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Roundel from a ceiling mural depicting the abduction of Ganymede (wall painting)
Roundel from a ceiling mural depicting the abduction of Ganymede (wall painting)

STF230217: Roundel from a ceiling mural depicting the abduction of Ganymede (wall painting), Roman, (2nd century BC) / Bridgeman Images

View of the Amphitheatre (photo)
View of the Amphitheatre (photo)

STF230238: View of the Amphitheatre (photo), Roman, (2nd century) / Bridgeman Images

Tomb of Jeanne d'Evreux (1305-71) (marble) (detail of 154780)
Tomb of Jeanne d'Evreux (1305-71) (marble) (detail of 154780)

XIR230353: Tomb of Jeanne d'Evreux (1305-71) (marble) (detail of 154780), French School, (14th century) / Bridgeman Images

View of the Obere Pfaffkirche, the Cathedral and the former Benedictine Abbey of St. Michael (photo)
View of the Obere Pfaffkirche, the Cathedral and the former Benedictine Abbey of St. Michael (photo)

STF251943: View of the Obere Pfaffkirche, the Cathedral and the former Benedictine Abbey of St. Michael (photo) / Bridgeman Images

View of the Olympic swimming pool built for the 1972 Olympics (photo)
View of the Olympic swimming pool built for the 1972 Olympics (photo)

STF251965: View of the Olympic swimming pool built for the 1972 Olympics (photo) / Bridgeman Images

Welsh Mountain Scene with Torrential River (w/c with bodycolour & black chalk on paper)
Welsh Mountain Scene with Torrential River (w/c with bodycolour & black chalk on paper)

XYC252121: Welsh Mountain Scene with Torrential River (w/c with bodycolour & black chalk on paper), Cox, David, the younger (1809-85) / Bridgeman Images

'Cries of London' pl.8: Round & sound five pence a pound Duke Cherries, after Francis Wheatley (1747-1801) 1795 (coloured engraving)
'Cries of London' pl.8: Round & sound five pence a pound Duke Cherries, after Francis Wheatley (1747-1801) 1795 (coloured engraving)

XYC252155: 'Cries of London' pl.8: Round & sound five pence a pound Duke Cherries, after Francis Wheatley (1747-1801) 1795 (coloured engraving), Cardon, Antoine (1772-1813) / Bridgeman Images

Stone Carving of female dancers in the Angkor Vat Temple, Cambodia (b/w photo)
Stone Carving of female dancers in the Angkor Vat Temple, Cambodia (b/w photo)

RGS252400: Stone Carving of female dancers in the Angkor Vat Temple, Cambodia (b/w photo), Thomson, John (1837-1921) / Bridgeman Images

Bird's-eye View of the Great Cataracts of the Zambesi (Victoria Falls) from 'Narrative of an Exhibition to the Zambesi and its Tributaries', published 1865 (engraving) (b/w photo)
Bird's-eye View of the Great Cataracts of the Zambesi (Victoria Falls) from 'Narrative of an Exhibition to the Zambesi and its Tributaries', published 1865 (engraving) (b/w photo)

TRV230442: Bird's-eye View of the Great Cataracts of the Zambesi (Victoria Falls) from 'Narrative of an Exhibition to the Zambesi and its Tributaries', published 1865 (engraving) (b/w photo), English School, (19th century) / Bridgeman Images

La Fee Electricite, detail of the left hand side depicting scientists, 1937 (oil on canvas)
La Fee Electricite, detail of the left hand side depicting scientists, 1937 (oil on canvas)

XIR260693: La Fee Electricite, detail of the left hand side depicting scientists, 1937 (oil on canvas), Dufy, Raoul (1877-1953) / Bridgeman Images

Waipu Post Office, 1910 (b/w photo)
Waipu Post Office, 1910 (b/w photo)

WPU260790: Waipu Post Office, 1910 (b/w photo), New Zealander Photographer, (20th century) / Bridgeman Images

Interior of a basin painted with a design by Cornelis Pronk (1691-1759) c.1730 (porcelain) (see 206565 & 231328 for exterior)
Interior of a basin painted with a design by Cornelis Pronk (1691-1759) c.1730 (porcelain) (see 206565 & 231328 for exterior)

