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A sculpture workshop in Yedo (or Edo, present-day Tokyo), pruning granite for the manufacture of pillars, statuettes, candelabra and tombstones, as well as wood carving, for the manufacture of altar panels, decorative woodwork, coffins and chimeric figurines that adorn the roofs of temples. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
A sculpture workshop in Yedo (or Edo, present-day Tokyo), pruning granite for the manufacture of pillars, statuettes, candelabra and tombstones, as well as wood carving, for the manufacture of altar panels, decorative woodwork, coffins and chimeric figurines that adorn the roofs of temples. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328269: A sculpture workshop in Yedo (or Edo, present-day Tokyo), pruning granite for the manufacture of pillars, statuettes, candelabra and tombstones, as well as wood carving, for the manufacture of altar panels, decorative woodwork, coffins and chimeric figurines that adorn the roofs of temples. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328269

A sculpture workshop in Yedo (or Edo, present-day Tokyo), pruning granite for the manufacture of pillars, statuettes, candelabra and tombstones, as well as wood carving, for the manufacture of altar panels, decorative woodwork, coffins and chimeric figurines that adorn the roofs of temples. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

Unknown Artist, (19th century)

Hindu vowed to wear a large circle of iron around his neck. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
Hindu vowed to wear a large circle of iron around his neck. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328499: Hindu vowed to wear a large circle of iron around his neck. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328499

Hindu vowed to wear a large circle of iron around his neck. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

On the eve of the arms, the sorcerer lies by the fire and begins to gem to call the Great Spirit, while watching the young people who are deprived of food and sleep for four days, in order to prepare them for the future torture of the Mandans Indians (or noumah ka kie: pheasants) on the left bank of Missouri. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
On the eve of the arms, the sorcerer lies by the fire and begins to gem to call the Great Spirit, while watching the young people who are deprived of food and sleep for four days, in order to prepare them for the future torture of the Mandans Indians (or noumah ka kie: pheasants) on the left bank of Missouri. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328571: On the eve of the arms, the sorcerer lies by the fire and begins to gem to call the Great Spirit, while watching the young people who are deprived of food and sleep for four days, in order to prepare them for the future torture of the Mandans Indians (or noumah ka kie: pheasants) on the left bank of Missouri. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328571

On the eve of the arms, the sorcerer lies by the fire and begins to gem to call the Great Spirit, while watching the young people who are deprived of food and sleep for four days, in order to prepare them for the future torture of the Mandans Indians (or noumah ka kie: pheasants) on the left bank of Missouri. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

The baptism of the Buddha, an annual feast that takes place on the 8th day of the 4th month, devotees water the bronze statue of the Buddha exposed for the occasion in front of the temples. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
The baptism of the Buddha, an annual feast that takes place on the 8th day of the 4th month, devotees water the bronze statue of the Buddha exposed for the occasion in front of the temples. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328638: The baptism of the Buddha, an annual feast that takes place on the 8th day of the 4th month, devotees water the bronze statue of the Buddha exposed for the occasion in front of the temples. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328638

The baptism of the Buddha, an annual feast that takes place on the 8th day of the 4th month, devotees water the bronze statue of the Buddha exposed for the occasion in front of the temples. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

The quay and warehouses of rice shops in Taikoun (time sovereign of Japan), on the Ogawa River (which crosses Edo, present-day Tokyo),. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.
The quay and warehouses of rice shops in Taikoun (time sovereign of Japan), on the Ogawa River (which crosses Edo, present-day Tokyo),. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328696: The quay and warehouses of rice shops in Taikoun (time sovereign of Japan), on the Ogawa River (which crosses Edo, present-day Tokyo),. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328696

The quay and warehouses of rice shops in Taikoun (time sovereign of Japan), on the Ogawa River (which crosses Edo, present-day Tokyo),. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

The Roman forum has the rent of fodder, the oxen lie in the middle of carts and ancient ruins. Engravure pour illustrrer le voyage à Rome, by Francis Wey, in 1864-1868, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The Roman forum has the rent of fodder, the oxen lie in the middle of carts and ancient ruins. Engravure pour illustrrer le voyage à Rome, by Francis Wey, in 1864-1868, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4328922: The Roman forum has the rent of fodder, the oxen lie in the middle of carts and ancient ruins. Engravure pour illustrrer le voyage à Rome, by Francis Wey, in 1864-1868, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328922

