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Flying over the city and Sant'Andrea island, Gallipoli, Salento, Puglia, Italy
Flying over the city and Sant'Andrea island, Gallipoli, Salento, Puglia, Italy

CUB4541597: Flying over the city and Sant'Andrea island, Gallipoli, Salento, Puglia, Italy / Bridgeman Images

Lunch time, Sorrento, Campania, Italy
Lunch time, Sorrento, Campania, Italy

CUB4540919: Lunch time, Sorrento, Campania, Italy / Bridgeman Images

Buildings in Libertini street, Lecce, Puglia, Italy
Buildings in Libertini street, Lecce, Puglia, Italy

CUB4541458: Buildings in Libertini street, Lecce, Puglia, Italy / Bridgeman Images

Porta Rudiae at the end of Libertini street, Lecce, Puglia, Italy
Porta Rudiae at the end of Libertini street, Lecce, Puglia, Italy

CUB4541482: Porta Rudiae at the end of Libertini street, Lecce, Puglia, Italy / Bridgeman Images

The Oceans Pavilion has the Universal Exhibition of Lisbon (Portugal), 1998.Architect Peter Chermayeff.
The Oceans Pavilion has the Universal Exhibition of Lisbon (Portugal), 1998.Architect Peter Chermayeff.

LBY4560666: The Oceans Pavilion has the Universal Exhibition of Lisbon (Portugal), 1998.Architect Peter Chermayeff. / Bridgeman Images

The tower of the former refinery in Lisbon (Portugal), rehabilitation for the 1998 World Exhibition. Architects E. Jose Vieira and M. Graca Dias.
The tower of the former refinery in Lisbon (Portugal), rehabilitation for the 1998 World Exhibition. Architects E. Jose Vieira and M. Graca Dias.

LBY4560696: The tower of the former refinery in Lisbon (Portugal), rehabilitation for the 1998 World Exhibition. Architects E. Jose Vieira and M. Graca Dias. / Bridgeman Images

The pavilion of Utopia at the Universal Exhibition of Lisbon (Portugal), 1998.Architects SOM Skidmore Owings & Merrill.
The pavilion of Utopia at the Universal Exhibition of Lisbon (Portugal), 1998.Architects SOM Skidmore Owings & Merrill.

LBY4560707: The pavilion of Utopia at the Universal Exhibition of Lisbon (Portugal), 1998.Architects SOM Skidmore Owings & Merrill. / Bridgeman Images

The Pavilion of Portugal has the Universal Exhibition in Lisbon (Portugal), in 1998. Architects Cecil Balmond, Alvaro Siza Vieira and Eduardo Souto de Moura.
The Pavilion of Portugal has the Universal Exhibition in Lisbon (Portugal), in 1998. Architects Cecil Balmond, Alvaro Siza Vieira and Eduardo Souto de Moura.

LBY4560623: The Pavilion of Portugal has the Universal Exhibition in Lisbon (Portugal), in 1998. Architects Cecil Balmond, Alvaro Siza Vieira and Eduardo Souto de Moura., Siza Vieira, Alvaro (b.1933) / Bridgeman Images

The North Gate has the Universal Exhibition in Lisbon (Portugal), 1998.
The North Gate has the Universal Exhibition in Lisbon (Portugal), 1998.

LBY4560686: The North Gate has the Universal Exhibition in Lisbon (Portugal), 1998. / Bridgeman Images

Boating exhibition in Lisbon (Portugal) during the 1998 World Expo.
Boating exhibition in Lisbon (Portugal) during the 1998 World Expo.

LBY4560708: Boating exhibition in Lisbon (Portugal) during the 1998 World Expo. / Bridgeman Images

The architecture exhibition Team Zoo, Unique Lieu, in Nantes (Loire Atlantique), 2001.
The architecture exhibition Team Zoo, Unique Lieu, in Nantes (Loire Atlantique), 2001.

