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Portrait of Jean Paul Sartre (1905 - 1980), French writer and philosopher. 1975 approximately
Portrait of Jean Paul Sartre (1905 - 1980), French writer and philosopher. 1975 approximately

LSE4403289: Portrait of Jean Paul Sartre (1905 - 1980), French writer and philosopher. 1975 approximately / Bridgeman Images

Cartoon by Daumier: Serie “” Les Gens de justice”” published in “” Charivari”” of 04/03/1846. Hearing a witness.
Cartoon by Daumier: Serie “” Les Gens de justice”” published in “” Charivari”” of 04/03/1846. Hearing a witness.

LSE4403301: Cartoon by Daumier: Serie “” Les Gens de justice”” published in “” Charivari”” of 04/03/1846. Hearing a witness., Daumier, Honore (1808-79) / Bridgeman Images

Monsieur Gogo and the news lists of the Bourse: series of cartoons drawn from “” News”, on the stock exchange and a gogo by Honore Daumier (1808-1879). “Charivari”, 1856.
Monsieur Gogo and the news lists of the Bourse: series of cartoons drawn from “” News”, on the stock exchange and a gogo by Honore Daumier (1808-1879). “Charivari”, 1856.

LSE4403316: Monsieur Gogo and the news lists of the Bourse: series of cartoons drawn from “” News”, on the stock exchange and a gogo by Honore Daumier (1808-1879). “Charivari”, 1856., Daumier, Honore (1808-79) / Bridgeman Images

Panic on the stock market. It was in vain that shares were offered, everyone took away from them: from “” Actualites”, a series of cartoons on the Honore Daumier stock exchange (1808-1879). Charivari, 1845.
Panic on the stock market. It was in vain that shares were offered, everyone took away from them: from “” Actualites”, a series of cartoons on the Honore Daumier stock exchange (1808-1879). Charivari, 1845.

LSE4403321: Panic on the stock market. It was in vain that shares were offered, everyone took away from them: from “” Actualites”, a series of cartoons on the Honore Daumier stock exchange (1808-1879). Charivari, 1845., Daumier, Honore (1808-79) / Bridgeman Images

The taste: series from “” Cinq sens””, by Honore Daumier (1808-1879). “” Charivari”, 1842.
The taste: series from “” Cinq sens””, by Honore Daumier (1808-1879). “” Charivari”, 1842.

LSE4403335: The taste: series from “” Cinq sens””, by Honore Daumier (1808-1879). “” Charivari”, 1842., Daumier, Honore (1808-79) / Bridgeman Images

- Hey! Well, neighbor... why did you make such a loud cry... would you have seen the comet?... “I thought I saw her there... but it's just a fire... this time we're still even for fear!... , cartoon by Honore Daumier (
- Hey! Well, neighbor... why did you make such a loud cry... would you have seen the comet?... “I thought I saw her there... but it's just a fire... this time we're still even for fear!... , cartoon by Honore Daumier (

LSE4403367: - Hey! Well, neighbor... why did you make such a loud cry... would you have seen the comet?... “I thought I saw her there... but it's just a fire... this time we're still even for fear!... , cartoon by Honore Daumier (, Daumier, Honore (1808-79) / Bridgeman Images

Still Comete. “Is it true, sir, what a disaster must happen on June 13???? I hear there's still a little hope, Marianne... here's a newspaper that says it's handed over to 14! , cartoon by Honore Daumier (1808-1879). “Charivari”, 1857.
Still Comete. “Is it true, sir, what a disaster must happen on June 13???? I hear there's still a little hope, Marianne... here's a newspaper that says it's handed over to 14! , cartoon by Honore Daumier (1808-1879). “Charivari”, 1857.

LSE4403370: Still Comete. “Is it true, sir, what a disaster must happen on June 13???? I hear there's still a little hope, Marianne... here's a newspaper that says it's handed over to 14! , cartoon by Honore Daumier (1808-1879). “Charivari”, 1857., Daumier, Honore (1808-79) / Bridgeman Images

Parisian type, old scelerat!!, caricature by Honore Daumier (1808-1879). “” Charivari””.
Parisian type, old scelerat!!, caricature by Honore Daumier (1808-1879). “” Charivari””.

