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View of the Tequendama Falls, Bogota River, Colombia. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
View of the Tequendama Falls, Bogota River, Colombia. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621021: View of the Tequendama Falls, Bogota River, Colombia. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621021

View of the Tequendama Falls, Bogota River, Colombia. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

Service tree, Pyrus domestica. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Service tree, Pyrus domestica. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4617747: Service tree, Pyrus domestica. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4617747

Service tree, Pyrus domestica. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

Dwarf cistus, Cistus helianthemum. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Dwarf cistus, Cistus helianthemum. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4617846: Dwarf cistus, Cistus helianthemum. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4617846

Dwarf cistus, Cistus helianthemum. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

Ground ivy, Glechoma hederacea. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Ground ivy, Glechoma hederacea. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4617910: Ground ivy, Glechoma hederacea. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4617910

Ground ivy, Glechoma hederacea. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

Water soldier or water aloe. Stratiotes aloides. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Water soldier or water aloe. Stratiotes aloides. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4617857: Water soldier or water aloe. Stratiotes aloides. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4617857

Water soldier or water aloe. Stratiotes aloides. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

Bitter or rocket candytuft, Iberis amara. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Bitter or rocket candytuft, Iberis amara. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4617935: Bitter or rocket candytuft, Iberis amara. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4617935

Bitter or rocket candytuft, Iberis amara. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

Smooth tower mustard, Turritis glabra. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Smooth tower mustard, Turritis glabra. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4617979: Smooth tower mustard, Turritis glabra. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4617979

Smooth tower mustard, Turritis glabra. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

Nebulae of the horse's head and M42 in Orion. - Nebulae of the horse's head and M42 in Orion. At the top, the dark nebula of the horse's head (IC434 - B33). Below is the large Orion nebula (M42) vast star-forming region. These nebulae are located 1500 years of light from Earth
Nebulae of the horse's head and M42 in Orion. - Nebulae of the horse's head and M42 in Orion. At the top, the dark nebula of the horse's head (IC434 - B33). Below is the large Orion nebula (M42) vast star-forming region. These nebulae are located 1500 years of light from Earth

PIX4617939: Nebulae of the horse's head and M42 in Orion. - Nebulae of the horse's head and M42 in Orion. At the top, the dark nebula of the horse's head (IC434 - B33). Below is the large Orion nebula (M42) vast star-forming region. These nebulae are located 1500 years of light from Earth / Bridgeman Images

ID: PIX4617939

Nebulae of the horse's head and M42 in Orion. - Nebulae of the horse's head and M42 in Orion. At the top, the dark nebula of the horse's head (IC434 - B33). Below is the large Orion nebula (M42) vast star-forming region. These nebulae are located 1500 years of light from Earth

Coralroot, Cardamine bulbifera (Bulbiferous coral-wort, Dentaria bulbifera). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clases and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Coralroot, Cardamine bulbifera (Bulbiferous coral-wort, Dentaria bulbifera). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clases and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4617960: Coralroot, Cardamine bulbifera (Bulbiferous coral-wort, Dentaria bulbifera). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clases and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4617960

Coralroot, Cardamine bulbifera (Bulbiferous coral-wort, Dentaria bulbifera). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clases and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

Hemlock storks-bill, Erodium cicutarium. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Hemlock storks-bill, Erodium cicutarium. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4617992: Hemlock storks-bill, Erodium cicutarium. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4617992

Hemlock storks-bill, Erodium cicutarium. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

Contagious skin diseases: impetigo and rhypia. Lithograph of John Pass, published in “Encyclopedia Londinensis” by John Wilkes, edition J.Adlard, London, 1822
Contagious skin diseases: impetigo and rhypia. Lithograph of John Pass, published in “Encyclopedia Londinensis” by John Wilkes, edition J.Adlard, London, 1822

FLO4618719: Contagious skin diseases: impetigo and rhypia. Lithograph of John Pass, published in “Encyclopedia Londinensis” by John Wilkes, edition J.Adlard, London, 1822 / Bridgeman Images

