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Hawksbill sea turtle, Eretmochelys imbricata (Imbricated turtle, Testudo imbricata). Critically endangered. Handcoloured copperplate engraving by Hill after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801.
Hawksbill sea turtle, Eretmochelys imbricata (Imbricated turtle, Testudo imbricata). Critically endangered. Handcoloured copperplate engraving by Hill after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801.

FLO4694523: Hawksbill sea turtle, Eretmochelys imbricata (Imbricated turtle, Testudo imbricata). Critically endangered. Handcoloured copperplate engraving by Hill after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801. / Bridgeman Images

ID: FLO4694523

Hawksbill sea turtle, Eretmochelys imbricata (Imbricated turtle, Testudo imbricata). Critically endangered. Handcoloured copperplate engraving by Hill after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801.

Rusty tree frog, Hypsiboas boans (Zebra frog, Rana zebra). Handcoloured copperplate engraving by Hill after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801.
Rusty tree frog, Hypsiboas boans (Zebra frog, Rana zebra). Handcoloured copperplate engraving by Hill after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801.

FLO4694678: Rusty tree frog, Hypsiboas boans (Zebra frog, Rana zebra). Handcoloured copperplate engraving by Hill after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801. / Bridgeman Images

ID: FLO4694678

Rusty tree frog, Hypsiboas boans (Zebra frog, Rana zebra). Handcoloured copperplate engraving by Hill after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801.

English writer PETER HANDKE/PETER HANDKE, scrittore
English writer PETER HANDKE/PETER HANDKE, scrittore

MME4694822: English writer PETER HANDKE/PETER HANDKE, scrittore, Mencarini, Marcello / Bridgeman Images

ID: MME4694822

English writer PETER HANDKE/PETER HANDKE, scrittore

Mencarini, Marcello

Pop singer RICHIE HAVENS/RICHIE HAVENS, singer
Pop singer RICHIE HAVENS/RICHIE HAVENS, singer

MME4694843: Pop singer RICHIE HAVENS/RICHIE HAVENS, singer, Mencarini, Marcello / Bridgeman Images

ID: MME4694843

Pop singer RICHIE HAVENS/RICHIE HAVENS, singer

Mencarini, Marcello

Charles X (1757 - 1836). Naples. National Museum of Capodimonte.
Charles X (1757 - 1836). Naples. National Museum of Capodimonte.

GIA4694483: Charles X (1757 - 1836). Naples. National Museum of Capodimonte., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4694483

Charles X (1757 - 1836). Naples. National Museum of Capodimonte.

Unknown Artist, (19th century)

Northern leopard frog, Lithobates pipiens (Peeping frog, Rana pipiens). Handcoloured copperplate engraving by Hill after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801.
Northern leopard frog, Lithobates pipiens (Peeping frog, Rana pipiens). Handcoloured copperplate engraving by Hill after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801.

FLO4694576: Northern leopard frog, Lithobates pipiens (Peeping frog, Rana pipiens). Handcoloured copperplate engraving by Hill after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801. / Bridgeman Images

ID: FLO4694576

Northern leopard frog, Lithobates pipiens (Peeping frog, Rana pipiens). Handcoloured copperplate engraving by Hill after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801.

Conductor CARLO MARIA GIULINI, Rome 1984/CARLO MARIA GIULINI, orchestra direttore, Roma 1984
Conductor CARLO MARIA GIULINI, Rome 1984/CARLO MARIA GIULINI, orchestra direttore, Roma 1984

MME4694609: Conductor CARLO MARIA GIULINI, Rome 1984/CARLO MARIA GIULINI, orchestra direttore, Roma 1984, Mencarini, Marcello / Bridgeman Images

ID: MME4694609

Conductor CARLO MARIA GIULINI, Rome 1984/CARLO MARIA GIULINI, orchestra direttore, Roma 1984

