1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2491514 Search Results

The Holy Family with Virgin animals leafing through a book, and holding the child Jesus, surrounded by a dog, fox, birds, crab, owl, owl, parrot; frog, snail and an iris. Painting by Jan Breugel the Elder called Bruegel of Velvet (Brueghel or Breughel, 1568-1625) Rome, Galleria Doria Pamphilj
The Holy Family with Virgin animals leafing through a book, and holding the child Jesus, surrounded by a dog, fox, birds, crab, owl, owl, parrot; frog, snail and an iris. Painting by Jan Breugel the Elder called Bruegel of Velvet (Brueghel or Breughel, 1568-1625) Rome, Galleria Doria Pamphilj

LRI4620568: The Holy Family with Virgin animals leafing through a book, and holding the child Jesus, surrounded by a dog, fox, birds, crab, owl, owl, parrot; frog, snail and an iris. Painting by Jan Breugel the Elder called Bruegel of Velvet (Brueghel or Breughel, 1568-1625) Rome, Galleria Doria Pamphilj, Brueghel, Jan the Elder (1568-1625) / Bridgeman Images

ID: LRI4620568

The Holy Family with Virgin animals leafing through a book, and holding the child Jesus, surrounded by a dog, fox, birds, crab, owl, owl, parrot; frog, snail and an iris. Painting by Jan Breugel the Elder called Bruegel of Velvet (Brueghel or Breughel, 1568-1625) Rome, Galleria Doria Pamphilj

Brueghel, Jan the Elder (1568-1625)

Traditional stilt houses in a village in Sumatra, circa 1800. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Traditional stilt houses in a village in Sumatra, circa 1800. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4624233: Traditional stilt houses in a village in Sumatra, circa 1800. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

ID: FLO4624233

Traditional stilt houses in a village in Sumatra, circa 1800. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Royal golden boat or imperial yacht for ceremonial occasions (Shoepaundogee), and a Burmese war-boat. From Michael Symes' Account of an Embassy to the Kingdom of Ava. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Royal golden boat or imperial yacht for ceremonial occasions (Shoepaundogee), and a Burmese war-boat. From Michael Symes' Account of an Embassy to the Kingdom of Ava. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4624074: Royal golden boat or imperial yacht for ceremonial occasions (Shoepaundogee), and a Burmese war-boat. From Michael Symes' Account of an Embassy to the Kingdom of Ava. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

ID: FLO4624074

Royal golden boat or imperial yacht for ceremonial occasions (Shoepaundogee), and a Burmese war-boat. From Michael Symes' Account of an Embassy to the Kingdom of Ava. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Fifth bas-relief of a 12th century sarcophagus, 1844 (lithograph)
Fifth bas-relief of a 12th century sarcophagus, 1844 (lithograph)

FLO4623416: Fifth bas-relief of a 12th century sarcophagus, 1844 (lithograph) / Bridgeman Images

ID: FLO4623416

Fifth bas-relief of a 12th century sarcophagus, 1844 (lithograph)

Russian dancing in a village, 18th century. Women dancing to music on balalaika and violin, while others jump on a seesaw. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Russian dancing in a village, 18th century. Women dancing to music on balalaika and violin, while others jump on a seesaw. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4624892: Russian dancing in a village, 18th century. Women dancing to music on balalaika and violin, while others jump on a seesaw. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

ID: FLO4624892

Russian dancing in a village, 18th century. Women dancing to music on balalaika and violin, while others jump on a seesaw. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

Chinese cavalry armed with lance, quiver, bow and arrow, with artillery firing cannons from a hill behind. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Chinese cavalry armed with lance, quiver, bow and arrow, with artillery firing cannons from a hill behind. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4622346: Chinese cavalry armed with lance, quiver, bow and arrow, with artillery firing cannons from a hill behind. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4622346

Chinese cavalry armed with lance, quiver, bow and arrow, with artillery firing cannons from a hill behind. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Native American village on the banks of the Nootka Sound, with totem pole, farms, and fishing boats. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
Native American village on the banks of the Nootka Sound, with totem pole, farms, and fishing boats. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621286: Native American village on the banks of the Nootka Sound, with totem pole, farms, and fishing boats. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

ID: FLO4621286

Native American village on the banks of the Nootka Sound, with totem pole, farms, and fishing boats. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

