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2502208 Search Results

Box in the shape of a lion, from Thuringen (wood)
Box in the shape of a lion, from Thuringen (wood)

GNM284517: Box in the shape of a lion, from Thuringen (wood), German School, (13th century) / Bridgeman Images

ID: GNM284517

Box in the shape of a lion, from Thuringen (wood)

German School, (13th century)

Ramsay's discharge tubes for the noble gases (glass)
Ramsay's discharge tubes for the noble gases (glass)

UCL273800: Ramsay's discharge tubes for the noble gases (glass), English School / Bridgeman Images

ID: UCL273800

Ramsay's discharge tubes for the noble gases (glass)

English School

Comb from Samoa or Tonga, hair pin from the Malay Peninsula, comb from Samoa, comb from the Malay Peninsula and comb from the Solomon Islands
Comb from Samoa or Tonga, hair pin from the Malay Peninsula, comb from Samoa, comb from the Malay Peninsula and comb from the Solomon Islands

UCL273803: Comb from Samoa or Tonga, hair pin from the Malay Peninsula, comb from Samoa, comb from the Malay Peninsula and comb from the Solomon Islands, Oceanic / Bridgeman Images

ID: UCL273803

Comb from Samoa or Tonga, hair pin from the Malay Peninsula, comb from Samoa, comb from the Malay Peninsula and comb from the Solomon Islands

Oceanic

View of Lake Averno (litho)
View of Lake Averno (litho)

UCL273823: View of Lake Averno (litho), Homer, F. (18th-19th century) / Bridgeman Images

ID: UCL273823

View of Lake Averno (litho)

Homer, F. (18th-19th century)

The Mount of Olives, Jerusalem, from 'The Imperial Bible Dictionary', published by Blackie & Son, c.1880s (litho)
The Mount of Olives, Jerusalem, from 'The Imperial Bible Dictionary', published by Blackie & Son, c.1880s (litho)

KWE284704: The Mount of Olives, Jerusalem, from 'The Imperial Bible Dictionary', published by Blackie & Son, c.1880s (litho), Bartlett, William Henry (1809-54) / Bridgeman Images

ID: KWE284704

The Mount of Olives, Jerusalem, from 'The Imperial Bible Dictionary', published by Blackie & Son, c.1880s (litho)

Bartlett, William Henry (1809-54)

Azurite and malachite, from the Kamareza Mines, Attiki, Greece (detail of 273850)
Azurite and malachite, from the Kamareza Mines, Attiki, Greece (detail of 273850)

UCL273848: Azurite and malachite, from the Kamareza Mines, Attiki, Greece (detail of 273850) / Bridgeman Images

ID: UCL273848

Azurite and malachite, from the Kamareza Mines, Attiki, Greece (detail of 273850)

Juvenile African elephant skull (bone)
Juvenile African elephant skull (bone)

UCL273866: Juvenile African elephant skull (bone) / Bridgeman Images

ID: UCL273866

Juvenile African elephant skull (bone)

A Study of a Female Figure, 1952 (chalk on paper)
A Study of a Female Figure, 1952 (chalk on paper)

UCL273991: A Study of a Female Figure, 1952 (chalk on paper), Young, Rosemary (fl.1952) / Bridgeman Images

ID: UCL273991

A Study of a Female Figure, 1952 (chalk on paper)

Young, Rosemary (fl.1952)

Temple of the avalanching god, Mayan post classical period (photo)
Temple of the avalanching god, Mayan post classical period (photo)

STF277745: Temple of the avalanching god, Mayan post classical period (photo), Mayan / Bridgeman Images

ID: STF277745

Temple of the avalanching god, Mayan post classical period (photo)

Mayan

Step Pyramid, Mayan classical period (photo)
Step Pyramid, Mayan classical period (photo)

STF277764: Step Pyramid, Mayan classical period (photo), Mayan / Bridgeman Images

ID: STF277764

Step Pyramid, Mayan classical period (photo)

Mayan

Prince Arthur William Patrick, Duke of Connaught and Strathearn, engraved by C. Laurie, from 'The History of Freemasonry, volume I', published by Thomas C. Jack, London, 1883 (litho)
Prince Arthur William Patrick, Duke of Connaught and Strathearn, engraved by C. Laurie, from 'The History of Freemasonry, volume I', published by Thomas C. Jack, London, 1883 (litho)

KWE277979: Prince Arthur William Patrick, Duke of Connaught and Strathearn, engraved by C. Laurie, from 'The History of Freemasonry, volume I', published by Thomas C. Jack, London, 1883 (litho), English School, (19th century) / Bridgeman Images

