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Girl with Braided Hair, 1917 (oil on panel)
Girl with Braided Hair, 1917 (oil on panel)

MAA288060: Girl with Braided Hair, 1917 (oil on panel), Fejnberg, Leonid Evgenevich (1896-1980) / Bridgeman Images

ID: MAA288060

Girl with Braided Hair, 1917 (oil on panel)

Fejnberg, Leonid Evgenevich (1896-1980)

The First Balloon Ascent in England, 15th September 1784, from 'Wonderful Balloon Ascents or the Conquest of the Skies', by Fulgence Marion, published in c.1870 (litho)
The First Balloon Ascent in England, 15th September 1784, from 'Wonderful Balloon Ascents or the Conquest of the Skies', by Fulgence Marion, published in c.1870 (litho)

KWE288077: The First Balloon Ascent in England, 15th September 1784, from 'Wonderful Balloon Ascents or the Conquest of the Skies', by Fulgence Marion, published in c.1870 (litho), French School, (19th century) / Bridgeman Images

ID: KWE288077

The First Balloon Ascent in England, 15th September 1784, from 'Wonderful Balloon Ascents or the Conquest of the Skies', by Fulgence Marion, published in c.1870 (litho)

French School, (19th century)

World Map from Ptolomy's Geographia, from 'The Quest for Cathay', by Sir Percy Sykes, published 1936 (litho)
World Map from Ptolomy's Geographia, from 'The Quest for Cathay', by Sir Percy Sykes, published 1936 (litho)

KWE288084: World Map from Ptolomy's Geographia, from 'The Quest for Cathay', by Sir Percy Sykes, published 1936 (litho), English School, (20th century) / Bridgeman Images

ID: KWE288084

World Map from Ptolomy's Geographia, from 'The Quest for Cathay', by Sir Percy Sykes, published 1936 (litho)

English School, (20th century)

Ruined building (photo)
Ruined building (photo)

STF277725: Ruined building (photo), Totonec / Bridgeman Images

ID: STF277725

Ruined building (photo)

Totonec

Rear view of a Samoan Pe'a tattoo, 19th Century (photo)
Rear view of a Samoan Pe'a tattoo, 19th Century (photo)

DGC288155: Rear view of a Samoan Pe'a tattoo, 19th Century (photo) / Bridgeman Images

ID: DGC288155

Rear view of a Samoan Pe'a tattoo, 19th Century (photo)

Death comes for the Preacher, engraved by Georg Scharffenberg, from 'Der Todten Tanz', published Basel, 1843 (litho)
Death comes for the Preacher, engraved by Georg Scharffenberg, from 'Der Todten Tanz', published Basel, 1843 (litho)

KWE278023: Death comes for the Preacher, engraved by Georg Scharffenberg, from 'Der Todten Tanz', published Basel, 1843 (litho), Holbein the Younger, Hans (1497/8-1543) (after) / Bridgeman Images

ID: KWE278023

Death comes for the Preacher, engraved by Georg Scharffenberg, from 'Der Todten Tanz', published Basel, 1843 (litho)

Holbein the Younger, Hans (1497/8-1543) (after)

Death comes for the Unbelieving Husband, from 'Der Todten Tanz', published Basel, 1843 (litho)
Death comes for the Unbelieving Husband, from 'Der Todten Tanz', published Basel, 1843 (litho)

KWE278044: Death comes for the Unbelieving Husband, from 'Der Todten Tanz', published Basel, 1843 (litho) / Bridgeman Images

ID: KWE278044

Death comes for the Unbelieving Husband, from 'Der Todten Tanz', published Basel, 1843 (litho)

The Indivisible Happiness, 2001 (oil on linen)
The Indivisible Happiness, 2001 (oil on linen)

DIG278231: The Indivisible Happiness, 2001 (oil on linen), Walker, Deborah (b.1954) / Bridgeman Images

ID: DIG278231

The Indivisible Happiness, 2001 (oil on linen)

Walker, Deborah (b.1954)

James Prince Lee (1804-69) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)
James Prince Lee (1804-69) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

KWE266600: James Prince Lee (1804-69) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving), Mayall, John Jabez Edwin Paisley (1813-1901) (after) / Bridgeman Images

ID: KWE266600

James Prince Lee (1804-69) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

Mayall, John Jabez Edwin Paisley (1813-1901) (after)

John Singleton Copley (1772-1863) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)
John Singleton Copley (1772-1863) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

