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The entrance into the classroom and the lecon, illustrations for the table of 4, by Bertall (Charles d'Arnoux de Limoges Saint Saens, 1820-1882), for the manual “” The fun calculation: the table of Pythagore”” by Trim, Hachette, Paris, second half of the 19th century. Leonard de Selva collection.
The entrance into the classroom and the lecon, illustrations for the table of 4, by Bertall (Charles d'Arnoux de Limoges Saint Saens, 1820-1882), for the manual “” The fun calculation: the table of Pythagore”” by Trim, Hachette, Paris, second half of the 19th century. Leonard de Selva collection.

LSE4330807: The entrance into the classroom and the lecon, illustrations for the table of 4, by Bertall (Charles d'Arnoux de Limoges Saint Saens, 1820-1882), for the manual “” The fun calculation: the table of Pythagore”” by Trim, Hachette, Paris, second half of the 19th century. Leonard de Selva collection., Bertall, Charles Albert d'Arnoux (1820-82) / Bridgeman Images

The oil mill, pressing the olive harvest, drawing by D.Maillard, to illustrate the story of Henri Belle: Voyage en Greece, 1861,1868 and 1874. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
The oil mill, pressing the olive harvest, drawing by D.Maillard, to illustrate the story of Henri Belle: Voyage en Greece, 1861,1868 and 1874. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4330972: The oil mill, pressing the olive harvest, drawing by D.Maillard, to illustrate the story of Henri Belle: Voyage en Greece, 1861,1868 and 1874. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., French School, (19th century) / Bridgeman Images

The passage of the Angostura (Colombia), by the steamboat of the expedition, drawing by E.Riou, to illustrate the voyage to equinoxial America (Colombia, Ecuador, Peru), in 1875-1876, by Edouard Andre (1833-1894), traveller charged with a mission by the French government. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
The passage of the Angostura (Colombia), by the steamboat of the expedition, drawing by E.Riou, to illustrate the voyage to equinoxial America (Colombia, Ecuador, Peru), in 1875-1876, by Edouard Andre (1833-1894), traveller charged with a mission by the French government. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4331020: The passage of the Angostura (Colombia), by the steamboat of the expedition, drawing by E.Riou, to illustrate the voyage to equinoxial America (Colombia, Ecuador, Peru), in 1875-1876, by Edouard Andre (1833-1894), traveller charged with a mission by the French government. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

Distribution of weapons by the French has indigenous volunteers, in the province of Ninh Binh, to fight the insurrectional weapon of Son Tay, drawing by A.Ferdinandus, to illustrate the story of M. Romanet du Caillaud: The conquete of the Tong-King Delta (or Tonkin), in 1873. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
Distribution of weapons by the French has indigenous volunteers, in the province of Ninh Binh, to fight the insurrectional weapon of Son Tay, drawing by A.Ferdinandus, to illustrate the story of M. Romanet du Caillaud: The conquete of the Tong-King Delta (or Tonkin), in 1873. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4331077: Distribution of weapons by the French has indigenous volunteers, in the province of Ninh Binh, to fight the insurrectional weapon of Son Tay, drawing by A.Ferdinandus, to illustrate the story of M. Romanet du Caillaud: The conquete of the Tong-King Delta (or Tonkin), in 1873. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Ferdinandus, Alexandre (Avenet, Francois called) (1850-1888) / Bridgeman Images

Exercises of manipulating Taifourchi bulwark rifles, troops armed and trained by the Chinese military, drawing by Delort, to illustrate the memories of an English embassy in Kachgar (or Kashi, China) in 1873-74, by Mr. Chapman and Gordon. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
Exercises of manipulating Taifourchi bulwark rifles, troops armed and trained by the Chinese military, drawing by Delort, to illustrate the memories of an English embassy in Kachgar (or Kashi, China) in 1873-74, by Mr. Chapman and Gordon. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331105: Exercises of manipulating Taifourchi bulwark rifles, troops armed and trained by the Chinese military, drawing by Delort, to illustrate the memories of an English embassy in Kachgar (or Kashi, China) in 1873-74, by Mr. Chapman and Gordon. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Delort, Charles Edouard (1841-95) / Bridgeman Images

