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Dissection of the human hand and foot to reveal muscle, ligament and bone. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.
Dissection of the human hand and foot to reveal muscle, ligament and bone. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

FLO4611552: Dissection of the human hand and foot to reveal muscle, ligament and bone. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779. / Bridgeman Images

Rue du Roi de Sicily and Rue Vieille du Temple in Paris in the 4th arrondissement. Photography 25/08/07.
Rue du Roi de Sicily and Rue Vieille du Temple in Paris in the 4th arrondissement. Photography 25/08/07.

TEC4601488: Rue du Roi de Sicily and Rue Vieille du Temple in Paris in the 4th arrondissement. Photography 25/08/07. / Bridgeman Images

The Rockfeller Center (1932-1940), New York, USA.
The Rockfeller Center (1932-1940), New York, USA.

TEC4611579: The Rockfeller Center (1932-1940), New York, USA. / Bridgeman Images

The Greek legislator Charondas plunging a sword in the chest and The Roman pretor Celius, 1529-1535 (fresco)
The Greek legislator Charondas plunging a sword in the chest and The Roman pretor Celius, 1529-1535 (fresco)

LRI4601514: The Greek legislator Charondas plunging a sword in the chest and The Roman pretor Celius, 1529-1535 (fresco), Beccafumi, Domenico (1484-1551) / Bridgeman Images

Sioux chief Shoo-de-Ga-cha, Smoke, in buffalo robe outside a teepee 87 and his wife or squaw Hee-La'h-dee, Pure Fountain 88. Her arms and neck are tattooed by pricking with gunpowder and vermilion. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Sioux chief Shoo-de-Ga-cha, Smoke, in buffalo robe outside a teepee 87 and his wife or squaw Hee-La'h-dee, Pure Fountain 88. Her arms and neck are tattooed by pricking with gunpowder and vermilion. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4601530: Sioux chief Shoo-de-Ga-cha, Smoke, in buffalo robe outside a teepee 87 and his wife or squaw Hee-La'h-dee, Pure Fountain 88. Her arms and neck are tattooed by pricking with gunpowder and vermilion. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

The conciliation of Roman consul Marcus Fulvius Flaccus and Marcus Aemilius Lepidus around 126 BC Detail. 1529-1535 (fresco)
The conciliation of Roman consul Marcus Fulvius Flaccus and Marcus Aemilius Lepidus around 126 BC Detail. 1529-1535 (fresco)

LRI4601571: The conciliation of Roman consul Marcus Fulvius Flaccus and Marcus Aemilius Lepidus around 126 BC Detail. 1529-1535 (fresco), Beccafumi, Domenico (1484-1551) / Bridgeman Images

Sioux men dancing the Bear Dance before a hunt, with medicine man wearing a bear skin and others in bear head masks. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.
Sioux men dancing the Bear Dance before a hunt, with medicine man wearing a bear skin and others in bear head masks. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

FLO4601630: Sioux men dancing the Bear Dance before a hunt, with medicine man wearing a bear skin and others in bear head masks. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841. / Bridgeman Images

Thomas Baskerville, whimsical enthusiast, recluse and Oxford scholar, aged 70. Engraving by George Cruikshank from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
Thomas Baskerville, whimsical enthusiast, recluse and Oxford scholar, aged 70. Engraving by George Cruikshank from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4601782: Thomas Baskerville, whimsical enthusiast, recluse and Oxford scholar, aged 70. Engraving by George Cruikshank from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

St. Francis of Assisi (1181-1223) cutting the hair of St. Claire (1193-1253), 17th century (oil on canvas)
St. Francis of Assisi (1181-1223) cutting the hair of St. Claire (1193-1253), 17th century (oil on canvas)

JLJ4601790: St. Francis of Assisi (1181-1223) cutting the hair of St. Claire (1193-1253), 17th century (oil on canvas), Semplice da Verona, Fra (c.1589-1654) / Bridgeman Images

