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Death of Leon Gambetta (1838-1882) French politician - Leon Gambetta on his deathbed in “The Illustrous Journal” of 1883 - Drawing by Henri Meyer (1844-1899)
Death of Leon Gambetta (1838-1882) French politician - Leon Gambetta on his deathbed in “The Illustrous Journal” of 1883 - Drawing by Henri Meyer (1844-1899)

XEE4148119: Death of Leon Gambetta (1838-1882) French politician - Leon Gambetta on his deathbed in “The Illustrous Journal” of 1883 - Drawing by Henri Meyer (1844-1899), Meyer, Henri (1841-99) / Bridgeman Images

ID: XEE4148119

Death of Leon Gambetta (1838-1882) French politician - Leon Gambetta on his deathbed in “The Illustrous Journal” of 1883 - Drawing by Henri Meyer (1844-1899)

Meyer, Henri (1841-99)

Devil and witch changes into wolf and cat - “” Compendium Maleficarum””, deals about witches, their evil and their sortileges by Francesco Maria Guazzo or Guaccio or Guaccius (15?? -16??) 1608 Private Collection
Devil and witch changes into wolf and cat - “” Compendium Maleficarum””, deals about witches, their evil and their sortileges by Francesco Maria Guazzo or Guaccio or Guaccius (15?? -16??) 1608 Private Collection

XEE4148162: Devil and witch changes into wolf and cat - “” Compendium Maleficarum””, deals about witches, their evil and their sortileges by Francesco Maria Guazzo or Guaccio or Guaccius (15?? -16??) 1608 Private Collection, Anonymous / Bridgeman Images

ID: XEE4148162

Devil and witch changes into wolf and cat - “” Compendium Maleficarum””, deals about witches, their evil and their sortileges by Francesco Maria Guazzo or Guaccio or Guaccius (15?? -16??) 1608 Private Collection

Anonymous

Portrait of Francois II (1836-1894), King of Naples. Engraving in “” Le Monde Illustré”” n°172 of 28 July 1860.
Portrait of Francois II (1836-1894), King of Naples. Engraving in “” Le Monde Illustré”” n°172 of 28 July 1860.

XEE4148225: Portrait of Francois II (1836-1894), King of Naples. Engraving in “” Le Monde Illustré”” n°172 of 28 July 1860., French School, (19th century) / Bridgeman Images

ID: XEE4148225

Portrait of Francois II (1836-1894), King of Naples. Engraving in “” Le Monde Illustré”” n°172 of 28 July 1860.

French School, (19th century)

The Death of Epaminondas. From
The Death of Epaminondas. From

XEE4145023: The Death of Epaminondas. From "The Rollin of Youth or Selected Pieces of Ancient and Roman Stories" 1816., Anonymous / Bridgeman Images

ID: XEE4145023

The Death of Epaminondas. From "The Rollin of Youth or Selected Pieces of Ancient and Roman Stories" 1816.

Anonymous

Electrotyping workshops, 1860: bathing. Wooden tank filled with gutta percha and filled with copper sulfate from which voltaic batteries are placed. Mr. Koblenz's workshops in Paris. Engraving in “” Le Monde Illustré”” n°143 of 7 January 1860.
Electrotyping workshops, 1860: bathing. Wooden tank filled with gutta percha and filled with copper sulfate from which voltaic batteries are placed. Mr. Koblenz's workshops in Paris. Engraving in “” Le Monde Illustré”” n°143 of 7 January 1860.

XEE4145445: Electrotyping workshops, 1860: bathing. Wooden tank filled with gutta percha and filled with copper sulfate from which voltaic batteries are placed. Mr. Koblenz's workshops in Paris. Engraving in “” Le Monde Illustré”” n°143 of 7 January 1860., French School, (19th century) / Bridgeman Images

ID: XEE4145445

Electrotyping workshops, 1860: bathing. Wooden tank filled with gutta percha and filled with copper sulfate from which voltaic batteries are placed. Mr. Koblenz's workshops in Paris. Engraving in “” Le Monde Illustré”” n°143 of 7 January 1860.