The city of Yalta, taken from Massandra, drawing by Th.Weber, to illustrate the story Four Months in Russia, in 1876, by F. De Mely. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
The city of Yalta, taken from Massandra, drawing by Th.Weber, to illustrate the story Four Months in Russia, in 1876, by F. De Mely. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331170: The city of Yalta, taken from Massandra, drawing by Th.Weber, to illustrate the story Four Months in Russia, in 1876, by F. De Mely. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., Weber, Theodore (1838-1907) / Bridgeman Images

Dr. Harmand awakens in the middle of the night by the noise of the rifles of the indigenous Khas, shooting at the moon subjected to an eclipse, at Attopeu (Laos), engraving by Eugene Burnand, to illustrate the story of Laos and the wild populations of Indochina by Dr. Harmand, in 1877, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.
Dr. Harmand awakens in the middle of the night by the noise of the rifles of the indigenous Khas, shooting at the moon subjected to an eclipse, at Attopeu (Laos), engraving by Eugene Burnand, to illustrate the story of Laos and the wild populations of Indochina by Dr. Harmand, in 1877, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.

LSE4332056: Dr. Harmand awakens in the middle of the night by the noise of the rifles of the indigenous Khas, shooting at the moon subjected to an eclipse, at Attopeu (Laos), engraving by Eugene Burnand, to illustrate the story of Laos and the wild populations of Indochina by Dr. Harmand, in 1877, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection., Burnand, Eugene (1850-1921) / Bridgeman Images

Inside scene in San Pablo, a family sheltered from the rain, the father smokes a cigarillo, the mother feeds two babies in the breast and the groin plays with a small animal, stretches on the floor on a bete skin, engraving by Riou, to illustrate the story L'Americaine equinoxiale, by E.Andre, traveller mission charge by the French government, in 1875-1876, published in Le tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.
Inside scene in San Pablo, a family sheltered from the rain, the father smokes a cigarillo, the mother feeds two babies in the breast and the groin plays with a small animal, stretches on the floor on a bete skin, engraving by Riou, to illustrate the story L'Americaine equinoxiale, by E.Andre, traveller mission charge by the French government, in 1875-1876, published in Le tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.

LSE4332134: Inside scene in San Pablo, a family sheltered from the rain, the father smokes a cigarillo, the mother feeds two babies in the breast and the groin plays with a small animal, stretches on the floor on a bete skin, engraving by Riou, to illustrate the story L'Americaine equinoxiale, by E.Andre, traveller mission charge by the French government, in 1875-1876, published in Le tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

Un interieur à Marken (Pays Bas), engraving after a drawing by E.Ronjat, to illustrate the story of the Neerlande, by Charles de Coster, in 1878, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection.
Un interieur à Marken (Pays Bas), engraving after a drawing by E.Ronjat, to illustrate the story of the Neerlande, by Charles de Coster, in 1878, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection.

LSE4332217: Un interieur à Marken (Pays Bas), engraving after a drawing by E.Ronjat, to illustrate the story of the Neerlande, by Charles de Coster, in 1878, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection., Ronjat, Etienne Antoine Eugene (b.1822) / Bridgeman Images

Episode of the siege, the cavalry and nearly two thousand troops attack the looting villages, shelters in their huts in the forest where the branches of the big trees provide them with some protection, engraving after a drawing by Yvan Pranishnikoff, to illustrate the story Voyage du Bornou au Baguirmi (Chad), by Dr. Gustave Nachtigal (1834-1885), in 1872, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection.
Episode of the siege, the cavalry and nearly two thousand troops attack the looting villages, shelters in their huts in the forest where the branches of the big trees provide them with some protection, engraving after a drawing by Yvan Pranishnikoff, to illustrate the story Voyage du Bornou au Baguirmi (Chad), by Dr. Gustave Nachtigal (1834-1885), in 1872, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection.

LSE4332305: Episode of the siege, the cavalry and nearly two thousand troops attack the looting villages, shelters in their huts in the forest where the branches of the big trees provide them with some protection, engraving after a drawing by Yvan Pranishnikoff, to illustrate the story Voyage du Bornou au Baguirmi (Chad), by Dr. Gustave Nachtigal (1834-1885), in 1872, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection., Pranishnikoff, Ivan (1841-1909) / Bridgeman Images