Mencarini, Marcello

Jazz percussionist and vibraphonist LIONEL HAMPTON, “” Umbria Jazz””, Perugia, 1981/LIONEL HAMPTON, percussionista e vibrafonista, “” Umbria Jazz””, Perugia, 1981
Jazz percussionist and vibraphonist LIONEL HAMPTON, “” Umbria Jazz””, Perugia, 1981/LIONEL HAMPTON, percussionista e vibrafonista, “” Umbria Jazz””, Perugia, 1981

MME4694710: Jazz percussionist and vibraphonist LIONEL HAMPTON, “” Umbria Jazz””, Perugia, 1981/LIONEL HAMPTON, percussionista e vibrafonista, “” Umbria Jazz””, Perugia, 1981, Mencarini, Marcello / Bridgeman Images

ID: MME4694710

Jazz percussionist and vibraphonist LIONEL HAMPTON, “” Umbria Jazz””, Perugia, 1981/LIONEL HAMPTON, percussionista e vibrafonista, “” Umbria Jazz””, Perugia, 1981

Mencarini, Marcello

Cane toad or marine toad, Rhinella marina. Handcoloured copperplate engraving by Hill after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801.
Cane toad or marine toad, Rhinella marina. Handcoloured copperplate engraving by Hill after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801.

FLO4694731: Cane toad or marine toad, Rhinella marina. Handcoloured copperplate engraving by Hill after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801. / Bridgeman Images

ID: FLO4694731

Cane toad or marine toad, Rhinella marina. Handcoloured copperplate engraving by Hill after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801.

Pop singer RICHIE HAVENS/RICHIE HAVENS, singer
Pop singer RICHIE HAVENS/RICHIE HAVENS, singer

MME4694855: Pop singer RICHIE HAVENS/RICHIE HAVENS, singer, Mencarini, Marcello / Bridgeman Images

ID: MME4694855

Pop singer RICHIE HAVENS/RICHIE HAVENS, singer

Mencarini, Marcello

Young crocodile hatching from the egg, Crocodylus niloticus. Handcoloured copperplate engraving by Heath after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801.
Young crocodile hatching from the egg, Crocodylus niloticus. Handcoloured copperplate engraving by Heath after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801.

FLO4694868: Young crocodile hatching from the egg, Crocodylus niloticus. Handcoloured copperplate engraving by Heath after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801. / Bridgeman Images

ID: FLO4694868

Young crocodile hatching from the egg, Crocodylus niloticus. Handcoloured copperplate engraving by Heath after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801.

The skeleton of Death fights with gentlemen gamblers in the Chance room at a London gaming club. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death fights with gentlemen gamblers in the Chance room at a London gaming club. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690198: The skeleton of Death fights with gentlemen gamblers in the Chance room at a London gaming club. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690198

The skeleton of Death fights with gentlemen gamblers in the Chance room at a London gaming club. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The twelve Apotres Detail of a fresco of the school of Siena. 14th century. Monastery of St. Benedict (Sacro Speco), Superior Church in Subiaco (Rome), Italy
The twelve Apotres Detail of a fresco of the school of Siena. 14th century. Monastery of St. Benedict (Sacro Speco), Superior Church in Subiaco (Rome), Italy

LRI4690207: The twelve Apotres Detail of a fresco of the school of Siena. 14th century. Monastery of St. Benedict (Sacro Speco), Superior Church in Subiaco (Rome), Italy, Sienese School, (14th century) / Bridgeman Images

ID: LRI4690207

The twelve Apotres Detail of a fresco of the school of Siena. 14th century. Monastery of St. Benedict (Sacro Speco), Superior Church in Subiaco (Rome), Italy

Sienese School, (14th century)

The skeleton of Death rides with a man toward the betting post on a racetrack, while children play a game of lotto. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death rides with a man toward the betting post on a racetrack, while children play a game of lotto. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690214: The skeleton of Death rides with a man toward the betting post on a racetrack, while children play a game of lotto. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690214

