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Sacrifice of Isaac Bas relief of gilded bronze by Lorenzo Ghiberti (1378-1455) 1401. Dim. 45 cm Museo Nazionale del Bargello, Florence
Sacrifice of Isaac Bas relief of gilded bronze by Lorenzo Ghiberti (1378-1455) 1401. Dim. 45 cm Museo Nazionale del Bargello, Florence

LRI4594472: Sacrifice of Isaac Bas relief of gilded bronze by Lorenzo Ghiberti (1378-1455) 1401. Dim. 45 cm Museo Nazionale del Bargello, Florence, Ghiberti, Lorenzo (1378-1455) / Bridgeman Images

Francis I of Medicis (Francesco I de Medici, 1541-1587) Grand Duke of Tuscany listening to the reading of a decree Wax sculpture of Giambologna (Giovanni da Bologna or Jean de Bologna or Boulogne, 1529-1608) Museo Nazionale del Bargello Florence
Francis I of Medicis (Francesco I de Medici, 1541-1587) Grand Duke of Tuscany listening to the reading of a decree Wax sculpture of Giambologna (Giovanni da Bologna or Jean de Bologna or Boulogne, 1529-1608) Museo Nazionale del Bargello Florence

LRI4594649: Francis I of Medicis (Francesco I de Medici, 1541-1587) Grand Duke of Tuscany listening to the reading of a decree Wax sculpture of Giambologna (Giovanni da Bologna or Jean de Bologna or Boulogne, 1529-1608) Museo Nazionale del Bargello Florence, Giambologna (Giovanni da Bologna), (1529-1608) / Bridgeman Images

the Nativity or Adoration of Baby Jesus (polychrome terracotta)
the Nativity or Adoration of Baby Jesus (polychrome terracotta)

LRI4594281: the Nativity or Adoration of Baby Jesus (polychrome terracotta), Della Robbia, Andrea (1435-1525/28) / Bridgeman Images

Mr. John Cooper as Clement Cleveland in “The Pirate” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Michael William Sharp. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.
Mr. John Cooper as Clement Cleveland in “The Pirate” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Michael William Sharp. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

FLO4594898: Mr. John Cooper as Clement Cleveland in “The Pirate” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Michael William Sharp. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825. / Bridgeman Images

Dress (Dress) of the reign of King Henry II, Curtmantle, 1154-1189. Long red ermine-lined mantle over long green dress, white veil and wimple. Based on an effigy of Queen Eleanora in Fontevraud Abbey, Miss Agnes Strickland's description of this dress, and Matthew Paris's Observations and Quotations. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress (Dress) of the reign of King Henry II, Curtmantle, 1154-1189. Long red ermine-lined mantle over long green dress, white veil and wimple. Based on an effigy of Queen Eleanora in Fontevraud Abbey, Miss Agnes Strickland's description of this dress, and Matthew Paris's Observations and Quotations. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594517: Dress (Dress) of the reign of King Henry II, Curtmantle, 1154-1189. Long red ermine-lined mantle over long green dress, white veil and wimple. Based on an effigy of Queen Eleanora in Fontevraud Abbey, Miss Agnes Strickland's description of this dress, and Matthew Paris's Observations and Quotations. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

Miss Harriet Constance Smithson as Miss Dorrillon in “Wives as They Were and Maids as They Are” the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by George Clint. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.
Miss Harriet Constance Smithson as Miss Dorrillon in “Wives as They Were and Maids as They Are” the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by George Clint. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

FLO4594957: Miss Harriet Constance Smithson as Miss Dorrillon in “Wives as They Were and Maids as They Are” the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by George Clint. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825. / Bridgeman Images

Steam engines by Thomas Savery, William Blakey, Mr Kier, and Denis Papin, 17th and 18th centuries. Copperplate engraving by Wilson Lowry after an Illustration by J. Britton from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1818.
Steam engines by Thomas Savery, William Blakey, Mr Kier, and Denis Papin, 17th and 18th centuries. Copperplate engraving by Wilson Lowry after an Illustration by J. Britton from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1818.