LSE4403384: Parisian type, old scelerat!!, caricature by Honore Daumier (1808-1879). “” Charivari””., Daumier, Honore (1808-79) / Bridgeman Images

“So, although I confess to you, between us, that I was the one who stole the toquante from Father Jerome, you do not abandon me for that!... - Hey! My dear thief... you hardly know my heart... ; if there were no more filers there would be no lawyers... my
“So, although I confess to you, between us, that I was the one who stole the toquante from Father Jerome, you do not abandon me for that!... - Hey! My dear thief... you hardly know my heart... ; if there were no more filers there would be no lawyers... my

LSE4403419: “So, although I confess to you, between us, that I was the one who stole the toquante from Father Jerome, you do not abandon me for that!... - Hey! My dear thief... you hardly know my heart... ; if there were no more filers there would be no lawyers... my, Daumier, Honore (1808-79) / Bridgeman Images

Political shelter. Yes, ma'am, I present myself as a belisaire, except that I see it clearly and I lost my little one. You see in me the generalissimo of the army of land and sea of the Prince of Monaco!... Exile by a tyrant jealous of my glory... I will not ask you for an obole. , taken from “” Tenants et Owners”, cartoon series by Honore Daumier (1808-1879). “Charivari”, 1842.
Political shelter. Yes, ma'am, I present myself as a belisaire, except that I see it clearly and I lost my little one. You see in me the generalissimo of the army of land and sea of the Prince of Monaco!... Exile by a tyrant jealous of my glory... I will not ask you for an obole. , taken from “” Tenants et Owners”, cartoon series by Honore Daumier (1808-1879). “Charivari”, 1842.

LSE4403434: Political shelter. Yes, ma'am, I present myself as a belisaire, except that I see it clearly and I lost my little one. You see in me the generalissimo of the army of land and sea of the Prince of Monaco!... Exile by a tyrant jealous of my glory... I will not ask you for an obole. , taken from “” Tenants et Owners”, cartoon series by Honore Daumier (1808-1879). “Charivari”, 1842., Daumier, Honore (1808-79) / Bridgeman Images

-accommodation is a bit expensive, for Place Royale (Place des Vosges)... A little expensive... a little expensive... but I already told you that from this window you can see two or three times a week, get up Victor Hugo!... , taken from “” Tenants et Proprie
-accommodation is a bit expensive, for Place Royale (Place des Vosges)... A little expensive... a little expensive... but I already told you that from this window you can see two or three times a week, get up Victor Hugo!... , taken from “” Tenants et Proprie

LSE4403444: -accommodation is a bit expensive, for Place Royale (Place des Vosges)... A little expensive... a little expensive... but I already told you that from this window you can see two or three times a week, get up Victor Hugo!... , taken from “” Tenants et Proprie, Daumier, Honore (1808-79) / Bridgeman Images

Ancient history: the death of Anacreon, caricature to illustrate an excerpt from the badine works of Jacques-Benigne (Jacques Benigne) Bossuet (1627-1704): “Between cheese and pear, This singer of loves folatrait after drinking, When an unfortunate pepepein, made him lose the taste of bread””. Illustration by Honore Daumier (1808-1879). Cartoon 19th century.
Ancient history: the death of Anacreon, caricature to illustrate an excerpt from the badine works of Jacques-Benigne (Jacques Benigne) Bossuet (1627-1704): “Between cheese and pear, This singer of loves folatrait after drinking, When an unfortunate pepepein, made him lose the taste of bread””. Illustration by Honore Daumier (1808-1879). Cartoon 19th century.

LSE4403497: Ancient history: the death of Anacreon, caricature to illustrate an excerpt from the badine works of Jacques-Benigne (Jacques Benigne) Bossuet (1627-1704): “Between cheese and pear, This singer of loves folatrait after drinking, When an unfortunate pepepein, made him lose the taste of bread””. Illustration by Honore Daumier (1808-1879). Cartoon 19th century., Daumier, Honore (1808-79) / Bridgeman Images

Parisians in 1852: a Parisian remains faithful to the cult of tragedies. Illustration d'Honore Daumier (1808-1879), published in “Charivari”, dated 26 January 1852.
Parisians in 1852: a Parisian remains faithful to the cult of tragedies. Illustration d'Honore Daumier (1808-1879), published in “Charivari”, dated 26 January 1852.

LSE4403528: Parisians in 1852: a Parisian remains faithful to the cult of tragedies. Illustration d'Honore Daumier (1808-1879), published in “Charivari”, dated 26 January 1852., Daumier, Honore (1808-79) / Bridgeman Images

Dramatic sketches: a singer reminder, high comedy scene. Illustration by Honore Daumier (1808-1879), published in “” Charivari”, dated January 9, 1857.
Dramatic sketches: a singer reminder, high comedy scene. Illustration by Honore Daumier (1808-1879), published in “” Charivari”, dated January 9, 1857.