French School, (19th century)

Electrotyping workshops, 1860: footprint at the gutta percha. Mr. Koblenz's workshops in Paris. Engraving in “” Le Monde Illustré”” n°143 of 7 January 1860.
Electrotyping workshops, 1860: footprint at the gutta percha. Mr. Koblenz's workshops in Paris. Engraving in “” Le Monde Illustré”” n°143 of 7 January 1860.

XEE4145475: Electrotyping workshops, 1860: footprint at the gutta percha. Mr. Koblenz's workshops in Paris. Engraving in “” Le Monde Illustré”” n°143 of 7 January 1860., French School, (19th century) / Bridgeman Images

ID: XEE4145475

Electrotyping workshops, 1860: footprint at the gutta percha. Mr. Koblenz's workshops in Paris. Engraving in “” Le Monde Illustré”” n°143 of 7 January 1860.

French School, (19th century)

The shrimp fishing in the vicinity of Le Havre, Seine Maritme (76), 1860. Engraving in “” Le Monde Illustré”” n°144 of 14 January 1860.
The shrimp fishing in the vicinity of Le Havre, Seine Maritme (76), 1860. Engraving in “” Le Monde Illustré”” n°144 of 14 January 1860.

XEE4145132: The shrimp fishing in the vicinity of Le Havre, Seine Maritme (76), 1860. Engraving in “” Le Monde Illustré”” n°144 of 14 January 1860., French School, (19th century) / Bridgeman Images

ID: XEE4145132

The shrimp fishing in the vicinity of Le Havre, Seine Maritme (76), 1860. Engraving in “” Le Monde Illustré”” n°144 of 14 January 1860.

French School, (19th century)

View of the city of Messina (Messina or Missina). Sicily, Italy, 1860. Engraving in “” Le Monde Illustré”” n°165 of 9 June 1860.
View of the city of Messina (Messina or Missina). Sicily, Italy, 1860. Engraving in “” Le Monde Illustré”” n°165 of 9 June 1860.

XEE4145709: View of the city of Messina (Messina or Missina). Sicily, Italy, 1860. Engraving in “” Le Monde Illustré”” n°165 of 9 June 1860., French School, (19th century) / Bridgeman Images

ID: XEE4145709

View of the city of Messina (Messina or Missina). Sicily, Italy, 1860. Engraving in “” Le Monde Illustré”” n°165 of 9 June 1860.

French School, (19th century)

L'anthropometrie judiciaire ou bertillonnage, methode d'Alphonse Bertillon (1853-1914): mesure de l'oreille - Engraving In “La Science francaise””, 1892 - Alphonse Bertillon (1853-1914)'s anthropometry: measurement of the length of the ear - Engraving from “” La Science francaise”, 1892
L'anthropometrie judiciaire ou bertillonnage, methode d'Alphonse Bertillon (1853-1914): mesure de l'oreille - Engraving In “La Science francaise””, 1892 - Alphonse Bertillon (1853-1914)'s anthropometry: measurement of the length of the ear - Engraving from “” La Science francaise”, 1892

XEE4145816: L'anthropometrie judiciaire ou bertillonnage, methode d'Alphonse Bertillon (1853-1914): mesure de l'oreille - Engraving In “La Science francaise””, 1892 - Alphonse Bertillon (1853-1914)'s anthropometry: measurement of the length of the ear - Engraving from “” La Science francaise”, 1892, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4145816

L'anthropometrie judiciaire ou bertillonnage, methode d'Alphonse Bertillon (1853-1914): mesure de l'oreille - Engraving In “La Science francaise””, 1892 - Alphonse Bertillon (1853-1914)'s anthropometry: measurement of the length of the ear - Engraving from “” La Science francaise”, 1892

Unknown Artist, (19th century)

