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Les dervishes beggars, des steppes de l'Ural (russia), engraving after a drawing by Sedoff, to illustrate the journey in Central Asia by Basile Vereschaguine, in 1867-1868, published in “” Le tour du monde””” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Les dervishes beggars, des steppes de l'Ural (russia), engraving after a drawing by Sedoff, to illustrate the journey in Central Asia by Basile Vereschaguine, in 1867-1868, published in “” Le tour du monde””” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329385: Les dervishes beggars, des steppes de l'Ural (russia), engraving after a drawing by Sedoff, to illustrate the journey in Central Asia by Basile Vereschaguine, in 1867-1868, published in “” Le tour du monde””” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Sedoff, (19th century) / Bridgeman Images

Amadifou, king of Assinie (Comptoir francais de Côte d'Ivoire) surrounds his court and his musicians, circa 1868, engraving after the drawing by Emile Bayard, illustrating the voyage to the Côte d'Afrique, in 1868, by Vice Admiral Fleuriot de Langles, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Amadifou, king of Assinie (Comptoir francais de Côte d'Ivoire) surrounds his court and his musicians, circa 1868, engraving after the drawing by Emile Bayard, illustrating the voyage to the Côte d'Afrique, in 1868, by Vice Admiral Fleuriot de Langles, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329584: Amadifou, king of Assinie (Comptoir francais de Côte d'Ivoire) surrounds his court and his musicians, circa 1868, engraving after the drawing by Emile Bayard, illustrating the voyage to the Côte d'Afrique, in 1868, by Vice Admiral Fleuriot de Langles, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Grain merchants and flour in Patna, with their scales and their various measuring baskets, engraving after the drawing of A. Duvivier, illustrating the journey in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Grain merchants and flour in Patna, with their scales and their various measuring baskets, engraving after the drawing of A. Duvivier, illustrating the journey in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329656: Grain merchants and flour in Patna, with their scales and their various measuring baskets, engraving after the drawing of A. Duvivier, illustrating the journey in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Duvivier, A. (19th century) / Bridgeman Images

A caravan of Mormon neophytes en route to Lake Sale, in its camp in the desert, engraving after A.Marie's drawing, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A caravan of Mormon neophytes en route to Lake Sale, in its camp in the desert, engraving after A.Marie's drawing, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329680: A caravan of Mormon neophytes en route to Lake Sale, in its camp in the desert, engraving after A.Marie's drawing, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

Guaranie woman smoking the cigar to her child, riding on her hip, to try to appease her cries, engraving after D.Maillart's drawing, illustrating the voyage to Paraguay in 1872-1873, by L.Forgues, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Guaranie woman smoking the cigar to her child, riding on her hip, to try to appease her cries, engraving after D.Maillart's drawing, illustrating the voyage to Paraguay in 1872-1873, by L.Forgues, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329773: Guaranie woman smoking the cigar to her child, riding on her hip, to try to appease her cries, engraving after D.Maillart's drawing, illustrating the voyage to Paraguay in 1872-1873, by L.Forgues, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., French School, (19th century) / Bridgeman Images

The rider alone: traditional dance in front of the hut of the bride, with a small gypsy orchestra, in the vicinity of the gold mines of Boicza (Hungary), engraved after the drawing of L.Bader, illustrating the journey to the mining regions of western Transylvania, in 1873, by Elysee (Elisee) Reclus (1830-1905, French geographer and anarchist), publishes in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The rider alone: traditional dance in front of the hut of the bride, with a small gypsy orchestra, in the vicinity of the gold mines of Boicza (Hungary), engraved after the drawing of L.Bader, illustrating the journey to the mining regions of western Transylvania, in 1873, by Elysee (Elisee) Reclus (1830-1905, French geographer and anarchist), publishes in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329789: The rider alone: traditional dance in front of the hut of the bride, with a small gypsy orchestra, in the vicinity of the gold mines of Boicza (Hungary), engraved after the drawing of L.Bader, illustrating the journey to the mining regions of western Transylvania, in 1873, by Elysee (Elisee) Reclus (1830-1905, French geographer and anarchist), publishes in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., French School, (19th century) / Bridgeman Images