ID: FLO4618719

Contagious skin diseases: impetigo and rhypia. Lithograph of John Pass, published in “Encyclopedia Londinensis” by John Wilkes, edition J.Adlard, London, 1822

Common birthwort, Aristolochia clematitis. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Common birthwort, Aristolochia clematitis. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4618353: Common birthwort, Aristolochia clematitis. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4618353

Common birthwort, Aristolochia clematitis. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

White satyrion orchid, Pseudorchis albida (Satyrium albidum). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clases and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
White satyrion orchid, Pseudorchis albida (Satyrium albidum). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clases and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4618303: White satyrion orchid, Pseudorchis albida (Satyrium albidum). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clases and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4618303

White satyrion orchid, Pseudorchis albida (Satyrium albidum). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clases and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

Breadfruit tree, Artocarpus altilis (Artocarpus incisa). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.
Breadfruit tree, Artocarpus altilis (Artocarpus incisa). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

FLO4618378: Breadfruit tree, Artocarpus altilis (Artocarpus incisa). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816. / Bridgeman Images

ID: FLO4618378

Breadfruit tree, Artocarpus altilis (Artocarpus incisa). Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Clours and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.

Primrose, Hare-Bell, Eglantine and Moss (Cymbeline). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.
Primrose, Hare-Bell, Eglantine and Moss (Cymbeline). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

FLO4633712: Primrose, Hare-Bell, Eglantine and Moss (Cymbeline). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845. / Bridgeman Images

ID: FLO4633712

Primrose, Hare-Bell, Eglantine and Moss (Cymbeline). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

The dance lesson (oil on canvas, ca. 1741)
The dance lesson (oil on canvas, ca. 1741)

LRI4633929: The dance lesson (oil on canvas, ca. 1741), Longhi, Pietro (c.1701-85) / Bridgeman Images

ID: LRI4633929

The dance lesson (oil on canvas, ca. 1741)

Longhi, Pietro (c.1701-85)

Red Roses (King Richard III). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.
Red Roses (King Richard III). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

FLO4633775: Red Roses (King Richard III). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845. / Bridgeman Images

ID: FLO4633775

Red Roses (King Richard III). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

Lavender, Mines, Savory, Marjoram and Marigold (Winter's Tale). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.
Lavender, Mines, Savory, Marjoram and Marigold (Winter's Tale). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

FLO4633811: Lavender, Mines, Savory, Marjoram and Marigold (Winter's Tale). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845. / Bridgeman Images

ID: FLO4633811

Lavender, Mines, Savory, Marjoram and Marigold (Winter's Tale). Handcoioured botanical illustration drawn and lithographed by Jane Elizabeth Giraud from The Flowers of Shakespeare, Day and Haghe, London, 1845.

The Sacrifice at Lystra - Life of the apostles Peter and Paul: Saint Paul rejecting divine honours, after having warried an invalid, the inhabitants take him for a god and want to make sacrifices - Tapestry d'after cardboard by Raffaello Sanzio (1483-1520) dit Raphael, 1515-1516 Sun. 495x772 cm Mantuva Palazzo Ducale Italy
The Sacrifice at Lystra - Life of the apostles Peter and Paul: Saint Paul rejecting divine honours, after having warried an invalid, the inhabitants take him for a god and want to make sacrifices - Tapestry d'after cardboard by Raffaello Sanzio (1483-1520) dit Raphael, 1515-1516 Sun. 495x772 cm Mantuva Palazzo Ducale Italy

LRI4634228: The Sacrifice at Lystra - Life of the apostles Peter and Paul: Saint Paul rejecting divine honours, after having warried an invalid, the inhabitants take him for a god and want to make sacrifices - Tapestry d'after cardboard by Raffaello Sanzio (1483-1520) dit Raphael, 1515-1516 Sun. 495x772 cm Mantuva Palazzo Ducale Italy, Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after) / Bridgeman Images

