2491632 Search Results
LSE4403417: How solitary confinement does not always produce excellent results, a series of cartoons about Professor and Moutards of Honore Daumier (1808-1879). “Charivari”, 1846., Daumier, Honore (1808-79) / Bridgeman Images
LSE4403422: Grand staircase of the Palace of Justice, View of faces, taken from the “Gens de Justice”, series of cartoons on Justice by Honore Daumier (1808-1879). “Charivari”, 1848., Daumier, Honore (1808-79) / Bridgeman Images
LSE4403457: View taken in a demolition neighborhood, taken from “” Tenants et Proprietaires”, cartoon series by Honore Daumier (1808-1879). “Charivari”, 1854., Daumier, Honore (1808-79) / Bridgeman Images
LSE4403466: The last week before the opening of the Salon de Peinture. Choughtness -From courage to work, friends are always there!... , taken from “” Paintings and Salons”, cartoon series by Honore Daumier (1808-1879). “Charivari”, 1857., Daumier, Honore (1808-79) / Bridgeman Images
LSE4403473: The audience of the show. Artists examining the painting of a rival, taken from “” Paintings and Salons”, cartoon series by Honore Daumier (1808-1879). “Charivari”, 1852., Daumier, Honore (1808-79) / Bridgeman Images
XEE4403619: Portrait of Hermann Boerhaave (1668 - 1738), Dutch doctor and chemist, after “La Ciencia y sus Hombres” by Louis Figuier. Barcelona 1881, Unknown Artist, (19th century) / Bridgeman Images
JLJ4662498: Egyptian antiquite: different types of ceramic and terracotta vases from the period Nagada I and Nagada II (3500-3100) (ceramic and terracotta), Egyptian School / Bridgeman Images
JLJ4662723: Art France: Mug on movable stand cut forming a display stand, 19th century (porcelain), French School, (19th century) / Bridgeman Images
JLJ4662793: Art France: Vase in hard porcelain from Locre, 1785 (porcelain), French School, (18th century) / Bridgeman Images
JLJ4663030: Art of Ancient Greece: Scene of gynecee. Fragment of attic vase with red figures, late 5th century BC (ceramic), Greek school, (5th century BC) / Bridgeman Images
JLJ4663087: Burle perfume or hand warmer from Syria, late 15th-early 16th century (gold, silver and black paste), Syrian School, (16th century) / Bridgeman Images
JLJ4663372: The poem of the soul; The evil path, 19th century (oil on canvas), Janmot, Louis (1814-92) / Bridgeman Images
LRI4663664: The Bucheron Painting by Ferdinand Hodler (1853-1918) 1910 Sao Paulo, Museum of Art, Hodler, Ferdinand (1853-1918) / Bridgeman Images
XEE4403632: Portrait of Otto von Guericke (Otto de Guericke, 1602 - 1686)) German physicist. Chromolithography of the 19th century. based on “La Ciencia y sus Hombres” by Louis Figuier. Barcelona 1881, Unknown Artist, (19th century) / Bridgeman Images
XEE4403635: King Henry III with Bernard Palissy (1510 - 1589). Chromolithography of the late 19th century. based on La Ciencia y sus Hombres by Louis Figuier. Barcelona 1881, Unknown Artist, (19th century) / Bridgeman Images
XEE4403724: Portrait of Viriathe. in Latin Viriatus, or Viriathus Lusitanian Chief (Celtic people) (139 BC) after hombres y Mujeres celebres. Barcelona 1877., Unknown Artist, (19th century) / Bridgeman Images
XEE4404086: Inauguration of the 1900 Universal Exhibition in Paris. Speech by Alexandre Millerand (1859-1943), Minister of Commerce. “Le Petit Journal”, April 29, 1900 (engraving), French School, (20th century) / Bridgeman Images
XEE4404104: portrait of Henri Duveyrier orientalist, French traveler and geographer, (1840-1892)., Unknown Artist, (19th century) / Bridgeman Images