The race to the ring in Niewland, the young riders compete for, weapon of a wooden spear, removing the ring from the gantry where it is suspended, horse throws gallop; for the most clumsy, a spoon of wood is also suspended from a nearby sign which will be handed over to him by the winner of the test, engraving after the drawing by Adolf Dillens, illustrating a voyage to Zelande (Neerlande), in 1873, by Charles de Coster, published in “Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The race to the ring in Niewland, the young riders compete for, weapon of a wooden spear, removing the ring from the gantry where it is suspended, horse throws gallop; for the most clumsy, a spoon of wood is also suspended from a nearby sign which will be handed over to him by the winner of the test, engraving after the drawing by Adolf Dillens, illustrating a voyage to Zelande (Neerlande), in 1873, by Charles de Coster, published in “Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329827: The race to the ring in Niewland, the young riders compete for, weapon of a wooden spear, removing the ring from the gantry where it is suspended, horse throws gallop; for the most clumsy, a spoon of wood is also suspended from a nearby sign which will be handed over to him by the winner of the test, engraving after the drawing by Adolf Dillens, illustrating a voyage to Zelande (Neerlande), in 1873, by Charles de Coster, published in “Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Dillens, Adolf Alexander (1821-77) / Bridgeman Images

Mounza, king of Mombouttous (Zaire), dancing in front of his serail, composed of 80 women, engraving after the drawing of P.Philippoteaux, illustrating a journey to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Mounza, king of Mombouttous (Zaire), dancing in front of his serail, composed of 80 women, engraving after the drawing of P.Philippoteaux, illustrating a journey to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329872: Mounza, king of Mombouttous (Zaire), dancing in front of his serail, composed of 80 women, engraving after the drawing of P.Philippoteaux, illustrating a journey to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Philippoteaux, Paul Dominique (1846-1923) / Bridgeman Images

The geological mission of the United States is young in the plain, etched after the drawing by Laguillermie, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by gentlemen Hayden, Doane and Langford, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The geological mission of the United States is young in the plain, etched after the drawing by Laguillermie, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by gentlemen Hayden, Doane and Langford, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329901: The geological mission of the United States is young in the plain, etched after the drawing by Laguillermie, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by gentlemen Hayden, Doane and Langford, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Laguillermie, Frederic Auguste (1841-1934) / Bridgeman Images

A coal merchant, with his donkey, in Djewilisk (Northern Anatolia), engraved after a drawing by the narrator, illustrating a journey in Lazistan and Armenia, of 1869, by Theophile Deyrolle, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A coal merchant, with his donkey, in Djewilisk (Northern Anatolia), engraved after a drawing by the narrator, illustrating a journey in Lazistan and Armenia, of 1869, by Theophile Deyrolle, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329922: A coal merchant, with his donkey, in Djewilisk (Northern Anatolia), engraved after a drawing by the narrator, illustrating a journey in Lazistan and Armenia, of 1869, by Theophile Deyrolle, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Deyrolle, Theophile Louis (1844-1923) / Bridgeman Images

The band of the expedition attracts the women and children of the village of Fatiko (Central African Republic) and provokes a passionate loss of dance, engraved after a drawing by E.Riou illustrating an expedition in Central Africa, for the suppression of the black trade, from 1869 to 1873, by Sir Samuel White Baker, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The band of the expedition attracts the women and children of the village of Fatiko (Central African Republic) and provokes a passionate loss of dance, engraved after a drawing by E.Riou illustrating an expedition in Central Africa, for the suppression of the black trade, from 1869 to 1873, by Sir Samuel White Baker, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329943: The band of the expedition attracts the women and children of the village of Fatiko (Central African Republic) and provokes a passionate loss of dance, engraved after a drawing by E.Riou illustrating an expedition in Central Africa, for the suppression of the black trade, from 1869 to 1873, by Sir Samuel White Baker, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

