TEC4561119: The Immersive Theatre in the French Pavilion of the Aichi World Exposition in Japan, 2005. In a virtual cube of eighteen meters of arete whose faces are projection surfaces, the viewer is wrapped for fifteen minutes in high definition images made by Andy Goldsworthy. Bruno Badiche is the designer and director of the immersive theatre. / Bridgeman Images
TEC4561128: The island of Chalon sur Saone, (Les Iles du Reel), in the French pavilion of the Aichi World Exposition in Japan, 2005. The artist Lilian Bourgeat has suspended a gigantic light bulb of 50 meters in diameter that only lights up under the combined push of several visitors. At the origin of this project, the city of Chalon sur Saone, which has partnered with a non-governmental organization, W.W.F, the agency for the environment and the management of energy as well as the house of the environment to demonstrate that at the scale of a territory it is possible to reduce greenhouse gas emissions more efficiently than do not provide for this in the Kyoto agreements. / Bridgeman Images
TEC4561101: Detail of a sea and salt tile facade of Louis Vuitton Island (Reel Island), within the French pavilion of the Universal Exhibition in Aichi, Japan, 2005. Louis Vuitton Island, designed by Gerard Cholot, presents a Carbon Balance Sheet that allowed Louis Vuitton to set priorities to reduce significantly its greenhouse gas emissions. A pure white light reveals a facade of salt and sea tiles, symbolic material for the sustainable management of the planet's resources. The visual and sound project is by Marc Heymann. / Bridgeman Images
TEC4561116: The Immersive Theatre in the French Pavilion of the Aichi World Exposition in Japan, 2005. In a virtual cube of eighteen meters of arete whose faces are projection surfaces, the viewer is wrapped for fifteen minutes in high definition images made by Andy Goldsworthy. Bruno Badiche is the designer and director of the immersive theatre. / Bridgeman Images
TEC4561131: The interactive forum within the French pavilion of the Aichi World Exposition in Japan, 2005. What concerns us is the name of this interactive installation made by Thierry Fournier. Through the simple play of presence and displacements, a series of questions arise for the viewer. / Bridgeman Images