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Carnival in the Audois village of Bizanet, circa 1930. Unlike the floats of the flowered corso, pulled by horses or oxen, the queen and her dolphines drive through the streets of the village by car.
Carnival in the Audois village of Bizanet, circa 1930. Unlike the floats of the flowered corso, pulled by horses or oxen, the queen and her dolphines drive through the streets of the village by car.

PCT4266139: Carnival in the Audois village of Bizanet, circa 1930. Unlike the floats of the flowered corso, pulled by horses or oxen, the queen and her dolphines drive through the streets of the village by car. / Bridgeman Images

ID: PCT4266139

Carnival in the Audois village of Bizanet, circa 1930. Unlike the floats of the flowered corso, pulled by horses or oxen, the queen and her dolphines drive through the streets of the village by car.

Marriage in a village in France in 1929. Group photo with the brides, family and invited guests to leave the church.
Marriage in a village in France in 1929. Group photo with the brides, family and invited guests to leave the church.

PCT4266201: Marriage in a village in France in 1929. Group photo with the brides, family and invited guests to leave the church. / Bridgeman Images

ID: PCT4266201

Marriage in a village in France in 1929. Group photo with the brides, family and invited guests to leave the church.

Chateau de Puivert (Aude, Cathare country, Pyrenees Audoises). Cavalier view from the east coast. Engraving from 1858, lithography by L. Rouquayrol, Toulouse.
Chateau de Puivert (Aude, Cathare country, Pyrenees Audoises). Cavalier view from the east coast. Engraving from 1858, lithography by L. Rouquayrol, Toulouse.

PCT4266268: Chateau de Puivert (Aude, Cathare country, Pyrenees Audoises). Cavalier view from the east coast. Engraving from 1858, lithography by L. Rouquayrol, Toulouse. / Bridgeman Images

ID: PCT4266268

Chateau de Puivert (Aude, Cathare country, Pyrenees Audoises). Cavalier view from the east coast. Engraving from 1858, lithography by L. Rouquayrol, Toulouse.

Cite de Carcassonne (Languedoc, Aude, Pays Cathare), tour de la Porte du Tresor (du Treseau), engraving by Baron Taylor, 1830.
Cite de Carcassonne (Languedoc, Aude, Pays Cathare), tour de la Porte du Tresor (du Treseau), engraving by Baron Taylor, 1830.

PCT4266297: Cite de Carcassonne (Languedoc, Aude, Pays Cathare), tour de la Porte du Tresor (du Treseau), engraving by Baron Taylor, 1830. / Bridgeman Images

ID: PCT4266297

Cite de Carcassonne (Languedoc, Aude, Pays Cathare), tour de la Porte du Tresor (du Treseau), engraving by Baron Taylor, 1830.

Cover of the first edition of Lenin's book “Materialism and Empiriocriticism” (1909) (Vladimir Ilyich Ulyanov, 1870-1924). This book is considered his main philosophical work and constituted the theoretical preparation of the Bolshevik party.
Cover of the first edition of Lenin's book “Materialism and Empiriocriticism” (1909) (Vladimir Ilyich Ulyanov, 1870-1924). This book is considered his main philosophical work and constituted the theoretical preparation of the Bolshevik party.

PCT4266321: Cover of the first edition of Lenin's book “Materialism and Empiriocriticism” (1909) (Vladimir Ilyich Ulyanov, 1870-1924). This book is considered his main philosophical work and constituted the theoretical preparation of the Bolshevik party. / Bridgeman Images

ID: PCT4266321

Cover of the first edition of Lenin's book “Materialism and Empiriocriticism” (1909) (Vladimir Ilyich Ulyanov, 1870-1924). This book is considered his main philosophical work and constituted the theoretical preparation of the Bolshevik party.

2 potters working in turn. Pottery workshop.
2 potters working in turn. Pottery workshop.

PCT4266328: 2 potters working in turn. Pottery workshop. / Bridgeman Images

ID: PCT4266328

2 potters working in turn. Pottery workshop.