ID: LRI4634228

The Sacrifice at Lystra - Life of the apostles Peter and Paul: Saint Paul rejecting divine honours, after having warried an invalid, the inhabitants take him for a god and want to make sacrifices - Tapestry d'after cardboard by Raffaello Sanzio (1483-1520) dit Raphael, 1515-1516 Sun. 495x772 cm Mantuva Palazzo Ducale Italy

Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after)

The mausolee of Tipu Sahib (1749-1799), sultan of Mysore (or Maissour, present-day Karnataka state), is known as the “Mysore Tiger”, because of its position to the British settlement in India. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tomb of Tipu Sultan of Mysore, or the Tiger of Mysore. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
The mausolee of Tipu Sahib (1749-1799), sultan of Mysore (or Maissour, present-day Karnataka state), is known as the “Mysore Tiger”, because of its position to the British settlement in India. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tomb of Tipu Sultan of Mysore, or the Tiger of Mysore. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4633956: The mausolee of Tipu Sahib (1749-1799), sultan of Mysore (or Maissour, present-day Karnataka state), is known as the “Mysore Tiger”, because of its position to the British settlement in India. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tomb of Tipu Sultan of Mysore, or the Tiger of Mysore. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4633956

The mausolee of Tipu Sahib (1749-1799), sultan of Mysore (or Maissour, present-day Karnataka state), is known as the “Mysore Tiger”, because of its position to the British settlement in India. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tomb of Tipu Sultan of Mysore, or the Tiger of Mysore. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Persian costumes: a couple of courtiers and ordinary traditional costumes. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of high ranking Persian men and women at top, and commoners below. Physiognomy of a Persian man in turban. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Persian costumes: a couple of courtiers and ordinary traditional costumes. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of high ranking Persian men and women at top, and commoners below. Physiognomy of a Persian man in turban. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4633973: Persian costumes: a couple of courtiers and ordinary traditional costumes. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of high ranking Persian men and women at top, and commoners below. Physiognomy of a Persian man in turban. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4633973

Persian costumes: a couple of courtiers and ordinary traditional costumes. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of high ranking Persian men and women at top, and commoners below. Physiognomy of a Persian man in turban. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Step to Entropy, 2003 by Richard Artschwager, A Circle in Brittany, 1986 by Richard Long, Sculpture Park. Contemporary art center, Domaine de Kerguehennec, in Bignan in Brittany (Morbihan). Photography 13/08/09
Step to Entropy, 2003 by Richard Artschwager, A Circle in Brittany, 1986 by Richard Long, Sculpture Park. Contemporary art center, Domaine de Kerguehennec, in Bignan in Brittany (Morbihan). Photography 13/08/09

TEC4634190: Step to Entropy, 2003 by Richard Artschwager, A Circle in Brittany, 1986 by Richard Long, Sculpture Park. Contemporary art center, Domaine de Kerguehennec, in Bignan in Brittany (Morbihan). Photography 13/08/09, Artschwager, Richard (b.1923) / Bridgeman Images

ID: TEC4634190

Step to Entropy, 2003 by Richard Artschwager, A Circle in Brittany, 1986 by Richard Long, Sculpture Park. Contemporary art center, Domaine de Kerguehennec, in Bignan in Brittany (Morbihan). Photography 13/08/09

Artschwager, Richard (b.1923)

Evolution of the universe: from the dark age to galaxies - In this diagram, the upper left represents the cosmic Dark Age, when the universe was so hot that atoms could not form and photons could not travel freely. The red area represents the de-ionization era, when the universe became transparent. The Cosmic Background Radiation comes from this time
Evolution of the universe: from the dark age to galaxies - In this diagram, the upper left represents the cosmic Dark Age, when the universe was so hot that atoms could not form and photons could not travel freely. The red area represents the de-ionization era, when the universe became transparent. The Cosmic Background Radiation comes from this time

PIX4634142: Evolution of the universe: from the dark age to galaxies - In this diagram, the upper left represents the cosmic Dark Age, when the universe was so hot that atoms could not form and photons could not travel freely. The red area represents the de-ionization era, when the universe became transparent. The Cosmic Background Radiation comes from this time, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4634142

