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Rescue of 2 soldiers of the 97th line regiment, on a border surveillance mission, victims of an avalanche caused by the melting of spring snow. Engraving in “” Le petit journal”” 14/05/1894. Selva's collection.
Rescue of 2 soldiers of the 97th line regiment, on a border surveillance mission, victims of an avalanche caused by the melting of spring snow. Engraving in “” Le petit journal”” 14/05/1894. Selva's collection.

LSE4323909: Rescue of 2 soldiers of the 97th line regiment, on a border surveillance mission, victims of an avalanche caused by the melting of spring snow. Engraving in “” Le petit journal”” 14/05/1894. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Eugene Turpin (1848-1927), chemist specializing in explosives, (inventor of melinite in 1884), unjustly accuses of having sold his inventions to the enemy, he is the source of inpiration for the character of Thomas Roch in Jules Verne's novel “Face au drapeau” (1828-1905). Engraving in “” Le petit journal”” 18/06/1894. Selva's collection.
Portrait of Eugene Turpin (1848-1927), chemist specializing in explosives, (inventor of melinite in 1884), unjustly accuses of having sold his inventions to the enemy, he is the source of inpiration for the character of Thomas Roch in Jules Verne's novel “Face au drapeau” (1828-1905). Engraving in “” Le petit journal”” 18/06/1894. Selva's collection.

LSE4323918: Portrait of Eugene Turpin (1848-1927), chemist specializing in explosives, (inventor of melinite in 1884), unjustly accuses of having sold his inventions to the enemy, he is the source of inpiration for the character of Thomas Roch in Jules Verne's novel “Face au drapeau” (1828-1905). Engraving in “” Le petit journal”” 18/06/1894. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

A revolt aboard the building Ville de Saint Nazaire, which embarked from the Ile d'aix towards Guiana, 130 forcats and 170 relegues including many known anarchists (Leautier, Marpeaux, Catineau, Colombat...). Engraving in “” Le petit journal”” 10/09/1894. Selva's collection.
A revolt aboard the building Ville de Saint Nazaire, which embarked from the Ile d'aix towards Guiana, 130 forcats and 170 relegues including many known anarchists (Leautier, Marpeaux, Catineau, Colombat...). Engraving in “” Le petit journal”” 10/09/1894. Selva's collection.

LSE4323936: A revolt aboard the building Ville de Saint Nazaire, which embarked from the Ile d'aix towards Guiana, 130 forcats and 170 relegues including many known anarchists (Leautier, Marpeaux, Catineau, Colombat...). Engraving in “” Le petit journal”” 10/09/1894. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

Armaments at Toulon of the cruisers Dupetit-Thouars and Laperouse, and boarding of 15,000 troops, for an expedition to Madagascar, by decision of Theophile Delcasse (1852-1923) colonial minister. Engraving in “” Le petit journal”” 29/10/1894. Selva's collection.
Armaments at Toulon of the cruisers Dupetit-Thouars and Laperouse, and boarding of 15,000 troops, for an expedition to Madagascar, by decision of Theophile Delcasse (1852-1923) colonial minister. Engraving in “” Le petit journal”” 29/10/1894. Selva's collection.

LSE4323975: Armaments at Toulon of the cruisers Dupetit-Thouars and Laperouse, and boarding of 15,000 troops, for an expedition to Madagascar, by decision of Theophile Delcasse (1852-1923) colonial minister. Engraving in “” Le petit journal”” 29/10/1894. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

A young man, wanting to be photographed in the cage of a lion, gets devoured, despite the efforts of the tamer to hold the lion. Engraving in “” Le petit journal”” 29/09/1895. Selva's collection.
A young man, wanting to be photographed in the cage of a lion, gets devoured, despite the efforts of the tamer to hold the lion. Engraving in “” Le petit journal”” 29/09/1895. Selva's collection.

LSE4324117: A young man, wanting to be photographed in the cage of a lion, gets devoured, despite the efforts of the tamer to hold the lion. Engraving in “” Le petit journal”” 29/09/1895. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Charles I (Charles Ferdinand of Bragance, 1863-1908) (known as the diplomat), King of Portugal and Emperor of Brazil. Engraving in “” Le petit journal”” 20/10/1895. Selva's collection.
Portrait of Charles I (Charles Ferdinand of Bragance, 1863-1908) (known as the diplomat), King of Portugal and Emperor of Brazil. Engraving in “” Le petit journal”” 20/10/1895. Selva's collection.