ID: KWE277979

Prince Arthur William Patrick, Duke of Connaught and Strathearn, engraved by C. Laurie, from 'The History of Freemasonry, volume I', published by Thomas C. Jack, London, 1883 (litho)

English School, (19th century)

Mars wooing a young lady, from 'La Vie Parisienne', 29th October 1921 (print)
Mars wooing a young lady, from 'La Vie Parisienne', 29th October 1921 (print)

DGC288166: Mars wooing a young lady, from 'La Vie Parisienne', 29th October 1921 (print), Kuhn-Regnier, Joseph (1873-1940) / Bridgeman Images

ID: DGC288166

Mars wooing a young lady, from 'La Vie Parisienne', 29th October 1921 (print)

Kuhn-Regnier, Joseph (1873-1940)

By the Christmas Fire, illustration from 'The Bayonet-Poker' by Samuel McChord Crothers, 1908 (litho)
By the Christmas Fire, illustration from 'The Bayonet-Poker' by Samuel McChord Crothers, 1908 (litho)

DGC288171: By the Christmas Fire, illustration from 'The Bayonet-Poker' by Samuel McChord Crothers, 1908 (litho), Bassett Comstock, Frances (fl.1908) / Bridgeman Images

ID: DGC288171

By the Christmas Fire, illustration from 'The Bayonet-Poker' by Samuel McChord Crothers, 1908 (litho)

Bassett Comstock, Frances (fl.1908)

The Bay of Naples (w/c on paper)
The Bay of Naples (w/c on paper)

AGN266300: The Bay of Naples (w/c on paper), Palmer, Samuel (1805-81) / Bridgeman Images

ID: AGN266300

The Bay of Naples (w/c on paper)

Palmer, Samuel (1805-81)

Perspective View of Hampton Court Bridge Crossing the River Thames, engraved by Charles Grignion (1717-1810) c.1754 (coloured engraving)
Perspective View of Hampton Court Bridge Crossing the River Thames, engraved by Charles Grignion (1717-1810) c.1754 (coloured engraving)

GHL266308: Perspective View of Hampton Court Bridge Crossing the River Thames, engraved by Charles Grignion (1717-1810) c.1754 (coloured engraving), Heckel, Augustin (c.1699-1746) (after) / Bridgeman Images

ID: GHL266308

Perspective View of Hampton Court Bridge Crossing the River Thames, engraved by Charles Grignion (1717-1810) c.1754 (coloured engraving)

Heckel, Augustin (c.1699-1746) (after)

Kliment Voroshilov (1881-1969) on Manoeuvres, 1932 (oil on canvas)
Kliment Voroshilov (1881-1969) on Manoeuvres, 1932 (oil on canvas)

XAB266312: Kliment Voroshilov (1881-1969) on Manoeuvres, 1932 (oil on canvas), Svarog, Vasily Semyonovich (1883-1946) / Bridgeman Images

ID: XAB266312

Kliment Voroshilov (1881-1969) on Manoeuvres, 1932 (oil on canvas)

Svarog, Vasily Semyonovich (1883-1946)

Sir Henry Singer Keating (1804-88) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)
Sir Henry Singer Keating (1804-88) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

KWE266367: Sir Henry Singer Keating (1804-88) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving), Mayall, John Jabez Edwin Paisley (1813-1901) (after) / Bridgeman Images

ID: KWE266367

Sir Henry Singer Keating (1804-88) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

Mayall, John Jabez Edwin Paisley (1813-1901) (after)

Nicholas Patrick Wiseman (1802-65) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)
Nicholas Patrick Wiseman (1802-65) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

KWE266390: Nicholas Patrick Wiseman (1802-65) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving), Mayall, John Jabez Edwin Paisley (1813-1901) (after) / Bridgeman Images

ID: KWE266390

Nicholas Patrick Wiseman (1802-65) engraved by D.J. Pound from a photograph, from 'The Drawing-Room of Eminent Personages, Volume 2', published in London, 1860 (engraving)

Mayall, John Jabez Edwin Paisley (1813-1901) (after)

Proof of Bottom, from The Pytchley Hunt, engraved by F. Jukes (1745-1812), 1790 (colour litho)
Proof of Bottom, from The Pytchley Hunt, engraved by F. Jukes (1745-1812), 1790 (colour litho)

BSA266457: Proof of Bottom, from The Pytchley Hunt, engraved by F. Jukes (1745-1812), 1790 (colour litho), Smith, Charles Lorraine (1751-1835) (after) / Bridgeman Images

ID: BSA266457

Proof of Bottom, from The Pytchley Hunt, engraved by F. Jukes (1745-1812), 1790 (colour litho)