Evolution of the universe: from the dark age to galaxies - In this diagram, the upper left represents the cosmic Dark Age, when the universe was so hot that atoms could not form and photons could not travel freely. The red area represents the de-ionization era, when the universe became transparent. The Cosmic Background Radiation comes from this time

Dixon, Don (b.1951)

View of a street along a canal, with couplers, Europeans and natives of Batavia (present-day Jakarta, Indonesia), around 1800, when it was a Dutch colony. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. View of a street with canal, horse-drawn carriages, Europeans and natives in Batavia (Jakarta), on the island of Java, Indonesia, circa 1800, when it was a Dutch colony. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
View of a street along a canal, with couplers, Europeans and natives of Batavia (present-day Jakarta, Indonesia), around 1800, when it was a Dutch colony. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. View of a street with canal, horse-drawn carriages, Europeans and natives in Batavia (Jakarta), on the island of Java, Indonesia, circa 1800, when it was a Dutch colony. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634202: View of a street along a canal, with couplers, Europeans and natives of Batavia (present-day Jakarta, Indonesia), around 1800, when it was a Dutch colony. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. View of a street with canal, horse-drawn carriages, Europeans and natives in Batavia (Jakarta), on the island of Java, Indonesia, circa 1800, when it was a Dutch colony. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634202

View of a street along a canal, with couplers, Europeans and natives of Batavia (present-day Jakarta, Indonesia), around 1800, when it was a Dutch colony. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. View of a street with canal, horse-drawn carriages, Europeans and natives in Batavia (Jakarta), on the island of Java, Indonesia, circa 1800, when it was a Dutch colony. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

A village on Buru Island, in the Molucca Archipelago (Indonesia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Landscape scene showing a village, bridge, houses and natives on the island of Buro (Buru) in the Moluccas (Maluku), Indonesia. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
A village on Buru Island, in the Molucca Archipelago (Indonesia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Landscape scene showing a village, bridge, houses and natives on the island of Buro (Buru) in the Moluccas (Maluku), Indonesia. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634223: A village on Buru Island, in the Molucca Archipelago (Indonesia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Landscape scene showing a village, bridge, houses and natives on the island of Buro (Buru) in the Moluccas (Maluku), Indonesia. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634223

A village on Buru Island, in the Molucca Archipelago (Indonesia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Landscape scene showing a village, bridge, houses and natives on the island of Buro (Buru) in the Moluccas (Maluku), Indonesia. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

The nap, 1878. (Oil on canvas)
The nap, 1878. (Oil on canvas)

LRI4634497: The nap, 1878. (Oil on canvas), Belimbau, Adolfo (1845-1938) / Bridgeman Images

ID: LRI4634497

The nap, 1878. (Oil on canvas)

Belimbau, Adolfo (1845-1938)

Tatar farmers with grain threshing, with horses in front of hay stacks, in a farm in the Caucasus Mountains (Russia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tatar farmers threshing grain with a team of horses in front of farms, haystacks and the Caucasus mountains. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Tatar farmers with grain threshing, with horses in front of hay stacks, in a farm in the Caucasus Mountains (Russia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tatar farmers threshing grain with a team of horses in front of farms, haystacks and the Caucasus mountains. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634531: Tatar farmers with grain threshing, with horses in front of hay stacks, in a farm in the Caucasus Mountains (Russia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tatar farmers threshing grain with a team of horses in front of farms, haystacks and the Caucasus mountains. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634531

Tatar farmers with grain threshing, with horses in front of hay stacks, in a farm in the Caucasus Mountains (Russia). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Tatar farmers threshing grain with a team of horses in front of farms, haystacks and the Caucasus mountains. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

