FIT264457:
False door from the tomb of Hemi-Re, Priestess of Hathor (limestone with pigment), Egyptian, First Intermediate Period (c.2125-1975 BC) / Bridgeman Images
ID: FIT264457
False door from the tomb of Hemi-Re, Priestess of Hathor (limestone with pigment)
Egyptian, First Intermediate Period (c.2125-1975 BC)
OFW265000:
Studio Interior (oil on canvas), Gilman, Harold (1876-1919) / Bridgeman Images
ID: OFW265000
Studio Interior (oil on canvas)
Gilman, Harold (1876-1919)
OFW265016:
Bathers Resting, c.1936 (oil on canvas), Meninsky, Bernard (1891-1950) / Bridgeman Images
ID: OFW265016
Bathers Resting, c.1936 (oil on canvas)
Meninsky, Bernard (1891-1950)
AGN265320:
Turkish Girl (w/c on paper), Boyce, George Price (1826-97) / Bridgeman Images
ID: AGN265320
Turkish Girl (w/c on paper)
Boyce, George Price (1826-97)
AGN265332:
Landscape with a Horse (w/c on paper), Evans, William (of Bristol) (1809-58) / Bridgeman Images
ID: AGN265332
Landscape with a Horse (w/c on paper)
Evans, William (of Bristol) (1809-58)
JHN265762:
Florida State Cheerleaders, 2002 (oil on canvas), Nelson, Joe Heaps / Bridgeman Images
ID: JHN265762
Florida State Cheerleaders, 2002 (oil on canvas)
Nelson, Joe Heaps
JHN265765:
East, 2002 (oil on panel), Nelson, Joe Heaps / Bridgeman Images
ID: JHN265765
East, 2002 (oil on panel)
Nelson, Joe Heaps
BSA266142:
Sir George Hampton and Family, c.1738 (oil on panel), Slaughter, Stephen (1697-1765) / Bridgeman Images
ID: BSA266142
Sir George Hampton and Family, c.1738 (oil on panel)
Slaughter, Stephen (1697-1765)
BSA266147:
Going Out in the Morning, engraved by P.C. Canot (coloured engraving), Seymour, James (c.1702-52) (after) / Bridgeman Images
ID: BSA266147
Going Out in the Morning, engraved by P.C. Canot (coloured engraving)
BSA266165:
John Porter (coloured lithograph), Ward, Leslie Matthew (Spy) (1851-1922) / Bridgeman Images
ID: BSA266165
John Porter (coloured lithograph)
Ward, Leslie Matthew (Spy) (1851-1922)
BSA266457:
Proof of Bottom, from The Pytchley Hunt, engraved by F. Jukes (1745-1812), 1790 (colour litho), Smith, Charles Lorraine (1751-1835) (after) / Bridgeman Images
ID: BSA266457
Proof of Bottom, from The Pytchley Hunt, engraved by F. Jukes (1745-1812), 1790 (colour litho)
Smith, Charles Lorraine (1751-1835) (after)
BSA266488:
Foxhunting, plate 2, engraved by Thomas Sutherland (1785-1838) 1817 (colour litho), Wolstenholme, Dean Snr. (1757-1837) (after) / Bridgeman Images
ID: BSA266488
Foxhunting, plate 2, engraved by Thomas Sutherland (1785-1838) 1817 (colour litho)
Wolstenholme, Dean Snr. (1757-1837) (after)
BSA266495:
Hunting, engraved by J. Wright, 1794 (coloured engraving), Morland, George (1763-1804) (after) / Bridgeman Images
ID: BSA266495
Hunting, engraved by J. Wright, 1794 (coloured engraving)
Morland, George (1763-1804) (after)
BSA266704:
Champing at the Bit, from 'Qualified Horses and Unqualified Riders', 1815 (colour engraving), Alken, Henry Thomas (1785-1851) / Bridgeman Images
ID: BSA266704
Champing at the Bit, from 'Qualified Horses and Unqualified Riders', 1815 (colour engraving)
Alken, Henry Thomas (1785-1851)
BSA266709:
Plunging Through the Hedge, from 'Qualified Horses and Unqualified Riders', 1815 (colour engraving), Alken, Henry Thomas (1785-1851) / Bridgeman Images
ID: BSA266709
Plunging Through the Hedge, from 'Qualified Horses and Unqualified Riders', 1815 (colour engraving)