XEE4404139: Portrait of Richard Cobden, (1804-1865), British economist and politician, promoter of free trade., Unknown Artist, (19th century) / Bridgeman Images
XEE4404173: Pope Julius II received Michelangelo in Bologna (engraving), Fleury, Robert (1797-1890) / Bridgeman Images
XEE4404251: The prince shows the ring to his mother. Anonymous illustration for “” Donkey Skin”” tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century)., Unknown Artist, (19th century) / Bridgeman Images
LBY4663946: La Sagrada Familia in Barcelona (Spain). Architect 1893, Antoni Gaudi i Cornet (1852-1926), beginning of construction 1882, end planned 2026. It is Gaud's most important and well-known work. The works began in 1882 in a conventional Neo-Gothic style according to the design of the architect F. Villar i Lozano. The project foresees the construction of twelve towers (one for each apostle), another dedicated to the Virgin and the most important for Jesus Christ. Work continues and is expected to be completed in the 21st century., Boegly, Luc / Bridgeman Images
JLJ4664104: Furniture: wood cabinet from the second half of the 16th century (wood), French School, (16th century) / Bridgeman Images
JLJ4664267: Ancient Art Oriental: Electrum cup representing a monster with interlaced greenhouses, c.1200 BC (gold), Middle Elamite Period, (c.1500-1000 BC) / Bridgeman Images
LBY4664284: The caves of Parc Guell, Montana Pelada in Barcelona (Spain). Realisation 1903, architect Antoni Gaudi i Cornet (1852-1926)., Boegly, Luc / Bridgeman Images
LBY4664291: Crenelee facade of Parc Guell, Montana Pelada in Barcelona (Spain). Realisation 1903, architect Antoni Gaudi i Cornet (1852-1926)., Boegly, Luc / Bridgeman Images
LBY4664330: Detail of a roof covered with a mushroom from Parc Guell, Montana Pelada in Barcelona (Spain). Realisation 1903, architect Antoni Gaudi i Cornet (1852-1926)., Boegly, Luc / Bridgeman Images
JLJ4664444: Art Gallo Romain: stele representing woodworking and woodworking cutting trunks, 50 BC-100 AD (stone), Gallo-Roman, (1st century AD) / Bridgeman Images
LRI4664493: Portrait of a knight of the Order of the Golden Fleece Painting of the Flemish school of the 15th or 16th century. Lisbon, Museum of Ancient Art, Flemish School, (16th century) / Bridgeman Images
JLJ4664551: Franco-Chinese War or Tonkin (1881-1885): the fight of Nam Dinh on 19/07/1883, 19th century (engraving), French School, (19th century) / Bridgeman Images
JLJ4664700: Mondanite: scene of meals and seduction between two couples. Russia, c.1850 (engraving), Russian School, (19th century) / Bridgeman Images
XEE4404281: The princess pierces her hand and falls asleep. Anonymous illustration for “La belle au bois dormant”, tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century)., Unknown Artist, (19th century) / Bridgeman Images
XEE4404296: Men mask train the princess. Anonymous illustration for the tale “L'oiseau Bleu”, tale by Madame d'Aulnoy (1650-1705), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century)., Unknown Artist, (19th century) / Bridgeman Images
XEE4404328: Children's Returns, Illustration for “” Le Pepetit poucet””, tale by Charles Perrault (1628-1703), French writer. Anonymous illustration. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century)., Unknown Artist, (19th century) / Bridgeman Images
XEE4404359: Installation of the chief rabbi of the conscription of Bordeaux, in the synagogue of the city in 1864. Engraving from Mr. Duffet's sketch., French School, (19th century) / Bridgeman Images
XEE4404477: 'Le dieu des bonnes gens' Beranger's song in 'Oeuvres completes', 1834 (engraving), French School, (19th century) / Bridgeman Images