KWE266603: John Singleton Copley (1772-1863) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving), Mayall, John Jabez Edwin Paisley (1813-1901) (after) / Bridgeman Images

ID: KWE266603

John Singleton Copley (1772-1863) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

Mayall, John Jabez Edwin Paisley (1813-1901) (after)

David Roberts (1796-1864) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving) (see 266637 for detail)
David Roberts (1796-1864) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving) (see 266637 for detail)

KWE266636: David Roberts (1796-1864) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving) (see 266637 for detail), Mayall, John Jabez Edwin Paisley (1813-1901) (after) / Bridgeman Images

ID: KWE266636

David Roberts (1796-1864) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving) (see 266637 for detail)

Mayall, John Jabez Edwin Paisley (1813-1901) (after)

Henry Ward Beecher (1813-1887) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)
Henry Ward Beecher (1813-1887) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

KWE266647: Henry Ward Beecher (1813-1887) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving), Mayall, John Jabez Edwin Paisley (1813-1901) (after) / Bridgeman Images

ID: KWE266647

Henry Ward Beecher (1813-1887) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

Mayall, John Jabez Edwin Paisley (1813-1901) (after)

Plunging Through the Hedge, from 'Qualified Horses and Unqualified Riders', 1815 (colour engraving)
Plunging Through the Hedge, from 'Qualified Horses and Unqualified Riders', 1815 (colour engraving)

BSA266709: Plunging Through the Hedge, from 'Qualified Horses and Unqualified Riders', 1815 (colour engraving), Alken, Henry Thomas (1785-1851) / Bridgeman Images

ID: BSA266709

Plunging Through the Hedge, from 'Qualified Horses and Unqualified Riders', 1815 (colour engraving)

Alken, Henry Thomas (1785-1851)

Scrambling Over a Hedge, plate from 'The Right and The Wrong Sort', in Fores Hunting Sketches, engraved by John Harris, 1859 (colour litho)
Scrambling Over a Hedge, plate from 'The Right and The Wrong Sort', in Fores Hunting Sketches, engraved by John Harris, 1859 (colour litho)

BSA266734: Scrambling Over a Hedge, plate from 'The Right and The Wrong Sort', in Fores Hunting Sketches, engraved by John Harris, 1859 (colour litho), Alken, Henry Thomas (1785-1851) (after) / Bridgeman Images

ID: BSA266734

Scrambling Over a Hedge, plate from 'The Right and The Wrong Sort', in Fores Hunting Sketches, engraved by John Harris, 1859 (colour litho)

Alken, Henry Thomas (1785-1851) (after)

Title Page from, 'A Series of Eight Plates of Fox Hunting', dedicated to the Duke of Beaufort, engraved by Henry Alken (1785-1851), 1833 (hand coloured aquatint)
Title Page from, 'A Series of Eight Plates of Fox Hunting', dedicated to the Duke of Beaufort, engraved by Henry Alken (1785-1851), 1833 (hand coloured aquatint)

XYC266783: Title Page from, 'A Series of Eight Plates of Fox Hunting', dedicated to the Duke of Beaufort, engraved by Henry Alken (1785-1851), 1833 (hand coloured aquatint), Hodges, Walter Parry (1760-1845) (after) / Bridgeman Images

ID: XYC266783

Title Page from, 'A Series of Eight Plates of Fox Hunting', dedicated to the Duke of Beaufort, engraved by Henry Alken (1785-1851), 1833 (hand coloured aquatint)

Hodges, Walter Parry (1760-1845) (after)

A Nice Game for Two or More (oil on canvas)
A Nice Game for Two or More (oil on canvas)

BSA266805: A Nice Game for Two or More (oil on canvas), Leech, John (1817-64) / Bridgeman Images

ID: BSA266805

A Nice Game for Two or More (oil on canvas)

Leech, John (1817-64)

The Storming of Magdala, on Easter Sunday, 13th April 1868, from 'The British Expedition to Abyssinia', 1868 (engraving)
The Storming of Magdala, on Easter Sunday, 13th April 1868, from 'The British Expedition to Abyssinia', 1868 (engraving)

ILN288763: The Storming of Magdala, on Easter Sunday, 13th April 1868, from 'The British Expedition to Abyssinia', 1868 (engraving), English School, (19th century) / Bridgeman Images

