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General view of the Roman city of Thamugadi, founded by Trajan (53-117) in 100 AD, near the present town of Timgad, north east of Algeria, in the Aures region. Postcard of the collection of Selva, beginning 20th century
General view of the Roman city of Thamugadi, founded by Trajan (53-117) in 100 AD, near the present town of Timgad, north east of Algeria, in the Aures region. Postcard of the collection of Selva, beginning 20th century

LSE4322685: General view of the Roman city of Thamugadi, founded by Trajan (53-117) in 100 AD, near the present town of Timgad, north east of Algeria, in the Aures region. Postcard of the collection of Selva, beginning 20th century / Bridgeman Images

ID: LSE4322685

General view of the Roman city of Thamugadi, founded by Trajan (53-117) in 100 AD, near the present town of Timgad, north east of Algeria, in the Aures region. Postcard of the collection of Selva, beginning 20th century

The Japanese used to be criminals by the United States and today, in 1951, invited by Americans. Cartoon, in “The Anthology of Chinese Cartoons to Support the Corean Communists Against the United States”, Edition Les Beaux-Arts Populaire, Pekin, 1952.
The Japanese used to be criminals by the United States and today, in 1951, invited by Americans. Cartoon, in “The Anthology of Chinese Cartoons to Support the Corean Communists Against the United States”, Edition Les Beaux-Arts Populaire, Pekin, 1952.

LSE4321539: The Japanese used to be criminals by the United States and today, in 1951, invited by Americans. Cartoon, in “The Anthology of Chinese Cartoons to Support the Corean Communists Against the United States”, Edition Les Beaux-Arts Populaire, Pekin, 1952. / Bridgeman Images

ID: LSE4321539

The Japanese used to be criminals by the United States and today, in 1951, invited by Americans. Cartoon, in “The Anthology of Chinese Cartoons to Support the Corean Communists Against the United States”, Edition Les Beaux-Arts Populaire, Pekin, 1952.

The traveling merchant of Hsia Feng, walking merchant of the countryside. Wood engraving, in “Woodcuts of war-time China 1937-1945”, Shanghai, 1946.
The traveling merchant of Hsia Feng, walking merchant of the countryside. Wood engraving, in “Woodcuts of war-time China 1937-1945”, Shanghai, 1946.

LSE4321650: The traveling merchant of Hsia Feng, walking merchant of the countryside. Wood engraving, in “Woodcuts of war-time China 1937-1945”, Shanghai, 1946. / Bridgeman Images

ID: LSE4321650

The traveling merchant of Hsia Feng, walking merchant of the countryside. Wood engraving, in “Woodcuts of war-time China 1937-1945”, Shanghai, 1946.

Portrait of Amedee-Victor Meunier (1817-1894), a scientific journalist, he Iuvra in the popularization of science. Cartoon by Gill, Paris.
Portrait of Amedee-Victor Meunier (1817-1894), a scientific journalist, he Iuvra in the popularization of science. Cartoon by Gill, Paris.

LSE4323040: Portrait of Amedee-Victor Meunier (1817-1894), a scientific journalist, he Iuvra in the popularization of science. Cartoon by Gill, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4323040

Portrait of Amedee-Victor Meunier (1817-1894), a scientific journalist, he Iuvra in the popularization of science. Cartoon by Gill, Paris.

Gill, Andre (1840-85)

Cartoon on England: French and Russian, has the entrance of an English pastry shop, laughing at English, in the Petrin, with its German ally, because English accumulates diplomatic problems, since the Venezuelan affair, which marks the diplomatic break between the United States and the United Kingdom, and then with the difficult transvaal relations. with the boers, settlers from south africa, of neerlandese origin, refractaries to the british authority. Engraving in “” Le petit journal”” 3/02/1896. Selva's collection.
Cartoon on England: French and Russian, has the entrance of an English pastry shop, laughing at English, in the Petrin, with its German ally, because English accumulates diplomatic problems, since the Venezuelan affair, which marks the diplomatic break between the United States and the United Kingdom, and then with the difficult transvaal relations. with the boers, settlers from south africa, of neerlandese origin, refractaries to the british authority. Engraving in “” Le petit journal”” 3/02/1896. Selva's collection.