A kioum or Buddhist monastery in Burma. After an illustration in Michael Symes' Account of an Embassy to the Kingdom of Ava. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
A kioum or Buddhist monastery in Burma. After an illustration in Michael Symes' Account of an Embassy to the Kingdom of Ava. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4624115: A kioum or Buddhist monastery in Burma. After an illustration in Michael Symes' Account of an Embassy to the Kingdom of Ava. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

ID: FLO4624115

A kioum or Buddhist monastery in Burma. After an illustration in Michael Symes' Account of an Embassy to the Kingdom of Ava. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Ancient Viking monuments from a German province close to Scandinavia, and some urns taken from Danish and Swedish tombs. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Ancient Viking monuments from a German province close to Scandinavia, and some urns taken from Danish and Swedish tombs. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4623064: Ancient Viking monuments from a German province close to Scandinavia, and some urns taken from Danish and Swedish tombs. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

ID: FLO4623064

Ancient Viking monuments from a German province close to Scandinavia, and some urns taken from Danish and Swedish tombs. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

Nomadic Giagas or Gallas, a ferocious, warlike people from Sierra Leone who destroyed the Kingdom of Benguela (Angola), depicted with spears, shields and cudgels. Handcoloured copperplate engraving by Roberto Freschi from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Nomadic Giagas or Gallas, a ferocious, warlike people from Sierra Leone who destroyed the Kingdom of Benguela (Angola), depicted with spears, shields and cudgels. Handcoloured copperplate engraving by Roberto Freschi from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620240: Nomadic Giagas or Gallas, a ferocious, warlike people from Sierra Leone who destroyed the Kingdom of Benguela (Angola), depicted with spears, shields and cudgels. Handcoloured copperplate engraving by Roberto Freschi from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

ID: FLO4620240

Nomadic Giagas or Gallas, a ferocious, warlike people from Sierra Leone who destroyed the Kingdom of Benguela (Angola), depicted with spears, shields and cudgels. Handcoloured copperplate engraving by Roberto Freschi from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

Indigenous Mapuche of Chile playing the game of llighetun with beans (porotos) and a ring, and kechukawe (queciucague) with a five-sided dice. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Indigenous Mapuche of Chile playing the game of llighetun with beans (porotos) and a ring, and kechukawe (queciucague) with a five-sided dice. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4621247: Indigenous Mapuche of Chile playing the game of llighetun with beans (porotos) and a ring, and kechukawe (queciucague) with a five-sided dice. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621247

Indigenous Mapuche of Chile playing the game of llighetun with beans (porotos) and a ring, and kechukawe (queciucague) with a five-sided dice. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

Coronation of the Queen Consort of Hungary by the Pope in the Cathedral Basilica of Saint Stephen, 18th century. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Coronation of the Queen Consort of Hungary by the Pope in the Cathedral Basilica of Saint Stephen, 18th century. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4624675: Coronation of the Queen Consort of Hungary by the Pope in the Cathedral Basilica of Saint Stephen, 18th century. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

ID: FLO4624675

Coronation of the Queen Consort of Hungary by the Pope in the Cathedral Basilica of Saint Stephen, 18th century. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

Kanak natives of New Caledonia. Man in loincloth with spear and mace, woman in grass skirt, in front of huts. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Kanak natives of New Caledonia. Man in loincloth with spear and mace, woman in grass skirt, in front of huts. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4624402: Kanak natives of New Caledonia. Man in loincloth with spear and mace, woman in grass skirt, in front of huts. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

ID: FLO4624402

Kanak natives of New Caledonia. Man in loincloth with spear and mace, woman in grass skirt, in front of huts. Handcoloured copperplate engraved by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

Chinese sedan chairs, wagons, harness and yoke. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Chinese sedan chairs, wagons, harness and yoke. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4622763: Chinese sedan chairs, wagons, harness and yoke. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4622763

Chinese sedan chairs, wagons, harness and yoke. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

Arms and utensils of the extinct Puri and Coroados people, of Paraiba, Brazil, including bow, arrow, necklace and bag made of vines and branches. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.
Arms and utensils of the extinct Puri and Coroados people, of Paraiba, Brazil, including bow, arrow, necklace and bag made of vines and branches. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.

FLO4621350: Arms and utensils of the extinct Puri and Coroados people, of Paraiba, Brazil, including bow, arrow, necklace and bag made of vines and branches. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842. / Bridgeman Images

ID: FLO4621350

Arms and utensils of the extinct Puri and Coroados people, of Paraiba, Brazil, including bow, arrow, necklace and bag made of vines and branches. Handcoloured copperplate engraving from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.