South American Hispano War between Chile and Spain, September 1865: the ladies of Valparaiso, in the presence of the Spanish squadron blocking the port, sing patriotic hymns - Engraving In “” The Illustrous World””, 1865 - Chincha Islands War between Spain and Chile, September 1865: women of Valparaiso singing patriotic songs in front of the Spanish squadron blocking the harbour - Engraving from “” The Illustrous World””, 1865
South American Hispano War between Chile and Spain, September 1865: the ladies of Valparaiso, in the presence of the Spanish squadron blocking the port, sing patriotic hymns - Engraving In “” The Illustrous World””, 1865 - Chincha Islands War between Spain and Chile, September 1865: women of Valparaiso singing patriotic songs in front of the Spanish squadron blocking the harbour - Engraving from “” The Illustrous World””, 1865

XEE4145868: South American Hispano War between Chile and Spain, September 1865: the ladies of Valparaiso, in the presence of the Spanish squadron blocking the port, sing patriotic hymns - Engraving In “” The Illustrous World””, 1865 - Chincha Islands War between Spain and Chile, September 1865: women of Valparaiso singing patriotic songs in front of the Spanish squadron blocking the harbour - Engraving from “” The Illustrous World””, 1865, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4145868

South American Hispano War between Chile and Spain, September 1865: the ladies of Valparaiso, in the presence of the Spanish squadron blocking the port, sing patriotic hymns - Engraving In “” The Illustrous World””, 1865 - Chincha Islands War between Spain and Chile, September 1865: women of Valparaiso singing patriotic songs in front of the Spanish squadron blocking the harbour - Engraving from “” The Illustrous World””, 1865

Unknown Artist, (19th century)

Portrait of Louis Blanc (1811 - 1882), French politician and historian
Portrait of Louis Blanc (1811 - 1882), French politician and historian

XEE4169656: Portrait of Louis Blanc (1811 - 1882), French politician and historian, Moloch (Colomb B.) (1849-1909) / Bridgeman Images

ID: XEE4169656

Portrait of Louis Blanc (1811 - 1882), French politician and historian

Moloch (Colomb B.) (1849-1909)

King Othon I of Germania, said the Great (912-973) surprised by the rebels in Rome. Engraving in “Histoire des Papes-Rois-Queen and Empereurs a travers les centuries”” by Maurice Lachatre, 1863.
King Othon I of Germania, said the Great (912-973) surprised by the rebels in Rome. Engraving in “Histoire des Papes-Rois-Queen and Empereurs a travers les centuries”” by Maurice Lachatre, 1863.

XEE4169841: King Othon I of Germania, said the Great (912-973) surprised by the rebels in Rome. Engraving in “Histoire des Papes-Rois-Queen and Empereurs a travers les centuries”” by Maurice Lachatre, 1863., French School, (19th century) / Bridgeman Images

ID: XEE4169841

King Othon I of Germania, said the Great (912-973) surprised by the rebels in Rome. Engraving in “Histoire des Papes-Rois-Queen and Empereurs a travers les centuries”” by Maurice Lachatre, 1863.

French School, (19th century)

Allegory of Amnesty in the 19th century, 1882 (engraving)
Allegory of Amnesty in the 19th century, 1882 (engraving)

XEE4169866: Allegory of Amnesty in the 19th century, 1882 (engraving), Moloch (Colomb B.) (1849-1909) / Bridgeman Images

ID: XEE4169866

Allegory of Amnesty in the 19th century, 1882 (engraving)

Moloch (Colomb B.) (1849-1909)

Transmission of powers to the new President of the Republic: Mr Poincaré, 1913 (print)
Transmission of powers to the new President of the Republic: Mr Poincaré, 1913 (print)

XEE4169409: Transmission of powers to the new President of the Republic: Mr Poincaré, 1913 (print), French School, (20th century) / Bridgeman Images

ID: XEE4169409

Transmission of powers to the new President of the Republic: Mr Poincaré, 1913 (print)

