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Plans and views of magnetic compasse, including one nautical compasset set on a gyroscope. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.
Plans and views of magnetic compasse, including one nautical compasset set on a gyroscope. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.

FLO4591530: Plans and views of magnetic compasse, including one nautical compasset set on a gyroscope. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808. / Bridgeman Images

Dipping needle compassed made by Edward Nairne for the Board of Longitude based on plans for the Reverend John Mitchell, Rector of Thornhill, 1772. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.
Dipping needle compassed made by Edward Nairne for the Board of Longitude based on plans for the Reverend John Mitchell, Rector of Thornhill, 1772. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.

FLO4591577: Dipping needle compassed made by Edward Nairne for the Board of Longitude based on plans for the Reverend John Mitchell, Rector of Thornhill, 1772. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810. / Bridgeman Images

Charles Valoue's pile-driving machine used at Westminster Bridge 1739 and Joseph Bramah's pile-drawing machine. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.
Charles Valoue's pile-driving machine used at Westminster Bridge 1739 and Joseph Bramah's pile-drawing machine. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814.

FLO4591453: Charles Valoue's pile-driving machine used at Westminster Bridge 1739 and Joseph Bramah's pile-drawing machine. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1814. / Bridgeman Images

Hydraulic pumps including Captain Jekyll's improved ship pump and Benjamin Martin's pump. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815
Hydraulic pumps including Captain Jekyll's improved ship pump and Benjamin Martin's pump. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815

FLO4591675: Hydraulic pumps including Captain Jekyll's improved ship pump and Benjamin Martin's pump. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1815 / Bridgeman Images

Oil lamps designed by Aime Argand, Mr. Kier, and a rolling lamp in a gyro. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Oil lamps designed by Aime Argand, Mr. Kier, and a rolling lamp in a gyro. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591487: Oil lamps designed by Aime Argand, Mr. Kier, and a rolling lamp in a gyro. Copperplate engraving by Wilson Lowry after a drawing by J. Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

Dodo, Raphus cucullatus, extinct flightless bird. Copperplate engraving by T. Milton after an illustration by Sydenham Edwards from Abraham Rees' Cyclopaedia or Universal Dictionary, London, 1820.
Dodo, Raphus cucullatus, extinct flightless bird. Copperplate engraving by T. Milton after an illustration by Sydenham Edwards from Abraham Rees' Cyclopaedia or Universal Dictionary, London, 1820.

FLO4591510: Dodo, Raphus cucullatus, extinct flightless bird. Copperplate engraving by T. Milton after an illustration by Sydenham Edwards from Abraham Rees' Cyclopaedia or Universal Dictionary, London, 1820., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

Plans and views of magnetic compasse, including the dipping needle built by Dr. John Lorimer (1732-1795), surgeon, mathematician, politician and cartographer. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.
Plans and views of magnetic compasse, including the dipping needle built by Dr. John Lorimer (1732-1795), surgeon, mathematician, politician and cartographer. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808.

FLO4591575: Plans and views of magnetic compasse, including the dipping needle built by Dr. John Lorimer (1732-1795), surgeon, mathematician, politician and cartographer. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1808. / Bridgeman Images

Akebie has five leaves - Chocolate vine or five-leaved akebia, Akebia quinata. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.
Akebie has five leaves - Chocolate vine or five-leaved akebia, Akebia quinata. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.

FLO4589551: Akebie has five leaves - Chocolate vine or five-leaved akebia, Akebia quinata. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847. / Bridgeman Images

Constellations of Cassiopee, Persee - Cassiopeia, Perseus, Cepheus constellations - On the top right the constellation of Cephee, in the center of Cassiopee, below the left of the constellation Persee, on the bottom right, part of Andromede. Top right Cepheus constellation, in the middle Cassiopeia constellation, bottom right part of Andromeda, bottom left Perseus
Constellations of Cassiopee, Persee - Cassiopeia, Perseus, Cepheus constellations - On the top right the constellation of Cephee, in the center of Cassiopee, below the left of the constellation Persee, on the bottom right, part of Andromede. Top right Cepheus constellation, in the middle Cassiopeia constellation, bottom right part of Andromeda, bottom left Perseus