Lantern dealers in Jaffa (Israel). Engraving by Barclay to illustrate La Syria d'aujourd'hui, by M. Lortet, dean of the Faculty of Medicine of Lyon, charged with a scientific mission by the Ministry of Public Education, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
Lantern dealers in Jaffa (Israel). Engraving by Barclay to illustrate La Syria d'aujourd'hui, by M. Lortet, dean of the Faculty of Medicine of Lyon, charged with a scientific mission by the Ministry of Public Education, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332360: Lantern dealers in Jaffa (Israel). Engraving by Barclay to illustrate La Syria d'aujourd'hui, by M. Lortet, dean of the Faculty of Medicine of Lyon, charged with a scientific mission by the Ministry of Public Education, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Barclay, (19th century) / Bridgeman Images

Ro-ro camp (valet parking on horse). Edouard de Laveleye, in 1878-1879, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.
Ro-ro camp (valet parking on horse). Edouard de Laveleye, in 1878-1879, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection.

LSE4332429: Ro-ro camp (valet parking on horse). Edouard de Laveleye, in 1878-1879, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1881, Paris. Selva Collection., Sirouy, Achille (1834-1904) / Bridgeman Images

Brussels City Hall. Barclay's engraving, to illustrate the story of Belgium by Camille Lemonnier, published in the tour du monde, under the direction of Edouard Charton (1807-1890), Paris, 1881. Selva Collection.
Brussels City Hall. Barclay's engraving, to illustrate the story of Belgium by Camille Lemonnier, published in the tour du monde, under the direction of Edouard Charton (1807-1890), Paris, 1881. Selva Collection.

LSE4332576: Brussels City Hall. Barclay's engraving, to illustrate the story of Belgium by Camille Lemonnier, published in the tour du monde, under the direction of Edouard Charton (1807-1890), Paris, 1881. Selva Collection., Barclay, (19th century) / Bridgeman Images

A school in Han-Tong-Fou, a village in the Shanghai region. Engraving by Y.Pranishnikoff, to illustrate the story Voyage en Chine, by Doctor Piassetzky, in 1874-1875, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1882, Paris. Selva Collection.
A school in Han-Tong-Fou, a village in the Shanghai region. Engraving by Y.Pranishnikoff, to illustrate the story Voyage en Chine, by Doctor Piassetzky, in 1874-1875, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1882, Paris. Selva Collection.

LSE4332726: A school in Han-Tong-Fou, a village in the Shanghai region. Engraving by Y.Pranishnikoff, to illustrate the story Voyage en Chine, by Doctor Piassetzky, in 1874-1875, published in the Tour du monde, under the direction of Edouard Charton (1807-1890), 1882, Paris. Selva Collection., Pranishnikoff, Ivan (1841-1909) / Bridgeman Images

Cellar a Polichinelles, a cellar designed for puppet shows. Engraving by X.Mellery, to illustrate the story of Belgium, by Camille Lemonnier, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1882, Paris. Selva Collection.
Cellar a Polichinelles, a cellar designed for puppet shows. Engraving by X.Mellery, to illustrate the story of Belgium, by Camille Lemonnier, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1882, Paris. Selva Collection.

LSE4332736: Cellar a Polichinelles, a cellar designed for puppet shows. Engraving by X.Mellery, to illustrate the story of Belgium, by Camille Lemonnier, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1882, Paris. Selva Collection., Mellery, Xavier (1845-1921) / Bridgeman Images

The unloading of a ship, the dockers with their heads covered with a tarmac cap, pile up the goods on the docks of the port of Antwerp. Engraving by X.Mellery, to illustrate the story of Belgium, by Camille Lemonnier, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1882, Paris. Selva Collection.
The unloading of a ship, the dockers with their heads covered with a tarmac cap, pile up the goods on the docks of the port of Antwerp. Engraving by X.Mellery, to illustrate the story of Belgium, by Camille Lemonnier, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1882, Paris. Selva Collection.

LSE4332745: The unloading of a ship, the dockers with their heads covered with a tarmac cap, pile up the goods on the docks of the port of Antwerp. Engraving by X.Mellery, to illustrate the story of Belgium, by Camille Lemonnier, published in the Tour du monde, edited by Edouard Charton (1807-1890), 1882, Paris. Selva Collection., Mellery, Xavier (1845-1921) / Bridgeman Images

The staff of the Societe Anonymous des Automobiles
The staff of the Societe Anonymous des Automobiles

LSE4332909: The staff of the Societe Anonymous des Automobiles "BOLIDE", in front of the entrance to the store located avenue de la Grande-Armee (Grande Armee). Postcard beginning XXth century., French Photographer, (20th century) / Bridgeman Images