FLO4593330: Steam engines by Thomas Savery, William Blakey, Mr Kier, and Denis Papin, 17th and 18th centuries. Copperplate engraving by Wilson Lowry after an Illustration by J. Britton from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1818. / Bridgeman Images

Etruscan civilization: a fawn - Bronze sculpture, 600-570 BC Dim 13,4 cm From Brolio, Italy (Etruscan art, a fawn, bronze sculpture, from Brolio, Italy, 600-570 BC, Dim 13,4 cm) Florence archeological museum - Etruscan art: a fawn - Bronze sculpture from Brolio, Italy. 600-570 BC. 13,4 cm. Archaeological museum of Florence, Italy
Etruscan civilization: a fawn - Bronze sculpture, 600-570 BC Dim 13,4 cm From Brolio, Italy (Etruscan art, a fawn, bronze sculpture, from Brolio, Italy, 600-570 BC, Dim 13,4 cm) Florence archeological museum - Etruscan art: a fawn - Bronze sculpture from Brolio, Italy. 600-570 BC. 13,4 cm. Archaeological museum of Florence, Italy

LRI4593345: Etruscan civilization: a fawn - Bronze sculpture, 600-570 BC Dim 13,4 cm From Brolio, Italy (Etruscan art, a fawn, bronze sculpture, from Brolio, Italy, 600-570 BC, Dim 13,4 cm) Florence archeological museum - Etruscan art: a fawn - Bronze sculpture from Brolio, Italy. 600-570 BC. 13,4 cm. Archaeological museum of Florence, Italy, Etruscan, (6th century BC) / Bridgeman Images

The etruscan goddess Menerva (Menrva) - Bronze sculpture, 440-420 BC
The etruscan goddess Menerva (Menrva) - Bronze sculpture, 440-420 BC

LRI4593390: The etruscan goddess Menerva (Menrva) - Bronze sculpture, 440-420 BC, Etruscan, (5th century BC) / Bridgeman Images

Telegraph equipment, alphabet, and machinery. 19th century communication technology. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817.
Telegraph equipment, alphabet, and machinery. 19th century communication technology. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817.

FLO4593048: Telegraph equipment, alphabet, and machinery. 19th century communication technology. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817. / Bridgeman Images

Lathe turning equipment, bits and machinery, 19th century. Copperplate engraving by W. Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817.
Lathe turning equipment, bits and machinery, 19th century. Copperplate engraving by W. Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817.

FLO4593051: Lathe turning equipment, bits and machinery, 19th century. Copperplate engraving by W. Lowry from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817. / Bridgeman Images

The stars of the constellation Orion 3D views - Stars in the constellation Orion 3D representation - The stars of the constellation Orion seen in 3 dimensions. The stars delineating the constellation Orion are dispersed across nearly 2,000 light years in this 3D representation
The stars of the constellation Orion 3D views - Stars in the constellation Orion 3D representation - The stars of the constellation Orion seen in 3 dimensions. The stars delineating the constellation Orion are dispersed across nearly 2,000 light years in this 3D representation

PIX4593076: The stars of the constellation Orion 3D views - Stars in the constellation Orion 3D representation - The stars of the constellation Orion seen in 3 dimensions. The stars delineating the constellation Orion are dispersed across nearly 2,000 light years in this 3D representation, Dixon, Don (b.1951) / Bridgeman Images

Windmills: common vertical windmill and Captain Stephen Hooper's horizontal windmill in Margate, 18th century. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817.
Windmills: common vertical windmill and Captain Stephen Hooper's horizontal windmill in Margate, 18th century. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817.

FLO4593127: Windmills: common vertical windmill and Captain Stephen Hooper's horizontal windmill in Margate, 18th century. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817. / Bridgeman Images

John Smeaton's design for a water gin (winding engine) for drawing coals from the pits, 19th century. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817.
John Smeaton's design for a water gin (winding engine) for drawing coals from the pits, 19th century. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817.