Smith, Charles Lorraine (1751-1835) (after)

Pair of Draught Horses (bronze)
Pair of Draught Horses (bronze)

BSA266497: Pair of Draught Horses (bronze), Brown, Cecil (1867-1926) / Bridgeman Images

ID: BSA266497

Pair of Draught Horses (bronze)

Brown, Cecil (1867-1926)

Need to Know, 2006 (human skull, Russian jet & ivory) (see also 266576-577)
Need to Know, 2006 (human skull, Russian jet & ivory) (see also 266576-577)

SGR266575: Need to Know, 2006 (human skull, Russian jet & ivory) (see also 266576-577), Gregory, Steven (b.1952) / Bridgeman Images

ID: SGR266575

Need to Know, 2006 (human skull, Russian jet & ivory) (see also 266576-577)

Gregory, Steven (b.1952)

Seal of the Masons of Strasbourg, 1524, from 'The History of Freemasonry, volume II', published by Thomas C. Jack, London, 1883 (litho)
Seal of the Masons of Strasbourg, 1524, from 'The History of Freemasonry, volume II', published by Thomas C. Jack, London, 1883 (litho)

KWE277994: Seal of the Masons of Strasbourg, 1524, from 'The History of Freemasonry, volume II', published by Thomas C. Jack, London, 1883 (litho), English School, (19th century) / Bridgeman Images

ID: KWE277994

Seal of the Masons of Strasbourg, 1524, from 'The History of Freemasonry, volume II', published by Thomas C. Jack, London, 1883 (litho)

English School, (19th century)

Masonic seal of the Grand Lodge of All England, York, c.1766, from 'The History of Freemasonry, volume II', published by Thomas C. Jack, London, 1883 (litho)
Masonic seal of the Grand Lodge of All England, York, c.1766, from 'The History of Freemasonry, volume II', published by Thomas C. Jack, London, 1883 (litho)

KWE278007: Masonic seal of the Grand Lodge of All England, York, c.1766, from 'The History of Freemasonry, volume II', published by Thomas C. Jack, London, 1883 (litho), English School, (19th century) / Bridgeman Images

ID: KWE278007

Masonic seal of the Grand Lodge of All England, York, c.1766, from 'The History of Freemasonry, volume II', published by Thomas C. Jack, London, 1883 (litho)

English School, (19th century)

View of the kasbah (photo)
View of the kasbah (photo)

GDG267098: View of the kasbah (photo) / Bridgeman Images

ID: GDG267098

View of the kasbah (photo)

The so-called Protestant Reformed religion in desperate straits, 1684 (engraving) (b/w photo)
The so-called Protestant Reformed religion in desperate straits, 1684 (engraving) (b/w photo)

CHT267168: The so-called Protestant Reformed religion in desperate straits, 1684 (engraving) (b/w photo), French School, (17th century) / Bridgeman Images

ID: CHT267168

The so-called Protestant Reformed religion in desperate straits, 1684 (engraving) (b/w photo)

French School, (17th century)

The Canadian Pavilion at the Universal Exhibition of 1900, Paris, illustration from 'Le Petit Journal', 11th November 1900 (colour litho)
The Canadian Pavilion at the Universal Exhibition of 1900, Paris, illustration from 'Le Petit Journal', 11th November 1900 (colour litho)

XIR267180: The Canadian Pavilion at the Universal Exhibition of 1900, Paris, illustration from 'Le Petit Journal', 11th November 1900 (colour litho), French School, (20th century) / Bridgeman Images

ID: XIR267180

The Canadian Pavilion at the Universal Exhibition of 1900, Paris, illustration from 'Le Petit Journal', 11th November 1900 (colour litho)

French School, (20th century)

Tom, Tom, the Pipers Son, from 'Nursery Rhymes', designed and illustrated by H.H. Harris, published by Success Series, London (colour litho)
Tom, Tom, the Pipers Son, from 'Nursery Rhymes', designed and illustrated by H.H. Harris, published by Success Series, London (colour litho)

IL288800: Tom, Tom, the Pipers Son, from 'Nursery Rhymes', designed and illustrated by H.H. Harris, published by Success Series, London (colour litho), Harris, H.H. (20th Century) / Bridgeman Images

ID: IL288800

Tom, Tom, the Pipers Son, from 'Nursery Rhymes', designed and illustrated by H.H. Harris, published by Success Series, London (colour litho)

Harris, H.H. (20th Century)

Mother goat and her little ones, illustration from 'Once Upon a Time' published by Ernest Mister, c.1900 (colour litho)
Mother goat and her little ones, illustration from 'Once Upon a Time' published by Ernest Mister, c.1900 (colour litho)