Thomas Brown, ribald writer and satirist, friend of Aphra Behn, died 1704. Woodblock engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
Thomas Brown, ribald writer and satirist, friend of Aphra Behn, died 1704. Woodblock engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4601808: Thomas Brown, ribald writer and satirist, friend of Aphra Behn, died 1704. Woodblock engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

John Gale, or Dumb Jack, deaf and dumb idiot. Known for wearing his hat at a rakish angle, smoking a tobacco pipe, and enjoying public executions at Tyburn. Engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
John Gale, or Dumb Jack, deaf and dumb idiot. Known for wearing his hat at a rakish angle, smoking a tobacco pipe, and enjoying public executions at Tyburn. Engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4601823: John Gale, or Dumb Jack, deaf and dumb idiot. Known for wearing his hat at a rakish angle, smoking a tobacco pipe, and enjoying public executions at Tyburn. Engraving from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

L'Eglise de La Madeleine, Place de la Madeleine, Paris 8th arrondissement. Its construction lasted nearly a century. Subject to political aleas, it was finally Napoleon (1769-1821) who entrusted Pierre Vignon (1763-1828) with the task of building an ancient temple dedicated to his military glory. Only the Restoration restored its religious vocation to the Church of Sainte Marie Madeleine in 1842, architect Charles Girault (1851-1932). Photography 1999.
L'Eglise de La Madeleine, Place de la Madeleine, Paris 8th arrondissement. Its construction lasted nearly a century. Subject to political aleas, it was finally Napoleon (1769-1821) who entrusted Pierre Vignon (1763-1828) with the task of building an ancient temple dedicated to his military glory. Only the Restoration restored its religious vocation to the Church of Sainte Marie Madeleine in 1842, architect Charles Girault (1851-1932). Photography 1999.

TEC4594675: L'Eglise de La Madeleine, Place de la Madeleine, Paris 8th arrondissement. Its construction lasted nearly a century. Subject to political aleas, it was finally Napoleon (1769-1821) who entrusted Pierre Vignon (1763-1828) with the task of building an ancient temple dedicated to his military glory. Only the Restoration restored its religious vocation to the Church of Sainte Marie Madeleine in 1842, architect Charles Girault (1851-1932). Photography 1999. / Bridgeman Images

Portrait of Mr, Vrydags Van Vollenhoven Jr, c.1620 (oil on canvas)
Portrait of Mr, Vrydags Van Vollenhoven Jr, c.1620 (oil on canvas)

JLJ4594691: Portrait of Mr, Vrydags Van Vollenhoven Jr, c.1620 (oil on canvas), Ravesteyn, Jan (1570/2-1657) / Bridgeman Images

Allegory of Day and Night: detail of the deceased. Mausoleum of Giuliano de Medici. Marble sculpture, 1531
Allegory of Day and Night: detail of the deceased. Mausoleum of Giuliano de Medici. Marble sculpture, 1531

LRI4594784: Allegory of Day and Night: detail of the deceased. Mausoleum of Giuliano de Medici. Marble sculpture, 1531, Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

Avenue des Champs Elysees, Paris 8th arrondissement. It was Jean Baptiste (Jean-Baptiste) Colbert (1619-1683) who had Andre Le Notre (1613-1700) opened in 1667 an avenue starting from the Tuileries to reach a hill, today called L'Etoile. There's nothing left from that time. Only nineteenth century witnesses remain on the Champs Elysees. Bernard Huet was asked in 1994 to bring back the Champs Elysees in order to restore its prestige to the avenue: the cars were driven from the allees, an underground car park created, the floor covered with grey granite slabs. The promenade aspect was reinforced by the planting of a second row of plane trees and new constraints were defined for signs and windows.
Avenue des Champs Elysees, Paris 8th arrondissement. It was Jean Baptiste (Jean-Baptiste) Colbert (1619-1683) who had Andre Le Notre (1613-1700) opened in 1667 an avenue starting from the Tuileries to reach a hill, today called L'Etoile. There's nothing left from that time. Only nineteenth century witnesses remain on the Champs Elysees. Bernard Huet was asked in 1994 to bring back the Champs Elysees in order to restore its prestige to the avenue: the cars were driven from the allees, an underground car park created, the floor covered with grey granite slabs. The promenade aspect was reinforced by the planting of a second row of plane trees and new constraints were defined for signs and windows.

