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Glass art: tourists buying a pearl blown in a glass factory in Venice, Italy. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Glass art: tourists buying a pearl blown in a glass factory in Venice, Italy. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143642: Glass art: tourists buying a pearl blown in a glass factory in Venice, Italy. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143642

Glass art: tourists buying a pearl blown in a glass factory in Venice, Italy. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

Unknown Artist, (19th century)

Ebenisterie: stamp varnishing workshop. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Ebenisterie: stamp varnishing workshop. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143652: Ebenisterie: stamp varnishing workshop. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143652

Ebenisterie: stamp varnishing workshop. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

Unknown Artist, (19th century)

The art of lathe: faconing of a torso column. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The art of lathe: faconing of a torso column. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143679: The art of lathe: faconing of a torso column. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143679

The art of lathe: faconing of a torso column. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

Unknown Artist, (19th century)

Pottery: filling pottery. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Pottery: filling pottery. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143747: Pottery: filling pottery. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143747

Pottery: filling pottery. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

Unknown Artist, (19th century)

Pottery: raw bricks in ancient Greece. The army of Pausanias (5th century BC) detours the course of a river to destroy the walls of raw brick protecting the city of Mantinee. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Pottery: raw bricks in ancient Greece. The army of Pausanias (5th century BC) detours the course of a river to destroy the walls of raw brick protecting the city of Mantinee. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143756: Pottery: raw bricks in ancient Greece. The army of Pausanias (5th century BC) detours the course of a river to destroy the walls of raw brick protecting the city of Mantinee. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143756

Pottery: raw bricks in ancient Greece. The army of Pausanias (5th century BC) detours the course of a river to destroy the walls of raw brick protecting the city of Mantinee. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

Unknown Artist, (19th century)

Flemish Joutes, Brussels (Belgium), 1859: the player, holding a spear and riding on a tank drilled by dogs, must pass his weapon through the hole of a board attached to a bucket filled with water. In case of failure, the player is covered with water. Engraving in “” Le Monde Illustré”” n°130 of October 8, 1859.
Flemish Joutes, Brussels (Belgium), 1859: the player, holding a spear and riding on a tank drilled by dogs, must pass his weapon through the hole of a board attached to a bucket filled with water. In case of failure, the player is covered with water. Engraving in “” Le Monde Illustré”” n°130 of October 8, 1859.

XEE4143778: Flemish Joutes, Brussels (Belgium), 1859: the player, holding a spear and riding on a tank drilled by dogs, must pass his weapon through the hole of a board attached to a bucket filled with water. In case of failure, the player is covered with water. Engraving in “” Le Monde Illustré”” n°130 of October 8, 1859., French School, (19th century) / Bridgeman Images

ID: XEE4143778

Flemish Joutes, Brussels (Belgium), 1859: the player, holding a spear and riding on a tank drilled by dogs, must pass his weapon through the hole of a board attached to a bucket filled with water. In case of failure, the player is covered with water. Engraving in “” Le Monde Illustré”” n°130 of October 8, 1859.

French School, (19th century)

Maruf at work: Tale of Ma'ruf (Maruf) the saver “” The thousand and one nights” (1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century.
Maruf at work: Tale of Ma'ruf (Maruf) the saver “” The thousand and one nights” (1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century.

XEE4143799: Maruf at work: Tale of Ma'ruf (Maruf) the saver “” The thousand and one nights” (1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143799

Maruf at work: Tale of Ma'ruf (Maruf) the saver “” The thousand and one nights” (1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century.

Unknown Artist, (19th century)

History of Guillaume Tell (William Tell) (legendary heros of Swiss independence): the death of Gessler. Chromolithography of the late 19th century.
History of Guillaume Tell (William Tell) (legendary heros of Swiss independence): the death of Gessler. Chromolithography of the late 19th century.

XEE4143819: History of Guillaume Tell (William Tell) (legendary heros of Swiss independence): the death of Gessler. Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4143819

History of Guillaume Tell (William Tell) (legendary heros of Swiss independence): the death of Gessler. Chromolithography of the late 19th century.