LSE4324157: Cartoon on England: French and Russian, has the entrance of an English pastry shop, laughing at English, in the Petrin, with its German ally, because English accumulates diplomatic problems, since the Venezuelan affair, which marks the diplomatic break between the United States and the United Kingdom, and then with the difficult transvaal relations. with the boers, settlers from south africa, of neerlandese origin, refractaries to the british authority. Engraving in “” Le petit journal”” 3/02/1896. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4324157

Cartoon on England: French and Russian, has the entrance of an English pastry shop, laughing at English, in the Petrin, with its German ally, because English accumulates diplomatic problems, since the Venezuelan affair, which marks the diplomatic break between the United States and the United Kingdom, and then with the difficult transvaal relations. with the boers, settlers from south africa, of neerlandese origin, refractaries to the british authority. Engraving in “” Le petit journal”” 3/02/1896. Selva's collection.

Unknown Artist, (19th century)

The ducks of the Capitol, caricature of the newspapers “La Patrie”, “Le Constitutionnel”, “Le Pays”, “Le Figaro”, “L'ordre” and “Le Gaulois””. Cover in “” L'Eclipse”” by Gill, November 23, 1873, Paris.
The ducks of the Capitol, caricature of the newspapers “La Patrie”, “Le Constitutionnel”, “Le Pays”, “Le Figaro”, “L'ordre” and “Le Gaulois””. Cover in “” L'Eclipse”” by Gill, November 23, 1873, Paris.

LSE4320479: The ducks of the Capitol, caricature of the newspapers “La Patrie”, “Le Constitutionnel”, “Le Pays”, “Le Figaro”, “L'ordre” and “Le Gaulois””. Cover in “” L'Eclipse”” by Gill, November 23, 1873, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4320479

The ducks of the Capitol, caricature of the newspapers “La Patrie”, “Le Constitutionnel”, “Le Pays”, “Le Figaro”, “L'ordre” and “Le Gaulois””. Cover in “” L'Eclipse”” by Gill, November 23, 1873, Paris.

Gill, Andre (1840-85)

Personification of the U.N. with the olive branch, symbol of peace but hiding an axe of war under its flag. Cartoon, in
Personification of the U.N. with the olive branch, symbol of peace but hiding an axe of war under its flag. Cartoon, in

LSE4321492: Personification of the U.N. with the olive branch, symbol of peace but hiding an axe of war under its flag. Cartoon, in "Satirical Drawings”, Pekin, 1950. / Bridgeman Images

ID: LSE4321492

Personification of the U.N. with the olive branch, symbol of peace but hiding an axe of war under its flag. Cartoon, in "Satirical Drawings”, Pekin, 1950.

View of the city of Marrakech (formerly Morocco), drawing by Auguste de Berard (1824-1881), to illustrate Mr.F. Schickler's journey to Morocco in 1860. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
View of the city of Marrakech (formerly Morocco), drawing by Auguste de Berard (1824-1881), to illustrate Mr.F. Schickler's journey to Morocco in 1860. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324441: View of the city of Marrakech (formerly Morocco), drawing by Auguste de Berard (1824-1881), to illustrate Mr.F. Schickler's journey to Morocco in 1860. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Berard, Evremond de (19th century) (after) / Bridgeman Images

ID: LSE4324441

View of the city of Marrakech (formerly Morocco), drawing by Auguste de Berard (1824-1881), to illustrate Mr.F. Schickler's journey to Morocco in 1860. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

Berard, Evremond de (19th century) (after)

The palace (Villa) Medicis a Rome, engraving in “” Picturesque Italy””, Amable Coste editor, 1836.
The palace (Villa) Medicis a Rome, engraving in “” Picturesque Italy””, Amable Coste editor, 1836.

LSE4323310: The palace (Villa) Medicis a Rome, engraving in “” Picturesque Italy””, Amable Coste editor, 1836., French School, (19th century) / Bridgeman Images

ID: LSE4323310

The palace (Villa) Medicis a Rome, engraving in “” Picturesque Italy””, Amable Coste editor, 1836.