TEC4594794: Avenue des Champs Elysees, Paris 8th arrondissement. It was Jean Baptiste (Jean-Baptiste) Colbert (1619-1683) who had Andre Le Notre (1613-1700) opened in 1667 an avenue starting from the Tuileries to reach a hill, today called L'Etoile. There's nothing left from that time. Only nineteenth century witnesses remain on the Champs Elysees. Bernard Huet was asked in 1994 to bring back the Champs Elysees in order to restore its prestige to the avenue: the cars were driven from the allees, an underground car park created, the floor covered with grey granite slabs. The promenade aspect was reinforced by the planting of a second row of plane trees and new constraints were defined for signs and windows. / Bridgeman Images

Dress (Dress) of the reign of George IV, 1820-1830. Woman in feathered headdress, high-waisted gown and embroidered skirt, gloves and fan. Based on dresses preserved after the first Dressingroom held by the king, when hoops were abolished by command. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress (Dress) of the reign of George IV, 1820-1830. Woman in feathered headdress, high-waisted gown and embroidered skirt, gloves and fan. Based on dresses preserved after the first Dressingroom held by the king, when hoops were abolished by command. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594805: Dress (Dress) of the reign of George IV, 1820-1830. Woman in feathered headdress, high-waisted gown and embroidered skirt, gloves and fan. Based on dresses preserved after the first Dressingroom held by the king, when hoops were abolished by command. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

Urban furniture on the Champs Elysees, Paris 8th arrondissement. As part of the redesign of the Champs Elysees entrusted to Bernard Huet, a new line of urban furniture has been specially designed by Jean-Michel Wilmotte to give a unit by eliminating bulky and unnecessary elements: new benches, candelabres, lights, kiosks. Photography 1998.
Urban furniture on the Champs Elysees, Paris 8th arrondissement. As part of the redesign of the Champs Elysees entrusted to Bernard Huet, a new line of urban furniture has been specially designed by Jean-Michel Wilmotte to give a unit by eliminating bulky and unnecessary elements: new benches, candelabres, lights, kiosks. Photography 1998.

TEC4594909: Urban furniture on the Champs Elysees, Paris 8th arrondissement. As part of the redesign of the Champs Elysees entrusted to Bernard Huet, a new line of urban furniture has been specially designed by Jean-Michel Wilmotte to give a unit by eliminating bulky and unnecessary elements: new benches, candelabres, lights, kiosks. Photography 1998. / Bridgeman Images

Miss Felicite Hullin, dancer, in the ballet “” La Paysanne Supposee”” at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.
Miss Felicite Hullin, dancer, in the ballet “” La Paysanne Supposee”” at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

FLO4594977: Miss Felicite Hullin, dancer, in the ballet “” La Paysanne Supposee”” at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825. / Bridgeman Images

Fouquet's avenue des Champs Elysees, Paris 8th round. It was Jean Baptiste (Jean-Baptiste) Colbert (1619-1683) who had Andre Le Notre (1613-1700) opened in 1667 an avenue starting from the Tuileries to reach a hill, today called L'Etoile. There's nothing left from that time. Only nineteenth century witnesses remain on the Champs Elysees.
Fouquet's avenue des Champs Elysees, Paris 8th round. It was Jean Baptiste (Jean-Baptiste) Colbert (1619-1683) who had Andre Le Notre (1613-1700) opened in 1667 an avenue starting from the Tuileries to reach a hill, today called L'Etoile. There's nothing left from that time. Only nineteenth century witnesses remain on the Champs Elysees.

