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Scenes of Missing Kingdoms: Temple in the mountains of Qui-Nhon Province of Cambodia. Chromolithography of the 19th century.
Scenes of Missing Kingdoms: Temple in the mountains of Qui-Nhon Province of Cambodia. Chromolithography of the 19th century.

XEE4154944: Scenes of Missing Kingdoms: Temple in the mountains of Qui-Nhon Province of Cambodia. Chromolithography of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Hotel d'Anjou a Angers - engraving in “” Histoire de France” by Victor Duruy (1811-1894) - 1882
Hotel d'Anjou a Angers - engraving in “” Histoire de France” by Victor Duruy (1811-1894) - 1882

XEE4154986: Hotel d'Anjou a Angers - engraving in “” Histoire de France” by Victor Duruy (1811-1894) - 1882, French School, (19th century) / Bridgeman Images

Portrait of Prince Karl Theodor von Dalberg (1744-1817), archbishop and statesman, writer and philosopher
Portrait of Prince Karl Theodor von Dalberg (1744-1817), archbishop and statesman, writer and philosopher

XEE4154982: Portrait of Prince Karl Theodor von Dalberg (1744-1817), archbishop and statesman, writer and philosopher, Unknown Artist, (19th century) / Bridgeman Images

La Meurthe et Moselle, Lorraine -France and its Colonies, 1876 (engraving)
La Meurthe et Moselle, Lorraine -France and its Colonies, 1876 (engraving)

XEE4144501: La Meurthe et Moselle, Lorraine -France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

La Haute Loire, Auvergne - France and its Colonies, 1876 (engraving)
La Haute Loire, Auvergne - France and its Colonies, 1876 (engraving)

XEE4144543: La Haute Loire, Auvergne - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

Department of the Cote d'Or in Burgundy - France and its Colonies, 1876 (engraving)
Department of the Cote d'Or in Burgundy - France and its Colonies, 1876 (engraving)

XEE4144603: Department of the Cote d'Or in Burgundy - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

La Charente Inferieure, Poitou Charentes - France and its Colonies, 1876 (engraving)
La Charente Inferieure, Poitou Charentes - France and its Colonies, 1876 (engraving)

XEE4144611: La Charente Inferieure, Poitou Charentes - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

L'Aveyron, Midi-Pyrenees - France and its Colonies, 1876 (engraving)
L'Aveyron, Midi-Pyrenees - France and its Colonies, 1876 (engraving)

XEE4144628: L'Aveyron, Midi-Pyrenees - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

Department of Hautes Alpes, Provence-Alpes-Cote d'Azur - France and its Colonies, 1876 (engraving)
Department of Hautes Alpes, Provence-Alpes-Cote d'Azur - France and its Colonies, 1876 (engraving)

XEE4144652: Department of Hautes Alpes, Provence-Alpes-Cote d'Azur - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

Portrait of Philippe Arteweld (van Artevelde), (1340-1382), Flemish politician. Engraving from 1868 in “Histoire de Belgique from primitive times to the end of the regne of Leopold I”” by Theodore Juste (1818-1888). Private collection.
Portrait of Philippe Arteweld (van Artevelde), (1340-1382), Flemish politician. Engraving from 1868 in “Histoire de Belgique from primitive times to the end of the regne of Leopold I”” by Theodore Juste (1818-1888). Private collection.

XEE4144690: Portrait of Philippe Arteweld (van Artevelde), (1340-1382), Flemish politician. Engraving from 1868 in “Histoire de Belgique from primitive times to the end of the regne of Leopold I”” by Theodore Juste (1818-1888). Private collection., Unknown Artist, (19th century) / Bridgeman Images

Revolution of September 1868 in Spain (Gloriosa): reading the manifesto of the junta, in the street of Alcala in Madrid. Engraving in “” L'Univers illustrious””, 1868.
Revolution of September 1868 in Spain (Gloriosa): reading the manifesto of the junta, in the street of Alcala in Madrid. Engraving in “” L'Univers illustrious””, 1868.