North Africa (probably Egypt), around 1880. “” Camels on plowing””
North Africa (probably Egypt), around 1880. “” Camels on plowing””

PCT4266348: North Africa (probably Egypt), around 1880. “” Camels on plowing”” / Bridgeman Images

ID: PCT4266348

North Africa (probably Egypt), around 1880. “” Camels on plowing””

Printing shop: composition workshop.
Printing shop: composition workshop.

PCT4266438: Printing shop: composition workshop. / Bridgeman Images

ID: PCT4266438

Printing shop: composition workshop.

Alsace: bilingual program of fishermen at the line of the company “La Gaule” in Obernai, Bas Rhin, July 1939.
Alsace: bilingual program of fishermen at the line of the company “La Gaule” in Obernai, Bas Rhin, July 1939.

PCT4266577: Alsace: bilingual program of fishermen at the line of the company “La Gaule” in Obernai, Bas Rhin, July 1939. / Bridgeman Images

ID: PCT4266577

Alsace: bilingual program of fishermen at the line of the company “La Gaule” in Obernai, Bas Rhin, July 1939.

Alsace: programme of the festivities of fishermen at the line of the company “” La Gaule”” in Obernai, Bas Rhin, July 1939.
Alsace: programme of the festivities of fishermen at the line of the company “” La Gaule”” in Obernai, Bas Rhin, July 1939.

PCT4266583: Alsace: programme of the festivities of fishermen at the line of the company “” La Gaule”” in Obernai, Bas Rhin, July 1939. / Bridgeman Images

ID: PCT4266583

Alsace: programme of the festivities of fishermen at the line of the company “” La Gaule”” in Obernai, Bas Rhin, July 1939.

Maryse Bastie (Marie-Louise Bombec) French aviator 1898-1952. She crossed the South Atlantic alone in 1936 and was the owner of 6 international records for distance and flight duration.
Maryse Bastie (Marie-Louise Bombec) French aviator 1898-1952. She crossed the South Atlantic alone in 1936 and was the owner of 6 international records for distance and flight duration.

PCT4266626: Maryse Bastie (Marie-Louise Bombec) French aviator 1898-1952. She crossed the South Atlantic alone in 1936 and was the owner of 6 international records for distance and flight duration. / Bridgeman Images

ID: PCT4266626

Maryse Bastie (Marie-Louise Bombec) French aviator 1898-1952. She crossed the South Atlantic alone in 1936 and was the owner of 6 international records for distance and flight duration.

Postcard of the beautiful period (years 1920-1930) signed by the painter Xavier Sager (1870-1930) who specialised in this type of illustration. La Maison ou l'on cause = the house of pleasure = maison close Mere mackerelle presenting young women naked (or half-naked) to old men. Prostitution.
Postcard of the beautiful period (years 1920-1930) signed by the painter Xavier Sager (1870-1930) who specialised in this type of illustration. La Maison ou l'on cause = the house of pleasure = maison close Mere mackerelle presenting young women naked (or half-naked) to old men. Prostitution.

PCT4266719: Postcard of the beautiful period (years 1920-1930) signed by the painter Xavier Sager (1870-1930) who specialised in this type of illustration. La Maison ou l'on cause = the house of pleasure = maison close Mere mackerelle presenting young women naked (or half-naked) to old men. Prostitution. / Bridgeman Images

ID: PCT4266719

Postcard of the beautiful period (years 1920-1930) signed by the painter Xavier Sager (1870-1930) who specialised in this type of illustration. La Maison ou l'on cause = the house of pleasure = maison close Mere mackerelle presenting young women naked (or half-naked) to old men. Prostitution.

Illustration for 'Au bonheur des dames' written by Emile Zola, 19th century, edition 1906 (engraving)
Illustration for 'Au bonheur des dames' written by Emile Zola, 19th century, edition 1906 (engraving)

PCT4266873: Illustration for 'Au bonheur des dames' written by Emile Zola, 19th century, edition 1906 (engraving) / Bridgeman Images

ID: PCT4266873

Illustration for 'Au bonheur des dames' written by Emile Zola, 19th century, edition 1906 (engraving)

The “donkey tower”: old country custom. In Carcassonne (Aude, Languedoc), in the neighborhood of the Cite Medievale, on the day of Saint Nazaire (patron of the Cite), the youngest wife of the year walks on a donkey to the joy of the population. Postcard beginning 20th century.
The “donkey tower”: old country custom. In Carcassonne (Aude, Languedoc), in the neighborhood of the Cite Medievale, on the day of Saint Nazaire (patron of the Cite), the youngest wife of the year walks on a donkey to the joy of the population. Postcard beginning 20th century.