The arrival of Kabba Rega, king of the Ounyoro (eastern Sudan) and the chiefs of his court, to Sir Baker's camp for an official visit, engraved after a drawing by Emile Bayard, illustrating an expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.
The arrival of Kabba Rega, king of the Ounyoro (eastern Sudan) and the chiefs of his court, to Sir Baker's camp for an official visit, engraved after a drawing by Emile Bayard, illustrating an expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329959: The arrival of Kabba Rega, king of the Ounyoro (eastern Sudan) and the chiefs of his court, to Sir Baker's camp for an official visit, engraved after a drawing by Emile Bayard, illustrating an expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The tasting of the tea, in the tasting room of a gunpowder factory in Fati Bay (Canton province), on the shelves the boxes contain the samples of the tea, on the central table, the cups with lid specially designed for tasting by the professionals employed by the company, engraving after a drawing by J.Ferat, illustrating the voyage to China, by J. Thompson, in 1870-1872, published in “Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The tasting of the tea, in the tasting room of a gunpowder factory in Fati Bay (Canton province), on the shelves the boxes contain the samples of the tea, on the central table, the cups with lid specially designed for tasting by the professionals employed by the company, engraving after a drawing by J.Ferat, illustrating the voyage to China, by J. Thompson, in 1870-1872, published in “Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330092: The tasting of the tea, in the tasting room of a gunpowder factory in Fati Bay (Canton province), on the shelves the boxes contain the samples of the tea, on the central table, the cups with lid specially designed for tasting by the professionals employed by the company, engraving after a drawing by J.Ferat, illustrating the voyage to China, by J. Thompson, in 1870-1872, published in “Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Ferat, Jules (b.1819) (after) / Bridgeman Images

The Montreal skaters club, at a meeting for a costume skating evening, engraved after a drawing by P.Fritel, illustrating the excursion to Canada and the Riviere Rouge du nord, by H. De Lamotte, in 1873, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The Montreal skaters club, at a meeting for a costume skating evening, engraved after a drawing by P.Fritel, illustrating the excursion to Canada and the Riviere Rouge du nord, by H. De Lamotte, in 1873, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330163: The Montreal skaters club, at a meeting for a costume skating evening, engraved after a drawing by P.Fritel, illustrating the excursion to Canada and the Riviere Rouge du nord, by H. De Lamotte, in 1873, published in “Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Fritel, Pierre (1853-1942) / Bridgeman Images

The descent of the rafts in Ontario, the loggers unload the cut trunks and install them on the frosty river, then during the degel, the trunks will be carried by the current to the place where they will be discharged and transformed, engraving after a drawing by Taylor illustrating the excursion to Canada and the Northern Red River, by H. De Lamotte, in 1873, published in “Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The descent of the rafts in Ontario, the loggers unload the cut trunks and install them on the frosty river, then during the degel, the trunks will be carried by the current to the place where they will be discharged and transformed, engraving after a drawing by Taylor illustrating the excursion to Canada and the Northern Red River, by H. De Lamotte, in 1873, published in “Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330177: The descent of the rafts in Ontario, the loggers unload the cut trunks and install them on the frosty river, then during the degel, the trunks will be carried by the current to the place where they will be discharged and transformed, engraving after a drawing by Taylor illustrating the excursion to Canada and the Northern Red River, by H. De Lamotte, in 1873, published in “Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Taylor, T (fl.1850) / Bridgeman Images

The street of goldsmith in Tlemcen, with its shaking shops and in the background, the minaret of the small mosque of sidi l'Hassein, which serves mainly as a school (medersa) for young Muslims, engraving after a drawing by H.Clerget, illustrating the journey to Tlemcen (Algeria), by E. de Lorral, in 1875, published in “The tour of the world”” 1875, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.
The street of goldsmith in Tlemcen, with its shaking shops and in the background, the minaret of the small mosque of sidi l'Hassein, which serves mainly as a school (medersa) for young Muslims, engraving after a drawing by H.Clerget, illustrating the journey to Tlemcen (Algeria), by E. de Lorral, in 1875, published in “The tour of the world”” 1875, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330251: The street of goldsmith in Tlemcen, with its shaking shops and in the background, the minaret of the small mosque of sidi l'Hassein, which serves mainly as a school (medersa) for young Muslims, engraving after a drawing by H.Clerget, illustrating the journey to Tlemcen (Algeria), by E. de Lorral, in 1875, published in “The tour of the world”” 1875, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection., Clerget, Hubert (1818-1899) / Bridgeman Images