French School, (19th century)

Portrait of Aurelien Scholl (1833-1902), French journalist, writer, and comedian. Cartoon by Gill, Paris.
Portrait of Aurelien Scholl (1833-1902), French journalist, writer, and comedian. Cartoon by Gill, Paris.

LSE4321059: Portrait of Aurelien Scholl (1833-1902), French journalist, writer, and comedian. Cartoon by Gill, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4321059

Portrait of Aurelien Scholl (1833-1902), French journalist, writer, and comedian. Cartoon by Gill, Paris.

Gill, Andre (1840-85)

A soldier from the United States wondered why he was at war in Korea, a journalist from the New York Times (New York Times) told him that it was to enrich his country's economy and especially the arms bosses. Cartoon, in
A soldier from the United States wondered why he was at war in Korea, a journalist from the New York Times (New York Times) told him that it was to enrich his country's economy and especially the arms bosses. Cartoon, in

LSE4321515: A soldier from the United States wondered why he was at war in Korea, a journalist from the New York Times (New York Times) told him that it was to enrich his country's economy and especially the arms bosses. Cartoon, in "Satirical Drawings”, Pekin, 1950. / Bridgeman Images

ID: LSE4321515

A soldier from the United States wondered why he was at war in Korea, a journalist from the New York Times (New York Times) told him that it was to enrich his country's economy and especially the arms bosses. Cartoon, in "Satirical Drawings”, Pekin, 1950.

A young man, wanting to be photographed in the cage of a lion, gets devoured, despite the efforts of the tamer to hold the lion. Engraving in “” Le petit journal”” 29/09/1895. Selva's collection.
A young man, wanting to be photographed in the cage of a lion, gets devoured, despite the efforts of the tamer to hold the lion. Engraving in “” Le petit journal”” 29/09/1895. Selva's collection.

LSE4324117: A young man, wanting to be photographed in the cage of a lion, gets devoured, despite the efforts of the tamer to hold the lion. Engraving in “” Le petit journal”” 29/09/1895. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4324117

A young man, wanting to be photographed in the cage of a lion, gets devoured, despite the efforts of the tamer to hold the lion. Engraving in “” Le petit journal”” 29/09/1895. Selva's collection.

Unknown Artist, (19th century)

The discovery of the remains of the Ripple (Norwegian ship), caught in the ice at the North Pole. Engraving in “” Le petit journal”” 16/12/1893. Selva's collection.
The discovery of the remains of the Ripple (Norwegian ship), caught in the ice at the North Pole. Engraving in “” Le petit journal”” 16/12/1893. Selva's collection.

LSE4323842: The discovery of the remains of the Ripple (Norwegian ship), caught in the ice at the North Pole. Engraving in “” Le petit journal”” 16/12/1893. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4323842

The discovery of the remains of the Ripple (Norwegian ship), caught in the ice at the North Pole. Engraving in “” Le petit journal”” 16/12/1893. Selva's collection.

Unknown Artist, (19th century)

Portrait of Victor Hugo (1802-1885), French man of letters and politician. Cover in “” L'Eclipse”” by Gill, August 29, 1875, Paris.
Portrait of Victor Hugo (1802-1885), French man of letters and politician. Cover in “” L'Eclipse”” by Gill, August 29, 1875, Paris.

LSE4320876: Portrait of Victor Hugo (1802-1885), French man of letters and politician. Cover in “” L'Eclipse”” by Gill, August 29, 1875, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4320876

Portrait of Victor Hugo (1802-1885), French man of letters and politician. Cover in “” L'Eclipse”” by Gill, August 29, 1875, Paris.

Gill, Andre (1840-85)

Yusuf (or Youssef, or Youcef), in the court of Egypt, dressed in linen garments offered by Pharaoh, is called by Zulleikha (or Zuleikha, or Zoleikha), Sura 12 of the Qur'an. Egyptian Islamic image, 19th century. Leonard de Selva collection.
Yusuf (or Youssef, or Youcef), in the court of Egypt, dressed in linen garments offered by Pharaoh, is called by Zulleikha (or Zuleikha, or Zoleikha), Sura 12 of the Qur'an. Egyptian Islamic image, 19th century. Leonard de Selva collection.

