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Guidoriccio da Fogliano. Guido Riccio da Fogliano (died 1352), commander (condottiero) of the army of Siena, during the capture of the castle of Montemassi in Maremma (Maremma) in 1328. Fresco by Simone Martini (1284-1344), 1328. Sala del Mappamondo, Palazzo Pubblico, Siena.
Guidoriccio da Fogliano. Guido Riccio da Fogliano (died 1352), commander (condottiero) of the army of Siena, during the capture of the castle of Montemassi in Maremma (Maremma) in 1328. Fresco by Simone Martini (1284-1344), 1328. Sala del Mappamondo, Palazzo Pubblico, Siena.

LRI4622950: Guidoriccio da Fogliano. Guido Riccio da Fogliano (died 1352), commander (condottiero) of the army of Siena, during the capture of the castle of Montemassi in Maremma (Maremma) in 1328. Fresco by Simone Martini (1284-1344), 1328. Sala del Mappamondo, Palazzo Pubblico, Siena., Martini, Simone (1284-1344) / Bridgeman Images

Portraits of Xhosa (Kaffir) people of South Africa in headdresses, fur capes and earrings. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Portraits of Xhosa (Kaffir) people of South Africa in headdresses, fur capes and earrings. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620435: Portraits of Xhosa (Kaffir) people of South Africa in headdresses, fur capes and earrings. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Elevation and plan of the exterior of the Chinese Imperial throne room. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Elevation and plan of the exterior of the Chinese Imperial throne room. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4622282: Elevation and plan of the exterior of the Chinese Imperial throne room. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Bridge and waterfall over a river in Madagascar. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Bridge and waterfall over a river in Madagascar. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620414: Bridge and waterfall over a river in Madagascar. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Native American making an offering at a shrine to the Powhatan god Okeus (Okee) in Virginia. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
Native American making an offering at a shrine to the Powhatan god Okeus (Okee) in Virginia. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621942: Native American making an offering at a shrine to the Powhatan god Okeus (Okee) in Virginia. Handcoloured copperplate engraving by Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

Fourth bas-relief of a 12th century sarcophagus. The princess and her falconer watch knights and ladies capture wild men in bearskins under the battlements. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.
Fourth bas-relief of a 12th century sarcophagus. The princess and her falconer watch knights and ladies capture wild men in bearskins under the battlements. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.

FLO4623422: Fourth bas-relief of a 12th century sarcophagus. The princess and her falconer watch knights and ladies capture wild men in bearskins under the battlements. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844. / Bridgeman Images

Costumes and vestments of the Egyptian priests. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Costumes and vestments of the Egyptian priests. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620476: Costumes and vestments of the Egyptian priests. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Weapons, musical instruments and gold accessories of the natives of the Gold Coast (Ghana), Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Weapons, musical instruments and gold accessories of the natives of the Gold Coast (Ghana), Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620082: Weapons, musical instruments and gold accessories of the natives of the Gold Coast (Ghana), Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Chinese monk in ceremonial robes making offerings at an altar. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Chinese monk in ceremonial robes making offerings at an altar. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4622417: Chinese monk in ceremonial robes making offerings at an altar. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Entrance and courtyards in houses in Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Entrance and courtyards in houses in Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620326: Entrance and courtyards in houses in Kumasi, Kingdom of Ashanti (Ghana), early 19th century. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Medals of Cyrenaean King Battus and Queen Pheretima 1,2,3, King Magas 4, the oracle of Ammon 5,6, and Cyrenean priests 7,8. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Medals of Cyrenaean King Battus and Queen Pheretima 1,2,3, King Magas 4, the oracle of Ammon 5,6, and Cyrenean priests 7,8. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620742: Medals of Cyrenaean King Battus and Queen Pheretima 1,2,3, King Magas 4, the oracle of Ammon 5,6, and Cyrenean priests 7,8. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

The tricolor paradise: Seewen, 1918 (print)
The tricolor paradise: Seewen, 1918 (print)