MDA4560720: The architecture exhibition Team Zoo, Unique Lieu, in Nantes (Loire Atlantique), 2001., Denance, Michel / Bridgeman Images

French Pavilion of the Aichi World Exposition in Japan, 2005. Over 13,000 square metres, the French Pavilion focuses on sustainable development issues. ArchitecteKasimir Marin.
French Pavilion of the Aichi World Exposition in Japan, 2005. Over 13,000 square metres, the French Pavilion focuses on sustainable development issues. ArchitecteKasimir Marin.

TEC4560908: French Pavilion of the Aichi World Exposition in Japan, 2005. Over 13,000 square metres, the French Pavilion focuses on sustainable development issues. ArchitecteKasimir Marin. / Bridgeman Images

Hitachi and Toyota Pavilions at the Aichi World Expo, Japan, 2005.
Hitachi and Toyota Pavilions at the Aichi World Expo, Japan, 2005.

TEC4560924: Hitachi and Toyota Pavilions at the Aichi World Expo, Japan, 2005. / Bridgeman Images

Toyota Pavilion robot at the Aichi World Expo, Japan, 2005.
Toyota Pavilion robot at the Aichi World Expo, Japan, 2005.

TEC4560926: Toyota Pavilion robot at the Aichi World Expo, Japan, 2005. / Bridgeman Images

Interior of the Singapore Pavilion of the Aichi World Expo, Japan, 2005.
Interior of the Singapore Pavilion of the Aichi World Expo, Japan, 2005.

TEC4560997: Interior of the Singapore Pavilion of the Aichi World Expo, Japan, 2005. / Bridgeman Images

Robot Security and Home Automation in the Mitsubishi Pavilion of the Aichi World Expo, Japan, 2005.
Robot Security and Home Automation in the Mitsubishi Pavilion of the Aichi World Expo, Japan, 2005.

TEC4561011: Robot Security and Home Automation in the Mitsubishi Pavilion of the Aichi World Expo, Japan, 2005. / Bridgeman Images

Robot for people has reduced mobility within the Mitsubishi Pavilion at the Aichi World Expo in Japan, 2005.
Robot for people has reduced mobility within the Mitsubishi Pavilion at the Aichi World Expo in Japan, 2005.

TEC4561019: Robot for people has reduced mobility within the Mitsubishi Pavilion at the Aichi World Expo in Japan, 2005. / Bridgeman Images

Cleaning robot in the Mitsubishi Pavilion of the Aichi World Expo, Japan, 2005.
Cleaning robot in the Mitsubishi Pavilion of the Aichi World Expo, Japan, 2005.

TEC4561024: Cleaning robot in the Mitsubishi Pavilion of the Aichi World Expo, Japan, 2005. / Bridgeman Images

Wakamaru, Robot welcoming visitors to the Mitsubishi Pavilion of the Aichi World Expo, Japan, 2005.
Wakamaru, Robot welcoming visitors to the Mitsubishi Pavilion of the Aichi World Expo, Japan, 2005.

TEC4561036: Wakamaru, Robot welcoming visitors to the Mitsubishi Pavilion of the Aichi World Expo, Japan, 2005. / Bridgeman Images

The Loop, circulation of the Aichi World Expo in Japan, 2005.
The Loop, circulation of the Aichi World Expo in Japan, 2005.

TEC4561063: The Loop, circulation of the Aichi World Expo in Japan, 2005. / Bridgeman Images

Robot within the Toyota Pavilion at the Aichi World Expo, Japan, 2005.
Robot within the Toyota Pavilion at the Aichi World Expo, Japan, 2005.

TEC4561072: Robot within the Toyota Pavilion at the Aichi World Expo, Japan, 2005. / Bridgeman Images

Robot hotesse information at the entrance of the Aichi World Exhibition in Japan, 2005.
Robot hotesse information at the entrance of the Aichi World Exhibition in Japan, 2005.

