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A Sun setting in the Fog, with the Old Hanover Hack defending, published by J. Williams in 1783 (hand-coloured etching)
A Sun setting in the Fog, with the Old Hanover Hack defending, published by J. Williams in 1783 (hand-coloured etching)

NCO193112: A Sun setting in the Fog, with the Old Hanover Hack defending, published by J. Williams in 1783 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO193112

A Sun setting in the Fog, with the Old Hanover Hack defending, published by J. Williams in 1783 (hand-coloured etching)

Gillray, James (1757-1815)

A Ward of Chancery, published by S.W. Fores (etching)
A Ward of Chancery, published by S.W. Fores (etching)

NCO193113: A Ward of Chancery, published by S.W. Fores (etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO193113

A Ward of Chancery, published by S.W. Fores (etching)

Gillray, James (1757-1815)

A Witch, upon a Mount's Edge, or Fuzelli, published by Hannah Humphrey in 1791 (hand-coloured etching)
A Witch, upon a Mount's Edge, or Fuzelli, published by Hannah Humphrey in 1791 (hand-coloured etching)

NCO193145: A Witch, upon a Mount's Edge, or Fuzelli, published by Hannah Humphrey in 1791 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO193145

A Witch, upon a Mount's Edge, or Fuzelli, published by Hannah Humphrey in 1791 (hand-coloured etching)

Gillray, James (1757-1815)

Patriots Deciding a Point of Honour! or An exact representation of the Rencontre which took place at Coombe Wood on May 2nd 1807 between Little Paul the Taylor & Sir Francis Goose, published by Hannah Humphrey in 1807 (hand-coloured etching)
Patriots Deciding a Point of Honour! or An exact representation of the Rencontre which took place at Coombe Wood on May 2nd 1807 between Little Paul the Taylor & Sir Francis Goose, published by Hannah Humphrey in 1807 (hand-coloured etching)

NCO193170: Patriots Deciding a Point of Honour! or An exact representation of the Rencontre which took place at Coombe Wood on May 2nd 1807 between Little Paul the Taylor & Sir Francis Goose, published by Hannah Humphrey in 1807 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO193170

Patriots Deciding a Point of Honour! or An exact representation of the Rencontre which took place at Coombe Wood on May 2nd 1807 between Little Paul the Taylor & Sir Francis Goose, published by Hannah Humphrey in 1807 (hand-coloured etching)

Gillray, James (1757-1815)

The New Speaker (i.e. the Law-Chick) between the Hawks & the Buzzards, published by Hannah Humphrey in 1800 (hand-coloured etching)
The New Speaker (i.e. the Law-Chick) between the Hawks & the Buzzards, published by Hannah Humphrey in 1800 (hand-coloured etching)

NCO193183: The New Speaker (i.e. the Law-Chick) between the Hawks & the Buzzards, published by Hannah Humphrey in 1800 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO193183

The New Speaker (i.e. the Law-Chick) between the Hawks & the Buzzards, published by Hannah Humphrey in 1800 (hand-coloured etching)

Gillray, James (1757-1815)

Plate 1 from 'The Rake's Progress at the University, published by Hannah Humphrey in 1806 (hand-coloured etching)
Plate 1 from 'The Rake's Progress at the University, published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO193196: Plate 1 from 'The Rake's Progress at the University, published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO193196

Plate 1 from 'The Rake's Progress at the University, published by Hannah Humphrey in 1806 (hand-coloured etching)

Gillray, James (1757-1815)

Plate 2 from 'The Rake's Progress at University', published by Hannah Humphrey in 1806 (hand-coloured etching)
Plate 2 from 'The Rake's Progress at University', published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO193197: Plate 2 from 'The Rake's Progress at University', published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO193197

Plate 2 from 'The Rake's Progress at University', published by Hannah Humphrey in 1806 (hand-coloured etching)

Gillray, James (1757-1815)