PCT4266907: The “donkey tower”: old country custom. In Carcassonne (Aude, Languedoc), in the neighborhood of the Cite Medievale, on the day of Saint Nazaire (patron of the Cite), the youngest wife of the year walks on a donkey to the joy of the population. Postcard beginning 20th century. / Bridgeman Images

ID: PCT4266907

The “donkey tower”: old country custom. In Carcassonne (Aude, Languedoc), in the neighborhood of the Cite Medievale, on the day of Saint Nazaire (patron of the Cite), the youngest wife of the year walks on a donkey to the joy of the population. Postcard beginning 20th century.

Giant Gargantua destroyed the fortress of Picrochole (Picrocholine war). Illustration by Robida for the work of Rabelais, Armand Colin 1913 edition.
Giant Gargantua destroyed the fortress of Picrochole (Picrocholine war). Illustration by Robida for the work of Rabelais, Armand Colin 1913 edition.

PCT4266926: Giant Gargantua destroyed the fortress of Picrochole (Picrocholine war). Illustration by Robida for the work of Rabelais, Armand Colin 1913 edition. / Bridgeman Images

ID: PCT4266926

Giant Gargantua destroyed the fortress of Picrochole (Picrocholine war). Illustration by Robida for the work of Rabelais, Armand Colin 1913 edition.

young child (baby) playing piano pulling the tongue, accompanied by his little dog in a rag. Original undated photograph (cutie), signed on the back by American photographer from New York C. Smith Gardner. Early 20th century.
young child (baby) playing piano pulling the tongue, accompanied by his little dog in a rag. Original undated photograph (cutie), signed on the back by American photographer from New York C. Smith Gardner. Early 20th century.

PCT4266940: young child (baby) playing piano pulling the tongue, accompanied by his little dog in a rag. Original undated photograph (cutie), signed on the back by American photographer from New York C. Smith Gardner. Early 20th century. / Bridgeman Images

ID: PCT4266940

young child (baby) playing piano pulling the tongue, accompanied by his little dog in a rag. Original undated photograph (cutie), signed on the back by American photographer from New York C. Smith Gardner. Early 20th century.

group of women and children in an automobile: set of two photographic plates on anonymous glass, early 20th century. The two clicks present two different poses, one sharp, the other where the characters have moved. The photographer adjusts his camera differently for both poses, giving a more contrast to the bottom cliche.
group of women and children in an automobile: set of two photographic plates on anonymous glass, early 20th century. The two clicks present two different poses, one sharp, the other where the characters have moved. The photographer adjusts his camera differently for both poses, giving a more contrast to the bottom cliche.

PCT4266951: group of women and children in an automobile: set of two photographic plates on anonymous glass, early 20th century. The two clicks present two different poses, one sharp, the other where the characters have moved. The photographer adjusts his camera differently for both poses, giving a more contrast to the bottom cliche. / Bridgeman Images

ID: PCT4266951

group of women and children in an automobile: set of two photographic plates on anonymous glass, early 20th century. The two clicks present two different poses, one sharp, the other where the characters have moved. The photographer adjusts his camera differently for both poses, giving a more contrast to the bottom cliche.

A funny idea: a hairy French guy put a kid in the face of a German cannon! Photograph published on the last cover of the magazine “” Sur le vif”” (photos and sketches of war”), weekly of August 28, 1915 (n°42).
A funny idea: a hairy French guy put a kid in the face of a German cannon! Photograph published on the last cover of the magazine “” Sur le vif”” (photos and sketches of war”), weekly of August 28, 1915 (n°42).