TEC4595021: Fouquet's avenue des Champs Elysees, Paris 8th round. It was Jean Baptiste (Jean-Baptiste) Colbert (1619-1683) who had Andre Le Notre (1613-1700) opened in 1667 an avenue starting from the Tuileries to reach a hill, today called L'Etoile. There's nothing left from that time. Only nineteenth century witnesses remain on the Champs Elysees. / Bridgeman Images

Andrew Fletcher, republican and Monmouth supporter, died 1716. Engraving by W. Maddocks from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
Andrew Fletcher, republican and Monmouth supporter, died 1716. Engraving by W. Maddocks from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4601976: Andrew Fletcher, republican and Monmouth supporter, died 1716. Engraving by W. Maddocks from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

Cart loaded with wine barrels or the Haquet, 1819 (oil on canvas)
Cart loaded with wine barrels or the Haquet, 1819 (oil on canvas)

JLJ4595218: Cart loaded with wine barrels or the Haquet, 1819 (oil on canvas), Gericault, Theodore (1791-1824) / Bridgeman Images

Esther chosen by King Assuerus Esther, 1480 (oil on canvas)
Esther chosen by King Assuerus Esther, 1480 (oil on canvas)

JLJ4602156: Esther chosen by King Assuerus Esther, 1480 (oil on canvas), Lippi, Filippino (c.1457-1504) / Bridgeman Images

St Agnes of Rome and St Martina of Rome (Fresco, 1495)
St Agnes of Rome and St Martina of Rome (Fresco, 1495)

LRI4602166: St Agnes of Rome and St Martina of Rome (Fresco, 1495), Ambrogio da Fossano (Il Bergognone) (c.1460-1523) / Bridgeman Images

John Ker, of Kersland, Scottish spy during the Jacobite rebellion, died 1726. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.
John Ker, of Kersland, Scottish spy during the Jacobite rebellion, died 1726. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819.

FLO4602321: John Ker, of Kersland, Scottish spy during the Jacobite rebellion, died 1726. Engraving by R. Grave from James Caulfield's Portraits, Memoirs and Characters of Remarkable Persons, London, 1819. / Bridgeman Images

Boulevard de Clichy, three children Painting by Pierre Bonnard (1867-1947) 20th century Private Collection
Boulevard de Clichy, three children Painting by Pierre Bonnard (1867-1947) 20th century Private Collection

LRI4602466: Boulevard de Clichy, three children Painting by Pierre Bonnard (1867-1947) 20th century Private Collection, Bonnard, Pierre (1867-1947) / Bridgeman Images

Stained glass windows of the Cathedrale de Chartres (Eure and Loire). Built partly from 1145, and rebuilt in twenty-six years after the fire of 1194, it is the monument par excellence of French Gothic art. Its vast nave of the purest ogival style, its porches with admirable mid-12th century sculptures, its shimmering set of stained glass windows from the 12th and 13th centuries make it an exceptional masterpiece and remarkably well preserved. The Cathedrale de Chartres has been listed as a UNESCO World Heritage Site since 1979. Photography 30/06/05.
Stained glass windows of the Cathedrale de Chartres (Eure and Loire). Built partly from 1145, and rebuilt in twenty-six years after the fire of 1194, it is the monument par excellence of French Gothic art. Its vast nave of the purest ogival style, its porches with admirable mid-12th century sculptures, its shimmering set of stained glass windows from the 12th and 13th centuries make it an exceptional masterpiece and remarkably well preserved. The Cathedrale de Chartres has been listed as a UNESCO World Heritage Site since 1979. Photography 30/06/05.

TEC4602509: Stained glass windows of the Cathedrale de Chartres (Eure and Loire). Built partly from 1145, and rebuilt in twenty-six years after the fire of 1194, it is the monument par excellence of French Gothic art. Its vast nave of the purest ogival style, its porches with admirable mid-12th century sculptures, its shimmering set of stained glass windows from the 12th and 13th centuries make it an exceptional masterpiece and remarkably well preserved. The Cathedrale de Chartres has been listed as a UNESCO World Heritage Site since 1979. Photography 30/06/05. / Bridgeman Images

North wall of the king's Salon, 1837 (photo)
North wall of the king's Salon, 1837 (photo)