French School, (20th century)

Anne Marie-Louise (Marie Louis) Damiens, known as Anna Judic, French comedian
Anne Marie-Louise (Marie Louis) Damiens, known as Anna Judic, French comedian

XEE4169555: Anne Marie-Louise (Marie Louis) Damiens, known as Anna Judic, French comedian, Moloch (Colomb B.) (1849-1909) / Bridgeman Images

ID: XEE4169555

Anne Marie-Louise (Marie Louis) Damiens, known as Anna Judic, French comedian

Moloch (Colomb B.) (1849-1909)

Portrait of Jules Simon (1814-1896), French politician
Portrait of Jules Simon (1814-1896), French politician

XEE4169628: Portrait of Jules Simon (1814-1896), French politician, Moloch (Colomb B.) (1849-1909) / Bridgeman Images

ID: XEE4169628

Portrait of Jules Simon (1814-1896), French politician

Moloch (Colomb B.) (1849-1909)

Emilie de Lavalette, known as Madame de la Valletta, had her husband Antoine Marie Chamans, count of Lavalette (1769-1830, director of the Post Office) escape from the Concierge during the revolution. Engraving in “Histoire des Papes-Rois-Queen and Empereurs a travers les centuries”” by Maurice Lachatre, 1863.
Emilie de Lavalette, known as Madame de la Valletta, had her husband Antoine Marie Chamans, count of Lavalette (1769-1830, director of the Post Office) escape from the Concierge during the revolution. Engraving in “Histoire des Papes-Rois-Queen and Empereurs a travers les centuries”” by Maurice Lachatre, 1863.

XEE4169956: Emilie de Lavalette, known as Madame de la Valletta, had her husband Antoine Marie Chamans, count of Lavalette (1769-1830, director of the Post Office) escape from the Concierge during the revolution. Engraving in “Histoire des Papes-Rois-Queen and Empereurs a travers les centuries”” by Maurice Lachatre, 1863., French School, (19th century) / Bridgeman Images

ID: XEE4169956

Emilie de Lavalette, known as Madame de la Valletta, had her husband Antoine Marie Chamans, count of Lavalette (1769-1830, director of the Post Office) escape from the Concierge during the revolution. Engraving in “Histoire des Papes-Rois-Queen and Empereurs a travers les centuries”” by Maurice Lachatre, 1863.

French School, (19th century)

Portrait of Francois Pierre VILLARET (1830-1896) tenor of the opera between 1863 and 1882 in “” Le Trombinoscope”” by Touchatout, caricature by B. Moloch of 1882 (1849-1909). Private collection.
Portrait of Francois Pierre VILLARET (1830-1896) tenor of the opera between 1863 and 1882 in “” Le Trombinoscope”” by Touchatout, caricature by B. Moloch of 1882 (1849-1909). Private collection.

XEE4169701: Portrait of Francois Pierre VILLARET (1830-1896) tenor of the opera between 1863 and 1882 in “” Le Trombinoscope”” by Touchatout, caricature by B. Moloch of 1882 (1849-1909). Private collection., Moloch (Colomb B.) (1849-1909) / Bridgeman Images

ID: XEE4169701

Portrait of Francois Pierre VILLARET (1830-1896) tenor of the opera between 1863 and 1882 in “” Le Trombinoscope”” by Touchatout, caricature by B. Moloch of 1882 (1849-1909). Private collection.