The skeleton of Death rides with a man toward the betting post on a racetrack, while children play a game of lotto. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death with dart and hourglass comes for the glutton as he feasts at dinner. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death with dart and hourglass comes for the glutton as he feasts at dinner. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690202: The skeleton of Death with dart and hourglass comes for the glutton as he feasts at dinner. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690202

The skeleton of Death with dart and hourglass comes for the glutton as he feasts at dinner. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The disbelief of the apostle Thomas, 14th century (Fresco)
The disbelief of the apostle Thomas, 14th century (Fresco)

LRI4690218: The disbelief of the apostle Thomas, 14th century (Fresco), Sienese School, (14th century) / Bridgeman Images

ID: LRI4690218

The disbelief of the apostle Thomas, 14th century (Fresco)

Sienese School, (14th century)

The skeleton of Death helps a large matron onto the fatal Last Stage. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death helps a large matron onto the fatal Last Stage. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690445: The skeleton of Death helps a large matron onto the fatal Last Stage. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690445

The skeleton of Death helps a large matron onto the fatal Last Stage. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death paints a portrait of an Alderman, while his young servant girl flirts with a gallant artist behind the screen. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death paints a portrait of an Alderman, while his young servant girl flirts with a gallant artist behind the screen. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690501: The skeleton of Death paints a portrait of an Alderman, while his young servant girl flirts with a gallant artist behind the screen. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690501

The skeleton of Death paints a portrait of an Alderman, while his young servant girl flirts with a gallant artist behind the screen. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The skeleton of Death frees a prisoner from debtor's gaol in front of his distraught family. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death frees a prisoner from debtor's gaol in front of his distraught family. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690398: The skeleton of Death frees a prisoner from debtor's gaol in front of his distraught family. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690398

The skeleton of Death frees a prisoner from debtor's gaol in front of his distraught family. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

The Water Party: tourists abandon a sea voyage due to bad weather. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Water Party: tourists abandon a sea voyage due to bad weather. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690631: The Water Party: tourists abandon a sea voyage due to bad weather. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690631

The Water Party: tourists abandon a sea voyage due to bad weather. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

Rowlandson, Thomas (1756-1827)

The skeleton of Death leads a young Recruit to join the Army, leaving his girl and family behind. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death leads a young Recruit to join the Army, leaving his girl and family behind. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690453: The skeleton of Death leads a young Recruit to join the Army, leaving his girl and family behind. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690453

The skeleton of Death leads a young Recruit to join the Army, leaving his girl and family behind. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

Rowlandson, Thomas (1756-1827)

View of the “sacred” staircase leading to the Monastery, 12th century (photography)
View of the “sacred” staircase leading to the Monastery, 12th century (photography)

LRI4690498: View of the “sacred” staircase leading to the Monastery, 12th century (photography), Italian School, (12th century) / Bridgeman Images

ID: LRI4690498

View of the “sacred” staircase leading to the Monastery, 12th century (photography)

Italian School, (12th century)

View of the Monastery of St. Benedetto (Sacro Speco), 12th century (photography)
View of the Monastery of St. Benedetto (Sacro Speco), 12th century (photography)

LRI4690523: View of the Monastery of St. Benedetto (Sacro Speco), 12th century (photography), Italian School, (12th century) / Bridgeman Images

ID: LRI4690523

View of the Monastery of St. Benedetto (Sacro Speco), 12th century (photography)

Italian School, (12th century)

The Promenade: fashionable tourists strolling outside Cracknill Shells, Pebbles and Curiosities Shop. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.
The Promenade: fashionable tourists strolling outside Cracknill Shells, Pebbles and Curiosities Shop. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

FLO4690569: The Promenade: fashionable tourists strolling outside Cracknill Shells, Pebbles and Curiosities Shop. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4690569

The Promenade: fashionable tourists strolling outside Cracknill Shells, Pebbles and Curiosities Shop. Handcoloured copperplate engraving by Thomas Rowlandson, aquatint by J.C. Stadler, after a sketch by J. Green from Poetical Sketches of Scarborough, Ackermann, London, 1813.