LSE4403542: Dramatic sketches: a singer reminder, high comedy scene. Illustration by Honore Daumier (1808-1879), published in “” Charivari”, dated January 9, 1857., Daumier, Honore (1808-79) / Bridgeman Images

Europe: the cloud of ducks obscuring the air so much that poor Europe no longer knows what path to take. Illustration d'Honore Daumier (1808-1879), published in the news, “” Charivari””, dated October 22, 1857.
Europe: the cloud of ducks obscuring the air so much that poor Europe no longer knows what path to take. Illustration d'Honore Daumier (1808-1879), published in the news, “” Charivari””, dated October 22, 1857.

LSE4403562: Europe: the cloud of ducks obscuring the air so much that poor Europe no longer knows what path to take. Illustration d'Honore Daumier (1808-1879), published in the news, “” Charivari””, dated October 22, 1857., Daumier, Honore (1808-79) / Bridgeman Images

Turning tables (fluidomania): what are currently occupied by the different peoples of the earth. Illustration d'Honore Daumier (1808-1879), published in the news, “” Charivari””, dated June 22, 1853.
Turning tables (fluidomania): what are currently occupied by the different peoples of the earth. Illustration d'Honore Daumier (1808-1879), published in the news, “” Charivari””, dated June 22, 1853.

LSE4403569: Turning tables (fluidomania): what are currently occupied by the different peoples of the earth. Illustration d'Honore Daumier (1808-1879), published in the news, “” Charivari””, dated June 22, 1853., Daumier, Honore (1808-79) / Bridgeman Images

Christi! I don't know how to speak Chinese... I will gladly tell her that something agreeable for her and disobligatory for her husband!... In serie En Chine, illustration by Honore Daumier (1808-1879), published in “” Charivari””, dated January 12, 1859.
Christi! I don't know how to speak Chinese... I will gladly tell her that something agreeable for her and disobligatory for her husband!... In serie En Chine, illustration by Honore Daumier (1808-1879), published in “” Charivari””, dated January 12, 1859.

LSE4403584: Christi! I don't know how to speak Chinese... I will gladly tell her that something agreeable for her and disobligatory for her husband!... In serie En Chine, illustration by Honore Daumier (1808-1879), published in “” Charivari””, dated January 12, 1859., Daumier, Honore (1808-79) / Bridgeman Images

Chinese patrol, warriors having taken too much to the letter the instructions they had been given to light the enemy's march. In serie En Chine, illustration by Honore Daumier (1808-1879), published in “” Charivari””, dated January 25, 1859.
Chinese patrol, warriors having taken too much to the letter the instructions they had been given to light the enemy's march. In serie En Chine, illustration by Honore Daumier (1808-1879), published in “” Charivari””, dated January 25, 1859.

LSE4403592: Chinese patrol, warriors having taken too much to the letter the instructions they had been given to light the enemy's march. In serie En Chine, illustration by Honore Daumier (1808-1879), published in “” Charivari””, dated January 25, 1859., Daumier, Honore (1808-79) / Bridgeman Images

Chinese forks: “” Devil! but you have to be a very skilled batonist to be able to dine in town in this country. “”, in serie En Chine, illustration by Honore Daumier (1808-1879), published in “” Charivari””, 1858.
Chinese forks: “” Devil! but you have to be a very skilled batonist to be able to dine in town in this country. “”, in serie En Chine, illustration by Honore Daumier (1808-1879), published in “” Charivari””, 1858.

LSE4403605: Chinese forks: “” Devil! but you have to be a very skilled batonist to be able to dine in town in this country. “”, in serie En Chine, illustration by Honore Daumier (1808-1879), published in “” Charivari””, 1858., Daumier, Honore (1808-79) / Bridgeman Images

Second Opium War (1856-1860): In 1858, the Chinese government agreed to legalize the trade in opium. “” Taking advantage of the circumstance to engage the Chinese to pay for two hundred million opium””, in series En Chine, illustration by Honore Daumier (1808-1879), published in “Charivari”, 1858.
Second Opium War (1856-1860): In 1858, the Chinese government agreed to legalize the trade in opium. “” Taking advantage of the circumstance to engage the Chinese to pay for two hundred million opium””, in series En Chine, illustration by Honore Daumier (1808-1879), published in “Charivari”, 1858.