TEC4561076: Robot hotesse information at the entrance of the Aichi World Exhibition in Japan, 2005. / Bridgeman Images

The island of Reel in Chalon sur Saone, dedicated to the Toyota factory in Valenciennes, in the French pavilion of the Aichi World Exposition in Japan, 2005. The artist Lilian Bourgeat has suspended a gigantic light bulb of 50 meters in diameter that only lights up under the combined push of several visitors. At the origin of this project, the city of Chalon sur Saone, which has partnered with a non-governmental organization, W.W.F, the agency for the environment and the management of energy as well as the house of the environment to demonstrate that at the scale of a territory it is possible to reduce greenhouse gas emissions more efficiently than do not provide for this in the Kyoto agreements.
The island of Reel in Chalon sur Saone, dedicated to the Toyota factory in Valenciennes, in the French pavilion of the Aichi World Exposition in Japan, 2005. The artist Lilian Bourgeat has suspended a gigantic light bulb of 50 meters in diameter that only lights up under the combined push of several visitors. At the origin of this project, the city of Chalon sur Saone, which has partnered with a non-governmental organization, W.W.F, the agency for the environment and the management of energy as well as the house of the environment to demonstrate that at the scale of a territory it is possible to reduce greenhouse gas emissions more efficiently than do not provide for this in the Kyoto agreements.

TEC4561084: The island of Reel in Chalon sur Saone, dedicated to the Toyota factory in Valenciennes, in the French pavilion of the Aichi World Exposition in Japan, 2005. The artist Lilian Bourgeat has suspended a gigantic light bulb of 50 meters in diameter that only lights up under the combined push of several visitors. At the origin of this project, the city of Chalon sur Saone, which has partnered with a non-governmental organization, W.W.F, the agency for the environment and the management of energy as well as the house of the environment to demonstrate that at the scale of a territory it is possible to reduce greenhouse gas emissions more efficiently than do not provide for this in the Kyoto agreements. / Bridgeman Images

Louis Vuitton Island (Les Iles du Reel), in the French pavilion of the World Exposition in Aichi, Japan, 2005. Louis Vuitton Island, designed by Gerard Cholot, presents a Carbon Balance Sheet that allowed Louis Vuitton to set priorities to reduce significantly its greenhouse gas emissions. A pure white light reveals a facade of salt and sea tiles, symbolic material for the sustainable management of the planet's resources. The visual and sound project is by Marc Heymann.
Louis Vuitton Island (Les Iles du Reel), in the French pavilion of the World Exposition in Aichi, Japan, 2005. Louis Vuitton Island, designed by Gerard Cholot, presents a Carbon Balance Sheet that allowed Louis Vuitton to set priorities to reduce significantly its greenhouse gas emissions. A pure white light reveals a facade of salt and sea tiles, symbolic material for the sustainable management of the planet's resources. The visual and sound project is by Marc Heymann.

TEC4561092: Louis Vuitton Island (Les Iles du Reel), in the French pavilion of the World Exposition in Aichi, Japan, 2005. Louis Vuitton Island, designed by Gerard Cholot, presents a Carbon Balance Sheet that allowed Louis Vuitton to set priorities to reduce significantly its greenhouse gas emissions. A pure white light reveals a facade of salt and sea tiles, symbolic material for the sustainable management of the planet's resources. The visual and sound project is by Marc Heymann. / Bridgeman Images

The island of Chalon sur Saone, (Les Iles du Reel), in the French pavilion of the Aichi World Exposition in Japan, 2005. The artist Lilian Bourgeat has suspended a gigantic light bulb of 50 meters in diameter that only lights up under the combined push of several visitors. At the origin of this project, the city of Chalon sur Saone, which has partnered with a non-governmental organization, W.W.F, the agency for the environment and the management of energy as well as the house of the environment to demonstrate that at the scale of a territory it is possible to reduce greenhouse gas emissions more efficiently than do not provide for this in the Kyoto agreements.
The island of Chalon sur Saone, (Les Iles du Reel), in the French pavilion of the Aichi World Exposition in Japan, 2005. The artist Lilian Bourgeat has suspended a gigantic light bulb of 50 meters in diameter that only lights up under the combined push of several visitors. At the origin of this project, the city of Chalon sur Saone, which has partnered with a non-governmental organization, W.W.F, the agency for the environment and the management of energy as well as the house of the environment to demonstrate that at the scale of a territory it is possible to reduce greenhouse gas emissions more efficiently than do not provide for this in the Kyoto agreements.