PCT4267619: A funny idea: a hairy French guy put a kid in the face of a German cannon! Photograph published on the last cover of the magazine “” Sur le vif”” (photos and sketches of war”), weekly of August 28, 1915 (n°42). / Bridgeman Images

ID: PCT4267619

A funny idea: a hairy French guy put a kid in the face of a German cannon! Photograph published on the last cover of the magazine “” Sur le vif”” (photos and sketches of war”), weekly of August 28, 1915 (n°42).

A French translation of Pinocchio around 1920-1930, reproducing a drawing by Carlo Chiostri (1863-1939), one of the first Italian illustrators of Collodi's work. Geppetto, who just sculpted the puppet in a buche, is adjusting his arms and legs when Pinocchio takes his wig and puts it on his own head.
A French translation of Pinocchio around 1920-1930, reproducing a drawing by Carlo Chiostri (1863-1939), one of the first Italian illustrators of Collodi's work. Geppetto, who just sculpted the puppet in a buche, is adjusting his arms and legs when Pinocchio takes his wig and puts it on his own head.

PCT4267767: A French translation of Pinocchio around 1920-1930, reproducing a drawing by Carlo Chiostri (1863-1939), one of the first Italian illustrators of Collodi's work. Geppetto, who just sculpted the puppet in a buche, is adjusting his arms and legs when Pinocchio takes his wig and puts it on his own head. / Bridgeman Images

ID: PCT4267767

A French translation of Pinocchio around 1920-1930, reproducing a drawing by Carlo Chiostri (1863-1939), one of the first Italian illustrators of Collodi's work. Geppetto, who just sculpted the puppet in a buche, is adjusting his arms and legs when Pinocchio takes his wig and puts it on his own head.

Portrait of American actor Gary Cooper, 1939 (print)
Portrait of American actor Gary Cooper, 1939 (print)

PCT4267855: Portrait of American actor Gary Cooper, 1939 (print) / Bridgeman Images

ID: PCT4267855

Portrait of American actor Gary Cooper, 1939 (print)

Stamp in tribute to Emile Zola (1840-1902) and his work, published by the French Post Office in 1967. The portrait of the writer is surrounded by characters and scenes evoking his novels.
Stamp in tribute to Emile Zola (1840-1902) and his work, published by the French Post Office in 1967. The portrait of the writer is surrounded by characters and scenes evoking his novels.

PCT4267881: Stamp in tribute to Emile Zola (1840-1902) and his work, published by the French Post Office in 1967. The portrait of the writer is surrounded by characters and scenes evoking his novels. / Bridgeman Images

ID: PCT4267881

Stamp in tribute to Emile Zola (1840-1902) and his work, published by the French Post Office in 1967. The portrait of the writer is surrounded by characters and scenes evoking his novels.

First illuminated page of a 14th century manuscript (anonymous copist) of letters of Petrarch (Petrarca) written before his death in 1374. The first capital (illumination of a capital O) is adorned with this portrait of the poet depicting it in its old days. (Rerum Senilium Liber, Carcassonne Library).
First illuminated page of a 14th century manuscript (anonymous copist) of letters of Petrarch (Petrarca) written before his death in 1374. The first capital (illumination of a capital O) is adorned with this portrait of the poet depicting it in its old days. (Rerum Senilium Liber, Carcassonne Library).

PCT4267924: First illuminated page of a 14th century manuscript (anonymous copist) of letters of Petrarch (Petrarca) written before his death in 1374. The first capital (illumination of a capital O) is adorned with this portrait of the poet depicting it in its old days. (Rerum Senilium Liber, Carcassonne Library). / Bridgeman Images

ID: PCT4267924

First illuminated page of a 14th century manuscript (anonymous copist) of letters of Petrarch (Petrarca) written before his death in 1374. The first capital (illumination of a capital O) is adorned with this portrait of the poet depicting it in its old days. (Rerum Senilium Liber, Carcassonne Library).

Italian manuscript 15th century on parchment. “” De Institutione Oratoria””, Marcus Fabius Quintilianus (Quintilian). Library of Carcassonne.
Italian manuscript 15th century on parchment. “” De Institutione Oratoria””, Marcus Fabius Quintilianus (Quintilian). Library of Carcassonne.