PIX4589673: Constellations of Cassiopee, Persee - Cassiopeia, Perseus, Cepheus constellations - On the top right the constellation of Cephee, in the center of Cassiopee, below the left of the constellation Persee, on the bottom right, part of Andromede. Top right Cepheus constellation, in the middle Cassiopeia constellation, bottom right part of Andromeda, bottom left Perseus / Bridgeman Images

Amphora representing three panthers and a human with raised arm, terracotta, 630-600 BC
Amphora representing three panthers and a human with raised arm, terracotta, 630-600 BC

LRI4589725: Amphora representing three panthers and a human with raised arm, terracotta, 630-600 BC, Etruscan, (7th century BC) / Bridgeman Images

Orchid variete - Hasselt's dendrobium orchid, Dendrobium hasseltii (Kuhl's dendrobe, Dendrobium kuhlii). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.
Orchid variete - Hasselt's dendrobium orchid, Dendrobium hasseltii (Kuhl's dendrobe, Dendrobium kuhlii). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.

FLO4589729: Orchid variete - Hasselt's dendrobium orchid, Dendrobium hasseltii (Kuhl's dendrobe, Dendrobium kuhlii). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847. / Bridgeman Images

Vesalea floribunda (Florid abelia, Abelia floribunda). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.
Vesalea floribunda (Florid abelia, Abelia floribunda). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.

FLO4589799: Vesalea floribunda (Florid abelia, Abelia floribunda). Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847. / Bridgeman Images

Variete of ancolia - Slender-horned columbine, Aquilegia leptoceras. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.
Variete of ancolia - Slender-horned columbine, Aquilegia leptoceras. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847.

FLO4589864: Variete of ancolia - Slender-horned columbine, Aquilegia leptoceras. Handcoloured copperplate engraving by George Barclay after an illustration by Miss Sarah Drake from Edwards' Botanical Register, edited by John Lindley, London: Ridgeway, 1847. / Bridgeman Images

Terracotta krater with representation of centauromachy, end of 6th century BC
Terracotta krater with representation of centauromachy, end of 6th century BC

LRI4589891: Terracotta krater with representation of centauromachy, end of 6th century BC, Etruscan, (6th century BC) / Bridgeman Images

Shopfront to Danlos' butcher shop on the rue de Faubourg St. Denis, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. hand-coloured, lithograph, Parisian, shop-fronts, Paris, Hector, Martin, Lefuel, Boutiques, Parisiennes, Premier, Empire, Parisian, Stores, First, Editions, Albert Morance, marble, 1925,, glass, shop, window, retail, architecture, facade, Napoleon, 19th century, decoration, design, 1800,
Shopfront to Danlos' butcher shop on the rue de Faubourg St. Denis, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. hand-coloured, lithograph, Parisian, shop-fronts, Paris, Hector, Martin, Lefuel, Boutiques, Parisiennes, Premier, Empire, Parisian, Stores, First, Editions, Albert Morance, marble, 1925,, glass, shop, window, retail, architecture, facade, Napoleon, 19th century, decoration, design, 1800,

FLO4589937: Shopfront to Danlos' butcher shop on the rue de Faubourg St. Denis, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. hand-coloured, lithograph, Parisian, shop-fronts, Paris, Hector, Martin, Lefuel, Boutiques, Parisiennes, Premier, Empire, Parisian, Stores, First, Editions, Albert Morance, marble, 1925,, glass, shop, window, retail, architecture, facade, Napoleon, 19th century, decoration, design, 1800, / Bridgeman Images

Etruscan art: amphora with red figures depicting a wing horse by the group of Orvieto, 500-480 BC (Etruscan art, terracotta amphora representing a winged horse, group of Orvieto, 500-480 BC) Florence museo archeologico
Etruscan art: amphora with red figures depicting a wing horse by the group of Orvieto, 500-480 BC (Etruscan art, terracotta amphora representing a winged horse, group of Orvieto, 500-480 BC) Florence museo archeologico

LRI4589988: Etruscan art: amphora with red figures depicting a wing horse by the group of Orvieto, 500-480 BC (Etruscan art, terracotta amphora representing a winged horse, group of Orvieto, 500-480 BC) Florence museo archeologico, Etruscan, (5th century BC) / Bridgeman Images

Shopfront of Monsieur Theroulde's haberdashery store, 10 rue St. Denis, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.
Shopfront of Monsieur Theroulde's haberdashery store, 10 rue St. Denis, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau.