Plate 3 from 'The Rake's Progress at University', published by Hannah Humphrey in 1806 (hand-coloured etching)
Plate 3 from 'The Rake's Progress at University', published by Hannah Humphrey in 1806 (hand-coloured etching)

NCO193198: Plate 3 from 'The Rake's Progress at University', published by Hannah Humphrey in 1806 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO193198

Plate 3 from 'The Rake's Progress at University', published by Hannah Humphrey in 1806 (hand-coloured etching)

Gillray, James (1757-1815)

Procession of Flagellants, 1815-19 (oil on canvas) (detail of 541)
Procession of Flagellants, 1815-19 (oil on canvas) (detail of 541)

BBC193309: Procession of Flagellants, 1815-19 (oil on canvas) (detail of 541), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

ID: BBC193309

Procession of Flagellants, 1815-19 (oil on canvas) (detail of 541)

Goya y Lucientes, Francisco Jose de (1746-1828)

Nobleman, engraved by J. Agar, published in 1813 for R. Ackermann's 'History of Oxford (hand-coloured engraving)
Nobleman, engraved by J. Agar, published in 1813 for R. Ackermann's 'History of Oxford (hand-coloured engraving)

NCO193409: Nobleman, engraved by J. Agar, published in 1813 for R. Ackermann's 'History of Oxford (hand-coloured engraving), Uwins, Thomas (1782-1857) (after) / Bridgeman Images

ID: NCO193409

Nobleman, engraved by J. Agar, published in 1813 for R. Ackermann's 'History of Oxford (hand-coloured engraving)

Uwins, Thomas (1782-1857) (after)

Bachelor of Arts, engraved by J. Agar, published in R.Ackermann's 'History of Oxford', 1813 (hand-coloured engraving)
Bachelor of Arts, engraved by J. Agar, published in R.Ackermann's 'History of Oxford', 1813 (hand-coloured engraving)

NCO193411: Bachelor of Arts, engraved by J. Agar, published in R.Ackermann's 'History of Oxford', 1813 (hand-coloured engraving), Uwins, Thomas (1782-1857) (after) / Bridgeman Images

ID: NCO193411

Bachelor of Arts, engraved by J. Agar, published in R.Ackermann's 'History of Oxford', 1813 (hand-coloured engraving)

Uwins, Thomas (1782-1857) (after)

Scholar, engraved by J. Agar, published in R. Ackermann's 'History of Oxford', 1814 (hand-coloured etching)
Scholar, engraved by J. Agar, published in R. Ackermann's 'History of Oxford', 1814 (hand-coloured etching)

NCO193412: Scholar, engraved by J. Agar, published in R. Ackermann's 'History of Oxford', 1814 (hand-coloured etching), Uwins, Thomas (1782-1857) (after) / Bridgeman Images

ID: NCO193412

Scholar, engraved by J. Agar, published in R. Ackermann's 'History of Oxford', 1814 (hand-coloured etching)

Uwins, Thomas (1782-1857) (after)

Zola's Nana, 1910 (w/c on paper)
Zola's Nana, 1910 (w/c on paper)

BRN194340: Zola's Nana, 1910 (w/c on paper), Demuth, Charles (1883-1935) / Bridgeman Images

ID: BRN194340

Zola's Nana, 1910 (w/c on paper)

Demuth, Charles (1883-1935)

Three Figures in Water (w/c on paper)
Three Figures in Water (w/c on paper)

BRN194363: Three Figures in Water (w/c on paper), Demuth, Charles (1883-1935) / Bridgeman Images

ID: BRN194363

Three Figures in Water (w/c on paper)

Demuth, Charles (1883-1935)

Zola's Nana, 1915 (pencil & w/c on paper)
Zola's Nana, 1915 (pencil & w/c on paper)

BRN194384: Zola's Nana, 1915 (pencil & w/c on paper), Demuth, Charles (1883-1935) / Bridgeman Images

ID: BRN194384

Zola's Nana, 1915 (pencil & w/c on paper)

