate Count Emmanuel Andrasy's 1849 journey to the British Indies. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
A funeral scene in Calcutta (India), drawing to illustrate Count Emmanuel Andrasy's 1849 journey to the British Indies. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324401: A funeral scene in Calcutta (India), drawing to illustrate Count Emmanuel Andrasy's 1849 journey to the British Indies. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., French School, (19th century) / Bridgeman Images

Portraits and costumes of the Emperor of Annam and his ministers, Cochinchine, drawing by Therond, to illustrate a unique correspondence with Cochinchine in 1859. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
Portraits and costumes of the Emperor of Annam and his ministers, Cochinchine, drawing by Therond, to illustrate a unique correspondence with Cochinchine in 1859. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324404: Portraits and costumes of the Emperor of Annam and his ministers, Cochinchine, drawing by Therond, to illustrate a unique correspondence with Cochinchine in 1859. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Therond, Emile Theodore (b.1821) / Bridgeman Images

The collection of sandi, a tree whose lactee seve is both very nutritious and serves as a caulking for canoes in Venezuela and Peru. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The collection of sandi, a tree whose lactee seve is both very nutritious and serves as a caulking for canoes in Venezuela and Peru. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325605: The collection of sandi, a tree whose lactee seve is both very nutritious and serves as a caulking for canoes in Venezuela and Peru. Drawing by Riou, to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

The tankoa, a kind of rectangular raft that can carry 6 to 8 people, consists of straw boots firmly tied together, this boat serves as a ferry and is established at fixed posts to cross the Goumara (Perou River). Drawing by Emile Bayard (1837-1891), to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The tankoa, a kind of rectangular raft that can carry 6 to 8 people, consists of straw boots firmly tied together, this boat serves as a ferry and is established at fixed posts to cross the Goumara (Perou River). Drawing by Emile Bayard (1837-1891), to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325612: The tankoa, a kind of rectangular raft that can carry 6 to 8 people, consists of straw boots firmly tied together, this boat serves as a ferry and is established at fixed posts to cross the Goumara (Perou River). Drawing by Emile Bayard (1837-1891), to illustrate the voyage from the Pacific Ocean to the Atlantic Ocean, 1846 to 1860, by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

Portrait of two Bakali warriors. Drawing by H.Castelli, to illustrate the journey to Gabon, in 1861-1864, of Doctor Griffon du Bellay. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
Portrait of two Bakali warriors. Drawing by H.Castelli, to illustrate the journey to Gabon, in 1861-1864, of Doctor Griffon du Bellay. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325615: Portrait of two Bakali warriors. Drawing by H.Castelli, to illustrate the journey to Gabon, in 1861-1864, of Doctor Griffon du Bellay. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

Portrait of an African ivory negociant, surrounds his wives. Drawing by Emile Bayard (1837-1891), to illustrate the journey to Gabon, in 1861-64, of Doctor Griffon du Bellay. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
Portrait of an African ivory negociant, surrounds his wives. Drawing by Emile Bayard (1837-1891), to illustrate the journey to Gabon, in 1861-64, of Doctor Griffon du Bellay. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325621: Portrait of an African ivory negociant, surrounds his wives. Drawing by Emile Bayard (1837-1891), to illustrate the journey to Gabon, in 1861-64, of Doctor Griffon du Bellay. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

One night in a relay in Jaen. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
One night in a relay in Jaen. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325635: One night in a relay in Jaen. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

The baratero weapon of the navaja, demanding the barato, tribute that he arrogates on the amount of clandestine games. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The baratero weapon of the navaja, demanding the barato, tribute that he arrogates on the amount of clandestine games. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325637: The baratero weapon of the navaja, demanding the barato, tribute that he arrogates on the amount of clandestine games. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, with Ch. Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