View of Boston in the early 19th century. Handcoloured copperplate engraving by Spirito Batelli from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
View of Boston in the early 19th century. Handcoloured copperplate engraving by Spirito Batelli from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621957: View of Boston in the early 19th century. Handcoloured copperplate engraving by Spirito Batelli from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

ID: FLO4621957

View of Boston in the early 19th century. Handcoloured copperplate engraving by Spirito Batelli from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

Tournament held to celebrate the entrance of Queen Isabella of Bavaria into Paris, 1389. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842
Tournament held to celebrate the entrance of Queen Isabella of Bavaria into Paris, 1389. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842

FLO4623497: Tournament held to celebrate the entrance of Queen Isabella of Bavaria into Paris, 1389. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842 / Bridgeman Images

ID: FLO4623497

Tournament held to celebrate the entrance of Queen Isabella of Bavaria into Paris, 1389. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842

Exterior of the king's bedroom, Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843
Exterior of the king's bedroom, Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843

FLO4620357: Exterior of the king's bedroom, Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843 / Bridgeman Images

ID: FLO4620357

Exterior of the king's bedroom, Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843

King Edgar the Peaceful of England and portrait of King Alfred the Great of Wessex, 9th century. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
King Edgar the Peaceful of England and portrait of King Alfred the Great of Wessex, 9th century. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4623235: King Edgar the Peaceful of England and portrait of King Alfred the Great of Wessex, 9th century. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

ID: FLO4623235

King Edgar the Peaceful of England and portrait of King Alfred the Great of Wessex, 9th century. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

La rue de Passy in Paris 16th.
La rue de Passy in Paris 16th.

TEC4624374: La rue de Passy in Paris 16th. / Bridgeman Images

ID: TEC4624374

La rue de Passy in Paris 16th.

Musee national du Middle Ages et des thermal baths de Cluny, 6 place Paul Painleve in Paris in the 5th arrondissement.The thermal baths of Cluny date from the end of the 3rd century. They were the largest of the three ancient establishments in the public baths of Lutece.
Musee national du Middle Ages et des thermal baths de Cluny, 6 place Paul Painleve in Paris in the 5th arrondissement.The thermal baths of Cluny date from the end of the 3rd century. They were the largest of the three ancient establishments in the public baths of Lutece.

TEC4622455: Musee national du Middle Ages et des thermal baths de Cluny, 6 place Paul Painleve in Paris in the 5th arrondissement.The thermal baths of Cluny date from the end of the 3rd century. They were the largest of the three ancient establishments in the public baths of Lutece. / Bridgeman Images

ID: TEC4622455

Musee national du Middle Ages et des thermal baths de Cluny, 6 place Paul Painleve in Paris in the 5th arrondissement.The thermal baths of Cluny date from the end of the 3rd century. They were the largest of the three ancient establishments in the public baths of Lutece.

La rue de la Pompe in Paris. Photography 09/08/07;
La rue de la Pompe in Paris. Photography 09/08/07;

TEC4624459: La rue de la Pompe in Paris. Photography 09/08/07; / Bridgeman Images

ID: TEC4624459

La rue de la Pompe in Paris. Photography 09/08/07;

One of the three greenhouses of the garden of plants in Paris 75005.
One of the three greenhouses of the garden of plants in Paris 75005.

ITR4623148: One of the three greenhouses of the garden of plants in Paris 75005. / Bridgeman Images

ID: ITR4623148

One of the three greenhouses of the garden of plants in Paris 75005.

The Palais de Chaillot in Paris. Construction 1937 architects Jacques Carlu (1890-1976), Louis Hippolyte Boileau (1878-1948) and Leon Azema (1888-1978).
The Palais de Chaillot in Paris. Construction 1937 architects Jacques Carlu (1890-1976), Louis Hippolyte Boileau (1878-1948) and Leon Azema (1888-1978).

TEC4623839: The Palais de Chaillot in Paris. Construction 1937 architects Jacques Carlu (1890-1976), Louis Hippolyte Boileau (1878-1948) and Leon Azema (1888-1978). / Bridgeman Images

ID: TEC4623839

The Palais de Chaillot in Paris. Construction 1937 architects Jacques Carlu (1890-1976), Louis Hippolyte Boileau (1878-1948) and Leon Azema (1888-1978).