Moloch (Colomb B.) (1849-1909)

Portrait of Beatriz (Beatrix) Galindo, 1475-1535 Spanish writer
Portrait of Beatriz (Beatrix) Galindo, 1475-1535 Spanish writer

XEE4169728: Portrait of Beatriz (Beatrix) Galindo, 1475-1535 Spanish writer, David, Jules (1809-92) & Raunheim, Hermann (1817-95) / Bridgeman Images

ID: XEE4169728

Portrait of Beatriz (Beatrix) Galindo, 1475-1535 Spanish writer

David, Jules (1809-92) & Raunheim, Hermann (1817-95)

Portrait of Gustave Dore, cartoonist and engraver 1832-1883 in “” Le Trombinoscope”” by Touchatout, caricature by B. Moloch of 1882 (1849-1909). Private collection.
Portrait of Gustave Dore, cartoonist and engraver 1832-1883 in “” Le Trombinoscope”” by Touchatout, caricature by B. Moloch of 1882 (1849-1909). Private collection.

XEE4169874: Portrait of Gustave Dore, cartoonist and engraver 1832-1883 in “” Le Trombinoscope”” by Touchatout, caricature by B. Moloch of 1882 (1849-1909). Private collection., Moloch (Colomb B.) (1849-1909) / Bridgeman Images

ID: XEE4169874

Portrait of Gustave Dore, cartoonist and engraver 1832-1883 in “” Le Trombinoscope”” by Touchatout, caricature by B. Moloch of 1882 (1849-1909). Private collection.

Moloch (Colomb B.) (1849-1909)

First World War: representation of French troops warmly welcomed by the Italian population at different times. “Le petit journal
First World War: representation of French troops warmly welcomed by the Italian population at different times. “Le petit journal

XEE4166159: First World War: representation of French troops warmly welcomed by the Italian population at different times. “Le petit journal" of November 25, 1917., French School, (20th century) / Bridgeman Images

ID: XEE4166159

First World War: representation of French troops warmly welcomed by the Italian population at different times. “Le petit journal" of November 25, 1917.

French School, (20th century)

Book for children to learn to count: “I count, draw, guess and laugh” by by Andre Lagarde.
Book for children to learn to count: “I count, draw, guess and laugh” by by Andre Lagarde.

XEE4167292: Book for children to learn to count: “I count, draw, guess and laugh” by by Andre Lagarde., French School, (20th century) / Bridgeman Images

ID: XEE4167292

Book for children to learn to count: “I count, draw, guess and laugh” by by Andre Lagarde.

French School, (20th century)

Benediction of the patres and herds by the Courmayeur parish in the Alps Mountains The priest climbs to the highest point of the meadow and speaks the ritual words, 1906 (print)
Benediction of the patres and herds by the Courmayeur parish in the Alps Mountains The priest climbs to the highest point of the meadow and speaks the ritual words, 1906 (print)

XEE4166247: Benediction of the patres and herds by the Courmayeur parish in the Alps Mountains The priest climbs to the highest point of the meadow and speaks the ritual words, 1906 (print) / Bridgeman Images

ID: XEE4166247

Benediction of the patres and herds by the Courmayeur parish in the Alps Mountains The priest climbs to the highest point of the meadow and speaks the ritual words, 1906 (print)

Poverty in the French countryside in the 17th century.
Poverty in the French countryside in the 17th century.

XEE4167409: Poverty in the French countryside in the 17th century., Rossignol, Andre (active c.1950s-1960s) / Bridgeman Images

ID: XEE4167409

Poverty in the French countryside in the 17th century.

Rossignol, Andre (active c.1950s-1960s)

Book for children to learn to count: “I count, draw, guess and laugh” by by Andre Lagarde.
Book for children to learn to count: “I count, draw, guess and laugh” by by Andre Lagarde.

XEE4167266: Book for children to learn to count: “I count, draw, guess and laugh” by by Andre Lagarde., French School, (20th century) / Bridgeman Images

ID: XEE4167266

Book for children to learn to count: “I count, draw, guess and laugh” by by Andre Lagarde.

French School, (20th century)

Portrait of General Dumouriez.Charles Francois du Perier, dit du Perier du Mourier then Dumouriez General francais (1739 - 1823).
Portrait of General Dumouriez.Charles Francois du Perier, dit du Perier du Mourier then Dumouriez General francais (1739 - 1823).