LSE4324120: Portrait of Charles I (Charles Ferdinand of Bragance, 1863-1908) (known as the diplomat), King of Portugal and Emperor of Brazil. Engraving in “” Le petit journal”” 20/10/1895. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

The steam pump and vehicles of the firefighters in Paris, according to a painting by Mr. Busson. Engraving in “” Le petit journal”” 3/05/1896. Selva's collection.
The steam pump and vehicles of the firefighters in Paris, according to a painting by Mr. Busson. Engraving in “” Le petit journal”” 3/05/1896. Selva's collection.

LSE4324178: The steam pump and vehicles of the firefighters in Paris, according to a painting by Mr. Busson. Engraving in “” Le petit journal”” 3/05/1896. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

Anarchist attack in Barcelona, bomb explosion in the procession leaving the church of Santa Maria, street nuevos cambios. Engraving in “” Le petit journal”” 21/06/1896. Selva's collection.
Anarchist attack in Barcelona, bomb explosion in the procession leaving the church of Santa Maria, street nuevos cambios. Engraving in “” Le petit journal”” 21/06/1896. Selva's collection.

LSE4324205: Anarchist attack in Barcelona, bomb explosion in the procession leaving the church of Santa Maria, street nuevos cambios. Engraving in “” Le petit journal”” 21/06/1896. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

An accident of a tank on a bench in Savoie, the vehicle overturns and the passengers are precipitated in Arly. Engraving in “” Le petit journal”” 2/08/1896. Selva's collection.
An accident of a tank on a bench in Savoie, the vehicle overturns and the passengers are precipitated in Arly. Engraving in “” Le petit journal”” 2/08/1896. Selva's collection.

LSE4324225: An accident of a tank on a bench in Savoie, the vehicle overturns and the passengers are precipitated in Arly. Engraving in “” Le petit journal”” 2/08/1896. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

The suburbs of Teheran (present-day Iran). Drawing by Jules Laurens (1825-1901), to illustrate Arthur Gobineau's journey to Persia from 1855 to 1858. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
The suburbs of Teheran (present-day Iran). Drawing by Jules Laurens (1825-1901), to illustrate Arthur Gobineau's journey to Persia from 1855 to 1858. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324295: The suburbs of Teheran (present-day Iran). Drawing by Jules Laurens (1825-1901), to illustrate Arthur Gobineau's journey to Persia from 1855 to 1858. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Laurens, Jules Joseph Augustin (1825-1901) / Bridgeman Images

Rade and peak of the island of Borabora, drawing by Evremond Auguste de Berard (1824-1881), to illustrate the journey of a naturalist in the Galapagos archipelago and the coral islands, in 1858 by Charles Darwin (1809-1882). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
Rade and peak of the island of Borabora, drawing by Evremond Auguste de Berard (1824-1881), to illustrate the journey of a naturalist in the Galapagos archipelago and the coral islands, in 1858 by Charles Darwin (1809-1882). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324316: Rade and peak of the island of Borabora, drawing by Evremond Auguste de Berard (1824-1881), to illustrate the journey of a naturalist in the Galapagos archipelago and the coral islands, in 1858 by Charles Darwin (1809-1882). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Berard, Evremond de (19th century) (after) / Bridgeman Images

View of Kabra, Port of Timbuktu, on the Niger River (Mali), drawing by Adolphe Rouargue (1810-187?) and Emile Rouargue (ca1795-1865), to illustrate the journey of Dr. Henri Barth to central Africa in 1849-1855. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
View of Kabra, Port of Timbuktu, on the Niger River (Mali), drawing by Adolphe Rouargue (1810-187?) and Emile Rouargue (ca1795-1865), to illustrate the journey of Dr. Henri Barth to central Africa in 1849-1855. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324327: View of Kabra, Port of Timbuktu, on the Niger River (Mali), drawing by Adolphe Rouargue (1810-187?) and Emile Rouargue (ca1795-1865), to illustrate the journey of Dr. Henri Barth to central Africa in 1849-1855. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., French School, (19th century) / Bridgeman Images

General view of Havana, capital of Cuba, drawing by Lancelot to illustrate the voyage to the island of Cuba, in 1859, by Richard Dana (1815-1882). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
General view of Havana, capital of Cuba, drawing by Lancelot to illustrate the voyage to the island of Cuba, in 1859, by Richard Dana (1815-1882). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324358: General view of Havana, capital of Cuba, drawing by Lancelot to illustrate the voyage to the island of Cuba, in 1859, by Richard Dana (1815-1882). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Lancelot, Dieudonne Auguste (1822-94) / Bridgeman Images

