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Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.
Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.

OMG4599791: Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09. / Bridgeman Images

Mimosa. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.
Mimosa. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England.

FLO4609635: Mimosa. Copper engraving, painted by John Curtis and grave by Weddell, published in the “Curtis Botanical Magazine”, 1820, by Samuel Curtis, London, England. / Bridgeman Images

View of a Gate of the City of Pekin, China Photograph of 1906 (photo)
View of a Gate of the City of Pekin, China Photograph of 1906 (photo)

JLJ4609740: View of a Gate of the City of Pekin, China Photograph of 1906 (photo), Anonymous / Bridgeman Images

Striped squill, Puschkinia scilloides. Handcoloured copperplate engraving by Weddell after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1822.
Striped squill, Puschkinia scilloides. Handcoloured copperplate engraving by Weddell after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1822.

FLO4609799: Striped squill, Puschkinia scilloides. Handcoloured copperplate engraving by Weddell after an illustration by John Curtis from Samuel Curtis' Botanical Magazine, London, 1822. / Bridgeman Images

Street species, Ruta linifolia var. vargrandiflora. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1822.
Street species, Ruta linifolia var. vargrandiflora. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1822.

FLO4609822: Street species, Ruta linifolia var. vargrandiflora. Handcoloured copperplate engraving by Weddell from Samuel Curtis' Botanical Magazine, London, 1822. / Bridgeman Images

Subdivision in Hyeres (Var).
Subdivision in Hyeres (Var).

TEC4609839: Subdivision in Hyeres (Var). / Bridgeman Images

Subdivision a Croix (Nord, Nord Pas de Calais).
Subdivision a Croix (Nord, Nord Pas de Calais).

TEC4609855: Subdivision a Croix (Nord, Nord Pas de Calais). / Bridgeman Images

Hymnopterous insects (Encyclotus vitis, Encyclotus swederi) and brown or triangle strain (Cyperus fuscus). Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839.
Hymnopterous insects (Encyclotus vitis, Encyclotus swederi) and brown or triangle strain (Cyperus fuscus). Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839.

FLO4609881: Hymnopterous insects (Encyclotus vitis, Encyclotus swederi) and brown or triangle strain (Cyperus fuscus). Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. / Bridgeman Images

Portrait of Chinese woman in traditional costume with her son, early 20th century (b/w photo)
Portrait of Chinese woman in traditional costume with her son, early 20th century (b/w photo)

JLJ4609913: Portrait of Chinese woman in traditional costume with her son, early 20th century (b/w photo) / Bridgeman Images

Saint Margarita of Antioch, detail of Immaculee conception surrounded by 6 Saints. (Oil on canvas, c. 1505)
Saint Margarita of Antioch, detail of Immaculee conception surrounded by 6 Saints. (Oil on canvas, c. 1505)

LRI4609966: Saint Margarita of Antioch, detail of Immaculee conception surrounded by 6 Saints. (Oil on canvas, c. 1505), Cosimo, Piero di (c.1462-1521) / Bridgeman Images

St. Peter and St. Philip Benizi, detail of Virgin and Child on the throne surrounded by saints (oil and tempera on panel, circa 1493)
St. Peter and St. Philip Benizi, detail of Virgin and Child on the throne surrounded by saints (oil and tempera on panel, circa 1493)

LRI4610019: St. Peter and St. Philip Benizi, detail of Virgin and Child on the throne surrounded by saints (oil and tempera on panel, circa 1493), Cosimo, Piero di (c.1462-1521) / Bridgeman Images

Portrait of the architect Karl Berckmuller (1800-1879), 1830 (oil on canvas)
Portrait of the architect Karl Berckmuller (1800-1879), 1830 (oil on canvas)

JLJ4610070: Portrait of the architect Karl Berckmuller (1800-1879), 1830 (oil on canvas), Winterhalter, Franz Xaver (1805-73) / Bridgeman Images

Insect: a variety of lepidoptere and a plant of slums. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Adactylus bennetii, Agdistis staticis, Sea-side Plume moth and green-and-gold carex, Carex limosa grass. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.
Insect: a variety of lepidoptere and a plant of slums. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Adactylus bennetii, Agdistis staticis, Sea-side Plume moth and green-and-gold carex, Carex limosa grass. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

FLO4610099: Insect: a variety of lepidoptere and a plant of slums. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Adactylus bennetii, Agdistis staticis, Sea-side Plume moth and green-and-gold carex, Carex limosa grass. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839. / Bridgeman Images

Subdivision, Zone Pouillon in Montbeliard (Doubs).
Subdivision, Zone Pouillon in Montbeliard (Doubs).