FLO4593147: John Smeaton's design for a water gin (winding engine) for drawing coals from the pits, 19th century. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817. / Bridgeman Images

Egyptian antiquite: Ptahmose (or Ptahmes, Ptahmosis), superintendent of Pharaoh Amenhotep III (or Amenophis) 1390-1352 BC. 18th dynasty. Florence, Museo Archeologico
Egyptian antiquite: Ptahmose (or Ptahmes, Ptahmosis), superintendent of Pharaoh Amenhotep III (or Amenophis) 1390-1352 BC. 18th dynasty. Florence, Museo Archeologico

LRI4593151: Egyptian antiquite: Ptahmose (or Ptahmes, Ptahmosis), superintendent of Pharaoh Amenhotep III (or Amenophis) 1390-1352 BC. 18th dynasty. Florence, Museo Archeologico, Egyptian 18th Dynasty (c.1567-1320 BC) / Bridgeman Images

John Smeaton's water pressure engine, elevations and sections of valve, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1812.
John Smeaton's water pressure engine, elevations and sections of valve, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1812.

FLO4593415: John Smeaton's water pressure engine, elevations and sections of valve, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1812. / Bridgeman Images

Pneumatics ventilator, section and plan, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817.
Pneumatics ventilator, section and plan, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817.

FLO4593496: Pneumatics ventilator, section and plan, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817. / Bridgeman Images

Quarries, pits and mines, sections of their drainage systems, and the Quendon barrow for carrying water. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Quarries, pits and mines, sections of their drainage systems, and the Quendon barrow for carrying water. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4593601: Quarries, pits and mines, sections of their drainage systems, and the Quendon barrow for carrying water. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Map of an estate in East Sheen, Surrey, surveyed and delineated using a theodolite by James Wadmore, 1811. Copperplate engraving by W. Lowry after an Illustration from Abraham Rees' “” Cyclopedia or Universal Dictionary,”” London, 1817.
Map of an estate in East Sheen, Surrey, surveyed and delineated using a theodolite by James Wadmore, 1811. Copperplate engraving by W. Lowry after an Illustration from Abraham Rees' “” Cyclopedia or Universal Dictionary,”” London, 1817.

FLO4593042: Map of an estate in East Sheen, Surrey, surveyed and delineated using a theodolite by James Wadmore, 1811. Copperplate engraving by W. Lowry after an Illustration from Abraham Rees' “” Cyclopedia or Universal Dictionary,”” London, 1817. / Bridgeman Images

Terracotta pyxis with scene of palaestra with athletes, 550-500 BC
Terracotta pyxis with scene of palaestra with athletes, 550-500 BC

LRI4593437: Terracotta pyxis with scene of palaestra with athletes, 550-500 BC, Etruscan, (6th century BC) / Bridgeman Images

Pneumatics: barometer, section, elevation, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.
Pneumatics: barometer, section, elevation, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.

FLO4593523: Pneumatics: barometer, section, elevation, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816. / Bridgeman Images

John Austin's steam-powered engine loom and shuttle, 18th century. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1814.
John Austin's steam-powered engine loom and shuttle, 18th century. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1814.

FLO4593220: John Austin's steam-powered engine loom and shuttle, 18th century. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1814. / Bridgeman Images

Rigging plans for sailing ships, 18th century. Copperplate engraving by Milton after an illustration by J. Glover from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819.
Rigging plans for sailing ships, 18th century. Copperplate engraving by Milton after an illustration by J. Glover from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819.

FLO4593360: Rigging plans for sailing ships, 18th century. Copperplate engraving by Milton after an illustration by J. Glover from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819. / Bridgeman Images

Nautical engineering: Captain William Bolton's machine for drawing bolts, Mr Phillips' tubes for driving bolts, bits, ring rope, application of the messenger and nippers, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey Jr. from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.
Nautical engineering: Captain William Bolton's machine for drawing bolts, Mr Phillips' tubes for driving bolts, bits, ring rope, application of the messenger and nippers, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey Jr. from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816.