A funeral scene in Calcutta (India), drawing to illustrate Count Emmanuel Andrasy's 1849 journey to the British Indies. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
A funeral scene in Calcutta (India), drawing to illustrate Count Emmanuel Andrasy's 1849 journey to the British Indies. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324401: A funeral scene in Calcutta (India), drawing to illustrate Count Emmanuel Andrasy's 1849 journey to the British Indies. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., French School, (19th century) / Bridgeman Images

Portraits and costumes of the Emperor of Annam and his ministers, Cochinchine, drawing by Therond, to illustrate a unique correspondence with Cochinchine in 1859. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
Portraits and costumes of the Emperor of Annam and his ministers, Cochinchine, drawing by Therond, to illustrate a unique correspondence with Cochinchine in 1859. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324404: Portraits and costumes of the Emperor of Annam and his ministers, Cochinchine, drawing by Therond, to illustrate a unique correspondence with Cochinchine in 1859. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Therond, Emile Theodore (b.1821) / Bridgeman Images

View of the city of Marrakech (formerly Morocco), drawing by Auguste de Berard (1824-1881), to illustrate Mr.F. Schickler's journey to Morocco in 1860. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
View of the city of Marrakech (formerly Morocco), drawing by Auguste de Berard (1824-1881), to illustrate Mr.F. Schickler's journey to Morocco in 1860. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324441: View of the city of Marrakech (formerly Morocco), drawing by Auguste de Berard (1824-1881), to illustrate Mr.F. Schickler's journey to Morocco in 1860. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Berard, Evremond de (19th century) (after) / Bridgeman Images

Buffalo hunting among the Delawares, Amerindians living on the banks of the river of the same name, drawing by Gustave dore (1832-1883), to illustrate the voyage of the Mississippi to the Pacific Ocean in 1853-54 by Baudouin Mollhausen (1825-1905). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
Buffalo hunting among the Delawares, Amerindians living on the banks of the river of the same name, drawing by Gustave dore (1832-1883), to illustrate the voyage of the Mississippi to the Pacific Ocean in 1853-54 by Baudouin Mollhausen (1825-1905). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324488: Buffalo hunting among the Delawares, Amerindians living on the banks of the river of the same name, drawing by Gustave dore (1832-1883), to illustrate the voyage of the Mississippi to the Pacific Ocean in 1853-54 by Baudouin Mollhausen (1825-1905). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

View of Melbourne (Australia), drawing by Lancelot, to illustrate the memories of a French squatter in Australia, in 1854-1859, by M. de Castella. Engraving in “” Le tour du monde”” 1861. Selva's collection.
View of Melbourne (Australia), drawing by Lancelot, to illustrate the memories of a French squatter in Australia, in 1854-1859, by M. de Castella. Engraving in “” Le tour du monde”” 1861. Selva's collection.

LSE4324522: View of Melbourne (Australia), drawing by Lancelot, to illustrate the memories of a French squatter in Australia, in 1854-1859, by M. de Castella. Engraving in “” Le tour du monde”” 1861. Selva's collection., Lancelot, Dieudonne Auguste (1822-94) / Bridgeman Images

The entrance to the port of New York, drawing by Paul Huet (1803-1869), to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection.
The entrance to the port of New York, drawing by Paul Huet (1803-1869), to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection.

LSE4324544: The entrance to the port of New York, drawing by Paul Huet (1803-1869), to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection., Huet, Paul (1803-69) / Bridgeman Images

An internal view of the cave of Antiparos, island of the Cyclades, drawing by Emile Rouargue (circa 1895-1865), to illustrate the visit to the cave of Antiparos, in 1859, by E.A.Spoll. Engraving in “” Le tour du monde”” 1861. Selva's collection.
An internal view of the cave of Antiparos, island of the Cyclades, drawing by Emile Rouargue (circa 1895-1865), to illustrate the visit to the cave of Antiparos, in 1859, by E.A.Spoll. Engraving in “” Le tour du monde”” 1861. Selva's collection.

LSE4324545: An internal view of the cave of Antiparos, island of the Cyclades, drawing by Emile Rouargue (circa 1895-1865), to illustrate the visit to the cave of Antiparos, in 1859, by E.A.Spoll. Engraving in “” Le tour du monde”” 1861. Selva's collection., French School, (19th century) / Bridgeman Images

View of Quebec, drawing by Grandsire, to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection.
View of Quebec, drawing by Grandsire, to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection.