FLO4590001: Shopfront of Monsieur Theroulde's haberdashery store, 10 rue St. Denis, Paris, circa 1800. Handcoloured lithograph from Hector-Martin Lefuel's “” Boutiques Parisiennes du Premier Empire,”” (Parisian Stores of the First Empire), Paris: Albert Morance, 1925. The lithographs were reproduced from watercolors by the French architect Hector-Martin Lefuel (1810-1880), famous for his work on the completion of the Louvre and Fontainebleau. / Bridgeman Images

Sections and elevations of balling furnace and finery used in iron manufacture, along with tools and pump. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.
Sections and elevations of balling furnace and finery used in iron manufacture, along with tools and pump. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810.

FLO4591606: Sections and elevations of balling furnace and finery used in iron manufacture, along with tools and pump. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1810. / Bridgeman Images

Plan of a coal mine and mode of ventilation, 19th century. Geological sections of metallic veins, chalk, basalt, and limestone. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818.
Plan of a coal mine and mode of ventilation, 19th century. Geological sections of metallic veins, chalk, basalt, and limestone. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818.

FLO4591504: Plan of a coal mine and mode of ventilation, 19th century. Geological sections of metallic veins, chalk, basalt, and limestone. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1818. / Bridgeman Images

Warrior or athlete, called Bronze of Riace (statue A). 460 BC (sculpture)
Warrior or athlete, called Bronze of Riace (statue A). 460 BC (sculpture)

LRI4591810: Warrior or athlete, called Bronze of Riace (statue A). 460 BC (sculpture), Greek school, (5th century BC) / Bridgeman Images

Anatomy of the human ear showing cochlea and internal parts. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Anatomy of the human ear showing cochlea and internal parts. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4591625: Anatomy of the human ear showing cochlea and internal parts. Copperplate engraving by Milton from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

John Smeaton's design for the hammer mill at Kilnhurst Forge, Rotherham, 1765. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.
John Smeaton's design for the hammer mill at Kilnhurst Forge, Rotherham, 1765. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812.

FLO4591666: John Smeaton's design for the hammer mill at Kilnhurst Forge, Rotherham, 1765. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr. from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1812. / Bridgeman Images

View of the cloister, 1462-1472
View of the cloister, 1462-1472

LRI4586415: View of the cloister, 1462-1472 / Bridgeman Images

Large flower cordia - large-flowered cordia, Cordia grandiflora. Handcoloured copperplate engraving by S. Watts after an illustration by M. Hart from Sydenham Edwards' Botanical Register, Ridgeway, London, 1832.
Large flower cordia - large-flowered cordia, Cordia grandiflora. Handcoloured copperplate engraving by S. Watts after an illustration by M. Hart from Sydenham Edwards' Botanical Register, Ridgeway, London, 1832.

FLO4586451: Large flower cordia - large-flowered cordia, Cordia grandiflora. Handcoloured copperplate engraving by S. Watts after an illustration by M. Hart from Sydenham Edwards' Botanical Register, Ridgeway, London, 1832., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

The Seven Works of Mercy: Dress the denudes, 1526-1528 (low Terracotta relief)
The Seven Works of Mercy: Dress the denudes, 1526-1528 (low Terracotta relief)

LRI4586493: The Seven Works of Mercy: Dress the denudes, 1526-1528 (low Terracotta relief), Buglioni, Santi (1494-1576) / Bridgeman Images

Thrinax excelsa, palm tree of Jamaican. Drawing by Matilda Smith (1854-1926), Lithography by John Nugent Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889.
Thrinax excelsa, palm tree of Jamaican. Drawing by Matilda Smith (1854-1926), Lithography by John Nugent Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889.

