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Anatomy of the human ear within the brain. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Anatomy of the human ear within the brain. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591518: Anatomy of the human ear within the brain. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Plans and views of magnetic compasse, including one nautical compasset set on a gyroscope. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.
Plans and views of magnetic compasse, including one nautical compasset set on a gyroscope. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.

FLO4591530: Plans and views of magnetic compasse, including one nautical compasset set on a gyroscope. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808. / Bridgeman Images

Plans and views of a variety of magnetic compasse. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.
Plans and views of a variety of magnetic compasse. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.

FLO4591536: Plans and views of a variety of magnetic compasse. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808. / Bridgeman Images

Dipping needle compassed made by Edward Nairne for the Board of Longitude based on plans for the Reverend John Mitchell, Rector of Thornhill, 1772. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.
Dipping needle compassed made by Edward Nairne for the Board of Longitude based on plans for the Reverend John Mitchell, Rector of Thornhill, 1772. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.

FLO4591577: Dipping needle compassed made by Edward Nairne for the Board of Longitude based on plans for the Reverend John Mitchell, Rector of Thornhill, 1772. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810. / Bridgeman Images

Hydraulic pumps including Captain Jekyll's improved ship pump and Benjamin Martin's pump. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815
Hydraulic pumps including Captain Jekyll's improved ship pump and Benjamin Martin's pump. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815

FLO4591675: Hydraulic pumps including Captain Jekyll's improved ship pump and Benjamin Martin's pump. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815 / Bridgeman Images

Cannon-boring machinery, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.
Cannon-boring machinery, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.

FLO4591794: Cannon-boring machinery, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808. / Bridgeman Images

Different types of chains and clay mills. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Different types of chains and clay mills. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591196: Different types of chains and clay mills. Copperplate engraving by Wilson Lowry after a drawing by J. Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Daniel Masere's original suspension pulley and fire escape machine simplified by Mr. Forster, painter's easel and indigo mills. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.
Daniel Masere's original suspension pulley and fire escape machine simplified by Mr. Forster, painter's easel and indigo mills. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.

FLO4591200: Daniel Masere's original suspension pulley and fire escape machine simplified by Mr. Forster, painter's easel and indigo mills. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814. / Bridgeman Images

Anatomy of human musculature from the front showing inner muscles, 1820 (copperplate engraving)
Anatomy of human musculature from the front showing inner muscles, 1820 (copperplate engraving)

FLO4591280: Anatomy of human musculature from the front showing inner muscles, 1820 (copperplate engraving) / Bridgeman Images

Plans and views of magnetic compasse, including the dipping needle built by Dr. John Lorimer (1732-1795), surgeon, mathematician, politician and cartographer. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.
Plans and views of magnetic compasse, including the dipping needle built by Dr. John Lorimer (1732-1795), surgeon, mathematician, politician and cartographer. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.

FLO4591575: Plans and views of magnetic compasse, including the dipping needle built by Dr. John Lorimer (1732-1795), surgeon, mathematician, politician and cartographer. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808. / Bridgeman Images

Oil lamps designed by Aime Argand, Mr. Kier, and a rolling lamp in a gyro. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Oil lamps designed by Aime Argand, Mr. Kier, and a rolling lamp in a gyro. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591487: Oil lamps designed by Aime Argand, Mr. Kier, and a rolling lamp in a gyro. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Dodo, Raphus cucullatus, extinct flightless bird. Copperplate engraving by T. Milton after an illustration by Sydenham Edwards from Abraham Rees' Cyclopaedia or Universal Dictionary, London, 1820.
Dodo, Raphus cucullatus, extinct flightless bird. Copperplate engraving by T. Milton after an illustration by Sydenham Edwards from Abraham Rees' Cyclopaedia or Universal Dictionary, London, 1820.

FLO4591510: Dodo, Raphus cucullatus, extinct flightless bird. Copperplate engraving by T. Milton after an illustration by Sydenham Edwards from Abraham Rees' Cyclopaedia or Universal Dictionary, London, 1820., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Machines to manufacture canteens by George Smart at the Ordnance Wharf, Westminster Bridge: Canteen 1, cross-cutting saw 2,3, tenanting and rebating saws 4,5, bung stave 6, boring machine 7, center bit 8 and slider 9. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.
Machines to manufacture canteens by George Smart at the Ordnance Wharf, Westminster Bridge: Canteen 1, cross-cutting saw 2,3, tenanting and rebating saws 4,5, bung stave 6, boring machine 7, center bit 8 and slider 9. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.