LSE4403606: Second Opium War (1856-1860): In 1858, the Chinese government agreed to legalize the trade in opium. “” Taking advantage of the circumstance to engage the Chinese to pay for two hundred million opium””, in series En Chine, illustration by Honore Daumier (1808-1879), published in “Charivari”, 1858., Daumier, Honore (1808-79) / Bridgeman Images

Saint Michael defeating the dragon. From the eardrum of the western facade of the chapel of Saint-Michel (dependency of the abbey of Saint-Michel in Nevers) 12th century. Paris, Louvre Museum?
Saint Michael defeating the dragon. From the eardrum of the western facade of the chapel of Saint-Michel (dependency of the abbey of Saint-Michel in Nevers) 12th century. Paris, Louvre Museum?

ETI4397267: Saint Michael defeating the dragon. From the eardrum of the western facade of the chapel of Saint-Michel (dependency of the abbey of Saint-Michel in Nevers) 12th century. Paris, Louvre Museum? / Bridgeman Images

Funeral and honorary statue of Marcellus, Roman politician (42-23 BC), around 20 BC. Greek marble signed by Cleomenes, Rome. Louvre Museum.
Funeral and honorary statue of Marcellus, Roman politician (42-23 BC), around 20 BC. Greek marble signed by Cleomenes, Rome. Louvre Museum.

ETI4397286: Funeral and honorary statue of Marcellus, Roman politician (42-23 BC), around 20 BC. Greek marble signed by Cleomenes, Rome. Louvre Museum. / Bridgeman Images

Portrait of Maximus Pupien (Marcus Clodius Pupienus Maximus), Roman emperor from February to May 238. Marble period ancient Rome. Musee du Louvre, Paris.
Portrait of Maximus Pupien (Marcus Clodius Pupienus Maximus), Roman emperor from February to May 238. Marble period ancient Rome. Musee du Louvre, Paris.

ETI4397304: Portrait of Maximus Pupien (Marcus Clodius Pupienus Maximus), Roman emperor from February to May 238. Marble period ancient Rome. Musee du Louvre, Paris. / Bridgeman Images

Portrait of Anatole France (1844-1924), French writer sculpture by Antoine Bourdelle (1861-1929) around 1920. Picardie Amiens Museum.
Portrait of Anatole France (1844-1924), French writer sculpture by Antoine Bourdelle (1861-1929) around 1920. Picardie Amiens Museum.

ETI4397323: Portrait of Anatole France (1844-1924), French writer sculpture by Antoine Bourdelle (1861-1929) around 1920. Picardie Amiens Museum. / Bridgeman Images

Expedition from Egypt under the orders of Bonaparte, detail. Painting by Leon Cogniet (1794-1880), 1821. Ceiling of the Campana room, Musee du Louvre. There are the General Bonaparte (Napoleon I 1769-1821), Jean Baptiste Kleber (1753-1800) in a tent. Campaign (Expedition) of Egypt (1798-1801)
Expedition from Egypt under the orders of Bonaparte, detail. Painting by Leon Cogniet (1794-1880), 1821. Ceiling of the Campana room, Musee du Louvre. There are the General Bonaparte (Napoleon I 1769-1821), Jean Baptiste Kleber (1753-1800) in a tent. Campaign (Expedition) of Egypt (1798-1801)

ETI4397334: Expedition from Egypt under the orders of Bonaparte, detail. Painting by Leon Cogniet (1794-1880), 1821. Ceiling of the Campana room, Musee du Louvre. There are the General Bonaparte (Napoleon I 1769-1821), Jean Baptiste Kleber (1753-1800) in a tent. Campaign (Expedition) of Egypt (1798-1801) / Bridgeman Images

November. (1667 - 1677). Medallion by Jacques Gervaise (1622 - 1670). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.
November. (1667 - 1677). Medallion by Jacques Gervaise (1622 - 1670). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.

ETI4397373: November. (1667 - 1677). Medallion by Jacques Gervaise (1622 - 1670). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris. / Bridgeman Images

May (1667 - 1677). Medallion by Jacques Gervaise (1622 - 1670). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.
May (1667 - 1677). Medallion by Jacques Gervaise (1622 - 1670). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.