IL288832: Mother goat and her little ones, illustration from 'Once Upon a Time' published by Ernest Mister, c.1900 (colour litho), Thompson, George Henry (1853-1933) / Bridgeman Images

ID: IL288832

Mother goat and her little ones, illustration from 'Once Upon a Time' published by Ernest Mister, c.1900 (colour litho)

Thompson, George Henry (1853-1933)

Senuhet Slays the Warrior of Tonu, illustration from 'Egyptian Myth and Legend', published by the Gresham Publishing, Co. (colour litho)
Senuhet Slays the Warrior of Tonu, illustration from 'Egyptian Myth and Legend', published by the Gresham Publishing, Co. (colour litho)

IL288848: Senuhet Slays the Warrior of Tonu, illustration from 'Egyptian Myth and Legend', published by the Gresham Publishing, Co. (colour litho), Greiffenhagen, Maurice (1862-1931) / Bridgeman Images

ID: IL288848

Senuhet Slays the Warrior of Tonu, illustration from 'Egyptian Myth and Legend', published by the Gresham Publishing, Co. (colour litho)

Greiffenhagen, Maurice (1862-1931)

Portrait of Miss Bennett, mid-1780s (pastel on paper)
Portrait of Miss Bennett, mid-1780s (pastel on paper)

MOU288923: Portrait of Miss Bennett, mid-1780s (pastel on paper), Lawrence, Thomas (1769-1830) / Bridgeman Images

ID: MOU288923

Portrait of Miss Bennett, mid-1780s (pastel on paper)

Lawrence, Thomas (1769-1830)

Oxcart in the Grotto at Posillipo, c.1770 (w/c over graphite on paper)
Oxcart in the Grotto at Posillipo, c.1770 (w/c over graphite on paper)

XYC288945: Oxcart in the Grotto at Posillipo, c.1770 (w/c over graphite on paper), Marlow, William (1740-1813) / Bridgeman Images

ID: XYC288945

Oxcart in the Grotto at Posillipo, c.1770 (w/c over graphite on paper)

Marlow, William (1740-1813)

Tree Study, c.1800-05 (w/c over graphite on paper)
Tree Study, c.1800-05 (w/c over graphite on paper)

XYC288948: Tree Study, c.1800-05 (w/c over graphite on paper), Hills, Robert (1769-1844) / Bridgeman Images

ID: XYC288948

Tree Study, c.1800-05 (w/c over graphite on paper)

Hills, Robert (1769-1844)

Portrait of a man, known as the 'Indian Captain', c.1767 (oil on canvas)
Portrait of a man, known as the 'Indian Captain', c.1767 (oil on canvas)

XYC288959: Portrait of a man, known as the 'Indian Captain', c.1767 (oil on canvas), Wright of Derby, Joseph (1734-97) / Bridgeman Images

ID: XYC288959

Portrait of a man, known as the 'Indian Captain', c.1767 (oil on canvas)

Wright of Derby, Joseph (1734-97)

A View of the Tiber with Rome in the Distance, c.1770-80 (oil on canvas)
A View of the Tiber with Rome in the Distance, c.1770-80 (oil on canvas)

XYC288961: A View of the Tiber with Rome in the Distance, c.1770-80 (oil on canvas), Wilson, Richard (1713/14-82) / Bridgeman Images

ID: XYC288961

A View of the Tiber with Rome in the Distance, c.1770-80 (oil on canvas)

Wilson, Richard (1713/14-82)

Groves of Versailles. View of the water parterre and the cabinets of animals, with priestesses preparing a sacrifice for Venus (oil on canvas)
Groves of Versailles. View of the water parterre and the cabinets of animals, with priestesses preparing a sacrifice for Venus (oil on canvas)

XIR288983: Groves of Versailles. View of the water parterre and the cabinets of animals, with priestesses preparing a sacrifice for Venus (oil on canvas), Cotelle, Jean the Younger (1642-1708) / Bridgeman Images

ID: XIR288983

Groves of Versailles. View of the water parterre and the cabinets of animals, with priestesses preparing a sacrifice for Venus (oil on canvas)

Cotelle, Jean the Younger (1642-1708)

Drawing of the three eldest children of Charles I, after Sir Anthony van Dyck (red chalk on paper)
Drawing of the three eldest children of Charles I, after Sir Anthony van Dyck (red chalk on paper)

MOU289001: Drawing of the three eldest children of Charles I, after Sir Anthony van Dyck (red chalk on paper), English School, (17th century) / Bridgeman Images

ID: MOU289001

Drawing of the three eldest children of Charles I, after Sir Anthony van Dyck (red chalk on paper)

English School, (17th century)


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