LSE4324557: View of Quebec, drawing by Grandsire, to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection., Grandsire, Pierre Eugene (1825-1905) / Bridgeman Images

View of Montreal, drawing by Paul Huet (1803-1869), to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection.
View of Montreal, drawing by Paul Huet (1803-1869), to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection.

LSE4324559: View of Montreal, drawing by Paul Huet (1803-1869), to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection., Huet, Paul (1803-69) / Bridgeman Images

The Marche Square and the Ahmet Khiaia Mosque in Baghdad, drawing by Eugene Flandin (1809-1876), to illustrate his journey to Mesopotamia in 1840-1842. Engraving in “” Le tour du monde”” 1861. Selva's collection.
The Marche Square and the Ahmet Khiaia Mosque in Baghdad, drawing by Eugene Flandin (1809-1876), to illustrate his journey to Mesopotamia in 1840-1842. Engraving in “” Le tour du monde”” 1861. Selva's collection.

LSE4324590: The Marche Square and the Ahmet Khiaia Mosque in Baghdad, drawing by Eugene Flandin (1809-1876), to illustrate his journey to Mesopotamia in 1840-1842. Engraving in “” Le tour du monde”” 1861. Selva's collection., Flandin, Eugene (1809-76) / Bridgeman Images

The sale of watermelons, drawing by Ferogio, to illustrate Naples and the Neapolitans, in 1861, by Marc Monnier (1829-1885). Engraving in “” Le tour du monde”” 1861. Selva's collection.
The sale of watermelons, drawing by Ferogio, to illustrate Naples and the Neapolitans, in 1861, by Marc Monnier (1829-1885). Engraving in “” Le tour du monde”” 1861. Selva's collection.

LSE4324602: The sale of watermelons, drawing by Ferogio, to illustrate Naples and the Neapolitans, in 1861, by Marc Monnier (1829-1885). Engraving in “” Le tour du monde”” 1861. Selva's collection., Ferogio, Francois Fortune Antoine (1805-88) (after) / Bridgeman Images

Milestones of a road in the pampa, drawing by Paul Marcoy, to illustrate his journey from the Atlantic Ocean to the Pacific Ocean, through South America, 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.
Milestones of a road in the pampa, drawing by Paul Marcoy, to illustrate his journey from the Atlantic Ocean to the Pacific Ocean, through South America, 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.

LSE4324803: Milestones of a road in the pampa, drawing by Paul Marcoy, to illustrate his journey from the Atlantic Ocean to the Pacific Ocean, through South America, 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection., Marcoy, Paul (1815-1887) / Bridgeman Images

Plaza Mayor and the Cathedrale of Arequipa (Peru), drawing by Paul Marcoy, to illustrate his journey from the Atlantic Ocean to the Pacific Ocean, through South America, from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.
Plaza Mayor and the Cathedrale of Arequipa (Peru), drawing by Paul Marcoy, to illustrate his journey from the Atlantic Ocean to the Pacific Ocean, through South America, from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.

LSE4324833: Plaza Mayor and the Cathedrale of Arequipa (Peru), drawing by Paul Marcoy, to illustrate his journey from the Atlantic Ocean to the Pacific Ocean, through South America, from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection., Marcoy, Paul (1815-1887) / Bridgeman Images

Inside the temple of fetiches snakes, in Wydah, in Dahomey (present-day Benin), drawing by Jean Antoine Foulquier (1822-1896), to illustrate Dr. Repin's journey to Dahomey in 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
Inside the temple of fetiches snakes, in Wydah, in Dahomey (present-day Benin), drawing by Jean Antoine Foulquier (1822-1896), to illustrate Dr. Repin's journey to Dahomey in 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4324951: Inside the temple of fetiches snakes, in Wydah, in Dahomey (present-day Benin), drawing by Jean Antoine Foulquier (1822-1896), to illustrate Dr. Repin's journey to Dahomey in 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Foulquier, Jean Antoine Valentin (1822-1896) / Bridgeman Images

The chewing of gunapo, but germinates, for the manufacture of chicha a Comtapata, heritage of the fermentation technique of the ancient Aymaras Indians of Upper Peru, drawing by Riou, to illustrate the journey through South America, from 1848 to 1860 by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
The chewing of gunapo, but germinates, for the manufacture of chicha a Comtapata, heritage of the fermentation technique of the ancient Aymaras Indians of Upper Peru, drawing by Riou, to illustrate the journey through South America, from 1848 to 1860 by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325020: The chewing of gunapo, but germinates, for the manufacture of chicha a Comtapata, heritage of the fermentation technique of the ancient Aymaras Indians of Upper Peru, drawing by Riou, to illustrate the journey through South America, from 1848 to 1860 by Paul Marcoy. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