The Roman forum has the rent of fodder, the oxen lie in the middle of carts and ancient ruins. Engravure pour illustrrer le voyage à Rome, by Francis Wey, in 1864-1868, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Unknown Artist, (19th century)

After having taken its share and the share attributed to the leader of the Hamran tribe, the crowd is brutally fighting over the remaining pieces. Engraving to illustrate the exploration of the Abyssinian tributaries of the Nile, by Sir Samuel W.Baker, in 1861-62, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
After having taken its share and the share attributed to the leader of the Hamran tribe, the crowd is brutally fighting over the remaining pieces. Engraving to illustrate the exploration of the Abyssinian tributaries of the Nile, by Sir Samuel W.Baker, in 1861-62, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328945: After having taken its share and the share attributed to the leader of the Hamran tribe, the crowd is brutally fighting over the remaining pieces. Engraving to illustrate the exploration of the Abyssinian tributaries of the Nile, by Sir Samuel W.Baker, in 1861-62, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328945

After having taken its share and the share attributed to the leader of the Hamran tribe, the crowd is brutally fighting over the remaining pieces. Engraving to illustrate the exploration of the Abyssinian tributaries of the Nile, by Sir Samuel W.Baker, in 1861-62, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Unknown Artist, (19th century)

Sponge fishing by the Islanders of Anastasia Island, a low maree, women and children collect among the rocks and men embark on canoes to dive and recover them in the bottom of the sea. Engraving to illustrate the story four months in Florida, by Achille Pousselgue in 1851-1852, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Sponge fishing by the Islanders of Anastasia Island, a low maree, women and children collect among the rocks and men embark on canoes to dive and recover them in the bottom of the sea. Engraving to illustrate the story four months in Florida, by Achille Pousselgue in 1851-1852, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329059: Sponge fishing by the Islanders of Anastasia Island, a low maree, women and children collect among the rocks and men embark on canoes to dive and recover them in the bottom of the sea. Engraving to illustrate the story four months in Florida, by Achille Pousselgue in 1851-1852, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4329059

Sponge fishing by the Islanders of Anastasia Island, a low maree, women and children collect among the rocks and men embark on canoes to dive and recover them in the bottom of the sea. Engraving to illustrate the story four months in Florida, by Achille Pousselgue in 1851-1852, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Unknown Artist, (19th century)

General view of the Kremlin, the geographic center of Moscow and the political center of Russia, the neighborhood built in the 14th century has always been expanded and restored throughout the country's historical peripeties. Engraving to illustrate La Russie libre, by William Hepworth Dixon, in 1869, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
General view of the Kremlin, the geographic center of Moscow and the political center of Russia, the neighborhood built in the 14th century has always been expanded and restored throughout the country's historical peripeties. Engraving to illustrate La Russie libre, by William Hepworth Dixon, in 1869, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329234: General view of the Kremlin, the geographic center of Moscow and the political center of Russia, the neighborhood built in the 14th century has always been expanded and restored throughout the country's historical peripeties. Engraving to illustrate La Russie libre, by William Hepworth Dixon, in 1869, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4329234

General view of the Kremlin, the geographic center of Moscow and the political center of Russia, the neighborhood built in the 14th century has always been expanded and restored throughout the country's historical peripeties. Engraving to illustrate La Russie libre, by William Hepworth Dixon, in 1869, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Unknown Artist, (19th century)

Durbar (feodal and legal council of a princely state) of Maharaja Rana, of the kingdom of Dholepore (Rajasthan). Engravure pour illustrrer l'Inde des Rajahs, by Louis Rousselet, in 1864-1868, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Durbar (feodal and legal council of a princely state) of Maharaja Rana, of the kingdom of Dholepore (Rajasthan). Engravure pour illustrrer l'Inde des Rajahs, by Louis Rousselet, in 1864-1868, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329261: Durbar (feodal and legal council of a princely state) of Maharaja Rana, of the kingdom of Dholepore (Rajasthan). Engravure pour illustrrer l'Inde des Rajahs, by Louis Rousselet, in 1864-1868, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4329261

Durbar (feodal and legal council of a princely state) of Maharaja Rana, of the kingdom of Dholepore (Rajasthan). Engravure pour illustrrer l'Inde des Rajahs, by Louis Rousselet, in 1864-1868, published in “” Le tour du monde””” 1872, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Unknown Artist, (19th century)

Wagonnet is employed in the coal mines in Wales. Engraving in “Le journal de la jeunesse””, 1885.
Wagonnet is employed in the coal mines in Wales. Engraving in “Le journal de la jeunesse””, 1885.