PFR231377: Interior of a basin painted with a design by Cornelis Pronk (1691-1759) c.1730 (porcelain) (see 206565 & 231328 for exterior), Chinese School, Qing Dynasty (1644-1912) / Bridgeman Images

Self-portrait at the telephone, 1920 (gouache & ink on paper)
Self-portrait at the telephone, 1920 (gouache & ink on paper)

XAB231459: Self-portrait at the telephone, 1920 (gouache & ink on paper), Popov, Nikolai Nikolaevich (1890-1953) / Bridgeman Images

St. John the Baptist (oil on canvas)
St. John the Baptist (oil on canvas)

XIR231508: St. John the Baptist (oil on canvas), Strozzi, Bernardo (1581-1644) / Bridgeman Images

The Continence of Scipio (237-183 BC), 17th century (oil on canvas)
The Continence of Scipio (237-183 BC), 17th century (oil on canvas)

XIR231518: The Continence of Scipio (237-183 BC), 17th century (oil on canvas), Mol, Pieter van (1599-1650) / Bridgeman Images

Ms 528 fol.1r Lectionary, the copyist (vellum)
Ms 528 fol.1r Lectionary, the copyist (vellum)

XIR252908: Ms 528 fol.1r Lectionary, the copyist (vellum), Flemish School, (12th century) / Bridgeman Images

Study for The Betrothal, 1886 (oil on canvas)
Study for The Betrothal, 1886 (oil on canvas)

XIR231541: Study for The Betrothal, 1886 (oil on canvas), Demont, Adrien Louis (1851-1928) / Bridgeman Images

Advert for 'State Express 555' cigarettes, illustration from the 'South Bank Exhibition' catalogue, Festival of Britain, London, 1951 (colour litho)
Advert for 'State Express 555' cigarettes, illustration from the 'South Bank Exhibition' catalogue, Festival of Britain, London, 1951 (colour litho)

REV252993: Advert for 'State Express 555' cigarettes, illustration from the 'South Bank Exhibition' catalogue, Festival of Britain, London, 1951 (colour litho), English School, (20th century) / Bridgeman Images

Elysee Palace, Office of the President of the Republic, Paris, c.1920
Elysee Palace, Office of the President of the Republic, Paris, c.1920

XIR253015: Elysee Palace, Office of the President of the Republic, Paris, c.1920 / Bridgeman Images

Ms Fr 805 fol.13v Illustration from 'Le Roman de la Rose' (vellum)
Ms Fr 805 fol.13v Illustration from 'Le Roman de la Rose' (vellum)

REV253033: Ms Fr 805 fol.13v Illustration from 'Le Roman de la Rose' (vellum), French School, (15th century) / Bridgeman Images

Theatre of Porte St. Martin, Boulevard Montmartre, Paris, engraved by Guiguet, c.1810 (engraving)
Theatre of Porte St. Martin, Boulevard Montmartre, Paris, engraved by Guiguet, c.1810 (engraving)

REV253066: Theatre of Porte St. Martin, Boulevard Montmartre, Paris, engraved by Guiguet, c.1810 (engraving), Courvoisier-Voisin, Henri (1757-1830) (after) / Bridgeman Images

Overdoor panel with chinese subject, c.1730 (polychrome & gilded wood)
Overdoor panel with chinese subject, c.1730 (polychrome & gilded wood)

XIR253095: Overdoor panel with chinese subject, c.1730 (polychrome & gilded wood), French School, (18th century) / Bridgeman Images

View of the Village and 15th century Church (photo)
View of the Village and 15th century Church (photo)

NUM260894: View of the Village and 15th century Church (photo) / Bridgeman Images

Hunt Meeting at Puis au Roi in the Forest of Compiegne, 18th century (oil on canvas)
Hunt Meeting at Puis au Roi in the Forest of Compiegne, 18th century (oil on canvas)

XIR231754: Hunt Meeting at Puis au Roi in the Forest of Compiegne, 18th century (oil on canvas), Heyrault, Louis Robert (fl.1847-80) / Bridgeman Images

'Snowflower' quilt (cotton)
'Snowflower' quilt (cotton)

XBP231808: 'Snowflower' quilt (cotton), American School, (19th century) / Bridgeman Images

Double serpent bowl (ceramic)
Double serpent bowl (ceramic)

XBP231855: Double serpent bowl (ceramic), Peruvian School (15th Century) / Bridgeman Images