Rowlandson, Thomas (1756-1827)

Meerkat or suricate, Suricata suricatta, and aardwolf. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Meerkat or suricate, Suricata suricatta, and aardwolf. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4691049: Meerkat or suricate, Suricata suricatta, and aardwolf. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: FLO4691049

Meerkat or suricate, Suricata suricatta, and aardwolf. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

Brodtmann, Karl Joseph (1787-1862)

Yak, Bos grunniens (vulnerable), musk ox, Ovibos moschatus, wild barbary sheep, Ovis longipes palaeoaegyptiacus (extinct), and red sheep, Ovis aries. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Yak, Bos grunniens (vulnerable), musk ox, Ovibos moschatus, wild barbary sheep, Ovis longipes palaeoaegyptiacus (extinct), and red sheep, Ovis aries. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4691175: Yak, Bos grunniens (vulnerable), musk ox, Ovibos moschatus, wild barbary sheep, Ovis longipes palaeoaegyptiacus (extinct), and red sheep, Ovis aries. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

ID: FLO4691175

Yak, Bos grunniens (vulnerable), musk ox, Ovibos moschatus, wild barbary sheep, Ovis longipes palaeoaegyptiacus (extinct), and red sheep, Ovis aries. Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

Brodtmann, Karl Joseph (1787-1862)

Gentlemen and lady playing cards in a parlour, while others dance in the next room. He says, you've hit a lucky one. I congratulate you Madame! He thinks, The devil take you! Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829.
Gentlemen and lady playing cards in a parlour, while others dance in the next room. He says, you've hit a lucky one. I congratulate you Madame! He thinks, The devil take you! Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829.

FLO4691351: Gentlemen and lady playing cards in a parlour, while others dance in the next room. He says, you've hit a lucky one. I congratulate you Madame! He thinks, The devil take you! Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829. / Bridgeman Images

ID: FLO4691351

Gentlemen and lady playing cards in a parlour, while others dance in the next room. He says, you've hit a lucky one. I congratulate you Madame! He thinks, The devil take you! Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829.

Gentleman being attacked by naughty children in a parlour. He says, They are really charming. He thinks, They are out of control! Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829.
Gentleman being attacked by naughty children in a parlour. He says, They are really charming. He thinks, They are out of control! Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829.

FLO4691296: Gentleman being attacked by naughty children in a parlour. He says, They are really charming. He thinks, They are out of control! Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829. / Bridgeman Images

ID: FLO4691296

Gentleman being attacked by naughty children in a parlour. He says, They are really charming. He thinks, They are out of control! Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce que que on dit et ce que que on think, Gihaut Freres, Paris, 1829.

Sooty mangabey, Cercocebus atys. Simia aethiops Linn. var. Handcoloured copperplate engraving by Jakob Samuel Walwerth after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Sooty mangabey, Cercocebus atys. Simia aethiops Linn. var. Handcoloured copperplate engraving by Jakob Samuel Walwerth after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4691617: Sooty mangabey, Cercocebus atys. Simia aethiops Linn. var. Handcoloured copperplate engraving by Jakob Samuel Walwerth after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4691617

Sooty mangabey, Cercocebus atys. Simia aethiops Linn. var. Handcoloured copperplate engraving by Jakob Samuel Walwerth after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

Crab-eating macaque, Macaca fascicularis. Simia aygula Linn. Handcoloured copperplate engraving by Jakob Andreas Eisenmann after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Crab-eating macaque, Macaca fascicularis. Simia aygula Linn. Handcoloured copperplate engraving by Jakob Andreas Eisenmann after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4691630: Crab-eating macaque, Macaca fascicularis. Simia aygula Linn. Handcoloured copperplate engraving by Jakob Andreas Eisenmann after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4691630

Crab-eating macaque, Macaca fascicularis. Simia aygula Linn. Handcoloured copperplate engraving by Jakob Andreas Eisenmann after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

