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Cafe con leche caliente (after Goya) (gouache on gesso painted board)
Cafe con leche caliente (after Goya) (gouache on gesso painted board)

GA221287: Cafe con leche caliente (after Goya) (gouache on gesso painted board), Adamson, George (1913-2005) / Bridgeman Images

Vase of Flowers, c.1927 (gouache and w/c on paper)
Vase of Flowers, c.1927 (gouache and w/c on paper)

SHU221779: Vase of Flowers, c.1927 (gouache and w/c on paper), John, Gwen (1876-1939) / Bridgeman Images

The Effusions of a Troubled Brain, or Evil Communications Corrupt Good Manners, published by G. Humphrey, 1821 (coloured etching)
The Effusions of a Troubled Brain, or Evil Communications Corrupt Good Manners, published by G. Humphrey, 1821 (coloured etching)

GHL222100: The Effusions of a Troubled Brain, or Evil Communications Corrupt Good Manners, published by G. Humphrey, 1821 (coloured etching), Lane, Theodore (1800-28) / Bridgeman Images

He and His Drunken Companions Raise a Riot in Covent Garden, 1735 (engraving)
He and His Drunken Companions Raise a Riot in Covent Garden, 1735 (engraving)

GHL222101: He and His Drunken Companions Raise a Riot in Covent Garden, 1735 (engraving), English School, (18th century) / Bridgeman Images

Perseus and Andromeda, c.1600 (oil on canvas)
Perseus and Andromeda, c.1600 (oil on canvas)

FJJ258955: Perseus and Andromeda, c.1600 (oil on canvas), Clerck, Hendrik de (1570-1629) / Bridgeman Images

The Medicine Maker (oil on canvas)
The Medicine Maker (oil on canvas)

FJJ258964: The Medicine Maker (oil on canvas), Couse, Eanger Irving (1866-1936) / Bridgeman Images

Ganymede (oil on canvas)
Ganymede (oil on canvas)

FJJ258991: Ganymede (oil on canvas), Passignano, Domenico Cresti (c.1560-1636) / Bridgeman Images

View of the standing stones a Menec, Megalithic Period (photo)
View of the standing stones a Menec, Megalithic Period (photo)

NUM259005: View of the standing stones a Menec, Megalithic Period (photo) / Bridgeman Images

Fountain Decoration (ceramic)
Fountain Decoration (ceramic)

KW259036: Fountain Decoration (ceramic) / Bridgeman Images

Study of Roses (w/c on paper)
Study of Roses (w/c on paper)

FJJ259333: Study of Roses (w/c on paper), Weir, Julian Alden (1852-1919) / Bridgeman Images

Classroom of a Native American school, 1786 (litho)
Classroom of a Native American school, 1786 (litho)

NBY259410: Classroom of a Native American school, 1786 (litho), Peachey, James (fl.1780-87) / Bridgeman Images

Front cover for 'Oh that Navajo Rag' by Williams and Van Alstyne, c.1912 (colour litho)
Front cover for 'Oh that Navajo Rag' by Williams and Van Alstyne, c.1912 (colour litho)

NBY259422: Front cover for 'Oh that Navajo Rag' by Williams and Van Alstyne, c.1912 (colour litho), American School, (20th century) / Bridgeman Images

View of the Canterbury and Whitstable Railway from Church Street Taken on the Opening Day, May 3rd 1830 (colour litho)
View of the Canterbury and Whitstable Railway from Church Street Taken on the Opening Day, May 3rd 1830 (colour litho)

NRM259558: View of the Canterbury and Whitstable Railway from Church Street Taken on the Opening Day, May 3rd 1830 (colour litho), Baynes, Thomas Mann (1794-1854) / Bridgeman Images

Opposition Telegraphs, or The Little Second Sighted Lawyer Giving a True Specimen of Patriotic Information, 21st June 1798 (coloured engraving)
Opposition Telegraphs, or The Little Second Sighted Lawyer Giving a True Specimen of Patriotic Information, 21st June 1798 (coloured engraving)