ID: ILN288763

The Storming of Magdala, on Easter Sunday, 13th April 1868, from 'The British Expedition to Abyssinia', 1868 (engraving)

English School, (19th century)

Architectural fragment with carved decoration, Sertius Market, High Imperial Period (27 BC-395 AD)
Architectural fragment with carved decoration, Sertius Market, High Imperial Period (27 BC-395 AD)

GDG267023: Architectural fragment with carved decoration, Sertius Market, High Imperial Period (27 BC-395 AD), Roman Imperial Period (27 BC-476 AD) / Bridgeman Images

ID: GDG267023

Architectural fragment with carved decoration, Sertius Market, High Imperial Period (27 BC-395 AD)

Roman Imperial Period (27 BC-476 AD)

Stela with human figures, High Imperial Period (27 BC-395 AD) (stone)
Stela with human figures, High Imperial Period (27 BC-395 AD) (stone)

GDG267043: Stela with human figures, High Imperial Period (27 BC-395 AD) (stone), Roman Imperial Period (27 BC-476 AD) / Bridgeman Images

ID: GDG267043

Stela with human figures, High Imperial Period (27 BC-395 AD) (stone)

Roman Imperial Period (27 BC-476 AD)

Card, arch and Venus temple (on the left), High Imperial Period (27 BC-395 AD)
Card, arch and Venus temple (on the left), High Imperial Period (27 BC-395 AD)

GDG267061: Card, arch and Venus temple (on the left), High Imperial Period (27 BC-395 AD), Roman Imperial Period (27 BC-476 AD) / Bridgeman Images

ID: GDG267061

Card, arch and Venus temple (on the left), High Imperial Period (27 BC-395 AD)

Roman Imperial Period (27 BC-476 AD)

View of the port
View of the port

GDG267075: View of the port / Bridgeman Images

ID: GDG267075

View of the port

The Long Boat of the Messenger attacked by Natives (w/c)
The Long Boat of the Messenger attacked by Natives (w/c)

XCF285112: The Long Boat of the Messenger attacked by Natives (w/c), Baines, Thomas (1820-75) / Bridgeman Images

ID: XCF285112

The Long Boat of the Messenger attacked by Natives (w/c)

Baines, Thomas (1820-75)

Christ Disputing with the Doctors, c.1660's (oil on canvas)
Christ Disputing with the Doctors, c.1660's (oil on canvas)

XCF285137: Christ Disputing with the Doctors, c.1660's (oil on canvas), Preti, Gregorio (c.1603-72) / Bridgeman Images

ID: XCF285137

Christ Disputing with the Doctors, c.1660's (oil on canvas)

Preti, Gregorio (c.1603-72)

Map of the Strait of Magellan, plate from Oliver van Noort's description of his voyage, 1602 (engraving)
Map of the Strait of Magellan, plate from Oliver van Noort's description of his voyage, 1602 (engraving)

HKL274801: Map of the Strait of Magellan, plate from Oliver van Noort's description of his voyage, 1602 (engraving), Dutch School, (17th century) / Bridgeman Images

ID: HKL274801

Map of the Strait of Magellan, plate from Oliver van Noort's description of his voyage, 1602 (engraving)

Dutch School, (17th century)

Frontspiece to C. Theophilus' 'Cometen, Propheten', 1665 (woodcut)
Frontspiece to C. Theophilus' 'Cometen, Propheten', 1665 (woodcut)

HKL274813: Frontspiece to C. Theophilus' 'Cometen, Propheten', 1665 (woodcut), German School, (17th century) / Bridgeman Images

ID: HKL274813

Frontspiece to C. Theophilus' 'Cometen, Propheten', 1665 (woodcut)

German School, (17th century)

'Cowards.....France will not forget', 1944 (colour litho)
'Cowards.....France will not forget', 1944 (colour litho)

CHT285270: 'Cowards.....France will not forget', 1944 (colour litho), French School, (20th century) / Bridgeman Images

ID: CHT285270

'Cowards.....France will not forget', 1944 (colour litho)

French School, (20th century)

Title page of the 'Eschengruedel' by J. Geiler von Kaiserberg, 1510 (woodcut)
Title page of the 'Eschengruedel' by J. Geiler von Kaiserberg, 1510 (woodcut)

HKL274829: Title page of the 'Eschengruedel' by J. Geiler von Kaiserberg, 1510 (woodcut), German School, (16th century) / Bridgeman Images