A weaver and his weaver, on the banks of the Zambeze River. Engravure to illustrate Dr. Livingstone's first voyages to Southern Africa from 1840 to 1856, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
A weaver and his weaver, on the banks of the Zambeze River. Engravure to illustrate Dr. Livingstone's first voyages to Southern Africa from 1840 to 1856, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325703: A weaver and his weaver, on the banks of the Zambeze River. Engravure to illustrate Dr. Livingstone's first voyages to Southern Africa from 1840 to 1856, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Women from the banks of the Zambeze defriching a hoe, and introducing children to agricultural work. Engravure to illustrate Dr. Livingstone's first voyages to Southern Africa from 1840 to 1856, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
Women from the banks of the Zambeze defriching a hoe, and introducing children to agricultural work. Engravure to illustrate Dr. Livingstone's first voyages to Southern Africa from 1840 to 1856, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325719: Women from the banks of the Zambeze defriching a hoe, and introducing children to agricultural work. Engravure to illustrate Dr. Livingstone's first voyages to Southern Africa from 1840 to 1856, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A woman grinding grain in a burner, the mill consists of a stationary block of granite in the shape of a trough and a piece of quartz convex. Engravure to illustrate Dr. Livingstone's first voyages to Southern Africa from 1840 to 1856, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
A woman grinding grain in a burner, the mill consists of a stationary block of granite in the shape of a trough and a piece of quartz convex. Engravure to illustrate Dr. Livingstone's first voyages to Southern Africa from 1840 to 1856, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325745: A woman grinding grain in a burner, the mill consists of a stationary block of granite in the shape of a trough and a piece of quartz convex. Engravure to illustrate Dr. Livingstone's first voyages to Southern Africa from 1840 to 1856, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A butcher's shop and a bakery in Bucharest (Romania). Engravure pour illustrrer le voyage de Paris à Bucharest de Lancelot, designer, in 1860, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
A butcher's shop and a bakery in Bucharest (Romania). Engravure pour illustrrer le voyage de Paris à Bucharest de Lancelot, designer, in 1860, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325746: A butcher's shop and a bakery in Bucharest (Romania). Engravure pour illustrrer le voyage de Paris à Bucharest de Lancelot, designer, in 1860, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Lancelot, Dieudonne Auguste (1822-94) / Bridgeman Images

The arrival of a Turkish (Turkmenistan) wife in her husband's family; daughters do not marry before the age of 17, are chosen by the husband who negociates the dowry (which he provides to his future wife's family) and the conditions of marriage. Engraving to illustrate the story of Henri de Blocqueville “14 mois de captivite chez les turcomans”” between 1860 and 1861, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
The arrival of a Turkish (Turkmenistan) wife in her husband's family; daughters do not marry before the age of 17, are chosen by the husband who negociates the dowry (which he provides to his future wife's family) and the conditions of marriage. Engraving to illustrate the story of Henri de Blocqueville “14 mois de captivite chez les turcomans”” between 1860 and 1861, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325776: The arrival of a Turkish (Turkmenistan) wife in her husband's family; daughters do not marry before the age of 17, are chosen by the husband who negociates the dowry (which he provides to his future wife's family) and the conditions of marriage. Engraving to illustrate the story of Henri de Blocqueville “14 mois de captivite chez les turcomans”” between 1860 and 1861, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Incident during a duck hunt in the marecages of Pointe aux Moustiques or Pointe Macouria (French Guiana), attack of a boa on the hunter on the lookout. Engraving to illustrate the voyage in French Guiana in 1862-1863, by Frederic Bouyer, captain of fregate, in “” Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
Incident during a duck hunt in the marecages of Pointe aux Moustiques or Pointe Macouria (French Guiana), attack of a boa on the hunter on the lookout. Engraving to illustrate the voyage in French Guiana in 1862-1863, by Frederic Bouyer, captain of fregate, in “” Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325818: Incident during a duck hunt in the marecages of Pointe aux Moustiques or Pointe Macouria (French Guiana), attack of a boa on the hunter on the lookout. Engraving to illustrate the voyage in French Guiana in 1862-1863, by Frederic Bouyer, captain of fregate, in “” Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