LSE4323156: Yusuf (or Youssef, or Youcef), in the court of Egypt, dressed in linen garments offered by Pharaoh, is called by Zulleikha (or Zuleikha, or Zoleikha), Sura 12 of the Qur'an. Egyptian Islamic image, 19th century. Leonard de Selva collection., Egyptian School, (19th century) / Bridgeman Images

ID: LSE4323156

Yusuf (or Youssef, or Youcef), in the court of Egypt, dressed in linen garments offered by Pharaoh, is called by Zulleikha (or Zuleikha, or Zoleikha), Sura 12 of the Qur'an. Egyptian Islamic image, 19th century. Leonard de Selva collection.

Egyptian School, (19th century)

Grave ornament, zodiac rabbit on agalmatolite, 8th century under the period of the Northern and Southern Kingdoms, Korea. Photography, Seoul National Museum, Republic of Korea
Grave ornament, zodiac rabbit on agalmatolite, 8th century under the period of the Northern and Southern Kingdoms, Korea. Photography, Seoul National Museum, Republic of Korea

LSE4322545: Grave ornament, zodiac rabbit on agalmatolite, 8th century under the period of the Northern and Southern Kingdoms, Korea. Photography, Seoul National Museum, Republic of Korea, Korean School, (8th century) / Bridgeman Images

ID: LSE4322545

Grave ornament, zodiac rabbit on agalmatolite, 8th century under the period of the Northern and Southern Kingdoms, Korea. Photography, Seoul National Museum, Republic of Korea

Korean School, (8th century)

Museum of Xian. Photography, Leonard de Selva, 2006.
Museum of Xian. Photography, Leonard de Selva, 2006.

LSE4321136: Museum of Xian. Photography, Leonard de Selva, 2006., Chinese School, (3rd century BC) / Bridgeman Images

ID: LSE4321136

Museum of Xian. Photography, Leonard de Selva, 2006.

Chinese School, (3rd century BC)

The Summer Room with gentlemen Thiers, Gambetta, Grevy, Favre, Trochu... Cover in “” L'Eclipse”” by Gill, June 30, 1872, Paris.
The Summer Room with gentlemen Thiers, Gambetta, Grevy, Favre, Trochu... Cover in “” L'Eclipse”” by Gill, June 30, 1872, Paris.

LSE4320101: The Summer Room with gentlemen Thiers, Gambetta, Grevy, Favre, Trochu... Cover in “” L'Eclipse”” by Gill, June 30, 1872, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4320101

The Summer Room with gentlemen Thiers, Gambetta, Grevy, Favre, Trochu... Cover in “” L'Eclipse”” by Gill, June 30, 1872, Paris.

Gill, Andre (1840-85)

Inauguration of the port of Tunis, in the presence of French ministers Raymond Poincare (1860-1934) and Eugene Guerin (1849-1929). Engraving in “” Le petit journal”” 10/06/1893. Selva's collection.
Inauguration of the port of Tunis, in the presence of French ministers Raymond Poincare (1860-1934) and Eugene Guerin (1849-1929). Engraving in “” Le petit journal”” 10/06/1893. Selva's collection.

LSE4323769: Inauguration of the port of Tunis, in the presence of French ministers Raymond Poincare (1860-1934) and Eugene Guerin (1849-1929). Engraving in “” Le petit journal”” 10/06/1893. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4323769

Inauguration of the port of Tunis, in the presence of French ministers Raymond Poincare (1860-1934) and Eugene Guerin (1849-1929). Engraving in “” Le petit journal”” 10/06/1893. Selva's collection.

Unknown Artist, (19th century)

View of Montreal, drawing by Paul Huet (1803-1869), to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection.
View of Montreal, drawing by Paul Huet (1803-1869), to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection.

LSE4324559: View of Montreal, drawing by Paul Huet (1803-1869), to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection., Huet, Paul (1803-69) / Bridgeman Images

ID: LSE4324559

View of Montreal, drawing by Paul Huet (1803-1869), to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection.

Huet, Paul (1803-69)

View of Quebec, drawing by Grandsire, to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection.
View of Quebec, drawing by Grandsire, to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection.