The Chinese flag, women's shoes and little feet, a man's shoe, Chinese characters and the porcelain pagoda of the Temple of Gratitude in Nanjing. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Chinese flag, women's shoes and feet, men's shoe, Chinese writing characters and the Porcelain Pagoda at Nanking (Nanjing) built during the Ming dynasty. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
The Chinese flag, women's shoes and little feet, a man's shoe, Chinese characters and the porcelain pagoda of the Temple of Gratitude in Nanjing. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Chinese flag, women's shoes and feet, men's shoe, Chinese writing characters and the Porcelain Pagoda at Nanking (Nanjing) built during the Ming dynasty. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634295: The Chinese flag, women's shoes and little feet, a man's shoe, Chinese characters and the porcelain pagoda of the Temple of Gratitude in Nanjing. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Chinese flag, women's shoes and feet, men's shoe, Chinese writing characters and the Porcelain Pagoda at Nanking (Nanjing) built during the Ming dynasty. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634295

The Chinese flag, women's shoes and little feet, a man's shoe, Chinese characters and the porcelain pagoda of the Temple of Gratitude in Nanjing. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Chinese flag, women's shoes and feet, men's shoe, Chinese writing characters and the Porcelain Pagoda at Nanking (Nanjing) built during the Ming dynasty. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Japanese costume, circa 1800: a priest, a woman wearing gueta (wooden sandals), a man in official costume with his cane, a beggar monk, two samurais hairstyles in bun (chonmage) and a soldier. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of Japan circa 1800, including a priest, women in geta (wooden sandals), a man in formal robes with cane, a beggar monk, two Japanese men with chonmage hairstyles, kataginu and hakama, carrying swords, and a soldier. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Japanese costume, circa 1800: a priest, a woman wearing gueta (wooden sandals), a man in official costume with his cane, a beggar monk, two samurais hairstyles in bun (chonmage) and a soldier. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of Japan circa 1800, including a priest, women in geta (wooden sandals), a man in formal robes with cane, a beggar monk, two Japanese men with chonmage hairstyles, kataginu and hakama, carrying swords, and a soldier. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634331: Japanese costume, circa 1800: a priest, a woman wearing gueta (wooden sandals), a man in official costume with his cane, a beggar monk, two samurais hairstyles in bun (chonmage) and a soldier. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of Japan circa 1800, including a priest, women in geta (wooden sandals), a man in formal robes with cane, a beggar monk, two Japanese men with chonmage hairstyles, kataginu and hakama, carrying swords, and a soldier. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634331

Japanese costume, circa 1800: a priest, a woman wearing gueta (wooden sandals), a man in official costume with his cane, a beggar monk, two samurais hairstyles in bun (chonmage) and a soldier. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Costumes of Japan circa 1800, including a priest, women in geta (wooden sandals), a man in formal robes with cane, a beggar monk, two Japanese men with chonmage hairstyles, kataginu and hakama, carrying swords, and a soldier. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Seven Columns a Mallarme, 1971 by Etienne Hajdu, Sculpture Park. Centre d'art contemporain, Domaine de Kerguehennec, in Bignan (Morbihan, Brittany). Photography 13/08/09.
Seven Columns a Mallarme, 1971 by Etienne Hajdu, Sculpture Park. Centre d'art contemporain, Domaine de Kerguehennec, in Bignan (Morbihan, Brittany). Photography 13/08/09.

TEC4634351: Seven Columns a Mallarme, 1971 by Etienne Hajdu, Sculpture Park. Centre d'art contemporain, Domaine de Kerguehennec, in Bignan (Morbihan, Brittany). Photography 13/08/09., Hajdu, Etienne (1907-1996) / Bridgeman Images

ID: TEC4634351

Seven Columns a Mallarme, 1971 by Etienne Hajdu, Sculpture Park. Centre d'art contemporain, Domaine de Kerguehennec, in Bignan (Morbihan, Brittany). Photography 13/08/09.