The Economic and Social Council in Paris. Construction 1937-1946, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. Originally, the Museum of Public Works was to be created for the 1937 Universal Exhibition on Chaillot Hill. In fact, its construction did not begin until January 1937. It will suffer delays due to the Second World War. This anthem to concrete has been home since 1959 to the Economic and Social Council, established by the 1958 Constitution promulgated by General de Gaulle.
The Economic and Social Council in Paris. Construction 1937-1946, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. Originally, the Museum of Public Works was to be created for the 1937 Universal Exhibition on Chaillot Hill. In fact, its construction did not begin until January 1937. It will suffer delays due to the Second World War. This anthem to concrete has been home since 1959 to the Economic and Social Council, established by the 1958 Constitution promulgated by General de Gaulle.

TEC4623934: The Economic and Social Council in Paris. Construction 1937-1946, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. Originally, the Museum of Public Works was to be created for the 1937 Universal Exhibition on Chaillot Hill. In fact, its construction did not begin until January 1937. It will suffer delays due to the Second World War. This anthem to concrete has been home since 1959 to the Economic and Social Council, established by the 1958 Constitution promulgated by General de Gaulle., Perret, Auguste (1874-1954) & Gustave (1876-1952) / Bridgeman Images

ID: TEC4623934

The Economic and Social Council in Paris. Construction 1937-1946, architects Auguste (1874-1954) and Gustave (1876-1952) Perret. Originally, the Museum of Public Works was to be created for the 1937 Universal Exhibition on Chaillot Hill. In fact, its construction did not begin until January 1937. It will suffer delays due to the Second World War. This anthem to concrete has been home since 1959 to the Economic and Social Council, established by the 1958 Constitution promulgated by General de Gaulle.

Perret, Auguste (1874-1954) & Gustave (1876-1952)

Gateway Debilly, Paris 16th. Construction 1900, architects Jean Resal (1854-1919), Andre Louis Lion (1858-1939) and Amedee Alby (1862-1942). Footbridge built on the occasion of the 1900 Universal Exhibition.
Gateway Debilly, Paris 16th. Construction 1900, architects Jean Resal (1854-1919), Andre Louis Lion (1858-1939) and Amedee Alby (1862-1942). Footbridge built on the occasion of the 1900 Universal Exhibition.

TEC4623899: Gateway Debilly, Paris 16th. Construction 1900, architects Jean Resal (1854-1919), Andre Louis Lion (1858-1939) and Amedee Alby (1862-1942). Footbridge built on the occasion of the 1900 Universal Exhibition. / Bridgeman Images

ID: TEC4623899

Gateway Debilly, Paris 16th. Construction 1900, architects Jean Resal (1854-1919), Andre Louis Lion (1858-1939) and Amedee Alby (1862-1942). Footbridge built on the occasion of the 1900 Universal Exhibition.

La rue de la Pompe in Paris 16th.
La rue de la Pompe in Paris 16th.

TEC4624443: La rue de la Pompe in Paris 16th. / Bridgeman Images

ID: TEC4624443

La rue de la Pompe in Paris 16th.

Brandenburg Gate, Mitte Quarter in Berlin (Germany). Construction 1788-1791, architect Carl Gotthard Langhans (1732-1808).
Brandenburg Gate, Mitte Quarter in Berlin (Germany). Construction 1788-1791, architect Carl Gotthard Langhans (1732-1808).

TEC4620474: Brandenburg Gate, Mitte Quarter in Berlin (Germany). Construction 1788-1791, architect Carl Gotthard Langhans (1732-1808). / Bridgeman Images

ID: TEC4620474

Brandenburg Gate, Mitte Quarter in Berlin (Germany). Construction 1788-1791, architect Carl Gotthard Langhans (1732-1808).

La Nouvelle Synagogue, 30 Oranienburger strasse, qaurtier Mitte in Berlin (Germany). Architects Eduard Knoblauch and Friedrich August Stuler, 1866, reconstruction Bernard Leisering, 1991. Photography 15/10/99.
La Nouvelle Synagogue, 30 Oranienburger strasse, qaurtier Mitte in Berlin (Germany). Architects Eduard Knoblauch and Friedrich August Stuler, 1866, reconstruction Bernard Leisering, 1991. Photography 15/10/99.

LBY4620646: La Nouvelle Synagogue, 30 Oranienburger strasse, qaurtier Mitte in Berlin (Germany). Architects Eduard Knoblauch and Friedrich August Stuler, 1866, reconstruction Bernard Leisering, 1991. Photography 15/10/99. / Bridgeman Images

ID: LBY4620646

La Nouvelle Synagogue, 30 Oranienburger strasse, qaurtier Mitte in Berlin (Germany). Architects Eduard Knoblauch and Friedrich August Stuler, 1866, reconstruction Bernard Leisering, 1991. Photography 15/10/99.