Demuth, Charles (1883-1935)

Zola's Nana, 1915 (pencil & w/c on paper)
Zola's Nana, 1915 (pencil & w/c on paper)

BRN194387: Zola's Nana, 1915 (pencil & w/c on paper), Demuth, Charles (1883-1935) / Bridgeman Images

ID: BRN194387

Zola's Nana, 1915 (pencil & w/c on paper)

Demuth, Charles (1883-1935)

Cincinnatus in Retirement, published by E. D'Archery in 1782 (hand-coloured etching)
Cincinnatus in Retirement, published by E. D'Archery in 1782 (hand-coloured etching)

NCO191714: Cincinnatus in Retirement, published by E. D'Archery in 1782 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO191714

Cincinnatus in Retirement, published by E. D'Archery in 1782 (hand-coloured etching)

Gillray, James (1757-1815)

The Daily Advertiser, published by Hannah Humphrey in 1797 (hand-coloured etching)
The Daily Advertiser, published by Hannah Humphrey in 1797 (hand-coloured etching)

NCO191754: The Daily Advertiser, published by Hannah Humphrey in 1797 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO191754

The Daily Advertiser, published by Hannah Humphrey in 1797 (hand-coloured etching)

Gillray, James (1757-1815)

The Generae of Patriotism, or The Bloomsbury Farmer planting Bedfordshire Wheat, published by Hannah Humphrey in 1796 (hand-coloured etching)
The Generae of Patriotism, or The Bloomsbury Farmer planting Bedfordshire Wheat, published by Hannah Humphrey in 1796 (hand-coloured etching)

NCO191755: The Generae of Patriotism, or The Bloomsbury Farmer planting Bedfordshire Wheat, published by Hannah Humphrey in 1796 (hand-coloured etching), Gillray, James (1757-1815) / Bridgeman Images

ID: NCO191755

The Generae of Patriotism, or The Bloomsbury Farmer planting Bedfordshire Wheat, published by Hannah Humphrey in 1796 (hand-coloured etching)

Gillray, James (1757-1815)

Old Homestead on the Turnpike, c.1889 (oil on canvas)
Old Homestead on the Turnpike, c.1889 (oil on canvas)

FGM191943: Old Homestead on the Turnpike, c.1889 (oil on canvas), Smith, Henry Pember (1854-1907) / Bridgeman Images

ID: FGM191943

Old Homestead on the Turnpike, c.1889 (oil on canvas)

Smith, Henry Pember (1854-1907)

Van Wyck Family House, New York City, c.1923 (oil on artist board)
Van Wyck Family House, New York City, c.1923 (oil on artist board)

FGM191963: Van Wyck Family House, New York City, c.1923 (oil on artist board), Browne, Matilde (1869-1947) / Bridgeman Images

ID: FGM191963

Van Wyck Family House, New York City, c.1923 (oil on artist board)

Browne, Matilde (1869-1947)

Autumn Harvest by Moonlight (w/c on paper)
Autumn Harvest by Moonlight (w/c on paper)

FGM192225: Autumn Harvest by Moonlight (w/c on paper), Loomis, Charles Russell (1857-1936) / Bridgeman Images

ID: FGM192225

Autumn Harvest by Moonlight (w/c on paper)

Loomis, Charles Russell (1857-1936)

Sydney Smith (1771-1845) c.1821 (pencil & w/c on paper)
Sydney Smith (1771-1845) c.1821 (pencil & w/c on paper)

NCO192583: Sydney Smith (1771-1845) c.1821 (pencil & w/c on paper), Landseer, Edwin (1802-73) / Bridgeman Images

ID: NCO192583

Sydney Smith (1771-1845) c.1821 (pencil & w/c on paper)

Landseer, Edwin (1802-73)

New College Lane Gate, 1940 (w/c on paper)
New College Lane Gate, 1940 (w/c on paper)

NCO192587: New College Lane Gate, 1940 (w/c on paper), Schwabe, Randolph (1885-1948) / Bridgeman Images