A trench in the Suez Canal, drawing by Grenet, to illustrate an excursion to the Suez Canal in 1862 by Paul Merruau. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
A trench in the Suez Canal, drawing by Grenet, to illustrate an excursion to the Suez Canal in 1862 by Paul Merruau. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325062: A trench in the Suez Canal, drawing by Grenet, to illustrate an excursion to the Suez Canal in 1862 by Paul Merruau. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Grenet, Edward (1857-1915) / Bridgeman Images

Portrait of Joseph d'Haussonville (1809-1884), French politician and diplomat and Alexandre Dumas Jr. (1824-1895), French playwright and novelist. Cover in “” L'Eclipse”” by Gill, February 25, 1875, Paris.
Portrait of Joseph d'Haussonville (1809-1884), French politician and diplomat and Alexandre Dumas Jr. (1824-1895), French playwright and novelist. Cover in “” L'Eclipse”” by Gill, February 25, 1875, Paris.

LSE4320856: Portrait of Joseph d'Haussonville (1809-1884), French politician and diplomat and Alexandre Dumas Jr. (1824-1895), French playwright and novelist. Cover in “” L'Eclipse”” by Gill, February 25, 1875, Paris., Gill, Andre (1840-85) / Bridgeman Images

Portrait of Victor Hugo (1802-1885), French man of letters and politician. Cover in “” L'Eclipse”” by Gill, August 29, 1875, Paris.
Portrait of Victor Hugo (1802-1885), French man of letters and politician. Cover in “” L'Eclipse”” by Gill, August 29, 1875, Paris.

LSE4320876: Portrait of Victor Hugo (1802-1885), French man of letters and politician. Cover in “” L'Eclipse”” by Gill, August 29, 1875, Paris., Gill, Andre (1840-85) / Bridgeman Images

Portrait of Christian (1821-1889), French singer, in the role of King Vlan in the play “” Le voyage dans la lune” by Jacques Offenbach. Cover in “” L'Eclipse”” by Gill, November 14, 1875, Paris.
Portrait of Christian (1821-1889), French singer, in the role of King Vlan in the play “” Le voyage dans la lune” by Jacques Offenbach. Cover in “” L'Eclipse”” by Gill, November 14, 1875, Paris.

LSE4320913: Portrait of Christian (1821-1889), French singer, in the role of King Vlan in the play “” Le voyage dans la lune” by Jacques Offenbach. Cover in “” L'Eclipse”” by Gill, November 14, 1875, Paris., Gill, Andre (1840-85) / Bridgeman Images

Portrait of Charles Louis de Saulces de Freycinet (1828-1923), French politician and engineer. Cover in “” L'Eclipse”” by Gill, February 6, 1876, Paris.
Portrait of Charles Louis de Saulces de Freycinet (1828-1923), French politician and engineer. Cover in “” L'Eclipse”” by Gill, February 6, 1876, Paris.

LSE4320931: Portrait of Charles Louis de Saulces de Freycinet (1828-1923), French politician and engineer. Cover in “” L'Eclipse”” by Gill, February 6, 1876, Paris., Gill, Andre (1840-85) / Bridgeman Images

Portrait of Alexandre Chatrian (1826-1890) and Emile Erckmann (1822-1899), known as Erckmann-Chatrian, duo of French novelists. Cover in “” L'Eclipse”” by Gill, February 20, 1876, Paris.
Portrait of Alexandre Chatrian (1826-1890) and Emile Erckmann (1822-1899), known as Erckmann-Chatrian, duo of French novelists. Cover in “” L'Eclipse”” by Gill, February 20, 1876, Paris.

LSE4320937: Portrait of Alexandre Chatrian (1826-1890) and Emile Erckmann (1822-1899), known as Erckmann-Chatrian, duo of French novelists. Cover in “” L'Eclipse”” by Gill, February 20, 1876, Paris., Gill, Andre (1840-85) / Bridgeman Images

Bonaparte and the Pyramids of Egypt (1799), 19th century (Epinal print)
Bonaparte and the Pyramids of Egypt (1799), 19th century (Epinal print)

LSE4320975: Bonaparte and the Pyramids of Egypt (1799), 19th century (Epinal print), French School, (19th century) / Bridgeman Images

Portrait of the imperial family (Epinal print)
Portrait of the imperial family (Epinal print)

LSE4320994: Portrait of the imperial family (Epinal print), French School, (19th century) / Bridgeman Images


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