TEC4561109: The island of Chalon sur Saone, (Les Iles du Reel), in the French pavilion of the Aichi World Exposition in Japan, 2005. The artist Lilian Bourgeat has suspended a gigantic light bulb of 50 meters in diameter that only lights up under the combined push of several visitors. At the origin of this project, the city of Chalon sur Saone, which has partnered with a non-governmental organization, W.W.F, the agency for the environment and the management of energy as well as the house of the environment to demonstrate that at the scale of a territory it is possible to reduce greenhouse gas emissions more efficiently than do not provide for this in the Kyoto agreements. / Bridgeman Images

The Immersive Theatre in the French Pavilion of the Aichi World Exposition in Japan, 2005. In a virtual cube of eighteen meters of arete whose faces are projection surfaces, the viewer is wrapped for fifteen minutes in high definition images made by Andy Goldsworthy. Bruno Badiche is the designer and director of the immersive theatre.
The Immersive Theatre in the French Pavilion of the Aichi World Exposition in Japan, 2005. In a virtual cube of eighteen meters of arete whose faces are projection surfaces, the viewer is wrapped for fifteen minutes in high definition images made by Andy Goldsworthy. Bruno Badiche is the designer and director of the immersive theatre.

TEC4561120: The Immersive Theatre in the French Pavilion of the Aichi World Exposition in Japan, 2005. In a virtual cube of eighteen meters of arete whose faces are projection surfaces, the viewer is wrapped for fifteen minutes in high definition images made by Andy Goldsworthy. Bruno Badiche is the designer and director of the immersive theatre. / Bridgeman Images

Portrait of Daniel Dares, comedian, producer and theatre director Antoine Simone Berriau (Paris). Published in the book “” Didascalies, les theatres de l'est parisien”, published by Ville Ouvre in 2004.
Portrait of Daniel Dares, comedian, producer and theatre director Antoine Simone Berriau (Paris). Published in the book “” Didascalies, les theatres de l'est parisien”, published by Ville Ouvre in 2004.

JSN4561170: Portrait of Daniel Dares, comedian, producer and theatre director Antoine Simone Berriau (Paris). Published in the book “” Didascalies, les theatres de l'est parisien”, published by Ville Ouvre in 2004., Salmon, Jacqueline / Bridgeman Images

The Theatre Artistic Athevains, 45 bis rue Richard Lenoir, Paris 11th arrondissement.
The Theatre Artistic Athevains, 45 bis rue Richard Lenoir, Paris 11th arrondissement.

JSN4561173: The Theatre Artistic Athevains, 45 bis rue Richard Lenoir, Paris 11th arrondissement., Salmon, Jacqueline / Bridgeman Images

Unmanned Shuttles to the Aichi World Expo in Japan, 2005.
Unmanned Shuttles to the Aichi World Expo in Japan, 2005.

TEC4560934: Unmanned Shuttles to the Aichi World Expo in Japan, 2005. / Bridgeman Images

Circulations of the Aichi World Expo in Japan, 2005.
Circulations of the Aichi World Expo in Japan, 2005.

TEC4560985: Circulations of the Aichi World Expo in Japan, 2005. / Bridgeman Images

French Pavilion of the Aichi World Exposition in Japan, 2005. Over 13,000 square metres, the French Pavilion focuses on sustainable development issues. Architect Kasimir Marin.
French Pavilion of the Aichi World Exposition in Japan, 2005. Over 13,000 square metres, the French Pavilion focuses on sustainable development issues. Architect Kasimir Marin.