View of Homoura, suburb of Yokohama, with Mount Fuji in the background. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
View of Homoura, suburb of Yokohama, with Mount Fuji in the background. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325826: View of Homoura, suburb of Yokohama, with Mount Fuji in the background. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Scene of rest of the country, in the moonlight, mats are erected on the ground after the day of work. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
Scene of rest of the country, in the moonlight, mats are erected on the ground after the day of work. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325855: Scene of rest of the country, in the moonlight, mats are erected on the ground after the day of work. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Mirror polisher. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
Mirror polisher. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325896: Mirror polisher. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Gold mining and washing in a claim in Cameron Town (British Columbia, Canada), the district is the richest gold deposit in the region, gold is extracted from underground by hollow wells, from which buckets of “paid mud”, a mixture of clay and gravel that contains gold powder. Engraving to illustrate the voyage from the Atlantic to the Pacific (route du nord ouest par les terres), in 1862-1864 by Viscount Milton and Doctor Cheadle, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
Gold mining and washing in a claim in Cameron Town (British Columbia, Canada), the district is the richest gold deposit in the region, gold is extracted from underground by hollow wells, from which buckets of “paid mud”, a mixture of clay and gravel that contains gold powder. Engraving to illustrate the voyage from the Atlantic to the Pacific (route du nord ouest par les terres), in 1862-1864 by Viscount Milton and Doctor Cheadle, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325987: Gold mining and washing in a claim in Cameron Town (British Columbia, Canada), the district is the richest gold deposit in the region, gold is extracted from underground by hollow wells, from which buckets of “paid mud”, a mixture of clay and gravel that contains gold powder. Engraving to illustrate the voyage from the Atlantic to the Pacific (route du nord ouest par les terres), in 1862-1864 by Viscount Milton and Doctor Cheadle, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Pantheon of Japanese deities, traditional representation of some typical figures: the queen of heaven flanked by two guards; the Maki Tats, dragon of typhoon and the boss of arms. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
Pantheon of Japanese deities, traditional representation of some typical figures: the queen of heaven flanked by two guards; the Maki Tats, dragon of typhoon and the boss of arms. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4326017: Pantheon of Japanese deities, traditional representation of some typical figures: the queen of heaven flanked by two guards; the Maki Tats, dragon of typhoon and the boss of arms. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Funeral ceremonies: the monk of the last sacraments. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
Funeral ceremonies: the monk of the last sacraments. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4326027: Funeral ceremonies: the monk of the last sacraments. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The torment of the well, the victim, head down, is hanged in a cistern, which is closed with boards to make it completely obscure, death does not lead to the supplicy until after about ten days, this torment was very used against Japanese Christians who refused to abjure their faith. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
The torment of the well, the victim, head down, is hanged in a cistern, which is closed with boards to make it completely obscure, death does not lead to the supplicy until after about ten days, this torment was very used against Japanese Christians who refused to abjure their faith. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4326057: The torment of the well, the victim, head down, is hanged in a cistern, which is closed with boards to make it completely obscure, death does not lead to the supplicy until after about ten days, this torment was very used against Japanese Christians who refused to abjure their faith. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Bric a brac electoral. Cover in “” L'Eclipse”” by Gill, March 6, 1870.
Bric a brac electoral. Cover in “” L'Eclipse”” by Gill, March 6, 1870.

LSE4320259: Bric a brac electoral. Cover in “” L'Eclipse”” by Gill, March 6, 1870., Gill, Andre (1840-85) / Bridgeman Images

Ulric de Fontvielle. Cover in “” L'Eclipse”” by Gill, January 30, 1870, Paris.
Ulric de Fontvielle. Cover in “” L'Eclipse”” by Gill, January 30, 1870, Paris.

LSE4320280: Ulric de Fontvielle. Cover in “” L'Eclipse”” by Gill, January 30, 1870, Paris., Gill, Andre (1840-85) / Bridgeman Images

Adolphe Thiers (1797-1877), French statesman. Cover in “” L'Eclipse”” by Gill, January 12, 1873, Paris.
Adolphe Thiers (1797-1877), French statesman. Cover in “” L'Eclipse”” by Gill, January 12, 1873, Paris.

LSE4320305: Adolphe Thiers (1797-1877), French statesman. Cover in “” L'Eclipse”” by Gill, January 12, 1873, Paris., Gill, Andre (1840-85) / Bridgeman Images

Postage, map of France in four zones and its stamp with the profile of the President of the Republic Adolphe Thiers (1797-1877). Cover in “” L'Eclipse”” by Gill, April 6, 1873, Paris.
Postage, map of France in four zones and its stamp with the profile of the President of the Republic Adolphe Thiers (1797-1877). Cover in “” L'Eclipse”” by Gill, April 6, 1873, Paris.