NRM259570: Opposition Telegraphs, or The Little Second Sighted Lawyer Giving a True Specimen of Patriotic Information, 21st June 1798 (coloured engraving), Gillray, James (1757-1815) / Bridgeman Images

The Fireworks Place, Prater, c.1802 (coloured engraving)
The Fireworks Place, Prater, c.1802 (coloured engraving)

NRM259587: The Fireworks Place, Prater, c.1802 (coloured engraving), German School, (19th century) / Bridgeman Images

Poster advertising the 'Almanach Prophetique', 1851 (colour litho)
Poster advertising the 'Almanach Prophetique', 1851 (colour litho)

NRM259591: Poster advertising the 'Almanach Prophetique', 1851 (colour litho), French School, (19th century) / Bridgeman Images

A View of Chelsea Water Works, 1750 (coloured engraving)
A View of Chelsea Water Works, 1750 (coloured engraving)

NRM260213: A View of Chelsea Water Works, 1750 (coloured engraving), Boydell, John (1719-1804) / Bridgeman Images

Factory Children, from `The Costume of Yorkshire' engraved by Robert Havell (1769-1832) 1814 (hand coloured aquatint)
Factory Children, from `The Costume of Yorkshire' engraved by Robert Havell (1769-1832) 1814 (hand coloured aquatint)

NRM260221: Factory Children, from `The Costume of Yorkshire' engraved by Robert Havell (1769-1832) 1814 (hand coloured aquatint), Walker, George (fl.1803-15) (after) / Bridgeman Images

Amusement, from 'Domestic Fowls' in 'Graphic Illustrations of Animals - Showing Their Utility to Man in Their Employment During Life and Uses After Death', c.1845 (colour litho)
Amusement, from 'Domestic Fowls' in 'Graphic Illustrations of Animals - Showing Their Utility to Man in Their Employment During Life and Uses After Death', c.1845 (colour litho)

NRM260232: Amusement, from 'Domestic Fowls' in 'Graphic Illustrations of Animals - Showing Their Utility to Man in Their Employment During Life and Uses After Death', c.1845 (colour litho), Hawkins, Benjamin Waterhouse (fl.1832-50) / Bridgeman Images

Japanning, from 'The Cochineal and Lac Insects' in 'Graphic Illustrations of Animals - Showing Their Utility to Man in Their Employment During Life and Uses After Death', c.1845 (colour litho)
Japanning, from 'The Cochineal and Lac Insects' in 'Graphic Illustrations of Animals - Showing Their Utility to Man in Their Employment During Life and Uses After Death', c.1845 (colour litho)

NRM260238: Japanning, from 'The Cochineal and Lac Insects' in 'Graphic Illustrations of Animals - Showing Their Utility to Man in Their Employment During Life and Uses After Death', c.1845 (colour litho), Hawkins, Benjamin Waterhouse (fl.1832-50) / Bridgeman Images

Pangbourne Station, 1846 (litho)
Pangbourne Station, 1846 (litho)

NRM260249: Pangbourne Station, 1846 (litho), Bourne, John Cooke (1814-96) / Bridgeman Images

The Rainbow, from 'Phenomena of Nature', 1849 (coloured engraving)
The Rainbow, from 'Phenomena of Nature', 1849 (coloured engraving)

NRM260253: The Rainbow, from 'Phenomena of Nature', 1849 (coloured engraving), Whymper, Josiah Wood (1813-1903) / Bridgeman Images

HMS Enterprise, 1775 (oil on canvas)
HMS Enterprise, 1775 (oil on canvas)

NRM260258: HMS Enterprise, 1775 (oil on canvas), Marshall, Joseph (fl.1775) / Bridgeman Images

HMS Enterprise, 1775 (oil on canvas)
HMS Enterprise, 1775 (oil on canvas)

NRM260259: HMS Enterprise, 1775 (oil on canvas), Marshall, Joseph (fl.1775) / Bridgeman Images