XEE4134064: Wagonnet is employed in the coal mines in Wales. Engraving in “Le journal de la jeunesse””, 1885., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4134064

Wagonnet is employed in the coal mines in Wales. Engraving in “Le journal de la jeunesse””, 1885.

Unknown Artist, (19th century)

Minors descending into the cage. Engraving in “Le journal de la jeunesse””, 1885.
Minors descending into the cage. Engraving in “Le journal de la jeunesse””, 1885.

XEE4134070: Minors descending into the cage. Engraving in “Le journal de la jeunesse””, 1885., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4134070

Minors descending into the cage. Engraving in “Le journal de la jeunesse””, 1885.

Unknown Artist, (19th century)

Transport of ice in St. Petersburg, Russia. Engraving in “The Youth Journal”, 1884.
Transport of ice in St. Petersburg, Russia. Engraving in “The Youth Journal”, 1884.

XEE4134114: Transport of ice in St. Petersburg, Russia. Engraving in “The Youth Journal”, 1884., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4134114

Transport of ice in St. Petersburg, Russia. Engraving in “The Youth Journal”, 1884.

Unknown Artist, (19th century)

Illustration for
Illustration for

XEE4134298: Illustration for "La Nature: revue des sciences et de leurs applications aux arts et a l'industrie" of 10 May 1902 (print), Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4134298

Illustration for "La Nature: revue des sciences et de leurs applications aux arts et a l'industrie" of 10 May 1902 (print)

Unknown Artist, (20th century)

Illustration for
Illustration for

XEE4134311: Illustration for "La Nature: revue des sciences et de leurs applications aux arts et a l'industrie" 1904 (print), Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4134311

Illustration for "La Nature: revue des sciences et de leurs applications aux arts et a l'industrie" 1904 (print)

Unknown Artist, (20th century)

Quebec City, Canada, from the right bank of the St. Lawrence (St. Lawrence). Engraving in “” Le Journal de la jeunesse””, 1889.
Quebec City, Canada, from the right bank of the St. Lawrence (St. Lawrence). Engraving in “” Le Journal de la jeunesse””, 1889.

XEE4134340: Quebec City, Canada, from the right bank of the St. Lawrence (St. Lawrence). Engraving in “” Le Journal de la jeunesse””, 1889., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4134340

Quebec City, Canada, from the right bank of the St. Lawrence (St. Lawrence). Engraving in “” Le Journal de la jeunesse””, 1889.

Unknown Artist, (19th century)

The Chinese Empire: the Yunnan and Tonkin border route. Engraving in “” Le Journal de la jeunesse””, 1884.
The Chinese Empire: the Yunnan and Tonkin border route. Engraving in “” Le Journal de la jeunesse””, 1884.

XEE4134408: The Chinese Empire: the Yunnan and Tonkin border route. Engraving in “” Le Journal de la jeunesse””, 1884., French School, (19th century) / Bridgeman Images

ID: XEE4134408

The Chinese Empire: the Yunnan and Tonkin border route. Engraving in “” Le Journal de la jeunesse””, 1884.

French School, (19th century)

National Library in Paris: Office of the Catalogue. Upstairs are the boxes of the plays. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of July 1, 1893.
National Library in Paris: Office of the Catalogue. Upstairs are the boxes of the plays. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of July 1, 1893.

XEE4134584: National Library in Paris: Office of the Catalogue. Upstairs are the boxes of the plays. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of July 1, 1893., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4134584

National Library in Paris: Office of the Catalogue. Upstairs are the boxes of the plays. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of July 1, 1893.

Unknown Artist, (19th century)

Art of photography: manufacture of photographic plates at M. Lumiere, in Lyon: preparation of sensitive emulsion. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 16 November 1895.
Art of photography: manufacture of photographic plates at M. Lumiere, in Lyon: preparation of sensitive emulsion. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 16 November 1895.