PCT4267939: Italian manuscript 15th century on parchment. “” De Institutione Oratoria””, Marcus Fabius Quintilianus (Quintilian). Library of Carcassonne. / Bridgeman Images

ID: PCT4267939

Italian manuscript 15th century on parchment. “” De Institutione Oratoria””, Marcus Fabius Quintilianus (Quintilian). Library of Carcassonne.

Fricks and catches: humor and “good taste”” francais. Two examples of “” jokes” practiced in France, “” Pays des Lumieres””: the pecker cushion and fake business cards. One reads this immortal trick: Simon Cussonet, Church Square, Tussorel (Eure). If my butt sounded in church place, you'd know the time! Articles marketed around 1950.
Fricks and catches: humor and “good taste”” francais. Two examples of “” jokes” practiced in France, “” Pays des Lumieres””: the pecker cushion and fake business cards. One reads this immortal trick: Simon Cussonet, Church Square, Tussorel (Eure). If my butt sounded in church place, you'd know the time! Articles marketed around 1950.

PCT4267968: Fricks and catches: humor and “good taste”” francais. Two examples of “” jokes” practiced in France, “” Pays des Lumieres””: the pecker cushion and fake business cards. One reads this immortal trick: Simon Cussonet, Church Square, Tussorel (Eure). If my butt sounded in church place, you'd know the time! Articles marketed around 1950. / Bridgeman Images

ID: PCT4267968

Fricks and catches: humor and “good taste”” francais. Two examples of “” jokes” practiced in France, “” Pays des Lumieres””: the pecker cushion and fake business cards. One reads this immortal trick: Simon Cussonet, Church Square, Tussorel (Eure). If my butt sounded in church place, you'd know the time! Articles marketed around 1950.

Stuffing and catching (joke): a great classic of “bad taste”, the pecker cushion. This model, called “L'indecent”, was deposited and marketed around 1950.
Stuffing and catching (joke): a great classic of “bad taste”, the pecker cushion. This model, called “L'indecent”, was deposited and marketed around 1950.

PCT4267970: Stuffing and catching (joke): a great classic of “bad taste”, the pecker cushion. This model, called “L'indecent”, was deposited and marketed around 1950. / Bridgeman Images

ID: PCT4267970

Stuffing and catching (joke): a great classic of “bad taste”, the pecker cushion. This model, called “L'indecent”, was deposited and marketed around 1950.

Advertised for the Persian Trichophile, produced to grow beard and hair, using the image of the Persian Schah (Shah of Iran) adorns huge mustaches and warns against charlatanism and counterfeiting! Claimed around 1910.
Advertised for the Persian Trichophile, produced to grow beard and hair, using the image of the Persian Schah (Shah of Iran) adorns huge mustaches and warns against charlatanism and counterfeiting! Claimed around 1910.

PCT4267983: Advertised for the Persian Trichophile, produced to grow beard and hair, using the image of the Persian Schah (Shah of Iran) adorns huge mustaches and warns against charlatanism and counterfeiting! Claimed around 1910. / Bridgeman Images

ID: PCT4267983

Advertised for the Persian Trichophile, produced to grow beard and hair, using the image of the Persian Schah (Shah of Iran) adorns huge mustaches and warns against charlatanism and counterfeiting! Claimed around 1910.

Autograph signature by Jules Michelet, historian and writer (1798-1874).
Autograph signature by Jules Michelet, historian and writer (1798-1874).

PCT4268006: Autograph signature by Jules Michelet, historian and writer (1798-1874). / Bridgeman Images

ID: PCT4268006

Autograph signature by Jules Michelet, historian and writer (1798-1874).

Succession of drawings representing various expressions and feelings expressed by the face and hands: 1, silence - 2, negation - 3, beauty - 4, hunger - 5, derision - 6, fatigue - 7, stupidity - 8, fatical. Catalogue of Neapolitan gestures published in 1832 by Andrea de Jorio.
Succession of drawings representing various expressions and feelings expressed by the face and hands: 1, silence - 2, negation - 3, beauty - 4, hunger - 5, derision - 6, fatigue - 7, stupidity - 8, fatical. Catalogue of Neapolitan gestures published in 1832 by Andrea de Jorio.