Unknown Artist, (19th century)

La Sarthe, Pays de la Loire - France and its Colonies, 1876 (engraving)
La Sarthe, Pays de la Loire - France and its Colonies, 1876 (engraving)

XEE4144454: La Sarthe, Pays de la Loire - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144454

La Sarthe, Pays de la Loire - France and its Colonies, 1876 (engraving)

Vuillemin, Alexandre (1812-1886)

Bases Pyrenees, now Pyrenees-Atlantiques, Aquitaine -France and its Colonies, 1876 (engraving)
Bases Pyrenees, now Pyrenees-Atlantiques, Aquitaine -France and its Colonies, 1876 (engraving)

XEE4144473: Bases Pyrenees, now Pyrenees-Atlantiques, Aquitaine -France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144473

Bases Pyrenees, now Pyrenees-Atlantiques, Aquitaine -France and its Colonies, 1876 (engraving)

Vuillemin, Alexandre (1812-1886)

Le Lot, Midi-Pyrenees - France and its Colonies, 1876 (engraving)
Le Lot, Midi-Pyrenees - France and its Colonies, 1876 (engraving)

XEE4144526: Le Lot, Midi-Pyrenees - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144526

Le Lot, Midi-Pyrenees - France and its Colonies, 1876 (engraving)

Vuillemin, Alexandre (1812-1886)

Portrait of Francois Xavier Bichat (1771-1802) French physician.
Portrait of Francois Xavier Bichat (1771-1802) French physician.

XEE4144728: Portrait of Francois Xavier Bichat (1771-1802) French physician., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144728

Portrait of Francois Xavier Bichat (1771-1802) French physician.

Unknown Artist, (19th century)

Public illuminations and dances for the feast of August 15. Abbeville, Somme (80), 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859.
Public illuminations and dances for the feast of August 15. Abbeville, Somme (80), 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859.

XEE4143853: Public illuminations and dances for the feast of August 15. Abbeville, Somme (80), 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859., French School, (19th century) / Bridgeman Images

ID: XEE4143853

Public illuminations and dances for the feast of August 15. Abbeville, Somme (80), 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859.

French School, (19th century)

View of the city of Erzurum (Erzeroum) in Armenia (now Turkey). Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.
View of the city of Erzurum (Erzeroum) in Armenia (now Turkey). Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.

XEE4143927: View of the city of Erzurum (Erzeroum) in Armenia (now Turkey). Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection., Anonymous / Bridgeman Images

ID: XEE4143927

View of the city of Erzurum (Erzeroum) in Armenia (now Turkey). Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.

Anonymous

Persian Anglo (Anglo-Persian) War (1856-1857): the charge of the 3rd British Indo cavalry commanded by Captain Forbes during the Battle of Koosh-Ab (Koosh Ab, Kooshab) on February 8, 1857. Engraving In “” The Illustrated London News”” of 25 April 1857.
Persian Anglo (Anglo-Persian) War (1856-1857): the charge of the 3rd British Indo cavalry commanded by Captain Forbes during the Battle of Koosh-Ab (Koosh Ab, Kooshab) on February 8, 1857. Engraving In “” The Illustrated London News”” of 25 April 1857.

XEE4144031: Persian Anglo (Anglo-Persian) War (1856-1857): the charge of the 3rd British Indo cavalry commanded by Captain Forbes during the Battle of Koosh-Ab (Koosh Ab, Kooshab) on February 8, 1857. Engraving In “” The Illustrated London News”” of 25 April 1857., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144031

Persian Anglo (Anglo-Persian) War (1856-1857): the charge of the 3rd British Indo cavalry commanded by Captain Forbes during the Battle of Koosh-Ab (Koosh Ab, Kooshab) on February 8, 1857. Engraving In “” The Illustrated London News”” of 25 April 1857.

Unknown Artist, (19th century)

Costumes at the beginning of the regne of Louis XIV, 1859 (engraving)
Costumes at the beginning of the regne of Louis XIV, 1859 (engraving)

XEE4144132: Costumes at the beginning of the regne of Louis XIV, 1859 (engraving), Anonymous / Bridgeman Images

ID: XEE4144132

Costumes at the beginning of the regne of Louis XIV, 1859 (engraving)

Anonymous

Arrival of a family of Italian immigrants to Ellis Island (New York) in the United States in 1905.
Arrival of a family of Italian immigrants to Ellis Island (New York) in the United States in 1905.