XEE4134613: Art of photography: manufacture of photographic plates at M. Lumiere, in Lyon: preparation of sensitive emulsion. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 16 November 1895., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4134613

Art of photography: manufacture of photographic plates at M. Lumiere, in Lyon: preparation of sensitive emulsion. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 16 November 1895.

Unknown Artist, (19th century)

Brooklyn Bridge. Begins in 1869, under construction at the time of engraving, it will be completed in 1883. New York (New York), United States (United States). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 5 April 1879.
Brooklyn Bridge. Begins in 1869, under construction at the time of engraving, it will be completed in 1883. New York (New York), United States (United States). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 5 April 1879.

XEE4134620: Brooklyn Bridge. Begins in 1869, under construction at the time of engraving, it will be completed in 1883. New York (New York), United States (United States). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 5 April 1879., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4134620

Brooklyn Bridge. Begins in 1869, under construction at the time of engraving, it will be completed in 1883. New York (New York), United States (United States). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 5 April 1879.

Unknown Artist, (19th century)

Illustration for
Illustration for

XEE4134634: Illustration for "La Nature: revue des sciences et de leurs applications aux arts et a l'industrie" 1886 (print), Unknown Artist / Bridgeman Images

ID: XEE4134634

Illustration for "La Nature: revue des sciences et de leurs applications aux arts et a l'industrie" 1886 (print)

Unknown Artist

The mechanical installation of Mr. Marguery, restaurateur, in Paris: automatic machine for washing plates. The operator places a dirty plate in the machine with the right hand and removes the plate that has been cleaned with the left hand. Engraving in “La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 21 March 1885.
The mechanical installation of Mr. Marguery, restaurateur, in Paris: automatic machine for washing plates. The operator places a dirty plate in the machine with the right hand and removes the plate that has been cleaned with the left hand. Engraving in “La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 21 March 1885.

XEE4134645: The mechanical installation of Mr. Marguery, restaurateur, in Paris: automatic machine for washing plates. The operator places a dirty plate in the machine with the right hand and removes the plate that has been cleaned with the left hand. Engraving in “La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 21 March 1885., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4134645

The mechanical installation of Mr. Marguery, restaurateur, in Paris: automatic machine for washing plates. The operator places a dirty plate in the machine with the right hand and removes the plate that has been cleaned with the left hand. Engraving in “La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 21 March 1885.

Unknown Artist, (19th century)

A couple of Indians from Rio Verde (Brazil) the man with his sarbacan, in front of a typical house on stilts. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
A couple of Indians from Rio Verde (Brazil) the man with his sarbacan, in front of a typical house on stilts. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329312: A couple of Indians from Rio Verde (Brazil) the man with his sarbacan, in front of a typical house on stilts. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4329312

A couple of Indians from Rio Verde (Brazil) the man with his sarbacan, in front of a typical house on stilts. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Unknown Artist, (19th century)

Les dervishes beggars, des steppes de l'Ural (russia), engraving after a drawing by Sedoff, to illustrate the journey in Central Asia by Basile Vereschaguine, in 1867-1868, published in “” Le tour du monde””” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Les dervishes beggars, des steppes de l'Ural (russia), engraving after a drawing by Sedoff, to illustrate the journey in Central Asia by Basile Vereschaguine, in 1867-1868, published in “” Le tour du monde””” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329385: Les dervishes beggars, des steppes de l'Ural (russia), engraving after a drawing by Sedoff, to illustrate the journey in Central Asia by Basile Vereschaguine, in 1867-1868, published in “” Le tour du monde””” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Sedoff, (19th century) / Bridgeman Images

ID: LSE4329385

Les dervishes beggars, des steppes de l'Ural (russia), engraving after a drawing by Sedoff, to illustrate the journey in Central Asia by Basile Vereschaguine, in 1867-1868, published in “” Le tour du monde””” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Sedoff, (19th century)