The justice of Baudouin VII, Count of Flanders said to the axe, beg of 20th century (chromo)
The justice of Baudouin VII, Count of Flanders said to the axe, beg of 20th century (chromo)

XEE4135458: The justice of Baudouin VII, Count of Flanders said to the axe, beg of 20th century (chromo), Anonymous / Bridgeman Images

The arrival of Pope Pius VI (Giovanni Angelo Braschi dit Pius VI, PIO 1717-1799) in Grenoble in 1799. Engraving from 1800.
The arrival of Pope Pius VI (Giovanni Angelo Braschi dit Pius VI, PIO 1717-1799) in Grenoble in 1799. Engraving from 1800.

XEE4135482: The arrival of Pope Pius VI (Giovanni Angelo Braschi dit Pius VI, PIO 1717-1799) in Grenoble in 1799. Engraving from 1800., Unknown Artist, (19th century) / Bridgeman Images

The Tolentino Treaty or Tolentino Peace is a peace treaty signed on 19 February 1797 in Tolentino, Italy, between France and the Pontifical States. (Between General Bonaparte and Pope Pius (Pio or Pius) VI (1717-1799). The Pope renounces himself to Avignon and Comtat Venaissin.
The Tolentino Treaty or Tolentino Peace is a peace treaty signed on 19 February 1797 in Tolentino, Italy, between France and the Pontifical States. (Between General Bonaparte and Pope Pius (Pio or Pius) VI (1717-1799). The Pope renounces himself to Avignon and Comtat Venaissin.

XEE4135516: The Tolentino Treaty or Tolentino Peace is a peace treaty signed on 19 February 1797 in Tolentino, Italy, between France and the Pontifical States. (Between General Bonaparte and Pope Pius (Pio or Pius) VI (1717-1799). The Pope renounces himself to Avignon and Comtat Venaissin., Unknown Artist, (19th century) / Bridgeman Images

Scenes illustrating Faith, Hope, Charity and their opposite, Incredulite, Desperation and Egoism-
Scenes illustrating Faith, Hope, Charity and their opposite, Incredulite, Desperation and Egoism-

XEE4135530: Scenes illustrating Faith, Hope, Charity and their opposite, Incredulite, Desperation and Egoism- "Le Pelerin" March 27, 1898 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135547: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135600: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135639: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135671: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135688: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135743: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135814: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135830: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135872: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4135903: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)
Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving)

XEE4136007: Illustration for Iconology or ideas from the sphere of passions and allegories, Vienna 1801 (engraving), Austrian School, (19th century) / Bridgeman Images

The front of the Grande Fruiterie de la Fourche, rue Ganneron, Paris. Postcard beginning XXth century.
The front of the Grande Fruiterie de la Fourche, rue Ganneron, Paris. Postcard beginning XXth century.

LSE4332938: The front of the Grande Fruiterie de la Fourche, rue Ganneron, Paris. Postcard beginning XXth century., French Photographer, (20th century) / Bridgeman Images

The release of the young girls class of Mademoiselle A.Benard, 26 rue de la Pompe, Paris. Postcard beginning XXth century.
The release of the young girls class of Mademoiselle A.Benard, 26 rue de la Pompe, Paris. Postcard beginning XXth century.

LSE4332990: The release of the young girls class of Mademoiselle A.Benard, 26 rue de la Pompe, Paris. Postcard beginning XXth century., French Photographer, (20th century) / Bridgeman Images

The annex of the E.Leboucher garage, lecons, rental and repair of bicycles, corners of the rue des usines and the rue de la dove, Paris. Postcard beginning XXth century.
The annex of the E.Leboucher garage, lecons, rental and repair of bicycles, corners of the rue des usines and the rue de la dove, Paris. Postcard beginning XXth century.

LSE4333150: The annex of the E.Leboucher garage, lecons, rental and repair of bicycles, corners of the rue des usines and the rue de la dove, Paris. Postcard beginning XXth century., French Photographer, (20th century) / Bridgeman Images

Men's shoe dealer, 18 place Maubert/12 rue Lagrange, Paris. Postcard beginning XXth century.
Men's shoe dealer, 18 place Maubert/12 rue Lagrange, Paris. Postcard beginning XXth century.

LSE4333182: Men's shoe dealer, 18 place Maubert/12 rue Lagrange, Paris. Postcard beginning XXth century., French Photographer, (20th century) / Bridgeman Images


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