FLO4593389: Nautical engineering: Captain William Bolton's machine for drawing bolts, Mr Phillips' tubes for driving bolts, bits, ring rope, application of the messenger and nippers, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey Jr. from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1816. / Bridgeman Images

Etruscan civilization: “” kouros”” Bronze sculpture, 520-500 BC Dim 12 cm (Etruscan art, kouros, bronze sculpture, 520-500 BC, Dim 12 cm) Florence, Museo Archeologico
Etruscan civilization: “” kouros”” Bronze sculpture, 520-500 BC Dim 12 cm (Etruscan art, kouros, bronze sculpture, 520-500 BC, Dim 12 cm) Florence, Museo Archeologico

LRI4593407: Etruscan civilization: “” kouros”” Bronze sculpture, 520-500 BC Dim 12 cm (Etruscan art, kouros, bronze sculpture, 520-500 BC, Dim 12 cm) Florence, Museo Archeologico, Etruscan, (6th century BC) / Bridgeman Images

Oriental style pot decorated with herons. 700-675 BC (terracotta)
Oriental style pot decorated with herons. 700-675 BC (terracotta)

LRI4590585: Oriental style pot decorated with herons. 700-675 BC (terracotta), Etruscan, (8th century BC) / Bridgeman Images

Water cart for the Imperial Family, Qing Dynasty China. The wagon is loaded with cubical tin vessels filled with river water. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Water cart for the Imperial Family, Qing Dynasty China. The wagon is loaded with cubical tin vessels filled with river water. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590654: Water cart for the Imperial Family, Qing Dynasty China. The wagon is loaded with cubical tin vessels filled with river water. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Chinese woman reeling silk thread from wild silkworms, Bombyx mori, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese woman reeling silk thread from wild silkworms, Bombyx mori, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590547: Chinese woman reeling silk thread from wild silkworms, Bombyx mori, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Block machinery or lathe at Portsmouth naval docks, including shaping engine, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Block machinery or lathe at Portsmouth naval docks, including shaping engine, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4590707: Block machinery or lathe at Portsmouth naval docks, including shaping engine, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Music-box mechanism with cylinder and hammers to play chimes on a bell, and music score to Ignace Joseph Pleyel's German Hymn. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1817.
Music-box mechanism with cylinder and hammers to play chimes on a bell, and music score to Ignace Joseph Pleyel's German Hymn. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1817.

FLO4590960: Music-box mechanism with cylinder and hammers to play chimes on a bell, and music score to Ignace Joseph Pleyel's German Hymn. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1817. / Bridgeman Images

Plate coinage equipment and copying machines. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Plate coinage equipment and copying machines. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591146: Plate coinage equipment and copying machines. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Moncalieri castle, Turin, Piedmont, Italy.
Moncalieri castle, Turin, Piedmont, Italy.

CUB4493402: Moncalieri castle, Turin, Piedmont, Italy. / Bridgeman Images

Altare della Patria, Vittoriano, Rome, Lazio, Italy
Altare della Patria, Vittoriano, Rome, Lazio, Italy

CUB4477720: Altare della Patria, Vittoriano, Rome, Lazio, Italy / Bridgeman Images

San Pietro church, Tuscania, Lazio, Italy
San Pietro church, Tuscania, Lazio, Italy

CUB4478066: San Pietro church, Tuscania, Lazio, Italy / Bridgeman Images

San Pietro church, Tuscania, Lazio, Italy
San Pietro church, Tuscania, Lazio, Italy

CUB4478067: San Pietro church, Tuscania, Lazio, Italy / Bridgeman Images

Garden of Palazzo Farnese (Palazzo Farnese) a Caprarola, Italy Photography.
Garden of Palazzo Farnese (Palazzo Farnese) a Caprarola, Italy Photography.

CUB4478148: Garden of Palazzo Farnese (Palazzo Farnese) a Caprarola, Italy Photography. / Bridgeman Images


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