JLJ4622682: The tricolor paradise: Seewen, 1918 (print), Waltz, Jean-Jacques (Hansi) (1873-1951) / Bridgeman Images

Study for a sicamber horse Drawing by Giovanni Stradano (Jan van der Straet) (1523-1605) Florence, Gabinetto Disegni e Stampe, Uffizi (Offices)
Study for a sicamber horse Drawing by Giovanni Stradano (Jan van der Straet) (1523-1605) Florence, Gabinetto Disegni e Stampe, Uffizi (Offices)

LRI4624890: Study for a sicamber horse Drawing by Giovanni Stradano (Jan van der Straet) (1523-1605) Florence, Gabinetto Disegni e Stampe, Uffizi (Offices), Straet, Jan van der (Joannes Stradanus) (1523-1605) / Bridgeman Images

Portrait of Cardinal Ippolito de Medici (1511-1535) Painting by Allori Angelo di Cosimo dit Bronzino (1503-1572) - 16th century Sun 15x12 cm Palace Medici-Riccardi (Medici Riccardi) Florence
Portrait of Cardinal Ippolito de Medici (1511-1535) Painting by Allori Angelo di Cosimo dit Bronzino (1503-1572) - 16th century Sun 15x12 cm Palace Medici-Riccardi (Medici Riccardi) Florence

LRI4624078: Portrait of Cardinal Ippolito de Medici (1511-1535) Painting by Allori Angelo di Cosimo dit Bronzino (1503-1572) - 16th century Sun 15x12 cm Palace Medici-Riccardi (Medici Riccardi) Florence, Bronzino, Agnolo di Cosimo (1503-72) / Bridgeman Images

Summer Pleasures Landscape with concert. Painting by Giovanni Francesco Barbieri Guerchin dit Il Guercino (1591-1666) 17th century Sun. 0,35x0,47 m Florence, Uffizi gallery
Summer Pleasures Landscape with concert. Painting by Giovanni Francesco Barbieri Guerchin dit Il Guercino (1591-1666) 17th century Sun. 0,35x0,47 m Florence, Uffizi gallery

LRI4620122: Summer Pleasures Landscape with concert. Painting by Giovanni Francesco Barbieri Guerchin dit Il Guercino (1591-1666) 17th century Sun. 0,35x0,47 m Florence, Uffizi gallery, Guercino (Giovanni Francesco Barbieri) (1591-1666) / Bridgeman Images

Costumes of Native Americans of Canada, hunters with muskets, men in capes, tunics and trousers. Handcoloured copperplate engraving by Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
Costumes of Native Americans of Canada, hunters with muskets, men in capes, tunics and trousers. Handcoloured copperplate engraving by Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621910: Costumes of Native Americans of Canada, hunters with muskets, men in capes, tunics and trousers. Handcoloured copperplate engraving by Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

Naked Nubian people (Coubli or Barabra) from beyond the Nile falls (Southern Egypt and Sudan). Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
Naked Nubian people (Coubli or Barabra) from beyond the Nile falls (Southern Egypt and Sudan). Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620749: Naked Nubian people (Coubli or Barabra) from beyond the Nile falls (Southern Egypt and Sudan). Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Morai or sacred cemetery on Kauai, Hawaii, Atooi. Handcoloured copperplate engraved by Bernieri after John Webber from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Morai or sacred cemetery on Kauai, Hawaii, Atooi. Handcoloured copperplate engraved by Bernieri after John Webber from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4624612: Morai or sacred cemetery on Kauai, Hawaii, Atooi. Handcoloured copperplate engraved by Bernieri after John Webber from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

Ancient Druidic ceremony at Stonehenge, with the stones hung with curtains depicting serpents. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Ancient Druidic ceremony at Stonehenge, with the stones hung with curtains depicting serpents. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.