Watford Embankment, Hertfordshire, 29th October 1837 (pen & ink and wash on paper)
Watford Embankment, Hertfordshire, 29th October 1837 (pen & ink and wash on paper)

NRM262521: Watford Embankment, Hertfordshire, 29th October 1837 (pen & ink and wash on paper), Bourne, John Cooke (1814-96) / Bridgeman Images

Berkhamsted, Hertfordshire, 5th June 1837 (pen & ink and wash on paper)
Berkhamsted, Hertfordshire, 5th June 1837 (pen & ink and wash on paper)

NRM262525: Berkhamsted, Hertfordshire, 5th June 1837 (pen & ink and wash on paper), Bourne, John Cooke (1814-96) / Bridgeman Images

Tring Cutting, Hertfordshire, 1830s (pen & ink and wash on paper)
Tring Cutting, Hertfordshire, 1830s (pen & ink and wash on paper)

NRM262527: Tring Cutting, Hertfordshire, 1830s (pen & ink and wash on paper), Bourne, John Cooke (1814-96) / Bridgeman Images

Horse-Runs at Tring Cutting, Hertfordshire, 19th June 1837 (pen & ink and wash on paper)
Horse-Runs at Tring Cutting, Hertfordshire, 19th June 1837 (pen & ink and wash on paper)

NRM262528: Horse-Runs at Tring Cutting, Hertfordshire, 19th June 1837 (pen & ink and wash on paper), Bourne, John Cooke (1814-96) / Bridgeman Images

Canal Bridge, Pitstone, Buckinghamshire, October 1837 (pen & ink and wash on paper)
Canal Bridge, Pitstone, Buckinghamshire, October 1837 (pen & ink and wash on paper)

NRM262530: Canal Bridge, Pitstone, Buckinghamshire, October 1837 (pen & ink and wash on paper), Bourne, John Cooke (1814-96) / Bridgeman Images

Horizon I, 2001 (oil on board)
Horizon I, 2001 (oil on board)

TN262770: Horizon I, 2001 (oil on board), Neal, Trevor / Bridgeman Images

Chelsea Embankment, Plane Trees, 1908 (oil on board)
Chelsea Embankment, Plane Trees, 1908 (oil on board)

OFW264048: Chelsea Embankment, Plane Trees, 1908 (oil on board), Maitland, Paul Fordyce (1863-1909) / Bridgeman Images

Anemones, c.1940 (oil on panel)
Anemones, c.1940 (oil on panel)

OFW264099: Anemones, c.1940 (oil on panel), Redpath, Anne (1895-1965) / Bridgeman Images

Linslade Rocks, 23rd June 1837 (pen & ink and wash on paper)
Linslade Rocks, 23rd June 1837 (pen & ink and wash on paper)

NRM264105: Linslade Rocks, 23rd June 1837 (pen & ink and wash on paper), Bourne, John Cooke (1814-96) / Bridgeman Images

Wolverton Viaduct, 30th June 1837 (pen & ink and wash on paper)
Wolverton Viaduct, 30th June 1837 (pen & ink and wash on paper)

NRM264111: Wolverton Viaduct, 30th June 1837 (pen & ink and wash on paper), Bourne, John Cooke (1814-96) / Bridgeman Images

Blisworth Cutting, Northamptonshire, from above, 2nd July 1837 (pen & ink and wash on paper)
Blisworth Cutting, Northamptonshire, from above, 2nd July 1837 (pen & ink and wash on paper)

NRM264113: Blisworth Cutting, Northamptonshire, from above, 2nd July 1837 (pen & ink and wash on paper), Bourne, John Cooke (1814-96) / Bridgeman Images

Making and embankment, Bugbrooke, 10th July 1837 (pen & ink and wash on paper)
Making and embankment, Bugbrooke, 10th July 1837 (pen & ink and wash on paper)

NRM264117: Making and embankment, Bugbrooke, 10th July 1837 (pen & ink and wash on paper), Bourne, John Cooke (1814-96) / Bridgeman Images


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