2491632 Search Results
FLO4688110: View of the Venereum of the House of Sallust, Reg VI, Ins 2, 3-5,30, Pompeii. The large painting on the rear wall shows Actaeon and Diana. Chromolithograph and illustration by D. Capri from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images
FLO4688219: Exterior of the Small Theatre or Odeon, Pompeii VIII.7.19. Columns in the street, and plinth for a statue. Chromolithograph and illustration by S. De Stefano from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Fausto Niccolini, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images
TEC4688289: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 05/05/06., Gehry, Frank (1929-2025) / Bridgeman Images
LRI4688301: Frieze of the months of main entrance (sculpture, 1220-1230), Italian School, (13th century) / Bridgeman Images
FLO4688307: Cafeier, cafe - Branch, leaf, fruit and flower of the coffee tree, Coffea arabica. Copperplate engraving from Abbe Antoine Francois Prevost's Histoire generale des voyages, Paris, 1746. / Bridgeman Images
LBY4688350: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images
LBY4688375: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images
LBY4688389: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images
FLO4688412: Natives of the Sandwich Islands (Hawaii), 19th century. Copied from Louis Choris '” Picturesque Journey.”” Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images
LBY4688421: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images
FLO4688107: View of the Temple of Fortuna Augusta, Pompeii. On the corner of Via del Foro and Via della Fortuna. Chromolithograph and illustration by G. Autoriello from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Autoriello & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images
FLO4688132: View of the Forum, Pompeii. A nobleman is carried in a sedan chair to the steps of the Forum. Chromolithograph by D. Capri after an illustration by G. Discanno from Antonio Niccoliniõs Pompeii: Views and Restorations (Pompeii: Essaies et Restorations), published by Zucchi & De Luca, Naples, 1898. Antonio was grandson of the architect Antonio Niccolini Sr. / Bridgeman Images
LBY4688332: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images
FLO4688349: A man of the Tuda race of the Nilagiri hills in India. He wears a handlebar mustache and silver necklace. Handcoloured lithograph from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images
FLO4688354: Walda Kyros, an Abyssinian, native of Shoa, and Gabra Eugziabher, a native of Adowa in Tigre. Handcoloured lithograph after d'Abbadie from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images
LBY4688353: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images
LBY4688377: Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997., Gehry, Frank (1929-2025) / Bridgeman Images
FLO4688466: Ajetas or Negritos, male and female aborigines of Luzon, Philippines, in earrings, loincloth, holding bow and arrows, standing over the carcass of a deer. Taken from J. Mallat's “” The Philippines”” 1846Handcoloured lithograph by Madeley from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images
FLO4688614: Woman of the Mapuche people, Araucania, Chile, in traditional poncho. In the 1890s, the Chilean government occupied the Araucania, forced the Mapuche into camps and decimated the population. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images
FLO4688567: The Four Bears, Mah-to-Toh-pa, second chief of the Mandan or Numakiki nation. In undress, being in mourning, with a few locks of hair cut off. His hair put up in plaits or slabs, with glue and red paint, a custom of the tribe. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855., Catlin, George (1796-1872) / Bridgeman Images
FLO4688651: Tribes of South America: Yuri man with tattooed mouth, and Botocudo man with necklace, Brazil. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images
FLO4688613: Aleut woman of the Aleutian islands, northern Pacific Ocean. She wears a cross on a necklace, earrings, and her hair in plaits. Taken from Louis Choris '” Picturesque Journey.”” Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855. / Bridgeman Images
FLO4688617: Hee-doh-gee-ats, a Chinook boy of 15 or 18 years of age whose head had never been flattened. Handcoloured lithograph by J. Harris after a painting by George Catlin from James Cowles Prichard's Natural History of Man, Balliere, London, 1855., Catlin, George (1796-1872) / Bridgeman Images
FLO4688622: Councellor or lawyer in the court of law, with black robes and wig, holding legal briefs on a table. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827. / Bridgeman Images
FLO4688653: Jockeys in racing silks on thoroughbred horses on a race course before a cheering crowd. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827. / Bridgeman Images
FLO4688678: Jewish Pedlar selling fob watches to a milkmaid with jug. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827. / Bridgeman Images
FLO4688689: Parish Beadle, a petty officer of the police, in uniform with mace, bicorn and cape. Handcoloured copperplate engraving from William Henry Pyne's The World in Miniature: England, Scotland and Ireland, Ackermann, 1827. / Bridgeman Images
LRI4688739: Statuette in human form. 850-800 BC (bronze), Etruscan / Bridgeman Images
FLO4688788: Philippa de Hainaut - Philippine - Philippa of Hainault, consort of King Edward III of England. Steel engraving by W.H. Egleton after a portrait by Edward Corbould from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868. / Bridgeman Images
LRI4688815: Etruscan art: three types of bronze fibules from the tomb 59 by Poggio Selciatello, Pian della Regina, Tarquinia - 9th century BC - Dim 3,8 cm 3,3 cm and 3,5 cm - (Etruscan art: three kinds of fibula from tomb 59 in Poggio Selciatello, Pian della Regina, Tarquinia - 8th century BC) Florence Museo Cheologico, inv 83533 d1, d1 e d3, Etruscan / Bridgeman Images
FLO4688875: Anne of Denmark - Anne of Denmark, queen consort and wife of King James I of England. Steel engraving by W.H. Mote after a portrait by H. Warren from Mary Howitt's Biographical Sketches of The Queens of England, Virtue, London, 1868. / Bridgeman Images
FLO4688911: Moss rose, Rosa muscosa, from Robert Tyas' “Queen of Flowers, or Memoirs of the Rose,” London, 1840. Unsigned handcoloured lithograph, but probably by James Andrews. Little is known about the artist James Andrews (1801 ~ 1876) apart from his work. This gifted artist taught flower-painting to young ladies and published a treatise “” Lessons in Flower Painting”” in 1835. Blunt calls him “” an illustrator of sentimental flower books,””” but admits that he was “” very talented.”” His signature JA can be found in many botanical gift books for publisher Robert Tyas from “” The Sentiment of Flowers”” (1836) to “” Flowers from Foreign Lands”” (1853). / Bridgeman Images
FLO4688944: Vase with classical reliefs by John Flaxman. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathone's Old Wedgwood, the Decorative or Artistic Ceramic Work Produced by Josiah Wedgwood, Quaritch, London, 1898. / Bridgeman Images
LRI4688963: Two bronze hands, 680-670 BC, Etruscan, (7th century BC) / Bridgeman Images
FLO4690212: The skeleton of Death as a priest celebrating the wedding between a young woman and an ugly old man. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images
LRI4690620: The flight from the apostles. Detail. 15th century (fresco), Umbrian School, (15th century) / Bridgeman Images