XEE4144237: Revolution of September 1868 in Spain (Gloriosa): reading the manifesto of the junta, in the street of Alcala in Madrid. Engraving in “” L'Univers illustrious””, 1868., Unknown Artist, (19th century) / Bridgeman Images

General Robert Cornelis (Cornelius) Napier (1810-1890) introduced Leul Alemayehou Tewodros (1861-1879), the son of Ethiopian negus Theodoros II (Tewodros), to Queen Victoria Iere (1819-1901). Engraving in “The Universe illustrious”, 1868.
General Robert Cornelis (Cornelius) Napier (1810-1890) introduced Leul Alemayehou Tewodros (1861-1879), the son of Ethiopian negus Theodoros II (Tewodros), to Queen Victoria Iere (1819-1901). Engraving in “The Universe illustrious”, 1868.

XEE4144252: General Robert Cornelis (Cornelius) Napier (1810-1890) introduced Leul Alemayehou Tewodros (1861-1879), the son of Ethiopian negus Theodoros II (Tewodros), to Queen Victoria Iere (1819-1901). Engraving in “The Universe illustrious”, 1868., Unknown Artist, (19th century) / Bridgeman Images

Arrived in Marseille of Zombe-Fatoum (1836-1878), Queen of Moheli in the Comoros. She is also called Djombe-Fatouma (Djombe-Fatouma) or Jumbe Fatouma (Jumbe-Fatouma) or Jumbe Fatima (Jumbe-Fatima). Engraving in “The Universe illustrious”, 1868.
Arrived in Marseille of Zombe-Fatoum (1836-1878), Queen of Moheli in the Comoros. She is also called Djombe-Fatouma (Djombe-Fatouma) or Jumbe Fatouma (Jumbe-Fatouma) or Jumbe Fatima (Jumbe-Fatima). Engraving in “The Universe illustrious”, 1868.

XEE4144265: Arrived in Marseille of Zombe-Fatoum (1836-1878), Queen of Moheli in the Comoros. She is also called Djombe-Fatouma (Djombe-Fatouma) or Jumbe Fatouma (Jumbe-Fatouma) or Jumbe Fatima (Jumbe-Fatima). Engraving in “The Universe illustrious”, 1868., Unknown Artist, (19th century) / Bridgeman Images

Around Paris in 1857. The canoeists in Asnieres. Engraving in “Le Monde illustrious”” from 1857. Private collection.
Around Paris in 1857. The canoeists in Asnieres. Engraving in “Le Monde illustrious”” from 1857. Private collection.

XEE4144313: Around Paris in 1857. The canoeists in Asnieres. Engraving in “Le Monde illustrious”” from 1857. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Le Var, Provence-Alpes-Cote d'Azur - France and its Colonies, 1876 (engraving)
Le Var, Provence-Alpes-Cote d'Azur - France and its Colonies, 1876 (engraving)

XEE4144426: Le Var, Provence-Alpes-Cote d'Azur - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

Table art: cuts food before the fork arrives. A man holds the meat with a sheet of paper in one hand and uses his knife in the other. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Table art: cuts food before the fork arrives. A man holds the meat with a sheet of paper in one hand and uses his knife in the other. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143639: Table art: cuts food before the fork arrives. A man holds the meat with a sheet of paper in one hand and uses his knife in the other. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Glass art: tourists buying a pearl blown in a glass factory in Venice, Italy. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Glass art: tourists buying a pearl blown in a glass factory in Venice, Italy. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143642: Glass art: tourists buying a pearl blown in a glass factory in Venice, Italy. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Ebenisterie: stamp varnishing workshop. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Ebenisterie: stamp varnishing workshop. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143652: Ebenisterie: stamp varnishing workshop. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