Saigon kids earn a living by carrying Europeans' shopping in large baskets (like those that serve as a seat for the two children on the left) or by accompanying them on hunting or fishing, their salary is spent on card games (as do the two children sitting on the mat on the right in the foreground), engraving after a drawing by D. Maillard, illustrating the voyage to Cochinchine, by Doctor Morice, in 1872, published in “” Le tour du monde””” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Saigon kids earn a living by carrying Europeans' shopping in large baskets (like those that serve as a seat for the two children on the left) or by accompanying them on hunting or fishing, their salary is spent on card games (as do the two children sitting on the mat on the right in the foreground), engraving after a drawing by D. Maillard, illustrating the voyage to Cochinchine, by Doctor Morice, in 1872, published in “” Le tour du monde””” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330270: Saigon kids earn a living by carrying Europeans' shopping in large baskets (like those that serve as a seat for the two children on the left) or by accompanying them on hunting or fishing, their salary is spent on card games (as do the two children sitting on the mat on the right in the foreground), engraving after a drawing by D. Maillard, illustrating the voyage to Cochinchine, by Doctor Morice, in 1872, published in “” Le tour du monde””” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., French School, (19th century) / Bridgeman Images

When Turkish caravans arrive at Sebenico Customs (Serbia), commercial travellers unload the bales from the back of their camels in order to verify the quantity and nature of the goods. Engraving after the drawing of Theodore Valerio, to illustrate a story about Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
When Turkish caravans arrive at Sebenico Customs (Serbia), commercial travellers unload the bales from the back of their camels in order to verify the quantity and nature of the goods. Engraving after the drawing of Theodore Valerio, to illustrate a story about Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330309: When Turkish caravans arrive at Sebenico Customs (Serbia), commercial travellers unload the bales from the back of their camels in order to verify the quantity and nature of the goods. Engraving after the drawing of Theodore Valerio, to illustrate a story about Dalmatia, by Charles Yriarte, in 1874, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Valerio, Theodore (1819-79) / Bridgeman Images

Chinese gunmen are inspecting a newly arrived machine gun. Engraving after F.Bassot's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Chinese gunmen are inspecting a newly arrived machine gun. Engraving after F.Bassot's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330364: Chinese gunmen are inspecting a newly arrived machine gun. Engraving after F.Bassot's drawing, to illustrate the voyage to Pekin and North China, by T.Choutze, in 1873, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bassot, Ferdinand (1843-1900) / Bridgeman Images

Cartoon depicting American president Ulysses Grant (1822-1885), sucking a bottle, near a wooden horse and a paper wreath labelled “caesar”” and a construction game with which he tries to build a throne, standing in front of him, Senator Kernan speaking on behalf of the democrats told him “” o mighty Cesar, what a degringolade!” , denouncing scandals and corruption in its administration. Engraving after Houssot's drawing, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Cartoon depicting American president Ulysses Grant (1822-1885), sucking a bottle, near a wooden horse and a paper wreath labelled “caesar”” and a construction game with which he tries to build a throne, standing in front of him, Senator Kernan speaking on behalf of the democrats told him “” o mighty Cesar, what a degringolade!” , denouncing scandals and corruption in its administration. Engraving after Houssot's drawing, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4330456: Cartoon depicting American president Ulysses Grant (1822-1885), sucking a bottle, near a wooden horse and a paper wreath labelled “caesar”” and a construction game with which he tries to build a throne, standing in front of him, Senator Kernan speaking on behalf of the democrats told him “” o mighty Cesar, what a degringolade!” , denouncing scandals and corruption in its administration. Engraving after Houssot's drawing, to illustrate the story La conquete blanche, by William Hepworth Dixon, in 1875, published in “” Le tour du monde””” 1876, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Houssot, Louis (1824-1890) / Bridgeman Images