TEC4560988: French Pavilion of the Aichi World Exposition in Japan, 2005. Over 13,000 square metres, the French Pavilion focuses on sustainable development issues. Architect Kasimir Marin. / Bridgeman Images

Mitsubishi Pavilion, Aichi World Expo, Japan, 2005.
Mitsubishi Pavilion, Aichi World Expo, Japan, 2005.

TEC4561030: Mitsubishi Pavilion, Aichi World Expo, Japan, 2005. / Bridgeman Images

The Loop, circulation of the Aichi World Expo in Japan, 2005.
The Loop, circulation of the Aichi World Expo in Japan, 2005.

TEC4561052: The Loop, circulation of the Aichi World Expo in Japan, 2005. / Bridgeman Images

Robot hotesse information at the entrance of the Aichi World Exhibition in Japan, 2005.
Robot hotesse information at the entrance of the Aichi World Exhibition in Japan, 2005.

TEC4561073: Robot hotesse information at the entrance of the Aichi World Exhibition in Japan, 2005. / Bridgeman Images

The island of the Urban Community of Dunkirk (Reel Island) in the French pavilion of the Aichi World Exposition in Japan, 2005. The aim is to show how a territory, a population and industries have adapted and innovated to integrate the concept of sustainable development into their homes. Georges Rousse moved two containers from Dunkirk to Aichi. Playing on volumes and light, he painted in three dimensions the territory of the Urban Community of Dunkirk. Integrating into this work, a collective of graphic designers and multimedia designers “”” On the Roof”” have invented a game where visitors can evaluate the consequences of their actions in their daily management of the environment.
The island of the Urban Community of Dunkirk (Reel Island) in the French pavilion of the Aichi World Exposition in Japan, 2005. The aim is to show how a territory, a population and industries have adapted and innovated to integrate the concept of sustainable development into their homes. Georges Rousse moved two containers from Dunkirk to Aichi. Playing on volumes and light, he painted in three dimensions the territory of the Urban Community of Dunkirk. Integrating into this work, a collective of graphic designers and multimedia designers “”” On the Roof”” have invented a game where visitors can evaluate the consequences of their actions in their daily management of the environment.

TEC4561077: The island of the Urban Community of Dunkirk (Reel Island) in the French pavilion of the Aichi World Exposition in Japan, 2005. The aim is to show how a territory, a population and industries have adapted and innovated to integrate the concept of sustainable development into their homes. Georges Rousse moved two containers from Dunkirk to Aichi. Playing on volumes and light, he painted in three dimensions the territory of the Urban Community of Dunkirk. Integrating into this work, a collective of graphic designers and multimedia designers “”” On the Roof”” have invented a game where visitors can evaluate the consequences of their actions in their daily management of the environment. / Bridgeman Images

The Immersive Theatre in the French Pavilion of the Aichi World Exposition in Japan, 2005. In a virtual cube of eighteen meters of arete whose faces are projection surfaces, the viewer is wrapped for fifteen minutes in high definition images made by Andy Goldsworthy. Bruno Badiche is the designer and director of the immersive theatre.
The Immersive Theatre in the French Pavilion of the Aichi World Exposition in Japan, 2005. In a virtual cube of eighteen meters of arete whose faces are projection surfaces, the viewer is wrapped for fifteen minutes in high definition images made by Andy Goldsworthy. Bruno Badiche is the designer and director of the immersive theatre.

TEC4561110: The Immersive Theatre in the French Pavilion of the Aichi World Exposition in Japan, 2005. In a virtual cube of eighteen meters of arete whose faces are projection surfaces, the viewer is wrapped for fifteen minutes in high definition images made by Andy Goldsworthy. Bruno Badiche is the designer and director of the immersive theatre. / Bridgeman Images


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