Amadifou, king of Assinie (Comptoir francais de Côte d'Ivoire) surrounds his court and his musicians, circa 1868, engraving after the drawing by Emile Bayard, illustrating the voyage to the Côte d'Afrique, in 1868, by Vice Admiral Fleuriot de Langles, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Amadifou, king of Assinie (Comptoir francais de Côte d'Ivoire) surrounds his court and his musicians, circa 1868, engraving after the drawing by Emile Bayard, illustrating the voyage to the Côte d'Afrique, in 1868, by Vice Admiral Fleuriot de Langles, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329584: Amadifou, king of Assinie (Comptoir francais de Côte d'Ivoire) surrounds his court and his musicians, circa 1868, engraving after the drawing by Emile Bayard, illustrating the voyage to the Côte d'Afrique, in 1868, by Vice Admiral Fleuriot de Langles, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4329584

Amadifou, king of Assinie (Comptoir francais de Côte d'Ivoire) surrounds his court and his musicians, circa 1868, engraving after the drawing by Emile Bayard, illustrating the voyage to the Côte d'Afrique, in 1868, by Vice Admiral Fleuriot de Langles, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Bayard, Emile Antoine (1837-91)

Grain merchants and flour in Patna, with their scales and their various measuring baskets, engraving after the drawing of A. Duvivier, illustrating the journey in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Grain merchants and flour in Patna, with their scales and their various measuring baskets, engraving after the drawing of A. Duvivier, illustrating the journey in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329656: Grain merchants and flour in Patna, with their scales and their various measuring baskets, engraving after the drawing of A. Duvivier, illustrating the journey in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Duvivier, A. (19th century) / Bridgeman Images

ID: LSE4329656

Grain merchants and flour in Patna, with their scales and their various measuring baskets, engraving after the drawing of A. Duvivier, illustrating the journey in India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Duvivier, A. (19th century)

A caravan of Mormon neophytes en route to Lake Sale, in its camp in the desert, engraving after A.Marie's drawing, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A caravan of Mormon neophytes en route to Lake Sale, in its camp in the desert, engraving after A.Marie's drawing, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329680: A caravan of Mormon neophytes en route to Lake Sale, in its camp in the desert, engraving after A.Marie's drawing, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: LSE4329680

A caravan of Mormon neophytes en route to Lake Sale, in its camp in the desert, engraving after A.Marie's drawing, illustrating the voyage from Washington to San Francisco in 1868, by L. Simonin, published in “” Le tour du monde””” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Marie, Adrien Emmanuel (1848-91)

Guaranie woman smoking the cigar to her child, riding on her hip, to try to appease her cries, engraving after D.Maillart's drawing, illustrating the voyage to Paraguay in 1872-1873, by L.Forgues, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Guaranie woman smoking the cigar to her child, riding on her hip, to try to appease her cries, engraving after D.Maillart's drawing, illustrating the voyage to Paraguay in 1872-1873, by L.Forgues, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329773: Guaranie woman smoking the cigar to her child, riding on her hip, to try to appease her cries, engraving after D.Maillart's drawing, illustrating the voyage to Paraguay in 1872-1873, by L.Forgues, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4329773

Guaranie woman smoking the cigar to her child, riding on her hip, to try to appease her cries, engraving after D.Maillart's drawing, illustrating the voyage to Paraguay in 1872-1873, by L.Forgues, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

French School, (19th century)

The rider alone: traditional dance in front of the hut of the bride, with a small gypsy orchestra, in the vicinity of the gold mines of Boicza (Hungary), engraved after the drawing of L.Bader, illustrating the journey to the mining regions of western Transylvania, in 1873, by Elysee (Elisee) Reclus (1830-1905, French geographer and anarchist), publishes in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The rider alone: traditional dance in front of the hut of the bride, with a small gypsy orchestra, in the vicinity of the gold mines of Boicza (Hungary), engraved after the drawing of L.Bader, illustrating the journey to the mining regions of western Transylvania, in 1873, by Elysee (Elisee) Reclus (1830-1905, French geographer and anarchist), publishes in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329789: The rider alone: traditional dance in front of the hut of the bride, with a small gypsy orchestra, in the vicinity of the gold mines of Boicza (Hungary), engraved after the drawing of L.Bader, illustrating the journey to the mining regions of western Transylvania, in 1873, by Elysee (Elisee) Reclus (1830-1905, French geographer and anarchist), publishes in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., French School, (19th century) / Bridgeman Images

ID: LSE4329789

The rider alone: traditional dance in front of the hut of the bride, with a small gypsy orchestra, in the vicinity of the gold mines of Boicza (Hungary), engraved after the drawing of L.Bader, illustrating the journey to the mining regions of western Transylvania, in 1873, by Elysee (Elisee) Reclus (1830-1905, French geographer and anarchist), publishes in “” Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