ETI4397374: May (1667 - 1677). Medallion by Jacques Gervaise (1622 - 1670). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris. / Bridgeman Images

The sign of cancer (1663 - 1664). Thomas Regnaudin (1622 - 1706), based on a drawing by Charles Lebrun (Le Brun) (1619-1690). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris;
The sign of cancer (1663 - 1664). Thomas Regnaudin (1622 - 1706), based on a drawing by Charles Lebrun (Le Brun) (1619-1690). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris;

ETI4397386: The sign of cancer (1663 - 1664). Thomas Regnaudin (1622 - 1706), based on a drawing by Charles Lebrun (Le Brun) (1619-1690). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris; / Bridgeman Images

View of the Galerie d'Apollon at the Musee du Louvre in Paris.
View of the Galerie d'Apollon at the Musee du Louvre in Paris.

ETI4397402: View of the Galerie d'Apollon at the Musee du Louvre in Paris. / Bridgeman Images

Spring or Zephyr and Flora crowning with flowers Cybele (Detail) (1780 - 1781). Painting by Antoine Francois (Antoine-Francois) Callet (1741 - 1823). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.
Spring or Zephyr and Flora crowning with flowers Cybele (Detail) (1780 - 1781). Painting by Antoine Francois (Antoine-Francois) Callet (1741 - 1823). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.

ETI4397422: Spring or Zephyr and Flora crowning with flowers Cybele (Detail) (1780 - 1781). Painting by Antoine Francois (Antoine-Francois) Callet (1741 - 1823). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris. / Bridgeman Images

The Triumph of Waters or Neptune and Amphytritis (1664 -1677). Painting by Charles Lebrun (Le Brun) (1619-1690) Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.
The Triumph of Waters or Neptune and Amphytritis (1664 -1677). Painting by Charles Lebrun (Le Brun) (1619-1690) Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.

ETI4397448: The Triumph of Waters or Neptune and Amphytritis (1664 -1677). Painting by Charles Lebrun (Le Brun) (1619-1690) Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris. / Bridgeman Images

The Triumph of Waters or Neptune and Amphytritis (1664 -1677). Painting by Charles Lebrun (Le Brun) (1619-1690) Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.
The Triumph of Waters or Neptune and Amphytritis (1664 -1677). Painting by Charles Lebrun (Le Brun) (1619-1690) Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.

ETI4397458: The Triumph of Waters or Neptune and Amphytritis (1664 -1677). Painting by Charles Lebrun (Le Brun) (1619-1690) Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris. / Bridgeman Images

Apollo winner of the snake Python (Detail) (1850 - 1851). Painting by Eugene Delacroix (1798 - 1863). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.
Apollo winner of the snake Python (Detail) (1850 - 1851). Painting by Eugene Delacroix (1798 - 1863). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.

ETI4397474: Apollo winner of the snake Python (Detail) (1850 - 1851). Painting by Eugene Delacroix (1798 - 1863). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris. / Bridgeman Images

L'Aurore (Detail) (1850). Painting by Charles Louis (Charles-Louis) Muller (1815 - 1892). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.
L'Aurore (Detail) (1850). Painting by Charles Louis (Charles-Louis) Muller (1815 - 1892). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.

ETI4397476: L'Aurore (Detail) (1850). Painting by Charles Louis (Charles-Louis) Muller (1815 - 1892). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris. / Bridgeman Images

L'Aurore (Detail) (1850). Painting by Charles Louis (Charles-Louis) Muller (Müller) (1815 - 1892). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.
L'Aurore (Detail) (1850). Painting by Charles Louis (Charles-Louis) Muller (Müller) (1815 - 1892). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.

ETI4397477: L'Aurore (Detail) (1850). Painting by Charles Louis (Charles-Louis) Muller (Müller) (1815 - 1892). Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris. / Bridgeman Images

The month of August (1667 - 1677), medallion by Jacques Gervaise (1622 - 1670). The sign of the virgin (Detail), sculpture after a drawing by Charles Lebrun (Le Brun) (1619-1690) Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.
The month of August (1667 - 1677), medallion by Jacques Gervaise (1622 - 1670). The sign of the virgin (Detail), sculpture after a drawing by Charles Lebrun (Le Brun) (1619-1690) Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris.

ETI4397485: The month of August (1667 - 1677), medallion by Jacques Gervaise (1622 - 1670). The sign of the virgin (Detail), sculpture after a drawing by Charles Lebrun (Le Brun) (1619-1690) Ceiling of the Galerie d'Apollon at the Musee du Louvre in Paris. / Bridgeman Images


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