LBY4610117: Subdivision, Zone Pouillon in Montbeliard (Doubs). / Bridgeman Images

Butterfly limnephillus and plant of water aloe or false aloe or water pineapple. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Limnephilus elegans, Elegant Grannom or Caddis-fly, with fresh-water soldier, Stratiotes aloides. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.
Butterfly limnephillus and plant of water aloe or false aloe or water pineapple. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Limnephilus elegans, Elegant Grannom or Caddis-fly, with fresh-water soldier, Stratiotes aloides. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839.

FLO4610125: Butterfly limnephillus and plant of water aloe or false aloe or water pineapple. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. Limnephilus elegans, Elegant Grannom or Caddis-fly, with fresh-water soldier, Stratiotes aloides. Handcoloured copperplate by John Curtis (1791-1862) for his own “” British Entomology, 770 Illustrations and Descriptions of the Genera of Insects found in Great Britain and Ireland,” London, from 1824 to 1839. / Bridgeman Images

Insect: small homopter with a marsh peasant plant. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839.
Insect: small homopter with a marsh peasant plant. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839.

FLO4610154: Insect: small homopter with a marsh peasant plant. Lithograph by John Curtis (1791-1862) published in “British Entomology”, a collection of 770 illustrations and descriptions of British insects, London, England, 1824 to 1839. / Bridgeman Images

Equestrian portrait of Napoleon I Bonaparte (1769-1821), 1796 (litho)
Equestrian portrait of Napoleon I Bonaparte (1769-1821), 1796 (litho)

JLJ4610212: Equestrian portrait of Napoleon I Bonaparte (1769-1821), 1796 (litho), Charlet, Nicolas Toussaint (1792-1845) / Bridgeman Images

Iron age stele. 1100-800 BC (carving)
Iron age stele. 1100-800 BC (carving)

LRI4592796: Iron age stele. 1100-800 BC (carving), Prehistoric / Bridgeman Images

Lute player, 1655 (oil on canvas)
Lute player, 1655 (oil on canvas)

JLJ4592845: Lute player, 1655 (oil on canvas), Miradori, Luigi (Il Genovesino) (c.1605-c.1654) / Bridgeman Images

Propaganda poster located in the outskirts of Havana, Cuba.
Propaganda poster located in the outskirts of Havana, Cuba.

TEC4592882: Propaganda poster located in the outskirts of Havana, Cuba. / Bridgeman Images

Surgical trepanning instruments including spring forceps, Savigny's trephines, scalpel, elevator, Mr. Hey's saws, lenticular, raspatory, brush, and trephine from the 19th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819.
Surgical trepanning instruments including spring forceps, Savigny's trephines, scalpel, elevator, Mr. Hey's saws, lenticular, raspatory, brush, and trephine from the 19th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819.

FLO4592938: Surgical trepanning instruments including spring forceps, Savigny's trephines, scalpel, elevator, Mr. Hey's saws, lenticular, raspatory, brush, and trephine from the 19th century. Copperplate engraving by Wilson Lowry after an illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819. / Bridgeman Images

Pharaoh Tutankhamun standing near the divinite Amon-Ra on the throne, 600 BC (calcite sculpture)
Pharaoh Tutankhamun standing near the divinite Amon-Ra on the throne, 600 BC (calcite sculpture)

LRI4592982: Pharaoh Tutankhamun standing near the divinite Amon-Ra on the throne, 600 BC (calcite sculpture), Egyptian 18th Dynasty (c.1567-1320 BC) / Bridgeman Images

Surveying equipment from the 19th century: dendrometers and Mr. Broad's machine for measuring timber. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1811.
Surveying equipment from the 19th century: dendrometers and Mr. Broad's machine for measuring timber. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1811.

FLO4593000: Surveying equipment from the 19th century: dendrometers and Mr. Broad's machine for measuring timber. Copperplate engraving by Wilson Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1811. / Bridgeman Images

Propaganda poster located in the outskirts of Havana, Cuba.
Propaganda poster located in the outskirts of Havana, Cuba.

TEC4593014: Propaganda poster located in the outskirts of Havana, Cuba. / Bridgeman Images

Telegraph equipment, alphabet, and machinery. 19th century communication technology. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817.
Telegraph equipment, alphabet, and machinery. 19th century communication technology. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817.

FLO4593048: Telegraph equipment, alphabet, and machinery. 19th century communication technology. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1817. / Bridgeman Images

The Museum of the Revolution in Havana (Cuba).
The Museum of the Revolution in Havana (Cuba).

TEC4593083: The Museum of the Revolution in Havana (Cuba). / Bridgeman Images

Courtyard in the neighborhood of Habana Vieja in Havana (Cuba).
Courtyard in the neighborhood of Habana Vieja in Havana (Cuba).