Grande Mosquee de Paris, 2 bis place du Puits de l'Hermit. In a Moorish Hispano style with predominance of Maghreb influences in its interior decoration and its emerald tile roof reminiscent of the Alhambra. The 33-metre high minaret rises above the Muslim tower. Construction 1922-1926, architects Robert Fournez, Charles Heubes and Maurice Mantout.
Grande Mosquee de Paris, 2 bis place du Puits de l'Hermit. In a Moorish Hispano style with predominance of Maghreb influences in its interior decoration and its emerald tile roof reminiscent of the Alhambra. The 33-metre high minaret rises above the Muslim tower. Construction 1922-1926, architects Robert Fournez, Charles Heubes and Maurice Mantout.

TEC4622321: Grande Mosquee de Paris, 2 bis place du Puits de l'Hermit. In a Moorish Hispano style with predominance of Maghreb influences in its interior decoration and its emerald tile roof reminiscent of the Alhambra. The 33-metre high minaret rises above the Muslim tower. Construction 1922-1926, architects Robert Fournez, Charles Heubes and Maurice Mantout. / Bridgeman Images

ID: TEC4622321

Grande Mosquee de Paris, 2 bis place du Puits de l'Hermit. In a Moorish Hispano style with predominance of Maghreb influences in its interior decoration and its emerald tile roof reminiscent of the Alhambra. The 33-metre high minaret rises above the Muslim tower. Construction 1922-1926, architects Robert Fournez, Charles Heubes and Maurice Mantout.

Historic Paris Street View No. 3
Historic Paris Street View No. 3

EPA4624689: Historic Paris Street View No. 3, Captier, Charles Marie Georges (1844-unknown) / Bridgeman Images

ID: EPA4624689

Historic Paris Street View No. 3

Captier, Charles Marie Georges (1844-unknown)

Boulevard Saint Michel in Paris.
Boulevard Saint Michel in Paris.

TEC4622565: Boulevard Saint Michel in Paris. / Bridgeman Images

ID: TEC4622565

Boulevard Saint Michel in Paris.

Colossal statue of Vercingetorix (72-46 BC), Gallic leader, 1865 (sculpture)
Colossal statue of Vercingetorix (72-46 BC), Gallic leader, 1865 (sculpture)

JLJ4624388: Colossal statue of Vercingetorix (72-46 BC), Gallic leader, 1865 (sculpture), Millet, Aime (1819-91) / Bridgeman Images

ID: JLJ4624388

Colossal statue of Vercingetorix (72-46 BC), Gallic leader, 1865 (sculpture)

Millet, Aime (1819-91)

The Triumphal Quadriga or Horses of St Mark's Basilica (Guilted bronze sculpture, 4th century BC)
The Triumphal Quadriga or Horses of St Mark's Basilica (Guilted bronze sculpture, 4th century BC)

LRI4624694: The Triumphal Quadriga or Horses of St Mark's Basilica (Guilted bronze sculpture, 4th century BC), Greek school, (4th century BC) / Bridgeman Images

ID: LRI4624694

The Triumphal Quadriga or Horses of St Mark's Basilica (Guilted bronze sculpture, 4th century BC)

Greek school, (4th century BC)

Sarcophagus of Charlemagne (742-814). Representation of Emperor Othon IV of Brunswick (v. 1175-1218). 1165-1215. Germany. Palatine chapel of the cathedral of Aachen.
Sarcophagus of Charlemagne (742-814). Representation of Emperor Othon IV of Brunswick (v. 1175-1218). 1165-1215. Germany. Palatine chapel of the cathedral of Aachen.

LRI4623536: Sarcophagus of Charlemagne (742-814). Representation of Emperor Othon IV of Brunswick (v. 1175-1218). 1165-1215. Germany. Palatine chapel of the cathedral of Aachen., German School, (12th century) / Bridgeman Images

ID: LRI4623536

Sarcophagus of Charlemagne (742-814). Representation of Emperor Othon IV of Brunswick (v. 1175-1218). 1165-1215. Germany. Palatine chapel of the cathedral of Aachen.

German School, (12th century)

Buddha (oil on canvas, 1906-1907)
Buddha (oil on canvas, 1906-1907)

LRI4622106: Buddha (oil on canvas, 1906-1907), Redon, Odilon (1840-1916) / Bridgeman Images

ID: LRI4622106

Buddha (oil on canvas, 1906-1907)

Redon, Odilon (1840-1916)


Back to top