XEE4144135: Arrival of a family of Italian immigrants to Ellis Island (New York) in the United States in 1905., Hine, Lewis Wickes (1874-1940) / Bridgeman Images

ID: XEE4144135

Arrival of a family of Italian immigrants to Ellis Island (New York) in the United States in 1905.

Hine, Lewis Wickes (1874-1940)

Exterior view of the new theatre in Leipzig, Germany. Engraving in “” L'Univers illustrious””, 1868.
Exterior view of the new theatre in Leipzig, Germany. Engraving in “” L'Univers illustrious””, 1868.

XEE4144215: Exterior view of the new theatre in Leipzig, Germany. Engraving in “” L'Univers illustrious””, 1868., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144215

Exterior view of the new theatre in Leipzig, Germany. Engraving in “” L'Univers illustrious””, 1868.

Unknown Artist, (19th century)

Representation of the play “” Mercadet”” (Le Faiseur) by Honore de Balzac (1799-1850) at the Comedie Francaise. Act III, Scene VI. Engraving in “” L'Univers illustrious””, 1868.
Representation of the play “” Mercadet”” (Le Faiseur) by Honore de Balzac (1799-1850) at the Comedie Francaise. Act III, Scene VI. Engraving in “” L'Univers illustrious””, 1868.

XEE4144233: Representation of the play “” Mercadet”” (Le Faiseur) by Honore de Balzac (1799-1850) at the Comedie Francaise. Act III, Scene VI. Engraving in “” L'Univers illustrious””, 1868., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144233

Representation of the play “” Mercadet”” (Le Faiseur) by Honore de Balzac (1799-1850) at the Comedie Francaise. Act III, Scene VI. Engraving in “” L'Univers illustrious””, 1868.

Unknown Artist, (19th century)

Imperial Prince Eugene Louis Joseph (1856-1879) at the feast of Fontainebleau. He tries to decoify a puppet with the help of a ball hanging from a string. Engraving in “The Universe illustrious”, 1868.
Imperial Prince Eugene Louis Joseph (1856-1879) at the feast of Fontainebleau. He tries to decoify a puppet with the help of a ball hanging from a string. Engraving in “The Universe illustrious”, 1868.

XEE4144245: Imperial Prince Eugene Louis Joseph (1856-1879) at the feast of Fontainebleau. He tries to decoify a puppet with the help of a ball hanging from a string. Engraving in “The Universe illustrious”, 1868., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144245

Imperial Prince Eugene Louis Joseph (1856-1879) at the feast of Fontainebleau. He tries to decoify a puppet with the help of a ball hanging from a string. Engraving in “The Universe illustrious”, 1868.

Unknown Artist, (19th century)

Family stay in Fontainebleau: excursion of their majeses to the ruins of Franchart. A wedding greets the passage of Emperor Napoleon III (1808-1873) and his family. Engraving in “The Universe illustrious”, 1868.
Family stay in Fontainebleau: excursion of their majeses to the ruins of Franchart. A wedding greets the passage of Emperor Napoleon III (1808-1873) and his family. Engraving in “The Universe illustrious”, 1868.

XEE4144267: Family stay in Fontainebleau: excursion of their majeses to the ruins of Franchart. A wedding greets the passage of Emperor Napoleon III (1808-1873) and his family. Engraving in “The Universe illustrious”, 1868., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144267

Family stay in Fontainebleau: excursion of their majeses to the ruins of Franchart. A wedding greets the passage of Emperor Napoleon III (1808-1873) and his family. Engraving in “The Universe illustrious”, 1868.

Unknown Artist, (19th century)

Imperial hunting in Compiegne in the presence of Napoleon III (1808-1873) and Imperatrice Eugenie (1826-1920). Engraving in “Le Monde illustrious”” from 1857. Private collection.
Imperial hunting in Compiegne in the presence of Napoleon III (1808-1873) and Imperatrice Eugenie (1826-1920). Engraving in “Le Monde illustrious”” from 1857. Private collection.