JLJ4602525: North wall of the king's Salon, 1837 (photo), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

View of Paris, taken from the Quai de la Rapee in 1716 Detail of the boats on the Seine, 1716 (oil on canvas)
View of Paris, taken from the Quai de la Rapee in 1716 Detail of the boats on the Seine, 1716 (oil on canvas)

JLJ4611681: View of Paris, taken from the Quai de la Rapee in 1716 Detail of the boats on the Seine, 1716 (oil on canvas), Martin, Pierre-Denis (1663-1742) / Bridgeman Images

Medal of the Middle Ages with the effigy of Constantine I the Great (Roman emperor 306 to 337) (low relief)
Medal of the Middle Ages with the effigy of Constantine I the Great (Roman emperor 306 to 337) (low relief)

JLJ4611723: Medal of the Middle Ages with the effigy of Constantine I the Great (Roman emperor 306 to 337) (low relief) / Bridgeman Images

Times Square in New York (United States).
Times Square in New York (United States).

TEC4611755: Times Square in New York (United States). / Bridgeman Images

Stock market indices on a building facade in Times Square in New York, USA. Photography 20/10/08.
Stock market indices on a building facade in Times Square in New York, USA. Photography 20/10/08.

TEC4611770: Stock market indices on a building facade in Times Square in New York, USA. Photography 20/10/08. / Bridgeman Images

surgical chair with patient to remove a vesical calculation through the groin - Plate taken from “” L'Encyclopedie”” by Denis Diderot (1713-1784) and Jean Le Rond D'Alembert (1717-1783), 1779 - Surgical chairs with patients held in place for a bladder stone operation through the groin, Plate 12. Surgical instruments including dilators 1-3, curette 6 and hook curette 7, Plate 11. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.
surgical chair with patient to remove a vesical calculation through the groin - Plate taken from “” L'Encyclopedie”” by Denis Diderot (1713-1784) and Jean Le Rond D'Alembert (1717-1783), 1779 - Surgical chairs with patients held in place for a bladder stone operation through the groin, Plate 12. Surgical instruments including dilators 1-3, curette 6 and hook curette 7, Plate 11. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779.

FLO4611780: surgical chair with patient to remove a vesical calculation through the groin - Plate taken from “” L'Encyclopedie”” by Denis Diderot (1713-1784) and Jean Le Rond D'Alembert (1717-1783), 1779 - Surgical chairs with patients held in place for a bladder stone operation through the groin, Plate 12. Surgical instruments including dilators 1-3, curette 6 and hook curette 7, Plate 11. Copperplate engraving by Robert Benard from Denis Diderot's Encyclopedia, Pellet, Geneva, 1779. / Bridgeman Images

The Thinker, 1886-1889 (marble)
The Thinker, 1886-1889 (marble)

JLJ4611856: The Thinker, 1886-1889 (marble), Rodin, Auguste (1840-1917) / Bridgeman Images

Stephanie Felicite Ducrest of Saint-Aubin, Countess of Genlis (1746-1830), 19th century (oil on canvas)
Stephanie Felicite Ducrest of Saint-Aubin, Countess of Genlis (1746-1830), 19th century (oil on canvas)

JLJ4611889: Stephanie Felicite Ducrest of Saint-Aubin, Countess of Genlis (1746-1830), 19th century (oil on canvas), Mauzaisse, Jean Baptiste (1784-1844) / Bridgeman Images

Emperor Napoleon I visited the Boulogne camp in July 1804 (oil on canvas)
Emperor Napoleon I visited the Boulogne camp in July 1804 (oil on canvas)

JLJ4611898: Emperor Napoleon I visited the Boulogne camp in July 1804 (oil on canvas), Hue, Jean-Francois (1751-1823) / Bridgeman Images

Abel cries by his parents (oil on canvas, circa 1630)
Abel cries by his parents (oil on canvas, circa 1630)

LRI4611908: Abel cries by his parents (oil on canvas, circa 1630), Liss, Johann (c.1595-1631) / Bridgeman Images


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