FLO4586136: Thrinax excelsa, palm tree of Jamaican. Drawing by Matilda Smith (1854-1926), Lithography by John Nugent Fitch in Curtis Botanical Magazine, by Joseph Dalton Hooker, published in London, England, by L. Reeve and Co, 1889. / Bridgeman Images

Geranium monsonia has large light pink and dark pink flower. Large flowered monsonia with pale pink and deep pink flowers. Monsonia speciosa. Handcolored copperplate engraving from a botanical illustration by Sydenham Edwards from William Curtis's “” Botanical Magazine”” 1790-1800.
Geranium monsonia has large light pink and dark pink flower. Large flowered monsonia with pale pink and deep pink flowers. Monsonia speciosa. Handcolored copperplate engraving from a botanical illustration by Sydenham Edwards from William Curtis's “” Botanical Magazine”” 1790-1800.

FLO4586178: Geranium monsonia has large light pink and dark pink flower. Large flowered monsonia with pale pink and deep pink flowers. Monsonia speciosa. Handcolored copperplate engraving from a botanical illustration by Sydenham Edwards from William Curtis's “” Botanical Magazine”” 1790-1800., Edwards, Sydenham Teast (c.1768-1819) / Bridgeman Images

BMW 328, Winter Marathon 2004, Madonna di Campiglio, Trento, Trentino, Italy
BMW 328, Winter Marathon 2004, Madonna di Campiglio, Trento, Trentino, Italy

CUB4534856: BMW 328, Winter Marathon 2004, Madonna di Campiglio, Trento, Trentino, Italy / Bridgeman Images

Alfa Romeo Giulietta.Sprint, Winter Marathon 2004, Madonna di Campiglio, Trento, Trentino, Italy
Alfa Romeo Giulietta.Sprint, Winter Marathon 2004, Madonna di Campiglio, Trento, Trentino, Italy

CUB4534886: Alfa Romeo Giulietta.Sprint, Winter Marathon 2004, Madonna di Campiglio, Trento, Trentino, Italy / Bridgeman Images

Alfa Romeo Giulietta Sprint, Winter Marathon 2004, Madonna di Campiglio, Trentino, Italy
Alfa Romeo Giulietta Sprint, Winter Marathon 2004, Madonna di Campiglio, Trentino, Italy

CUB4534858: Alfa Romeo Giulietta Sprint, Winter Marathon 2004, Madonna di Campiglio, Trentino, Italy / Bridgeman Images

Abarth 750 Zagato, Mr. Ferrari-Ferrari, Winter Marathon 2004, Madonna di Campiglio, Trentino, Italy
Abarth 750 Zagato, Mr. Ferrari-Ferrari, Winter Marathon 2004, Madonna di Campiglio, Trentino, Italy

CUB4534889: Abarth 750 Zagato, Mr. Ferrari-Ferrari, Winter Marathon 2004, Madonna di Campiglio, Trentino, Italy / Bridgeman Images

La Clusaz restaurant, Gignod, Valle d'Aosta, Italy
La Clusaz restaurant, Gignod, Valle d'Aosta, Italy

CUB4538524: La Clusaz restaurant, Gignod, Valle d'Aosta, Italy / Bridgeman Images

La Clusaz restaurant, Gignod, Valle d'Aosta, Italy
La Clusaz restaurant, Gignod, Valle d'Aosta, Italy

CUB4538529: La Clusaz restaurant, Gignod, Valle d'Aosta, Italy / Bridgeman Images

Valpellenentze soup, Gignod, Valle d'Aosta, Italy
Valpellenentze soup, Gignod, Valle d'Aosta, Italy

CUB4538528: Valpellenentze soup, Gignod, Valle d'Aosta, Italy / Bridgeman Images

Certosa di San Martino, Naples, Campania, Italy
Certosa di San Martino, Naples, Campania, Italy

CUB4539570: Certosa di San Martino, Naples, Campania, Italy / Bridgeman Images

Certosa di San Martino, Naples, Campania, Italy
Certosa di San Martino, Naples, Campania, Italy

CUB4539582: Certosa di San Martino, Naples, Campania, Italy / Bridgeman Images


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