PCT4268011: Succession of drawings representing various expressions and feelings expressed by the face and hands: 1, silence - 2, negation - 3, beauty - 4, hunger - 5, derision - 6, fatigue - 7, stupidity - 8, fatical. Catalogue of Neapolitan gestures published in 1832 by Andrea de Jorio. / Bridgeman Images

ID: PCT4268011

Succession of drawings representing various expressions and feelings expressed by the face and hands: 1, silence - 2, negation - 3, beauty - 4, hunger - 5, derision - 6, fatigue - 7, stupidity - 8, fatical. Catalogue of Neapolitan gestures published in 1832 by Andrea de Jorio.

Franc Maconnerie: view of a lodge in Paris in 1740. Anonymous engraving reproduced in F.T.B.-Clavel's book “” Picturesque Histoire de la Franco-Maconnerie et des Societes Secretes Antique et Monte”, 1844. “The lodges were generally united in a private room of some inn whose sign served as a distinctive sign... Usually [for fear of a police search] the iconic picture of the rank at which the work was held was marked with chalk on the floor and erased after the session with a wet sponge.”
Franc Maconnerie: view of a lodge in Paris in 1740. Anonymous engraving reproduced in F.T.B.-Clavel's book “” Picturesque Histoire de la Franco-Maconnerie et des Societes Secretes Antique et Monte”, 1844. “The lodges were generally united in a private room of some inn whose sign served as a distinctive sign... Usually [for fear of a police search] the iconic picture of the rank at which the work was held was marked with chalk on the floor and erased after the session with a wet sponge.”

PCT4268052: Franc Maconnerie: view of a lodge in Paris in 1740. Anonymous engraving reproduced in F.T.B.-Clavel's book “” Picturesque Histoire de la Franco-Maconnerie et des Societes Secretes Antique et Monte”, 1844. “The lodges were generally united in a private room of some inn whose sign served as a distinctive sign... Usually [for fear of a police search] the iconic picture of the rank at which the work was held was marked with chalk on the floor and erased after the session with a wet sponge.” / Bridgeman Images

ID: PCT4268052

Franc Maconnerie: view of a lodge in Paris in 1740. Anonymous engraving reproduced in F.T.B.-Clavel's book “” Picturesque Histoire de la Franco-Maconnerie et des Societes Secretes Antique et Monte”, 1844. “The lodges were generally united in a private room of some inn whose sign served as a distinctive sign... Usually [for fear of a police search] the iconic picture of the rank at which the work was held was marked with chalk on the floor and erased after the session with a wet sponge.”

Young woman in traditional Alsace dress. Anonymous photographic portrait realized in studio at the beginning of the 20th century and edited as a postcard.
Young woman in traditional Alsace dress. Anonymous photographic portrait realized in studio at the beginning of the 20th century and edited as a postcard.

PCT4268076: Young woman in traditional Alsace dress. Anonymous photographic portrait realized in studio at the beginning of the 20th century and edited as a postcard. / Bridgeman Images

ID: PCT4268076

Young woman in traditional Alsace dress. Anonymous photographic portrait realized in studio at the beginning of the 20th century and edited as a postcard.

Photographic portrait of American actress Joan Crawford (Lucille Fay LeSueur, 1904-1977) in a beautiful dress and hat.
Photographic portrait of American actress Joan Crawford (Lucille Fay LeSueur, 1904-1977) in a beautiful dress and hat.

PCT4268107: Photographic portrait of American actress Joan Crawford (Lucille Fay LeSueur, 1904-1977) in a beautiful dress and hat. / Bridgeman Images

ID: PCT4268107

Photographic portrait of American actress Joan Crawford (Lucille Fay LeSueur, 1904-1977) in a beautiful dress and hat.

Photographic portrait in the studio of the German bodybuilder Eugen Sandow (1867-1925) by Benjamin j. Falk (1853-1925) in 1894. Sandow is widely regarded as the father of modern bodybuilding. He used elastic strippers for his training, which today bear his name: the sandows. In this photograph, he bears the medal he just won in Italy.
Photographic portrait in the studio of the German bodybuilder Eugen Sandow (1867-1925) by Benjamin j. Falk (1853-1925) in 1894. Sandow is widely regarded as the father of modern bodybuilding. He used elastic strippers for his training, which today bear his name: the sandows. In this photograph, he bears the medal he just won in Italy.