FLO4591817: Machines to manufacture canteens by George Smart at the Ordnance Wharf, Westminster Bridge: Canteen 1, cross-cutting saw 2,3, tenanting and rebating saws 4,5, bung stave 6, boring machine 7, center bit 8 and slider 9. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810. / Bridgeman Images

Warrior or athlete, called Bronze of Riace (statue B). 460 BC (sculpture)
Warrior or athlete, called Bronze of Riace (statue B). 460 BC (sculpture)

LRI4591862: Warrior or athlete, called Bronze of Riace (statue B). 460 BC (sculpture), Greek school, (5th century BC) / Bridgeman Images

Warrior or athlete, called Bronze of Riace (statue B). 460 BC (sculpture)
Warrior or athlete, called Bronze of Riace (statue B). 460 BC (sculpture)

LRI4591883: Warrior or athlete, called Bronze of Riace (statue B). 460 BC (sculpture), Greek school, (5th century BC) / Bridgeman Images

Philosopher's head, perhaps Pythagoras of Samos. 460-440 BC (Bronze sculpture)
Philosopher's head, perhaps Pythagoras of Samos. 460-440 BC (Bronze sculpture)

LRI4591901: Philosopher's head, perhaps Pythagoras of Samos. 460-440 BC (Bronze sculpture), Greek school, (5th century BC) / Bridgeman Images

Front elevation of the Double Speeder roving frame used in cotton manufacture, 18th century. Cans contain slivers of yarn brought from the drawing frame. Copperplate engraving by Wilson Lowry after an illustration by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.
Front elevation of the Double Speeder roving frame used in cotton manufacture, 18th century. Cans contain slivers of yarn brought from the drawing frame. Copperplate engraving by Wilson Lowry after an illustration by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811.

FLO4591995: Front elevation of the Double Speeder roving frame used in cotton manufacture, 18th century. Cans contain slivers of yarn brought from the drawing frame. Copperplate engraving by Wilson Lowry after an illustration by James Burton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1811. / Bridgeman Images

Doubling (combining) and twisting machines used in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.
Doubling (combining) and twisting machines used in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.

FLO4592036: Doubling (combining) and twisting machines used in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814. / Bridgeman Images

Electrical machines by Abbe Jean-Antoine Nollet, Dr. William Watson, Francis Hauksbee and Benjamin Wilson. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.
Electrical machines by Abbe Jean-Antoine Nollet, Dr. William Watson, Francis Hauksbee and Benjamin Wilson. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809.

FLO4592163: Electrical machines by Abbe Jean-Antoine Nollet, Dr. William Watson, Francis Hauksbee and Benjamin Wilson. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1809. / Bridgeman Images

Henry Hindley (1701-1771)'s cutting engine, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1813.
Henry Hindley (1701-1771)'s cutting engine, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1813.

FLO4592248: Henry Hindley (1701-1771)'s cutting engine, 18th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1813. / Bridgeman Images

Drawing frames used to straighten fibres in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.
Drawing frames used to straighten fibres in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.

FLO4592105: Drawing frames used to straighten fibres in cotton manufacture, 18th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808. / Bridgeman Images

Electrometers, 18th century. Copperplate engraving by Wilson Lowry after John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815.
Electrometers, 18th century. Copperplate engraving by Wilson Lowry after John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815.

FLO4592300: Electrometers, 18th century. Copperplate engraving by Wilson Lowry after John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815. / Bridgeman Images

Statue of Emperor Claude I (scul:pture)
Statue of Emperor Claude I (scul:pture)

LRI4592605: Statue of Emperor Claude I (scul:pture), Roman, (1st century AD) / Bridgeman Images

Surgical trepanning instruments including spring forceps, Savigny's trephines, scalpel, elevator, Mr. Hey's saws, lenticular, raspatory, brush, and trephine from the 19th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819.
Surgical trepanning instruments including spring forceps, Savigny's trephines, scalpel, elevator, Mr. Hey's saws, lenticular, raspatory, brush, and trephine from the 19th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819.

FLO4592938: Surgical trepanning instruments including spring forceps, Savigny's trephines, scalpel, elevator, Mr. Hey's saws, lenticular, raspatory, brush, and trephine from the 19th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819. / Bridgeman Images

Etruscan civilization: head of a warrior, stone sculpture 550-525 BC Dim 43 cm Coming from Orvieto, Italy (Etruscan art, head of a warrior, sculpture, from Orvieto, Italy, 550-525 BC) Florence, Archaeological Museum
Etruscan civilization: head of a warrior, stone sculpture 550-525 BC Dim 43 cm Coming from Orvieto, Italy (Etruscan art, head of a warrior, sculpture, from Orvieto, Italy, 550-525 BC) Florence, Archaeological Museum

LRI4590745: Etruscan civilization: head of a warrior, stone sculpture 550-525 BC Dim 43 cm Coming from Orvieto, Italy (Etruscan art, head of a warrior, sculpture, from Orvieto, Italy, 550-525 BC) Florence, Archaeological Museum, Etruscan, (6th century BC) / Bridgeman Images