FLO4622963: Ancient Druidic ceremony at Stonehenge, with the stones hung with curtains depicting serpents. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847. / Bridgeman Images

Inside a Maori fortified village or pa (Hippah), New Zealand. Handcoloured copperplate engraved by Andrea Bernieri after John Webber from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Inside a Maori fortified village or pa (Hippah), New Zealand. Handcoloured copperplate engraved by Andrea Bernieri after John Webber from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4624386: Inside a Maori fortified village or pa (Hippah), New Zealand. Handcoloured copperplate engraved by Andrea Bernieri after John Webber from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

Egyptian architecture: columns, plinths, pyramids and obelisks. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.
Egyptian architecture: columns, plinths, pyramids and obelisks. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843.

FLO4620551: Egyptian architecture: columns, plinths, pyramids and obelisks. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), 1843. / Bridgeman Images

Indian sati or suttee ritual. A widow throws herself onto her late husband's funeral pyre. Handcoloured copperplate engraved and drawn by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.
Indian sati or suttee ritual. A widow throws herself onto her late husband's funeral pyre. Handcoloured copperplate engraved and drawn by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844.

FLO4623765: Indian sati or suttee ritual. A widow throws herself onto her late husband's funeral pyre. Handcoloured copperplate engraved and drawn by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844. / Bridgeman Images

The circumcision (Painting, 1635-1640)
The circumcision (Painting, 1635-1640)

LRI4622194: The circumcision (Painting, 1635-1640), Reni, Guido (1575-1642) / Bridgeman Images

Still Life, library with music books, 1715 (painting)
Still Life, library with music books, 1715 (painting)

LRI4620049: Still Life, library with music books, 1715 (painting), Crespi, Giuseppe Maria (Lo Spagnuolo) (1665-1747) / Bridgeman Images

Illustration from the book
Illustration from the book

JLJ4624920: Illustration from the book "Jeanne d'Arc", On February 25, 1429 (litho), Semant, Paul de (1855-1915) / Bridgeman Images

The story of Alsace tells the children: Les Germains see Alsace on the other side of the Rhine (print)
The story of Alsace tells the children: Les Germains see Alsace on the other side of the Rhine (print)

JLJ4622424: The story of Alsace tells the children: Les Germains see Alsace on the other side of the Rhine (print), Waltz, Jean-Jacques (Hansi) (1873-1951) / Bridgeman Images

Portrait of the Countess Ticino, Wife of the Ambassador of Sweden in Paris(iol on canvas, 1741)
Portrait of the Countess Ticino, Wife of the Ambassador of Sweden in Paris(iol on canvas, 1741)

LRI4621549: Portrait of the Countess Ticino, Wife of the Ambassador of Sweden in Paris(iol on canvas, 1741), Nattier, Jean-Marc (1685-1766) / Bridgeman Images

The city of Lataku (Kuruman), South Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.
The city of Lataku (Kuruman), South Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843.

FLO4620241: The city of Lataku (Kuruman), South Africa. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1843. / Bridgeman Images

Wedding dance of the Iroquois, Native Americans of Canada. The bride and groom dance on a mat holding a long stick as they recite their vows, before breaking the stick. Handcoloured copperplate engraving by Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.
Wedding dance of the Iroquois, Native Americans of Canada. The bride and groom dance on a mat holding a long stick as they recite their vows, before breaking the stick. Handcoloured copperplate engraving by Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837.

FLO4621803: Wedding dance of the Iroquois, Native Americans of Canada. The bride and groom dance on a mat holding a long stick as they recite their vows, before breaking the stick. Handcoloured copperplate engraving by Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1837. / Bridgeman Images

On July 16, 1789, when King Louis XVI (1754-1793) en route to the town hall to receive the cocarde, 1907 (illustration)
On July 16, 1789, when King Louis XVI (1754-1793) en route to the town hall to receive the cocarde, 1907 (illustration)

JLJ4620907: On July 16, 1789, when King Louis XVI (1754-1793) en route to the town hall to receive the cocarde, 1907 (illustration), Vogel, Hermann (1856-1918) / Bridgeman Images

Japanese supreme deities, including four-armed god on a pillar on a turtle, serpent god, gods with dog and deer heads, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Japanese supreme deities, including four-armed god on a pillar on a turtle, serpent god, gods with dog and deer heads, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.