PCT4268138: Photographic portrait in the studio of the German bodybuilder Eugen Sandow (1867-1925) by Benjamin j. Falk (1853-1925) in 1894. Sandow is widely regarded as the father of modern bodybuilding. He used elastic strippers for his training, which today bear his name: the sandows. In this photograph, he bears the medal he just won in Italy. / Bridgeman Images

ID: PCT4268138

Photographic portrait in the studio of the German bodybuilder Eugen Sandow (1867-1925) by Benjamin j. Falk (1853-1925) in 1894. Sandow is widely regarded as the father of modern bodybuilding. He used elastic strippers for his training, which today bear his name: the sandows. In this photograph, he bears the medal he just won in Italy.

Photographic portrait of the actress and singer Polar (Emilie Marie Bouchaud 1874-1939).
Photographic portrait of the actress and singer Polar (Emilie Marie Bouchaud 1874-1939).

PCT4268174: Photographic portrait of the actress and singer Polar (Emilie Marie Bouchaud 1874-1939). / Bridgeman Images

ID: PCT4268174

Photographic portrait of the actress and singer Polar (Emilie Marie Bouchaud 1874-1939).

Henry Gauthier-Villars (Gauthier Villars), dit Willy (1859- 1931), a French journalist, music critic and novelist, husband of Colette, whose first novels he signed (the series of Claudines) before it started. Willy poses here with his famous top hat and dog Toby for photographer Gerschel around 1896.
Henry Gauthier-Villars (Gauthier Villars), dit Willy (1859- 1931), a French journalist, music critic and novelist, husband of Colette, whose first novels he signed (the series of Claudines) before it started. Willy poses here with his famous top hat and dog Toby for photographer Gerschel around 1896.

PCT4268181: Henry Gauthier-Villars (Gauthier Villars), dit Willy (1859- 1931), a French journalist, music critic and novelist, husband of Colette, whose first novels he signed (the series of Claudines) before it started. Willy poses here with his famous top hat and dog Toby for photographer Gerschel around 1896. / Bridgeman Images

ID: PCT4268181

Henry Gauthier-Villars (Gauthier Villars), dit Willy (1859- 1931), a French journalist, music critic and novelist, husband of Colette, whose first novels he signed (the series of Claudines) before it started. Willy poses here with his famous top hat and dog Toby for photographer Gerschel around 1896.

The beach of Soulac sur mer (Gironde) around 1930. Children playing with a boat. Postcard (true photograph signed Gaby) sent July 27, 1934.
The beach of Soulac sur mer (Gironde) around 1930. Children playing with a boat. Postcard (true photograph signed Gaby) sent July 27, 1934.

PCT4268236: The beach of Soulac sur mer (Gironde) around 1930. Children playing with a boat. Postcard (true photograph signed Gaby) sent July 27, 1934. / Bridgeman Images

ID: PCT4268236

The beach of Soulac sur mer (Gironde) around 1930. Children playing with a boat. Postcard (true photograph signed Gaby) sent July 27, 1934.

Detail of an envelope (post) or postcard back with stamp, obliteration, stamp and postcard flames praising the tourism of Lavaur (Tarn), its cathedrale, its gardens, fairs etc. Courier sent between 1950 and 1960.
Detail of an envelope (post) or postcard back with stamp, obliteration, stamp and postcard flames praising the tourism of Lavaur (Tarn), its cathedrale, its gardens, fairs etc. Courier sent between 1950 and 1960.

PCT4268371: Detail of an envelope (post) or postcard back with stamp, obliteration, stamp and postcard flames praising the tourism of Lavaur (Tarn), its cathedrale, its gardens, fairs etc. Courier sent between 1950 and 1960. / Bridgeman Images

ID: PCT4268371

Detail of an envelope (post) or postcard back with stamp, obliteration, stamp and postcard flames praising the tourism of Lavaur (Tarn), its cathedrale, its gardens, fairs etc. Courier sent between 1950 and 1960.


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