The art of lathe: faconing of a torso column. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The art of lathe: faconing of a torso column. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143679: The art of lathe: faconing of a torso column. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Pottery: filling pottery. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Pottery: filling pottery. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143747: Pottery: filling pottery. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Pottery: raw bricks in ancient Greece. The army of Pausanias (5th century BC) detours the course of a river to destroy the walls of raw brick protecting the city of Mantinee. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Pottery: raw bricks in ancient Greece. The army of Pausanias (5th century BC) detours the course of a river to destroy the walls of raw brick protecting the city of Mantinee. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143756: Pottery: raw bricks in ancient Greece. The army of Pausanias (5th century BC) detours the course of a river to destroy the walls of raw brick protecting the city of Mantinee. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Flemish Joutes, Brussels (Belgium), 1859: the player, holding a spear and riding on a tank drilled by dogs, must pass his weapon through the hole of a board attached to a bucket filled with water. In case of failure, the player is covered with water. Engraving in “” Le Monde Illustré”” n°130 of October 8, 1859.
Flemish Joutes, Brussels (Belgium), 1859: the player, holding a spear and riding on a tank drilled by dogs, must pass his weapon through the hole of a board attached to a bucket filled with water. In case of failure, the player is covered with water. Engraving in “” Le Monde Illustré”” n°130 of October 8, 1859.

XEE4143778: Flemish Joutes, Brussels (Belgium), 1859: the player, holding a spear and riding on a tank drilled by dogs, must pass his weapon through the hole of a board attached to a bucket filled with water. In case of failure, the player is covered with water. Engraving in “” Le Monde Illustré”” n°130 of October 8, 1859., French School, (19th century) / Bridgeman Images

Maruf at work: Tale of Ma'ruf (Maruf) the saver “” The thousand and one nights” (1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century.
Maruf at work: Tale of Ma'ruf (Maruf) the saver “” The thousand and one nights” (1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century.

XEE4143799: Maruf at work: Tale of Ma'ruf (Maruf) the saver “” The thousand and one nights” (1001 nights or Le mille e una notte, Arabian Nights), Chromolithography of the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

History of Guillaume Tell (William Tell) (legendary heros of Swiss independence): the death of Gessler. Chromolithography of the late 19th century.
History of Guillaume Tell (William Tell) (legendary heros of Swiss independence): the death of Gessler. Chromolithography of the late 19th century.

XEE4143819: History of Guillaume Tell (William Tell) (legendary heros of Swiss independence): the death of Gessler. Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

La Sarthe, Pays de la Loire - France and its Colonies, 1876 (engraving)
La Sarthe, Pays de la Loire - France and its Colonies, 1876 (engraving)

XEE4144454: La Sarthe, Pays de la Loire - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

Bases Pyrenees, now Pyrenees-Atlantiques, Aquitaine -France and its Colonies, 1876 (engraving)
Bases Pyrenees, now Pyrenees-Atlantiques, Aquitaine -France and its Colonies, 1876 (engraving)

XEE4144473: Bases Pyrenees, now Pyrenees-Atlantiques, Aquitaine -France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

Le Lot, Midi-Pyrenees - France and its Colonies, 1876 (engraving)
Le Lot, Midi-Pyrenees - France and its Colonies, 1876 (engraving)

XEE4144526: Le Lot, Midi-Pyrenees - France and its Colonies, 1876 (engraving), Vuillemin, Alexandre (1812-1886) / Bridgeman Images

Portrait of Francois Xavier Bichat (1771-1802) French physician.
Portrait of Francois Xavier Bichat (1771-1802) French physician.

XEE4144728: Portrait of Francois Xavier Bichat (1771-1802) French physician., Unknown Artist, (19th century) / Bridgeman Images

Public illuminations and dances for the feast of August 15. Abbeville, Somme (80), 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859.
Public illuminations and dances for the feast of August 15. Abbeville, Somme (80), 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859.