TEC4593096: Courtyard in the neighborhood of Habana Vieja in Havana (Cuba). / Bridgeman Images

The Floridita, the legendary bar of the Cuban capital where the Daquiri cocktail was invented, which attracted Hollywood stars. Havana, Cuba. Photography 20/04/05.
The Floridita, the legendary bar of the Cuban capital where the Daquiri cocktail was invented, which attracted Hollywood stars. Havana, Cuba. Photography 20/04/05.

TEC4593110: The Floridita, the legendary bar of the Cuban capital where the Daquiri cocktail was invented, which attracted Hollywood stars. Havana, Cuba. Photography 20/04/05. / Bridgeman Images

Obispo Street in Havana, Cuba.
Obispo Street in Havana, Cuba.

TEC4593129: Obispo Street in Havana, Cuba. / Bridgeman Images

Egyptian antiquite: Ptahmose (or Ptahmes, Ptahmosis), superintendent of Pharaoh Amenhotep III (or Amenophis) 1390-1352 BC. 18th dynasty. Florence, Museo Archeologico
Egyptian antiquite: Ptahmose (or Ptahmes, Ptahmosis), superintendent of Pharaoh Amenhotep III (or Amenophis) 1390-1352 BC. 18th dynasty. Florence, Museo Archeologico

LRI4593151: Egyptian antiquite: Ptahmose (or Ptahmes, Ptahmosis), superintendent of Pharaoh Amenhotep III (or Amenophis) 1390-1352 BC. 18th dynasty. Florence, Museo Archeologico, Egyptian 18th Dynasty (c.1567-1320 BC) / Bridgeman Images

Building before restoration in Havana (Cuba).
Building before restoration in Havana (Cuba).

TEC4593195: Building before restoration in Havana (Cuba). / Bridgeman Images

John Austin's steam-powered engine loom and shuttle, 18th century. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1814.
John Austin's steam-powered engine loom and shuttle, 18th century. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1814.

FLO4593220: John Austin's steam-powered engine loom and shuttle, 18th century. Copperplate engraving by W. Lowry after an Illustration by J. Farey from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1814. / Bridgeman Images

Steam engines by Thomas Savery, William Blakey, Mr Kier, and Denis Papin, 17th and 18th centuries. Copperplate engraving by Wilson Lowry after an Illustration by J. Britton from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1818.
Steam engines by Thomas Savery, William Blakey, Mr Kier, and Denis Papin, 17th and 18th centuries. Copperplate engraving by Wilson Lowry after an Illustration by J. Britton from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1818.

FLO4593330: Steam engines by Thomas Savery, William Blakey, Mr Kier, and Denis Papin, 17th and 18th centuries. Copperplate engraving by Wilson Lowry after an Illustration by J. Britton from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1818. / Bridgeman Images

Etruscan civilization: a fawn - Bronze sculpture, 600-570 BC Dim 13,4 cm From Brolio, Italy (Etruscan art, a fawn, bronze sculpture, from Brolio, Italy, 600-570 BC, Dim 13,4 cm) Florence archeological museum - Etruscan art: a fawn - Bronze sculpture from Brolio, Italy. 600-570 BC. 13,4 cm. Archaeological museum of Florence, Italy
Etruscan civilization: a fawn - Bronze sculpture, 600-570 BC Dim 13,4 cm From Brolio, Italy (Etruscan art, a fawn, bronze sculpture, from Brolio, Italy, 600-570 BC, Dim 13,4 cm) Florence archeological museum - Etruscan art: a fawn - Bronze sculpture from Brolio, Italy. 600-570 BC. 13,4 cm. Archaeological museum of Florence, Italy

LRI4593345: Etruscan civilization: a fawn - Bronze sculpture, 600-570 BC Dim 13,4 cm From Brolio, Italy (Etruscan art, a fawn, bronze sculpture, from Brolio, Italy, 600-570 BC, Dim 13,4 cm) Florence archeological museum - Etruscan art: a fawn - Bronze sculpture from Brolio, Italy. 600-570 BC. 13,4 cm. Archaeological museum of Florence, Italy, Etruscan, (6th century BC) / Bridgeman Images

Church of Saint Thibault in Burgundy (Cote d'Or).
Church of Saint Thibault in Burgundy (Cote d'Or).

ITR4593355: Church of Saint Thibault in Burgundy (Cote d'Or). / Bridgeman Images

Rigging plans for sailing ships, 18th century. Copperplate engraving by Milton after an illustration by J. Glover from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819.
Rigging plans for sailing ships, 18th century. Copperplate engraving by Milton after an illustration by J. Glover from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819.

FLO4593360: Rigging plans for sailing ships, 18th century. Copperplate engraving by Milton after an illustration by J. Glover from Abraham Rees' “” Cyclopedia or Universal Dictionary,” London, 1819. / Bridgeman Images


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