Hajdu, Etienne (1907-1996)

Caucasus costumes: a Tungus priest, a Turkestan couple in front of their tent, a Circassian man and a horse prince in armor. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Peoples of the Caucasus mountains: Tungus priest, inhabitants of Turkestan in front of a tent, and Circassian man and prince in chain-mail armour on horseback. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
Caucasus costumes: a Tungus priest, a Turkestan couple in front of their tent, a Circassian man and a horse prince in armor. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Peoples of the Caucasus mountains: Tungus priest, inhabitants of Turkestan in front of a tent, and Circassian man and prince in chain-mail armour on horseback. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634380: Caucasus costumes: a Tungus priest, a Turkestan couple in front of their tent, a Circassian man and a horse prince in armor. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Peoples of the Caucasus mountains: Tungus priest, inhabitants of Turkestan in front of a tent, and Circassian man and prince in chain-mail armour on horseback. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634380

Caucasus costumes: a Tungus priest, a Turkestan couple in front of their tent, a Circassian man and a horse prince in armor. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Peoples of the Caucasus mountains: Tungus priest, inhabitants of Turkestan in front of a tent, and Circassian man and prince in chain-mail armour on horseback. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Space-time -Artist's view
Space-time -Artist's view

PIX4634384: Space-time -Artist's view / Bridgeman Images

ID: PIX4634384

Space-time -Artist's view

Large structures - Artist's view of large structures, these gas filaments in which clusters of galaxies are formed
Large structures - Artist's view of large structures, these gas filaments in which clusters of galaxies are formed

PIX4634421: Large structures - Artist's view of large structures, these gas filaments in which clusters of galaxies are formed / Bridgeman Images

ID: PIX4634421

Large structures - Artist's view of large structures, these gas filaments in which clusters of galaxies are formed

Neighbouring of our solar system - Illustration showing the position of the Sun in our galaxy. Illustration showing our Sun and nearest stars in our galaxy
Neighbouring of our solar system - Illustration showing the position of the Sun in our galaxy. Illustration showing our Sun and nearest stars in our galaxy

PIX4634527: Neighbouring of our solar system - Illustration showing the position of the Sun in our galaxy. Illustration showing our Sun and nearest stars in our galaxy, Dixon, Don (b.1951) / Bridgeman Images

ID: PIX4634527

Neighbouring of our solar system - Illustration showing the position of the Sun in our galaxy. Illustration showing our Sun and nearest stars in our galaxy

Dixon, Don (b.1951)

The Tatar leader of the city of Kazan (Russia), with a turban and a long striped dress, a couple from the city and a Kachin man (Burma, Myanmar). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Chief of the Tatar city of Kazan with turban and long striped robe, male and female Kazaners, and a Kachin man in long coat over boots. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
The Tatar leader of the city of Kazan (Russia), with a turban and a long striped dress, a couple from the city and a Kachin man (Burma, Myanmar). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Chief of the Tatar city of Kazan with turban and long striped robe, male and female Kazaners, and a Kachin man in long coat over boots. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

FLO4634586: The Tatar leader of the city of Kazan (Russia), with a turban and a long striped dress, a couple from the city and a Kachin man (Burma, Myanmar). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Chief of the Tatar city of Kazan with turban and long striped robe, male and female Kazaners, and a Kachin man in long coat over boots. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. / Bridgeman Images

ID: FLO4634586

The Tatar leader of the city of Kazan (Russia), with a turban and a long striped dress, a couple from the city and a Kachin man (Burma, Myanmar). Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Asie”” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Chief of the Tatar city of Kazan with turban and long striped robe, male and female Kazaners, and a Kachin man in long coat over boots. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.

Universe has 11 dimensions - 11-dimension Universe - Many universes could coexist and evolve in completely different ways. Artwork showing multiple universes
Universe has 11 dimensions - 11-dimension Universe - Many universes could coexist and evolve in completely different ways. Artwork showing multiple universes

PIX4634649: Universe has 11 dimensions - 11-dimension Universe - Many universes could coexist and evolve in completely different ways. Artwork showing multiple universes / Bridgeman Images

ID: PIX4634649

Universe has 11 dimensions - 11-dimension Universe - Many universes could coexist and evolve in completely different ways. Artwork showing multiple universes


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