XEE4143853: Public illuminations and dances for the feast of August 15. Abbeville, Somme (80), 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859., French School, (19th century) / Bridgeman Images

View of the city of Erzurum (Erzeroum) in Armenia (now Turkey). Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.
View of the city of Erzurum (Erzeroum) in Armenia (now Turkey). Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection.

XEE4143927: View of the city of Erzurum (Erzeroum) in Armenia (now Turkey). Engraving in “Les Missions Catholiques au XIXeme Siecle”” by Louis-Eugene (Louis Eugene) Louvet. private collection., Anonymous / Bridgeman Images

Persian Anglo (Anglo-Persian) War (1856-1857): the charge of the 3rd British Indo cavalry commanded by Captain Forbes during the Battle of Koosh-Ab (Koosh Ab, Kooshab) on February 8, 1857. Engraving In “” The Illustrated London News”” of 25 April 1857.
Persian Anglo (Anglo-Persian) War (1856-1857): the charge of the 3rd British Indo cavalry commanded by Captain Forbes during the Battle of Koosh-Ab (Koosh Ab, Kooshab) on February 8, 1857. Engraving In “” The Illustrated London News”” of 25 April 1857.

XEE4144031: Persian Anglo (Anglo-Persian) War (1856-1857): the charge of the 3rd British Indo cavalry commanded by Captain Forbes during the Battle of Koosh-Ab (Koosh Ab, Kooshab) on February 8, 1857. Engraving In “” The Illustrated London News”” of 25 April 1857., Unknown Artist, (19th century) / Bridgeman Images

Costumes at the beginning of the regne of Louis XIV, 1859 (engraving)
Costumes at the beginning of the regne of Louis XIV, 1859 (engraving)

XEE4144132: Costumes at the beginning of the regne of Louis XIV, 1859 (engraving), Anonymous / Bridgeman Images

Arrival of a family of Italian immigrants to Ellis Island (New York) in the United States in 1905.
Arrival of a family of Italian immigrants to Ellis Island (New York) in the United States in 1905.

XEE4144135: Arrival of a family of Italian immigrants to Ellis Island (New York) in the United States in 1905., Hine, Lewis Wickes (1874-1940) / Bridgeman Images

Exterior view of the new theatre in Leipzig, Germany. Engraving in “” L'Univers illustrious””, 1868.
Exterior view of the new theatre in Leipzig, Germany. Engraving in “” L'Univers illustrious””, 1868.

XEE4144215: Exterior view of the new theatre in Leipzig, Germany. Engraving in “” L'Univers illustrious””, 1868., Unknown Artist, (19th century) / Bridgeman Images

Representation of the play “” Mercadet”” (Le Faiseur) by Honore de Balzac (1799-1850) at the Comedie Francaise. Act III, Scene VI. Engraving in “” L'Univers illustrious””, 1868.
Representation of the play “” Mercadet”” (Le Faiseur) by Honore de Balzac (1799-1850) at the Comedie Francaise. Act III, Scene VI. Engraving in “” L'Univers illustrious””, 1868.

XEE4144233: Representation of the play “” Mercadet”” (Le Faiseur) by Honore de Balzac (1799-1850) at the Comedie Francaise. Act III, Scene VI. Engraving in “” L'Univers illustrious””, 1868., Unknown Artist, (19th century) / Bridgeman Images

Imperial Prince Eugene Louis Joseph (1856-1879) at the feast of Fontainebleau. He tries to decoify a puppet with the help of a ball hanging from a string. Engraving in “The Universe illustrious”, 1868.
Imperial Prince Eugene Louis Joseph (1856-1879) at the feast of Fontainebleau. He tries to decoify a puppet with the help of a ball hanging from a string. Engraving in “The Universe illustrious”, 1868.

XEE4144245: Imperial Prince Eugene Louis Joseph (1856-1879) at the feast of Fontainebleau. He tries to decoify a puppet with the help of a ball hanging from a string. Engraving in “The Universe illustrious”, 1868., Unknown Artist, (19th century) / Bridgeman Images


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