Ms Hunter 653 Plate XVI, Anatomical drawing, c.1610 (pencil & chalk on paper)
Ms Hunter 653 Plate XVI, Anatomical drawing, c.1610 (pencil & chalk on paper)

GUL232021: Ms Hunter 653 Plate XVI, Anatomical drawing, c.1610 (pencil & chalk on paper), Cortona, Pietro da (Berrettini) (1596-1669) / Bridgeman Images

Ms Hunter 36 f.44r Nativity, from Vita Christi, by Ludolf of Saxony, c.1300-77/78 (vellum)
Ms Hunter 36 f.44r Nativity, from Vita Christi, by Ludolf of Saxony, c.1300-77/78 (vellum)

GUL232025: Ms Hunter 36 f.44r Nativity, from Vita Christi, by Ludolf of Saxony, c.1300-77/78 (vellum), German School, (14th century) / Bridgeman Images

Study of the Human Figure, Posterior View, Undissected, Finished Study for Table VII, from 'A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl', 1795-1806 (graphite on heavy wove paper)
Study of the Human Figure, Posterior View, Undissected, Finished Study for Table VII, from 'A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl', 1795-1806 (graphite on heavy wove paper)

XYC261316: Study of the Human Figure, Posterior View, Undissected, Finished Study for Table VII, from 'A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl', 1795-1806 (graphite on heavy wove paper), Stubbs, George (1724-1806) / Bridgeman Images

The Prisoner, c.1787-90 (oil on canvas)
The Prisoner, c.1787-90 (oil on canvas)

XYC261354: The Prisoner, c.1787-90 (oil on canvas), Wright of Derby, Joseph (1734-97) / Bridgeman Images

Leopard Body, Lateral View, 1795-1806 (graphite & red chalk)
Leopard Body, Lateral View, 1795-1806 (graphite & red chalk)

XYC261360: Leopard Body, Lateral View, 1795-1806 (graphite & red chalk), Stubbs, George (1724-1806) / Bridgeman Images

Advert for Lloyds Bank, illustration from the 'South Bank Exhibition' catalogue, Festival of Britain, London, 1951 (colour litho)
Advert for Lloyds Bank, illustration from the 'South Bank Exhibition' catalogue, Festival of Britain, London, 1951 (colour litho)

REV253216: Advert for Lloyds Bank, illustration from the 'South Bank Exhibition' catalogue, Festival of Britain, London, 1951 (colour litho), English School, (20th century) / Bridgeman Images

The Return from the Walk, from 'Paul et Virginie' by Henri Bernardin de Saint-Pierre, 19th century (coloured engraving)
The Return from the Walk, from 'Paul et Virginie' by Henri Bernardin de Saint-Pierre, 19th century (coloured engraving)

XIR232890: The Return from the Walk, from 'Paul et Virginie' by Henri Bernardin de Saint-Pierre, 19th century (coloured engraving), French School, (19th century) / Bridgeman Images

Title page of 'Cinna ou la Clemence d'Auguste' by Pierre Corneille (1606-84) published in 1643 (b/w photo)
Title page of 'Cinna ou la Clemence d'Auguste' by Pierre Corneille (1606-84) published in 1643 (b/w photo)

CHT233215: Title page of 'Cinna ou la Clemence d'Auguste' by Pierre Corneille (1606-84) published in 1643 (b/w photo), French School, (17th century) / Bridgeman Images

Antoine Laurent Lavoisier (1743-94) and his wife Marie Anne Paulze (1758-1836) (heliogravure)
Antoine Laurent Lavoisier (1743-94) and his wife Marie Anne Paulze (1758-1836) (heliogravure)

XIR233249: Antoine Laurent Lavoisier (1743-94) and his wife Marie Anne Paulze (1758-1836) (heliogravure), Profit, Georges Ernest (b.1854) / Bridgeman Images

The rock-cut tomb of Artaxerxes I, c.466-464 BC, with a Sasanian relief below depicting Shapur I's victory over the Romans (photo)
The rock-cut tomb of Artaxerxes I, c.466-464 BC, with a Sasanian relief below depicting Shapur I's victory over the Romans (photo)

XIR233266: The rock-cut tomb of Artaxerxes I, c.466-464 BC, with a Sasanian relief below depicting Shapur I's victory over the Romans (photo), Achaemenid, (5th century BC) / Bridgeman Images


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