Terracotta plate representing animals, 600-590 BC
Terracotta plate representing animals, 600-590 BC

LRI4590653: Terracotta plate representing animals, 600-590 BC, Etruscan, (6th century BC) / Bridgeman Images

Dodo, Raphus cucullatus, extinct flightless bird (formerly Didus ineptus). Handcoloured woodblock print by an unknown artist from Brightly and Child's The Natural History of Birds, 1815. This illustration looks like a mirror image of the one in George Edwards' A Natural History of Uncommon Birds, 1743, which was copied from the painting in the British Museum said to have been executed from the living bird.
Dodo, Raphus cucullatus, extinct flightless bird (formerly Didus ineptus). Handcoloured woodblock print by an unknown artist from Brightly and Child's The Natural History of Birds, 1815. This illustration looks like a mirror image of the one in George Edwards' A Natural History of Uncommon Birds, 1743, which was copied from the painting in the British Museum said to have been executed from the living bird.

FLO4590670: Dodo, Raphus cucullatus, extinct flightless bird (formerly Didus ineptus). Handcoloured woodblock print by an unknown artist from Brightly and Child's The Natural History of Birds, 1815. This illustration looks like a mirror image of the one in George Edwards' A Natural History of Uncommon Birds, 1743, which was copied from the painting in the British Museum said to have been executed from the living bird. / Bridgeman Images

Burning lens built in 1782 by William Parker, the London instrument maker. According to Parker, the optical glass melted platinum in 30 seconds. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1806.
Burning lens built in 1782 by William Parker, the London instrument maker. According to Parker, the optical glass melted platinum in 30 seconds. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1806.

FLO4590938: Burning lens built in 1782 by William Parker, the London instrument maker. According to Parker, the optical glass melted platinum in 30 seconds. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1806. / Bridgeman Images

Chinese lamp on a chair stand and wax candles made of tallow from the tallow tree, Triadica sebifera, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.
Chinese lamp on a chair stand and wax candles made of tallow from the tallow tree, Triadica sebifera, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824.

FLO4590583: Chinese lamp on a chair stand and wax candles made of tallow from the tallow tree, Triadica sebifera, Qing Dynasty. Handcoloured copperplate engraving by Andrea Freschi after Antoine Cardon from Henri-Leonard-Jean-Baptiste Bertin and Jean Baptiste Joseph Breton's China, Its Costumes, Arts, Manufactures, etc., Howlett and Brimmer, London, 1824. / Bridgeman Images

Thirty-hour clock with a larum and count wheel striking work. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1816.
Thirty-hour clock with a larum and count wheel striking work. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1816.

FLO4590980: Thirty-hour clock with a larum and count wheel striking work. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1816. / Bridgeman Images

Bee hive and ice house, mortar mill, and artist's guide to drapery and horse. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Bee hive and ice house, mortar mill, and artist's guide to drapery and horse. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591069: Bee hive and ice house, mortar mill, and artist's guide to drapery and horse. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Plan of a coal mine and mode of ventilation, 19th century. Geological sections of metallic veins, chalk, basalt, and limestone. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818.
Plan of a coal mine and mode of ventilation, 19th century. Geological sections of metallic veins, chalk, basalt, and limestone. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818.

FLO4591504: Plan of a coal mine and mode of ventilation, 19th century. Geological sections of metallic veins, chalk, basalt, and limestone. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818. / Bridgeman Images

Charles Valoue's pile-driving machine used at Westminster Bridge 1739 and Joseph Bramah's pile-drawing machine. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.
Charles Valoue's pile-driving machine used at Westminster Bridge 1739 and Joseph Bramah's pile-drawing machine. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.

FLO4591453: Charles Valoue's pile-driving machine used at Westminster Bridge 1739 and Joseph Bramah's pile-drawing machine. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814. / Bridgeman Images

Anatomy of the human ear showing cochlea and internal parts. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Anatomy of the human ear showing cochlea and internal parts. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591625: Anatomy of the human ear showing cochlea and internal parts. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

John Smeaton's design for the hammer mill at Kilnhurst Forge, Rotherham, 1765. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.
John Smeaton's design for the hammer mill at Kilnhurst Forge, Rotherham, 1765. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

FLO4591666: John Smeaton's design for the hammer mill at Kilnhurst Forge, Rotherham, 1765. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812. / Bridgeman Images

Sections and elevations of balling furnace and finery used in iron manufacture, along with tools and pump. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.
Sections and elevations of balling furnace and finery used in iron manufacture, along with tools and pump. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.

FLO4591606: Sections and elevations of balling furnace and finery used in iron manufacture, along with tools and pump. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810. / Bridgeman Images


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