LSE4324557: View of Quebec, drawing by Grandsire, to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection., Grandsire, Pierre Eugene (1825-1905) / Bridgeman Images

ID: LSE4324557

View of Quebec, drawing by Grandsire, to illustrate the voyages to North America in 1854-1855, by L. Deville. Engraving in “” Le tour du monde”” 1861. Selva's collection.

Grandsire, Pierre Eugene (1825-1905)

Portrait of the Baron of Mohrenheim, Russian ambassador to France from 1884 to 1898. Engraving in “” Le petit journal”” 4/06/1892. Selva's collection.
Portrait of the Baron of Mohrenheim, Russian ambassador to France from 1884 to 1898. Engraving in “” Le petit journal”” 4/06/1892. Selva's collection.

LSE4323641: Portrait of the Baron of Mohrenheim, Russian ambassador to France from 1884 to 1898. Engraving in “” Le petit journal”” 4/06/1892. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4323641

Portrait of the Baron of Mohrenheim, Russian ambassador to France from 1884 to 1898. Engraving in “” Le petit journal”” 4/06/1892. Selva's collection.

Unknown Artist, (19th century)

Plaza Mayor and the Cathedrale of Arequipa (Peru), drawing by Paul Marcoy, to illustrate his journey from the Atlantic Ocean to the Pacific Ocean, through South America, from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.
Plaza Mayor and the Cathedrale of Arequipa (Peru), drawing by Paul Marcoy, to illustrate his journey from the Atlantic Ocean to the Pacific Ocean, through South America, from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.

LSE4324833: Plaza Mayor and the Cathedrale of Arequipa (Peru), drawing by Paul Marcoy, to illustrate his journey from the Atlantic Ocean to the Pacific Ocean, through South America, from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection., Marcoy, Paul (1815-1887) / Bridgeman Images

ID: LSE4324833

Plaza Mayor and the Cathedrale of Arequipa (Peru), drawing by Paul Marcoy, to illustrate his journey from the Atlantic Ocean to the Pacific Ocean, through South America, from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.

Marcoy, Paul (1815-1887)

Portrait of the worker of the People's Republic of China. Illustration de propagande, in “Manuel pour bien dessiner”, Pekin, 1972.
Portrait of the worker of the People's Republic of China. Illustration de propagande, in “Manuel pour bien dessiner”, Pekin, 1972.

LSE4321754: Portrait of the worker of the People's Republic of China. Illustration de propagande, in “Manuel pour bien dessiner”, Pekin, 1972. / Bridgeman Images

ID: LSE4321754

Portrait of the worker of the People's Republic of China. Illustration de propagande, in “Manuel pour bien dessiner”, Pekin, 1972.

Portrait of Paul Granier de Cassagnac (1842-1902), French political journalist. Cartoon by Gill, Paris.
Portrait of Paul Granier de Cassagnac (1842-1902), French political journalist. Cartoon by Gill, Paris.

LSE4321082: Portrait of Paul Granier de Cassagnac (1842-1902), French political journalist. Cartoon by Gill, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4321082

Portrait of Paul Granier de Cassagnac (1842-1902), French political journalist. Cartoon by Gill, Paris.

Gill, Andre (1840-85)

Emperor Qin Shihuang's Terracotta Armee (-260 to -210 BC), Shaanxi History Museum, Xian. Photography, Leonard de Selva, 2006.
Emperor Qin Shihuang's Terracotta Armee (-260 to -210 BC), Shaanxi History Museum, Xian. Photography, Leonard de Selva, 2006.

LSE4321404: Emperor Qin Shihuang's Terracotta Armee (-260 to -210 BC), Shaanxi History Museum, Xian. Photography, Leonard de Selva, 2006., Chinese School, (3rd century AD) / Bridgeman Images

ID: LSE4321404

Emperor Qin Shihuang's Terracotta Armee (-260 to -210 BC), Shaanxi History Museum, Xian. Photography, Leonard de Selva, 2006.

Chinese School, (3rd century AD)

Chinese smoking. Painted cutting paper or “Jian Zhi”, Chinese folk art, Pekin.
Chinese smoking. Painted cutting paper or “Jian Zhi”, Chinese folk art, Pekin.