XEE4144293: Imperial hunting in Compiegne in the presence of Napoleon III (1808-1873) and Imperatrice Eugenie (1826-1920). Engraving in “Le Monde illustrious”” from 1857. Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144293

Imperial hunting in Compiegne in the presence of Napoleon III (1808-1873) and Imperatrice Eugenie (1826-1920). Engraving in “Le Monde illustrious”” from 1857. Private collection.

Unknown Artist, (19th century)

Portrait of Philip III of France, dit Philippe le Hardi, late 19th century (engraving)
Portrait of Philip III of France, dit Philippe le Hardi, late 19th century (engraving)

XEE4144348: Portrait of Philip III of France, dit Philippe le Hardi, late 19th century (engraving), Pacher, Jules (19th-20th century) / Bridgeman Images

ID: XEE4144348

Portrait of Philip III of France, dit Philippe le Hardi, late 19th century (engraving)

Pacher, Jules (19th-20th century)

La Vendee, Pays de la Loire, - France and its Colonies, 1876 (engraving)
La Vendee, Pays de la Loire, - France and its Colonies, 1876 (engraving)

XEE4144421: La Vendee, Pays de la Loire, - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144421

La Vendee, Pays de la Loire, - France and its Colonies, 1876 (engraving)

Vuillemin, Alexandre (1812-1886)

President of the republic Sadi Carnot (1837-1894) on his deathbed, in a context of trade union and anarchist agitation, he was assassinated on 24 June at the Lyon exhibition, by Sante Caserio (1873-1894) and later on. Engraving in “Le monde illustrious”” from 1894.
President of the republic Sadi Carnot (1837-1894) on his deathbed, in a context of trade union and anarchist agitation, he was assassinated on 24 June at the Lyon exhibition, by Sante Caserio (1873-1894) and later on. Engraving in “Le monde illustrious”” from 1894.

XEE4144912: President of the republic Sadi Carnot (1837-1894) on his deathbed, in a context of trade union and anarchist agitation, he was assassinated on 24 June at the Lyon exhibition, by Sante Caserio (1873-1894) and later on. Engraving in “Le monde illustrious”” from 1894., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144912

President of the republic Sadi Carnot (1837-1894) on his deathbed, in a context of trade union and anarchist agitation, he was assassinated on 24 June at the Lyon exhibition, by Sante Caserio (1873-1894) and later on. Engraving in “Le monde illustrious”” from 1894.

Unknown Artist, (19th century)

The French privateer Jean Bart with fishermen in Dunkirk (engraving)
The French privateer Jean Bart with fishermen in Dunkirk (engraving)

XEE4144941: The French privateer Jean Bart with fishermen in Dunkirk (engraving), Demont-Breton, Virginie (1859-1935) / Bridgeman Images

ID: XEE4144941

The French privateer Jean Bart with fishermen in Dunkirk (engraving)

Demont-Breton, Virginie (1859-1935)

Manufacture of money: foundry. Engraving in “Le Monde Illustré”” n°145 of 21 January 1860.
Manufacture of money: foundry. Engraving in “Le Monde Illustré”” n°145 of 21 January 1860.

XEE4144968: Manufacture of money: foundry. Engraving in “Le Monde Illustré”” n°145 of 21 January 1860., French School, (19th century) / Bridgeman Images

ID: XEE4144968

Manufacture of money: foundry. Engraving in “Le Monde Illustré”” n°145 of 21 January 1860.