XEE4169518: Portrait of General Dumouriez.Charles Francois du Perier, dit du Perier du Mourier then Dumouriez General francais (1739 - 1823)., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4169518

Portrait of General Dumouriez.Charles Francois du Perier, dit du Perier du Mourier then Dumouriez General francais (1739 - 1823).

Unknown Artist, (19th century)

Couple disguise in Pierrot and Augustine looking at the menu of a discount restaurant that offers dishes from other restaurants that have not been finished by the customers. Drawing by Gustave Frison in “The Pleasant World” Weekly, comical and satic journal of 1880.
Couple disguise in Pierrot and Augustine looking at the menu of a discount restaurant that offers dishes from other restaurants that have not been finished by the customers. Drawing by Gustave Frison in “The Pleasant World” Weekly, comical and satic journal of 1880.

XEE4169528: Couple disguise in Pierrot and Augustine looking at the menu of a discount restaurant that offers dishes from other restaurants that have not been finished by the customers. Drawing by Gustave Frison in “The Pleasant World” Weekly, comical and satic journal of 1880., Frison, Gustave (b.1850) / Bridgeman Images

ID: XEE4169528

Couple disguise in Pierrot and Augustine looking at the menu of a discount restaurant that offers dishes from other restaurants that have not been finished by the customers. Drawing by Gustave Frison in “The Pleasant World” Weekly, comical and satic journal of 1880.

Frison, Gustave (b.1850)

Portrait of Louis Andrieux (1840-1931), French lawyer and politician
Portrait of Louis Andrieux (1840-1931), French lawyer and politician

XEE4169641: Portrait of Louis Andrieux (1840-1931), French lawyer and politician, Moloch (Colomb B.) (1849-1909) / Bridgeman Images

ID: XEE4169641

Portrait of Louis Andrieux (1840-1931), French lawyer and politician

Moloch (Colomb B.) (1849-1909)

Allegory of a reservist in the 19th century
Allegory of a reservist in the 19th century

XEE4169976: Allegory of a reservist in the 19th century, Moloch (Colomb B.) (1849-1909) / Bridgeman Images

ID: XEE4169976

Allegory of a reservist in the 19th century

Moloch (Colomb B.) (1849-1909)

The supersitions of the year thousand (thousand, 1000): the end of the world. Engraving in “Histoire des Papes-Rois-Queen and Empereurs a travers les centuries”” by Maurice Lachatre, 1863.
The supersitions of the year thousand (thousand, 1000): the end of the world. Engraving in “Histoire des Papes-Rois-Queen and Empereurs a travers les centuries”” by Maurice Lachatre, 1863.

XEE4169854: The supersitions of the year thousand (thousand, 1000): the end of the world. Engraving in “Histoire des Papes-Rois-Queen and Empereurs a travers les centuries”” by Maurice Lachatre, 1863., French School, (19th century) / Bridgeman Images

ID: XEE4169854

The supersitions of the year thousand (thousand, 1000): the end of the world. Engraving in “Histoire des Papes-Rois-Queen and Empereurs a travers les centuries”” by Maurice Lachatre, 1863.

French School, (19th century)

Book for children to learn to count: “I count, draw, guess and laugh” by by Andre Lagarde.
Book for children to learn to count: “I count, draw, guess and laugh” by by Andre Lagarde.

XEE4167277: Book for children to learn to count: “I count, draw, guess and laugh” by by Andre Lagarde., French School, (20th century) / Bridgeman Images

ID: XEE4167277

Book for children to learn to count: “I count, draw, guess and laugh” by by Andre Lagarde.