Greater spot-nosed monkey or putty-nosed monkey. Cercopithecus nictitans. Simia Nictitans Linn. Handcoloured copperplate engraving by Johann Nussbiegel from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Greater spot-nosed monkey or putty-nosed monkey. Cercopithecus nictitans. Simia Nictitans Linn. Handcoloured copperplate engraving by Johann Nussbiegel from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4691618: Greater spot-nosed monkey or putty-nosed monkey. Cercopithecus nictitans. Simia Nictitans Linn. Handcoloured copperplate engraving by Johann Nussbiegel from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4691618

Greater spot-nosed monkey or putty-nosed monkey. Cercopithecus nictitans. Simia Nictitans Linn. Handcoloured copperplate engraving by Johann Nussbiegel from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

Gentleman and ugly lady with beautiful portrait in a parlour. He flatters her with, It looks like you, but you are more beautiful in the flesh. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, What we say and what we think, Gihaut Freres, Paris, 1829.
Gentleman and ugly lady with beautiful portrait in a parlour. He flatters her with, It looks like you, but you are more beautiful in the flesh. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, What we say and what we think, Gihaut Freres, Paris, 1829.

FLO4691313: Gentleman and ugly lady with beautiful portrait in a parlour. He flatters her with, It looks like you, but you are more beautiful in the flesh. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, What we say and what we think, Gihaut Freres, Paris, 1829. / Bridgeman Images

ID: FLO4691313

Gentleman and ugly lady with beautiful portrait in a parlour. He flatters her with, It looks like you, but you are more beautiful in the flesh. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, What we say and what we think, Gihaut Freres, Paris, 1829.

White-faced saki or Guianan saki, Pithecia pithecia. Simia pithecia Linn. Handcoloured copperplate engraving by Andreas Hoffer after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
White-faced saki or Guianan saki, Pithecia pithecia. Simia pithecia Linn. Handcoloured copperplate engraving by Andreas Hoffer after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4691704: White-faced saki or Guianan saki, Pithecia pithecia. Simia pithecia Linn. Handcoloured copperplate engraving by Andreas Hoffer after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4691704

White-faced saki or Guianan saki, Pithecia pithecia. Simia pithecia Linn. Handcoloured copperplate engraving by Andreas Hoffer after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

Lesser sac-winged bat, Saccopteryx leptura. Vespertilio lepturus. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration from nature by J.D. Kretsch from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Lesser sac-winged bat, Saccopteryx leptura. Vespertilio lepturus. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration from nature by J.D. Kretsch from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4691984: Lesser sac-winged bat, Saccopteryx leptura. Vespertilio lepturus. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration from nature by J.D. Kretsch from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4691984

Lesser sac-winged bat, Saccopteryx leptura. Vespertilio lepturus. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration from nature by J.D. Kretsch from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

Indian rhinoceros, Rhinoceros unicornis. Vulnerable. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration from the life by Johann Elias Ridinger from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Indian rhinoceros, Rhinoceros unicornis. Vulnerable. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration from the life by Johann Elias Ridinger from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4692192: Indian rhinoceros, Rhinoceros unicornis. Vulnerable. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration from the life by Johann Elias Ridinger from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4692192

Indian rhinoceros, Rhinoceros unicornis. Vulnerable. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration from the life by Johann Elias Ridinger from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

Barbary ape or macaque, Macaca sylvanus. Endangered. Simia inuus Linn. Handcoloured copperplate engraving by Tyroff after an illustration by Bourdachot from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Barbary ape or macaque, Macaca sylvanus. Endangered. Simia inuus Linn. Handcoloured copperplate engraving by Tyroff after an illustration by Bourdachot from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4692003: Barbary ape or macaque, Macaca sylvanus. Endangered. Simia inuus Linn. Handcoloured copperplate engraving by Tyroff after an illustration by Bourdachot from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

ID: FLO4692003

Barbary ape or macaque, Macaca sylvanus. Endangered. Simia inuus Linn. Handcoloured copperplate engraving by Tyroff after an illustration by Bourdachot from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.


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