LSE4322222: Chinese smoking. Painted cutting paper or “Jian Zhi”, Chinese folk art, Pekin., Chinese School, (20th century) / Bridgeman Images

ID: LSE4322222

Chinese smoking. Painted cutting paper or “Jian Zhi”, Chinese folk art, Pekin.

Chinese School, (20th century)

Peasant, worker and soldier united in the People's Republic of China. Illustration de propagande, in “Manuel pour bien dessiner”, Pekin, 1972.
Peasant, worker and soldier united in the People's Republic of China. Illustration de propagande, in “Manuel pour bien dessiner”, Pekin, 1972.

LSE4321824: Peasant, worker and soldier united in the People's Republic of China. Illustration de propagande, in “Manuel pour bien dessiner”, Pekin, 1972., Chinese School, (20th century) / Bridgeman Images

ID: LSE4321824

Peasant, worker and soldier united in the People's Republic of China. Illustration de propagande, in “Manuel pour bien dessiner”, Pekin, 1972.

Chinese School, (20th century)

Iron Buddha head, from the Goryeo period of the 10th century, from the monastery of Hasachang-dong, Hanam, Gyeonggi-do, Korea. Photography, Seoul National Museum, Republic of Korea, 2006.
Iron Buddha head, from the Goryeo period of the 10th century, from the monastery of Hasachang-dong, Hanam, Gyeonggi-do, Korea. Photography, Seoul National Museum, Republic of Korea, 2006.

LSE4322522: Iron Buddha head, from the Goryeo period of the 10th century, from the monastery of Hasachang-dong, Hanam, Gyeonggi-do, Korea. Photography, Seoul National Museum, Republic of Korea, 2006., Korean school, (10th century) / Bridgeman Images

ID: LSE4322522

Iron Buddha head, from the Goryeo period of the 10th century, from the monastery of Hasachang-dong, Hanam, Gyeonggi-do, Korea. Photography, Seoul National Museum, Republic of Korea, 2006.

Korean school, (10th century)

The rue des chevaliers, in Rhodes, drawing by Eugene Flandin, to illustrate his journey to the island of Rhodes in 1844. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.
The rue des chevaliers, in Rhodes, drawing by Eugene Flandin, to illustrate his journey to the island of Rhodes in 1844. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.

LSE4324787: The rue des chevaliers, in Rhodes, drawing by Eugene Flandin, to illustrate his journey to the island of Rhodes in 1844. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection., Flandin, Eugene (1809-76) / Bridgeman Images

ID: LSE4324787

The rue des chevaliers, in Rhodes, drawing by Eugene Flandin, to illustrate his journey to the island of Rhodes in 1844. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.

Flandin, Eugene (1809-76)

Buddha and Bodhisattva accompany their guardians, painting on roll, period Joseon (1392-1896), Kree. Photography, Seoul National Museum, Republic of Korea
Buddha and Bodhisattva accompany their guardians, painting on roll, period Joseon (1392-1896), Kree. Photography, Seoul National Museum, Republic of Korea

LSE4322596: Buddha and Bodhisattva accompany their guardians, painting on roll, period Joseon (1392-1896), Kree. Photography, Seoul National Museum, Republic of Korea, Korean School / Bridgeman Images

ID: LSE4322596

Buddha and Bodhisattva accompany their guardians, painting on roll, period Joseon (1392-1896), Kree. Photography, Seoul National Museum, Republic of Korea

Korean School

Couple of Chinese notables from San Francisco (United States) in the 19th century. Engraving after a drawing by Ronjat, after a photograph, in “Le Tour du Monde, Nouveau journal des Voyages”, edited by Edouard Charton, Paris, 1876.
Couple of Chinese notables from San Francisco (United States) in the 19th century. Engraving after a drawing by Ronjat, after a photograph, in “Le Tour du Monde, Nouveau journal des Voyages”, edited by Edouard Charton, Paris, 1876.