LSE4320342: Postage, map of France in four zones and its stamp with the profile of the President of the Republic Adolphe Thiers (1797-1877). Cover in “” L'Eclipse”” by Gill, April 6, 1873, Paris., Gill, Andre (1840-85) / Bridgeman Images

To be or not to be, cartoon by Adolphe Thiers (1797-1877), French statesman. Cover in “” L'Eclipse”” by Gill, March 23, 1873, Paris.
To be or not to be, cartoon by Adolphe Thiers (1797-1877), French statesman. Cover in “” L'Eclipse”” by Gill, March 23, 1873, Paris.

LSE4320359: To be or not to be, cartoon by Adolphe Thiers (1797-1877), French statesman. Cover in “” L'Eclipse”” by Gill, March 23, 1873, Paris., Gill, Andre (1840-85) / Bridgeman Images

Good rugi, Lyon! , cartoon for the election of Arthur Ranc (1831-1908), depute of the Rhone. Cover in “” L'Eclipse”” by Gill, May 18, 1873, Paris.
Good rugi, Lyon! , cartoon for the election of Arthur Ranc (1831-1908), depute of the Rhone. Cover in “” L'Eclipse”” by Gill, May 18, 1873, Paris.

LSE4320367: Good rugi, Lyon! , cartoon for the election of Arthur Ranc (1831-1908), depute of the Rhone. Cover in “” L'Eclipse”” by Gill, May 18, 1873, Paris., Gill, Andre (1840-85) / Bridgeman Images

Cartoon by Charles de Remusat (1797-1875), French philosopher and politician. Cover in “” L'Eclipse”” by Gill, April 27, 1873, Paris.
Cartoon by Charles de Remusat (1797-1875), French philosopher and politician. Cover in “” L'Eclipse”” by Gill, April 27, 1873, Paris.

LSE4320372: Cartoon by Charles de Remusat (1797-1875), French philosopher and politician. Cover in “” L'Eclipse”” by Gill, April 27, 1873, Paris., Gill, Andre (1840-85) / Bridgeman Images

The triumph of the order, a caricature of Gill, enumerated by the order established by the Duke of Broglie (1821-1901). Cover in “” L'Eclipse”” by Gill, June 29, 1873.
The triumph of the order, a caricature of Gill, enumerated by the order established by the Duke of Broglie (1821-1901). Cover in “” L'Eclipse”” by Gill, June 29, 1873.

LSE4320375: The triumph of the order, a caricature of Gill, enumerated by the order established by the Duke of Broglie (1821-1901). Cover in “” L'Eclipse”” by Gill, June 29, 1873., Gill, Andre (1840-85) / Bridgeman Images

Edouard Simon Lockroy (1838-1913), French politician, depute of Marseille. Cover in “” L'Eclipse”” by Gill, May 11, 1873.
Edouard Simon Lockroy (1838-1913), French politician, depute of Marseille. Cover in “” L'Eclipse”” by Gill, May 11, 1873.

LSE4320377: Edouard Simon Lockroy (1838-1913), French politician, depute of Marseille. Cover in “” L'Eclipse”” by Gill, May 11, 1873., Gill, Andre (1840-85) / Bridgeman Images

Little man still lives, cartoon by Adolphe Thiers (1797-1877), French statesman. Cover in “” L'Eclipse”” by Gill, June 8, 1873, Paris.
Little man still lives, cartoon by Adolphe Thiers (1797-1877), French statesman. Cover in “” L'Eclipse”” by Gill, June 8, 1873, Paris.

LSE4320383: Little man still lives, cartoon by Adolphe Thiers (1797-1877), French statesman. Cover in “” L'Eclipse”” by Gill, June 8, 1873, Paris., Gill, Andre (1840-85) / Bridgeman Images

Cartoon “general repetition” for the political world. Cover in “” L'Eclipse””, by Job, September 14, 1873.
Cartoon “general repetition” for the political world. Cover in “” L'Eclipse””, by Job, September 14, 1873.

LSE4320417: Cartoon “general repetition” for the political world. Cover in “” L'Eclipse””, by Job, September 14, 1873., Job, pseudonym for Onfray de Breville, Jacques (1858-1931) / Bridgeman Images


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