FLO4622838: Japanese supreme deities, including four-armed god on a pillar on a turtle, serpent god, gods with dog and deer heads, etc. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842. / Bridgeman Images

Study for Woman who puts on a stockings, 1894 (oil on board)
Study for Woman who puts on a stockings, 1894 (oil on board)

LRI4622686: Study for Woman who puts on a stockings, 1894 (oil on board), Toulouse-Lautrec, Henri de (1864-1901) / Bridgeman Images

Saturn - Rings - by Voyager 2 - 23 - 08 - 1981 - Image in false colors made by the probe Voyager 2 on August 23, 1981 at a distance of 2.7 million km from the planet. This image has been reconstructed from 3 black and white photos taken through the UV, green and orange filters. The contrasts were exaggerated. The C ring, in blue on the image, is actually a gray color. The different colors correspond to differences in the chemical composition of the particles that make up the rings
Saturn - Rings - by Voyager 2 - 23 - 08 - 1981 - Image in false colors made by the probe Voyager 2 on August 23, 1981 at a distance of 2.7 million km from the planet. This image has been reconstructed from 3 black and white photos taken through the UV, green and orange filters. The contrasts were exaggerated. The C ring, in blue on the image, is actually a gray color. The different colors correspond to differences in the chemical composition of the particles that make up the rings

PIX4624947: Saturn - Rings - by Voyager 2 - 23 - 08 - 1981 - Image in false colors made by the probe Voyager 2 on August 23, 1981 at a distance of 2.7 million km from the planet. This image has been reconstructed from 3 black and white photos taken through the UV, green and orange filters. The contrasts were exaggerated. The C ring, in blue on the image, is actually a gray color. The different colors correspond to differences in the chemical composition of the particles that make up the rings / Bridgeman Images

Planetary nebula NGC 2440 dans la Poupe/HST - The planetary nebula designated NGC 2440, contains one of the hottest white dwarf stars known. The white dwarf can be seen as the bright dot near the photo's center. NGC 2440 lies about 4,000 light - years from Earth in the direction of the constellation Puppis
Planetary nebula NGC 2440 dans la Poupe/HST - The planetary nebula designated NGC 2440, contains one of the hottest white dwarf stars known. The white dwarf can be seen as the bright dot near the photo's center. NGC 2440 lies about 4,000 light - years from Earth in the direction of the constellation Puppis

PIX4622953: Planetary nebula NGC 2440 dans la Poupe/HST - The planetary nebula designated NGC 2440, contains one of the hottest white dwarf stars known. The white dwarf can be seen as the bright dot near the photo's center. NGC 2440 lies about 4,000 light - years from Earth in the direction of the constellation Puppis / Bridgeman Images

Planetary nebula NGC 6751 in the Aigl
Planetary nebula NGC 6751 in the Aigl

PIX4623365: Planetary nebula NGC 6751 in the Aigl / Bridgeman Images

The Schiller Theater in Berlin (Germany). Architect Max Littmann, 1905-1906. This photographic work came from the exhibition Berlin, urban mutations presented at the Musee Carnavalet in Paris in 1997. A catalogue is available in the Open City editions. Photography 10/06/95.
The Schiller Theater in Berlin (Germany). Architect Max Littmann, 1905-1906. This photographic work came from the exhibition Berlin, urban mutations presented at the Musee Carnavalet in Paris in 1997. A catalogue is available in the Open City editions. Photography 10/06/95.

JSN4620509: The Schiller Theater in Berlin (Germany). Architect Max Littmann, 1905-1906. This photographic work came from the exhibition Berlin, urban mutations presented at the Musee Carnavalet in Paris in 1997. A catalogue is available in the Open City editions. Photography 10/06/95., Salmon, Jacqueline / Bridgeman Images


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