LSE4322350: Couple of Chinese notables from San Francisco (United States) in the 19th century. Engraving after a drawing by Ronjat, after a photograph, in “Le Tour du Monde, Nouveau journal des Voyages”, edited by Edouard Charton, Paris, 1876., Ronjat, Etienne Antoine Eugene (b.1822) / Bridgeman Images

ID: LSE4322350

Couple of Chinese notables from San Francisco (United States) in the 19th century. Engraving after a drawing by Ronjat, after a photograph, in “Le Tour du Monde, Nouveau journal des Voyages”, edited by Edouard Charton, Paris, 1876.

Ronjat, Etienne Antoine Eugene (b.1822)

The Marche Square and the Ahmet Khiaia Mosque in Baghdad, drawing by Eugene Flandin (1809-1876), to illustrate his journey to Mesopotamia in 1840-1842. Engraving in “” Le tour du monde”” 1861. Selva's collection.
The Marche Square and the Ahmet Khiaia Mosque in Baghdad, drawing by Eugene Flandin (1809-1876), to illustrate his journey to Mesopotamia in 1840-1842. Engraving in “” Le tour du monde”” 1861. Selva's collection.

LSE4324590: The Marche Square and the Ahmet Khiaia Mosque in Baghdad, drawing by Eugene Flandin (1809-1876), to illustrate his journey to Mesopotamia in 1840-1842. Engraving in “” Le tour du monde”” 1861. Selva's collection., Flandin, Eugene (1809-76) / Bridgeman Images

ID: LSE4324590

The Marche Square and the Ahmet Khiaia Mosque in Baghdad, drawing by Eugene Flandin (1809-1876), to illustrate his journey to Mesopotamia in 1840-1842. Engraving in “” Le tour du monde”” 1861. Selva's collection.

Flandin, Eugene (1809-76)

General view of Havana, capital of Cuba, drawing by Lancelot to illustrate the voyage to the island of Cuba, in 1859, by Richard Dana (1815-1882). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
General view of Havana, capital of Cuba, drawing by Lancelot to illustrate the voyage to the island of Cuba, in 1859, by Richard Dana (1815-1882). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324358: General view of Havana, capital of Cuba, drawing by Lancelot to illustrate the voyage to the island of Cuba, in 1859, by Richard Dana (1815-1882). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Lancelot, Dieudonne Auguste (1822-94) / Bridgeman Images

ID: LSE4324358

General view of Havana, capital of Cuba, drawing by Lancelot to illustrate the voyage to the island of Cuba, in 1859, by Richard Dana (1815-1882). Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

Lancelot, Dieudonne Auguste (1822-94)

The suburbs of Teheran (present-day Iran). Drawing by Jules Laurens (1825-1901), to illustrate Arthur Gobineau's journey to Persia from 1855 to 1858. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
The suburbs of Teheran (present-day Iran). Drawing by Jules Laurens (1825-1901), to illustrate Arthur Gobineau's journey to Persia from 1855 to 1858. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324295: The suburbs of Teheran (present-day Iran). Drawing by Jules Laurens (1825-1901), to illustrate Arthur Gobineau's journey to Persia from 1855 to 1858. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., Laurens, Jules Joseph Augustin (1825-1901) / Bridgeman Images

ID: LSE4324295

The suburbs of Teheran (present-day Iran). Drawing by Jules Laurens (1825-1901), to illustrate Arthur Gobineau's journey to Persia from 1855 to 1858. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

Laurens, Jules Joseph Augustin (1825-1901)

Cartoon of “L'ouvrier Gilbert: M. Dumaine””. Cover in “” L'Eclipse”” by Gill, September 7, 1873, Paris.
Cartoon of “L'ouvrier Gilbert: M. Dumaine””. Cover in “” L'Eclipse”” by Gill, September 7, 1873, Paris.

LSE4320439: Cartoon of “L'ouvrier Gilbert: M. Dumaine””. Cover in “” L'Eclipse”” by Gill, September 7, 1873, Paris., Gill, Andre (1840-85) / Bridgeman Images

ID: LSE4320439

Cartoon of “L'ouvrier Gilbert: M. Dumaine””. Cover in “” L'Eclipse”” by Gill, September 7, 1873, Paris.

Gill, Andre (1840-85)


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