French School, (19th century)

The race to the ring in Niewland, the young riders compete for, weapon of a wooden spear, removing the ring from the gantry where it is suspended, horse throws gallop; for the most clumsy, a spoon of wood is also suspended from a nearby sign which will be handed over to him by the winner of the test, engraving after the drawing by Adolf Dillens, illustrating a voyage to Zelande (Neerlande), in 1873, by Charles de Coster, published in “Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The race to the ring in Niewland, the young riders compete for, weapon of a wooden spear, removing the ring from the gantry where it is suspended, horse throws gallop; for the most clumsy, a spoon of wood is also suspended from a nearby sign which will be handed over to him by the winner of the test, engraving after the drawing by Adolf Dillens, illustrating a voyage to Zelande (Neerlande), in 1873, by Charles de Coster, published in “Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329827: The race to the ring in Niewland, the young riders compete for, weapon of a wooden spear, removing the ring from the gantry where it is suspended, horse throws gallop; for the most clumsy, a spoon of wood is also suspended from a nearby sign which will be handed over to him by the winner of the test, engraving after the drawing by Adolf Dillens, illustrating a voyage to Zelande (Neerlande), in 1873, by Charles de Coster, published in “Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Dillens, Adolf Alexander (1821-77) / Bridgeman Images

ID: LSE4329827

The race to the ring in Niewland, the young riders compete for, weapon of a wooden spear, removing the ring from the gantry where it is suspended, horse throws gallop; for the most clumsy, a spoon of wood is also suspended from a nearby sign which will be handed over to him by the winner of the test, engraving after the drawing by Adolf Dillens, illustrating a voyage to Zelande (Neerlande), in 1873, by Charles de Coster, published in “Le tour du monde”” 1874, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Dillens, Adolf Alexander (1821-77)

Mounza, king of Mombouttous (Zaire), dancing in front of his serail, composed of 80 women, engraving after the drawing of P.Philippoteaux, illustrating a journey to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Mounza, king of Mombouttous (Zaire), dancing in front of his serail, composed of 80 women, engraving after the drawing of P.Philippoteaux, illustrating a journey to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329872: Mounza, king of Mombouttous (Zaire), dancing in front of his serail, composed of 80 women, engraving after the drawing of P.Philippoteaux, illustrating a journey to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Philippoteaux, Paul Dominique (1846-1923) / Bridgeman Images

ID: LSE4329872

Mounza, king of Mombouttous (Zaire), dancing in front of his serail, composed of 80 women, engraving after the drawing of P.Philippoteaux, illustrating a journey to the heart of Africa, in 1868-1871, by Dr. George Schweinfurth, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Philippoteaux, Paul Dominique (1846-1923)

The geological mission of the United States is young in the plain, etched after the drawing by Laguillermie, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by gentlemen Hayden, Doane and Langford, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The geological mission of the United States is young in the plain, etched after the drawing by Laguillermie, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by gentlemen Hayden, Doane and Langford, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329901: The geological mission of the United States is young in the plain, etched after the drawing by Laguillermie, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by gentlemen Hayden, Doane and Langford, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Laguillermie, Frederic Auguste (1841-1934) / Bridgeman Images

ID: LSE4329901

The geological mission of the United States is young in the plain, etched after the drawing by Laguillermie, illustrating a set of geographic missions through the United States National Park, from 1870 to 1872, by gentlemen Hayden, Doane and Langford, published in “Le tour du monde” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Laguillermie, Frederic Auguste (1841-1934)

A coal merchant, with his donkey, in Djewilisk (Northern Anatolia), engraved after a drawing by the narrator, illustrating a journey in Lazistan and Armenia, of 1869, by Theophile Deyrolle, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A coal merchant, with his donkey, in Djewilisk (Northern Anatolia), engraved after a drawing by the narrator, illustrating a journey in Lazistan and Armenia, of 1869, by Theophile Deyrolle, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329922: A coal merchant, with his donkey, in Djewilisk (Northern Anatolia), engraved after a drawing by the narrator, illustrating a journey in Lazistan and Armenia, of 1869, by Theophile Deyrolle, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Deyrolle, Theophile Louis (1844-1923) / Bridgeman Images