Merovingian queen's costume from the 5th to the 8th century, she wears a golden crown on a long hair smooth and braided in a long mat that goes down to the knees, on a camisa fitted on the hips, a beautiful gold embroidered belt is knotted, identical embroideries on the neckline and wide sleeves, a long corset called gipon and on her Shoulders, is thrown chlamyde. Colour engraving after the sculptures of the Cathedrale de Chartres, in “France and the French through the centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Merovingian queen's costume from the 5th to the 8th century, she wears a golden crown on a long hair smooth and braided in a long mat that goes down to the knees, on a camisa fitted on the hips, a beautiful gold embroidered belt is knotted, identical embroideries on the neckline and wide sleeves, a long corset called gipon and on her Shoulders, is thrown chlamyde. Colour engraving after the sculptures of the Cathedrale de Chartres, in “France and the French through the centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330560: Merovingian queen's costume from the 5th to the 8th century, she wears a golden crown on a long hair smooth and braided in a long mat that goes down to the knees, on a camisa fitted on the hips, a beautiful gold embroidered belt is knotted, identical embroideries on the neckline and wide sleeves, a long corset called gipon and on her Shoulders, is thrown chlamyde. Colour engraving after the sculptures of the Cathedrale de Chartres, in “France and the French through the centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

Knight banneret (nobiliary title which gives the right to wear a banner) praying before his departure for the second crusade (1147-1149). Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Knight banneret (nobiliary title which gives the right to wear a banner) praying before his departure for the second crusade (1147-1149). Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330566: Knight banneret (nobiliary title which gives the right to wear a banner) praying before his departure for the second crusade (1147-1149). Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

Page costumes, lord and varlet in the 15th century,. Engraving in colours after a tapestry of the cathedrale of Bern 1440-1450, in “France et les francais a travers les centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Page costumes, lord and varlet in the 15th century,. Engraving in colours after a tapestry of the cathedrale of Bern 1440-1450, in “France et les francais a travers les centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330595: Page costumes, lord and varlet in the 15th century,. Engraving in colours after a tapestry of the cathedrale of Bern 1440-1450, in “France et les francais a travers les centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

Transport of the obelisque known as “Aiguille de Cleopatre”” from Egypt to England, 1877-1878: Arrival from the obelisque to Gravesend (England). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 20 April 1878.
Transport of the obelisque known as “Aiguille de Cleopatre”” from Egypt to England, 1877-1878: Arrival from the obelisque to Gravesend (England). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 20 April 1878.

XEE4134722: Transport of the obelisque known as “Aiguille de Cleopatre”” from Egypt to England, 1877-1878: Arrival from the obelisque to Gravesend (England). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 20 April 1878., Unknown Artist, (19th century) / Bridgeman Images

Le morbihan (56), Brittany, France. Peacher, cider, butter, sardines and herring, c.1920 (chromo)
Le morbihan (56), Brittany, France. Peacher, cider, butter, sardines and herring, c.1920 (chromo)

XEE4134756: Le morbihan (56), Brittany, France. Peacher, cider, butter, sardines and herring, c.1920 (chromo), French School, (20th century) / Bridgeman Images

Le Lot (46), Midi-Pyrenees (Midi Pyrenees), France. Truffles, jam and wine, c.1920 (chromo)
Le Lot (46), Midi-Pyrenees (Midi Pyrenees), France. Truffles, jam and wine, c.1920 (chromo)

XEE4134770: Le Lot (46), Midi-Pyrenees (Midi Pyrenees), France. Truffles, jam and wine, c.1920 (chromo), French School, (20th century) / Bridgeman Images

La Haute Loire, Auvergne, France. Soaps, ribbons, dried vegetables, brown, coal and statue of Gilbert du Motier, Marquis de La Fayette, French genral, c.1920 (chromo)
La Haute Loire, Auvergne, France. Soaps, ribbons, dried vegetables, brown, coal and statue of Gilbert du Motier, Marquis de La Fayette, French genral, c.1920 (chromo)