French School, (20th century)

The Louvre in Paris, project of Gian Lorenzo Bernini: elevation of the main facade facing the Seine - From “” Architecture francoise”” by Jacques-Francois Blondel - elevation de la principale facade cote Seine - project by Bernin - engraving by Jean Marot in “” Architecture francoise”” by Jacques-Francois Blondel
The Louvre in Paris, project of Gian Lorenzo Bernini: elevation of the main facade facing the Seine - From “” Architecture francoise”” by Jacques-Francois Blondel - elevation de la principale facade cote Seine - project by Bernin - engraving by Jean Marot in “” Architecture francoise”” by Jacques-Francois Blondel

XEE4152523: The Louvre in Paris, project of Gian Lorenzo Bernini: elevation of the main facade facing the Seine - From “” Architecture francoise”” by Jacques-Francois Blondel - elevation de la principale facade cote Seine - project by Bernin - engraving by Jean Marot in “” Architecture francoise”” by Jacques-Francois Blondel, Marot, Jean (1619-79) / Bridgeman Images

ID: XEE4152523

The Louvre in Paris, project of Gian Lorenzo Bernini: elevation of the main facade facing the Seine - From “” Architecture francoise”” by Jacques-Francois Blondel - elevation de la principale facade cote Seine - project by Bernin - engraving by Jean Marot in “” Architecture francoise”” by Jacques-Francois Blondel

Marot, Jean (1619-79)

Battle of Griffon and Aquilant against Orrile - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851
Battle of Griffon and Aquilant against Orrile - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

XEE4151410: Battle of Griffon and Aquilant against Orrile - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151410

Battle of Griffon and Aquilant against Orrile - engraving of 1851 from “” Furious Roland”” (Orlando furioso) (16th century) by Ludovico Ariosto, known as the Ariosta - Edition translated from Italian by the Count of Tressan and published by Gustave Harvard 1851

Unknown Artist, (19th century)

Risorgimento, Naples, 7 November 1860: entrance of Victor Emmanuel II (Victor-Emmanuel) (Vittorio Emanuele) (1820-1878), King of Italy, to the Royal Palace of Naples after the vote of the population accepting the attachment of Naples to the Kingdom of Italy. Engraving in “” Le Monde Illustré”” n°189 of 24 November 1860.
Risorgimento, Naples, 7 November 1860: entrance of Victor Emmanuel II (Victor-Emmanuel) (Vittorio Emanuele) (1820-1878), King of Italy, to the Royal Palace of Naples after the vote of the population accepting the attachment of Naples to the Kingdom of Italy. Engraving in “” Le Monde Illustré”” n°189 of 24 November 1860.

XEE4152576: Risorgimento, Naples, 7 November 1860: entrance of Victor Emmanuel II (Victor-Emmanuel) (Vittorio Emanuele) (1820-1878), King of Italy, to the Royal Palace of Naples after the vote of the population accepting the attachment of Naples to the Kingdom of Italy. Engraving in “” Le Monde Illustré”” n°189 of 24 November 1860., French School, (19th century) / Bridgeman Images

ID: XEE4152576

Risorgimento, Naples, 7 November 1860: entrance of Victor Emmanuel II (Victor-Emmanuel) (Vittorio Emanuele) (1820-1878), King of Italy, to the Royal Palace of Naples after the vote of the population accepting the attachment of Naples to the Kingdom of Italy. Engraving in “” Le Monde Illustré”” n°189 of 24 November 1860.

French School, (19th century)

Portrait of Louis Galloche French painter
Portrait of Louis Galloche French painter

XEE4152593: Portrait of Louis Galloche French painter, Unknown Artist / Bridgeman Images

ID: XEE4152593

Portrait of Louis Galloche French painter

Unknown Artist

Catherine of France, illustration from 'Gallery of the Women of Shakespeare...', c.1838 (engraving)
Catherine of France, illustration from 'Gallery of the Women of Shakespeare...', c.1838 (engraving)

XEE4152835: Catherine of France, illustration from 'Gallery of the Women of Shakespeare...', c.1838 (engraving), English School, (19th century) / Bridgeman Images

ID: XEE4152835

Catherine of France, illustration from 'Gallery of the Women of Shakespeare...', c.1838 (engraving)

English School, (19th century)


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