ID: LSE4329922

A coal merchant, with his donkey, in Djewilisk (Northern Anatolia), engraved after a drawing by the narrator, illustrating a journey in Lazistan and Armenia, of 1869, by Theophile Deyrolle, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Deyrolle, Theophile Louis (1844-1923)

The band of the expedition attracts the women and children of the village of Fatiko (Central African Republic) and provokes a passionate loss of dance, engraved after a drawing by E.Riou illustrating an expedition in Central Africa, for the suppression of the black trade, from 1869 to 1873, by Sir Samuel White Baker, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The band of the expedition attracts the women and children of the village of Fatiko (Central African Republic) and provokes a passionate loss of dance, engraved after a drawing by E.Riou illustrating an expedition in Central Africa, for the suppression of the black trade, from 1869 to 1873, by Sir Samuel White Baker, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329943: The band of the expedition attracts the women and children of the village of Fatiko (Central African Republic) and provokes a passionate loss of dance, engraved after a drawing by E.Riou illustrating an expedition in Central Africa, for the suppression of the black trade, from 1869 to 1873, by Sir Samuel White Baker, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Riou, Edouard (1833-1900) / Bridgeman Images

ID: LSE4329943

The band of the expedition attracts the women and children of the village of Fatiko (Central African Republic) and provokes a passionate loss of dance, engraved after a drawing by E.Riou illustrating an expedition in Central Africa, for the suppression of the black trade, from 1869 to 1873, by Sir Samuel White Baker, published in “” Le tour du monde”” 1875, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

Riou, Edouard (1833-1900)

The arrival of Kabba Rega, king of the Ounyoro (eastern Sudan) and the chiefs of his court, to Sir Baker's camp for an official visit, engraved after a drawing by Emile Bayard, illustrating an expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.
The arrival of Kabba Rega, king of the Ounyoro (eastern Sudan) and the chiefs of his court, to Sir Baker's camp for an official visit, engraved after a drawing by Emile Bayard, illustrating an expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329959: The arrival of Kabba Rega, king of the Ounyoro (eastern Sudan) and the chiefs of his court, to Sir Baker's camp for an official visit, engraved after a drawing by Emile Bayard, illustrating an expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

ID: LSE4329959

The arrival of Kabba Rega, king of the Ounyoro (eastern Sudan) and the chiefs of his court, to Sir Baker's camp for an official visit, engraved after a drawing by Emile Bayard, illustrating an expedition in Central Africa, for the suppression of the black trade, 1869 to 1873, by Sir Samuel White Baker, published in “Le tour du monde” 1875, under the direction of Edouard Charton, edition Hachette, Paris. Selva Collection.

Bayard, Emile Antoine (1837-91)

The tasting of the tea, in the tasting room of a gunpowder factory in Fati Bay (Canton province), on the shelves the boxes contain the samples of the tea, on the central table, the cups with lid specially designed for tasting by the professionals employed by the company, engraving after a drawing by J.Ferat, illustrating the voyage to China, by J. Thompson, in 1870-1872, published in “Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The tasting of the tea, in the tasting room of a gunpowder factory in Fati Bay (Canton province), on the shelves the boxes contain the samples of the tea, on the central table, the cups with lid specially designed for tasting by the professionals employed by the company, engraving after a drawing by J.Ferat, illustrating the voyage to China, by J. Thompson, in 1870-1872, published in “Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4330092: The tasting of the tea, in the tasting room of a gunpowder factory in Fati Bay (Canton province), on the shelves the boxes contain the samples of the tea, on the central table, the cups with lid specially designed for tasting by the professionals employed by the company, engraving after a drawing by J.Ferat, illustrating the voyage to China, by J. Thompson, in 1870-1872, published in “Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Ferat, Jules (b.1819) (after) / Bridgeman Images

ID: LSE4330092

The tasting of the tea, in the tasting room of a gunpowder factory in Fati Bay (Canton province), on the shelves the boxes contain the samples of the tea, on the central table, the cups with lid specially designed for tasting by the professionals employed by the company, engraving after a drawing by J.Ferat, illustrating the voyage to China, by J. Thompson, in 1870-1872, published in “Le tour du monde”” 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Ferat, Jules (b.1819) (after)


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