ID: HKL274829

Title page of the 'Eschengruedel' by J. Geiler von Kaiserberg, 1510 (woodcut)

German School, (16th century)

Crowd observing a comet in 1682 (engraving)
Crowd observing a comet in 1682 (engraving)

HKL274852: Crowd observing a comet in 1682 (engraving), German School, (17th century) / Bridgeman Images

ID: HKL274852

Crowd observing a comet in 1682 (engraving)

German School, (17th century)

William Jay, engraved by W. Holl, from 'The National Portrait Gallery, Volume IV', published c.1820 (litho)
William Jay, engraved by W. Holl, from 'The National Portrait Gallery, Volume IV', published c.1820 (litho)

KWE285362: William Jay, engraved by W. Holl, from 'The National Portrait Gallery, Volume IV', published c.1820 (litho), Evans, Richard (1784-1871) (after) / Bridgeman Images

ID: KWE285362

William Jay, engraved by W. Holl, from 'The National Portrait Gallery, Volume IV', published c.1820 (litho)

Evans, Richard (1784-1871) (after)

Title page of an Atlas, published by J. & W. Blaeu, Amsterdam, 1642 (hand- coloured engraving)
Title page of an Atlas, published by J. & W. Blaeu, Amsterdam, 1642 (hand- coloured engraving)

HKL274857: Title page of an Atlas, published by J. & W. Blaeu, Amsterdam, 1642 (hand- coloured engraving), Dutch School, (17th century) / Bridgeman Images

ID: HKL274857

Title page of an Atlas, published by J. & W. Blaeu, Amsterdam, 1642 (hand- coloured engraving)

Dutch School, (17th century)

Proportions of a Man, 1575 (woodcut)
Proportions of a Man, 1575 (woodcut)

HKL274859: Proportions of a Man, 1575 (woodcut), Swiss School, (16th century) / Bridgeman Images

ID: HKL274859

Proportions of a Man, 1575 (woodcut)

Swiss School, (16th century)

Farmyard near Sorrento, 1827 (oil on canvas)
Farmyard near Sorrento, 1827 (oil on canvas)

LNT274863: Farmyard near Sorrento, 1827 (oil on canvas), Goetzloff, Carl Wilhelm (1799-1866) / Bridgeman Images

ID: LNT274863

Farmyard near Sorrento, 1827 (oil on canvas)

Goetzloff, Carl Wilhelm (1799-1866)

A Chemical Laboratory, from 'Pyrosophia' by J.C. Barchusen, 1698 (engraving)
A Chemical Laboratory, from 'Pyrosophia' by J.C. Barchusen, 1698 (engraving)

HKL274888: A Chemical Laboratory, from 'Pyrosophia' by J.C. Barchusen, 1698 (engraving), German School, (17th century) / Bridgeman Images

ID: HKL274888

A Chemical Laboratory, from 'Pyrosophia' by J.C. Barchusen, 1698 (engraving)

German School, (17th century)

The Awful Fight between Theseus and the Minotaur, from 'Myths from Many Lands', published 1912 (litho)
The Awful Fight between Theseus and the Minotaur, from 'Myths from Many Lands', published 1912 (litho)

KWE285469: The Awful Fight between Theseus and the Minotaur, from 'Myths from Many Lands', published 1912 (litho), Edwards, George Wharton (1859-1950) / Bridgeman Images

ID: KWE285469

The Awful Fight between Theseus and the Minotaur, from 'Myths from Many Lands', published 1912 (litho)

Edwards, George Wharton (1859-1950)

Tea Caddy in the Chinese manner depicting a porter and a lady carrying a teapot (metal)
Tea Caddy in the Chinese manner depicting a porter and a lady carrying a teapot (metal)

CHT274909: Tea Caddy in the Chinese manner depicting a porter and a lady carrying a teapot (metal), European School, (19th century) / Bridgeman Images

ID: CHT274909

Tea Caddy in the Chinese manner depicting a porter and a lady carrying a teapot (metal)

European School, (19th century)

Labels for Camembert and Coulommiers Cheeses, c.1889 (colour litho)
Labels for Camembert and Coulommiers Cheeses, c.1889 (colour litho)

CHT274914: Labels for Camembert and Coulommiers Cheeses, c.1889 (colour litho), French School, (19th century) / Bridgeman Images

ID: CHT274914

Labels for Camembert and Coulommiers Cheeses, c.1889 (colour litho)

French School, (19th century)


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