XEE4134797: La Haute Loire, Auvergne, France. Soaps, ribbons, dried vegetables, brown, coal and statue of Gilbert du Motier, Marquis de La Fayette, French genral, c.1920 (chromo), French School, (20th century) / Bridgeman Images

La Correze, Le Limousin, France, 1910 (chromo)
La Correze, Le Limousin, France, 1910 (chromo)

XEE4134870: La Correze, Le Limousin, France, 1910 (chromo), French School, (20th century) / Bridgeman Images

Tarn et Garonne, Midi-Pyrenees, France, 1910 (chromo)
Tarn et Garonne, Midi-Pyrenees, France, 1910 (chromo)

XEE4134951: Tarn et Garonne, Midi-Pyrenees, France, 1910 (chromo), French School, (20th century) / Bridgeman Images

THE THEATRE A VROUVER THE AGES: the Annamite theatre in the French colonies section at the World Exhibition in Paris in 1900.
THE THEATRE A VROUVER THE AGES: the Annamite theatre in the French colonies section at the World Exhibition in Paris in 1900.

XEE4135237: THE THEATRE A VROUVER THE AGES: the Annamite theatre in the French colonies section at the World Exhibition in Paris in 1900., Unknown Artist, (19th century) / Bridgeman Images

Illustration for Il Torvatore by Verdi, end of 19th century (chromo)
Illustration for Il Torvatore by Verdi, end of 19th century (chromo)

XEE4135265: Illustration for Il Torvatore by Verdi, end of 19th century (chromo), Unknown Artist, (19th century) / Bridgeman Images

Gold Rush in Alaska: Gold seekers wash gold mud. A woman picks up pepites while new gold seekers arrive at the camp-
Gold Rush in Alaska: Gold seekers wash gold mud. A woman picks up pepites while new gold seekers arrive at the camp-

XEE4135277: Gold Rush in Alaska: Gold seekers wash gold mud. A woman picks up pepites while new gold seekers arrive at the camp- "Le Pelerin" February 20, 1898 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Illustration for the Fables of Jean de la Fontaine, c.1880 (engraving)
Illustration for the Fables of Jean de la Fontaine, c.1880 (engraving)

XEE4135327: Illustration for the Fables of Jean de la Fontaine, c.1880 (engraving), Anonymous / Bridgeman Images

Ibex costume of the 18th century. Colour engraving, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Ibex costume of the 18th century. Colour engraving, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330702: Ibex costume of the 18th century. Colour engraving, in “France et les francais a travers les centuries”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

You have to suffer to be beautiful satirical drawing on which a hairdresser climbs on a scald to prepare a woman's hairstyle grimacing in front of her mirror. Colour engraving after a print of the Album du Bon Ton, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
You have to suffer to be beautiful satirical drawing on which a hairdresser climbs on a scald to prepare a woman's hairstyle grimacing in front of her mirror. Colour engraving after a print of the Album du Bon Ton, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330723: You have to suffer to be beautiful satirical drawing on which a hairdresser climbs on a scald to prepare a woman's hairstyle grimacing in front of her mirror. Colour engraving after a print of the Album du Bon Ton, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

The entrance into the classroom and the lecon, illustrations for the table of 4, by Bertall (Charles d'Arnoux de Limoges Saint Saens, 1820-1882), for the manual “” The fun calculation: the table of Pythagore”” by Trim, Hachette, Paris, second half of the 19th century. Leonard de Selva collection.
The entrance into the classroom and the lecon, illustrations for the table of 4, by Bertall (Charles d'Arnoux de Limoges Saint Saens, 1820-1882), for the manual “” The fun calculation: the table of Pythagore”” by Trim, Hachette, Paris, second half of the 19th century. Leonard de Selva collection.

LSE4330807: The entrance into the classroom and the lecon, illustrations for the table of 4, by Bertall (Charles d'Arnoux de Limoges Saint Saens, 1820-1882), for the manual “” The fun calculation: the table of Pythagore”” by Trim, Hachette, Paris, second half of the 19th century. Leonard de Selva collection., Bertall, Charles Albert d'Arnoux (1820-82) / Bridgeman Images


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