French School, (19th century)

Portrait of Abu Ali al-Husain ibn Abdallah ibn Sina called Avicenna
Portrait of Abu Ali al-Husain ibn Abdallah ibn Sina called Avicenna

XEE4144992: Portrait of Abu Ali al-Husain ibn Abdallah ibn Sina called Avicenna, Thevet, Andre (1504-92) (after) / Bridgeman Images

ID: XEE4144992

Portrait of Abu Ali al-Husain ibn Abdallah ibn Sina called Avicenna

Thevet, Andre (1504-92) (after)

La Seine, Hauts-de-Seine, Seine-Saint-Denis and Val-de-Marne, 1876 (engraving)
La Seine, Hauts-de-Seine, Seine-Saint-Denis and Val-de-Marne, 1876 (engraving)

XEE4144449: La Seine, Hauts-de-Seine, Seine-Saint-Denis and Val-de-Marne, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144449

La Seine, Hauts-de-Seine, Seine-Saint-Denis and Val-de-Marne, 1876 (engraving)

Vuillemin, Alexandre (1812-1886)

Bas Rhin, Alsace -France and its Colonies, c.1876 (engraving)
Bas Rhin, Alsace -France and its Colonies, c.1876 (engraving)

XEE4144467: Bas Rhin, Alsace -France and its Colonies, c.1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144467

Bas Rhin, Alsace -France and its Colonies, c.1876 (engraving)

Vuillemin, Alexandre (1812-1886)

Le Loir-et-Cher, Centre -France and its Colonies.
Le Loir-et-Cher, Centre -France and its Colonies.

XEE4144546: Le Loir-et-Cher, Centre -France and its Colonies., Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144546

Le Loir-et-Cher, Centre -France and its Colonies.

Vuillemin, Alexandre (1812-1886)

Les Cotes du Nord, Brittany -France and its Colonies, 1876 (engraving)
Les Cotes du Nord, Brittany -France and its Colonies, 1876 (engraving)

XEE4144600: Les Cotes du Nord, Brittany -France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144600

Les Cotes du Nord, Brittany -France and its Colonies, 1876 (engraving)

Vuillemin, Alexandre (1812-1886)

Department of the Alpes Maritimes, Provence Alpes Cote d'Azur - France and its Colonies, 1876 (engraving)
Department of the Alpes Maritimes, Provence Alpes Cote d'Azur - France and its Colonies, 1876 (engraving)

XEE4144651: Department of the Alpes Maritimes, Provence Alpes Cote d'Azur - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144651

Department of the Alpes Maritimes, Provence Alpes Cote d'Azur - France and its Colonies, 1876 (engraving)

Vuillemin, Alexandre (1812-1886)

Department of Allier, Auvergne - France and its Colonies, 1876 (engraving)
Department of Allier, Auvergne - France and its Colonies, 1876 (engraving)

XEE4144657: Department of Allier, Auvergne - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

ID: XEE4144657

Department of Allier, Auvergne - France and its Colonies, 1876 (engraving)

Vuillemin, Alexandre (1812-1886)

Portrait of Jacques van Maerlant (Jacob van Maerlant) (1240-1300) Flemish writer. Engraving from 1868 in “Histoire de Belgique from primitive times to the end of the regne of Leopold I”” by Theodore Juste (1818-1888). Private collection.
Portrait of Jacques van Maerlant (Jacob van Maerlant) (1240-1300) Flemish writer. Engraving from 1868 in “Histoire de Belgique from primitive times to the end of the regne of Leopold I”” by Theodore Juste (1818-1888). Private collection.

XEE4144697: Portrait of Jacques van Maerlant (Jacob van Maerlant) (1240-1300) Flemish writer. Engraving from 1868 in “Histoire de Belgique from primitive times to the end of the regne of Leopold I”” by Theodore Juste (1818-1888). Private collection., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4144697

Portrait of Jacques van Maerlant (Jacob van Maerlant) (1240-1300) Flemish writer. Engraving from 1868 in “Histoire de Belgique from primitive times to the end of the regne of Leopold I”” by Theodore Juste (1818-1888). Private collection.

Unknown Artist, (19th century)

Louis XV, King of France, breaks down the rulings of the parliament. Anonymous illustration in
Louis XV, King of France, breaks down the rulings of the parliament. Anonymous illustration in

XEE4142190: Louis XV, King of France, breaks down the rulings of the parliament. Anonymous illustration in "Collection des souverains et chefs d'état de la France". 20th century., Anonymous / Bridgeman Images

ID: XEE4142190

Louis XV, King of France, breaks down the rulings of the parliament. Anonymous illustration in "Collection des souverains et chefs d'état de la France". 20th century.

Anonymous


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