ID: FDG5949376

Roma, 1956. Il regista Pietro Germi, maestro del neorealismo italiano

Garolla, Federico

ID: DIL5949393

The Purple Plain directed by Robert Parrish, 1954

ID: DIL5949402

Ruby Gentry directed by King Vidor, 1952

ID: DIL5949420

Portrait of Jennie directed by William Dieterle, 1948

ID: CDR5949480

CCA-LitMs/D/10 fol. 10r Horse, from Bestiary (imperfect), early 14th century (parchment)

English School, (13th century)

ID: CDR5949489

CCA-LitMs/D/10 fol. 18r Siren, from Bestiary (imperfect), early 14th century (parchment)

English School, (13th century)

ID: CDR5949492

CCA-LitMs/D/10 fol. 23v The Perindens Tree, from Bestiary (imperfect), early 14th century (parchment)

English School, (13th century)

ID: CDR5949495

CCA-PRINDRAW/3/A/1 Canterbury Map, c1588 (print)

English School, (16th century)

ID: FDG5949618

Fashion, Rome, Italy, 1956, Garnet, evening hats collection autumn winter (b/w photo)

Garolla, Federico

ID: FDG5949630

Italia, Lago Maggiore, Isola dei Pescatori, 1953 (b/w photo)

Garolla, Federico

ID: COU5948319

Saint Paul, 16th century (traces of black chalk, pen and brown ink, grey wash, white and pink bodycolour, on toned laid paper, cut into an arch)

Cajes, Patrizio (c.1540-1612)

ID: COU5948312

Preparation for the Good Death, 17th century (black chalk, pen & grey ink, brown ink added to figures and drapery at top, grey wash, on laid paper with grey ink framing lines)

Pereda y Salgado, Antonio (1611-78) (attr.to)

ID: COU5948343

Head of a woman and an unidentified object (verso), 18th century (black chalk on laid paper)

Tovar, Alonso Miguel de (1678-1758)

ID: COU5948372

View of Cartagena, Spain, c.1642 (pen & brown ink on laid paper, with brown ink framing lines stepped at the bottom)

Bazzicaluva, Ercole Frigoni (1607-after c.1661)

ID: COU5948367

Hector, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

Torres, Matias de (c.1635-1711) (attr.to)

ID: COU5948376

Landscape with ruins and figures, c.1615 (black chalk, pen & brown ink on laid paper, with black ink framing lines)

Brill or Bril, Paul (1554-1626) (circle of)

ID: COU5948399

Grotesque mask, 17th century (black chalk, pen & brown ink, brown wash on laid paper)

Bolognese School, (17th century)

ID: COU5948382

Young Virgin Mary sewing, 17th century (pen & brown ink on laid paper, with graphite framing lines)

Valencia, Felipe Gómez de (c.1634-1679/94)

ID: COU5948429

Peasant carrying a jar (recto), 16th century (pen & ink and graphite on paper)

Savery, Roelandt Jacobsz. (1576-1639)

ID: COU5948418

Two standing male figures (recto), 16th century (red chalk on laid paper) [see 5948417]

Caravaggio, Polidoro da (1490/1500-1543)

ID: COU5948421

The Hid Treasure, 1892 (graphite, pen & black ink, brush and black and grey wash, gold bodycolour on wove paper)

Hunt, William Holman (1827-1910)

ID: COU5948519

Half incense burner, 1475-1525 (metalworked engraved brass with silver inlay and later piercing)

Mamluk Sultanate school, (15th-16th century)

ID: COU5948433

Study of a male figure bending forward, c.1575-85 (black chalk & traces of white chalk on blue laid paper)

Tintoretto, Jacopo Robusti (1518-94)

ID: COU5948528

Pair of candlesticks, 1500-25 (engraved brass with later reworking & gilding)

Venetian School, (16th century)

ID: COU5948475

The Entombment of Christ, upper half of the right wing of a diptych, 14th century (carved ivory with traces of gilding)

French School, (14th century)

ID: COU5948478

Front cover of a set of writing tablets depicting the Nativity and the Adoration of the Magi, 14th century (carved ivory)

Northern French school, (14th century)

ID: COU5948484

Scenes of romance on a marriage casket, 14th-15th century (ivory & mother of pearl)

Embriachi workshop (14th-15th century)

ID: COU5948490

Relief depicting the adoration of the Shepherds, c.1700 (carved ivory)

Stainhart, Dominicus (1655-1712) & Stainhart, Franz (1651-95) (circle of)

ID: COU5948502

Dish of engraved high-tin bronze inlaid with silver with a coat of arms in the centre, 1530-c.1550 (metalworked bronze and silver inlay)

Venetian School, (16th century)

ID: COU5948508

Box or inkwell, missing cover, 1300-c.1330 (metalworked brass and silver inlay) [see 5948512]

Mamluk Sultanate school, (14th century)

ID: COU5948520

Engraved brass bowl with missing cover, 1500-25 (metalworked engraved brass with silver inlay and some gold inlay remains)

Mamluk Sultanate school, (16th century)

ID: COU5948529

Candlestick base, 1342 (metalworked engraved brass with traces of silver inlay)

Mamluk Sultanate school, (14th century)

ID: FDG5948247

Pier Paolo Pasolini by night at Caffe Rosati in the Piazza del Popolo, Rome, 1960 (b/w photo)

Garolla, Federico

ID: FDG5948253

Pier Paolo Pasolini by night at Caffe Rosati in the Piazza del Popolo, Rome, 1960 (b/w photo)

Garolla, Federico

ID: COU5948314

Saint Augustine hesitating between the blood of Christ and the milk of the Virgin Mary (recto), 17th century (black chalk, pen and brown and dark brown, carbon-based ink, brown wash on laid paper, with brown ink framing lines) [see also 5948313]

Cano, Alonso (1601-67) (attr. to)

ID: COU5948323

Mounted soldier seen from behind, 17th century (black chalk, pen & brown ink, grey wash, on laid paper, with brown ink framing lines)

March, Esteban (c.1590-d.c.1660) (circle of)