ID: NCO192587

New College Lane Gate, 1940 (w/c on paper)

Schwabe, Randolph (1885-1948)

Autumn Flaming, 2001 (pastel on paper)
Autumn Flaming, 2001 (pastel on paper)

SHR196518: Autumn Flaming, 2001 (pastel on paper), Hacker, Sophie / Bridgeman Images

ID: SHR196518

Autumn Flaming, 2001 (pastel on paper)

Hacker, Sophie

The City, 1937 (oil on canvas)
The City, 1937 (oil on canvas)

PIA196521: The City, 1937 (oil on canvas), Bristowe, Nicholas (1908-c.42) / Bridgeman Images

ID: PIA196521

The City, 1937 (oil on canvas)

Bristowe, Nicholas (1908-c.42)

Madonna and Child in a Landscape, 1470 (tempera on panel)
Madonna and Child in a Landscape, 1470 (tempera on panel)

BRN196613: Madonna and Child in a Landscape, 1470 (tempera on panel), German School, (15th century) / Bridgeman Images

ID: BRN196613

Madonna and Child in a Landscape, 1470 (tempera on panel)

German School, (15th century)

Head (oil on panel)
Head (oil on panel)

BRN196614: Head (oil on panel), French School, (16th century) / Bridgeman Images

ID: BRN196614

Head (oil on panel)

French School, (16th century)

Presentation of Christ in the Temple, 1400 (oil on panel)
Presentation of Christ in the Temple, 1400 (oil on panel)

BRN196616: Presentation of Christ in the Temple, 1400 (oil on panel), French School, (15th century) / Bridgeman Images

ID: BRN196616

Presentation of Christ in the Temple, 1400 (oil on panel)

French School, (15th century)

Three Apostles (oil on panel)
Three Apostles (oil on panel)

BRN196624: Three Apostles (oil on panel), German School, (15th century) / Bridgeman Images

ID: BRN196624

Three Apostles (oil on panel)

German School, (15th century)

Saint's Head, 1450 (oil on panel)
Saint's Head, 1450 (oil on panel)

BRN196628: Saint's Head, 1450 (oil on panel), Austrian School, (15th century) / Bridgeman Images

ID: BRN196628

Saint's Head, 1450 (oil on panel)

Austrian School, (15th century)

Apostle's head, 1450 (oil on panel)
Apostle's head, 1450 (oil on panel)

BRN196630: Apostle's head, 1450 (oil on panel), Austrian School, (15th century) / Bridgeman Images

ID: BRN196630

Apostle's head, 1450 (oil on panel)

Austrian School, (15th century)

The Transfiguration (oil on panel)
The Transfiguration (oil on panel)

BRN196635: The Transfiguration (oil on panel), German School, (15th century) / Bridgeman Images

ID: BRN196635

The Transfiguration (oil on panel)

German School, (15th century)

Historiated initial 'D' from a Psalter, 1340 (w/c on vellum)
Historiated initial 'D' from a Psalter, 1340 (w/c on vellum)

BRN196641: Historiated initial 'D' from a Psalter, 1340 (w/c on vellum), French School, (14th century) / Bridgeman Images

ID: BRN196641

Historiated initial 'D' from a Psalter, 1340 (w/c on vellum)

French School, (14th century)

The Worcester Jug (oil on canvas)
The Worcester Jug (oil on canvas)

MIG197416: The Worcester Jug (oil on canvas), Ryder, Susan (b.1944) / Bridgeman Images

ID: MIG197416

The Worcester Jug (oil on canvas)

Ryder, Susan (b.1944)

Lamps and Tulips (oil on canvas)
Lamps and Tulips (oil on canvas)

MIG197420: Lamps and Tulips (oil on canvas), Ryder, Susan (b.1944) / Bridgeman Images

ID: MIG197420

Lamps and Tulips (oil on canvas)

Ryder, Susan (b.1944)


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