Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2491514 Search Results

The skeleton of Death comes for Tom Higgins, a bricklayer's lad who has expired waiting for a dish outside an inn. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death comes for Tom Higgins, a bricklayer's lad who has expired waiting for a dish outside an inn. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690480: The skeleton of Death comes for Tom Higgins, a bricklayer's lad who has expired waiting for a dish outside an inn. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Orchis warrior or military - Military orchid, Orchis militaris. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.
Orchis warrior or military - Military orchid, Orchis militaris. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.

FLO4692747: Orchis warrior or military - Military orchid, Orchis militaris. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871. / Bridgeman Images

Addax antelope, Addax nasomaculatus (critically endangered) and Bubal hartebeest, Alcelaphus buselaphus buselaphus (extinct). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.
Addax antelope, Addax nasomaculatus (critically endangered) and Bubal hartebeest, Alcelaphus buselaphus buselaphus (extinct). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836.

FLO4691087: Addax antelope, Addax nasomaculatus (critically endangered) and Bubal hartebeest, Alcelaphus buselaphus buselaphus (extinct). Lithograph by Karl Joseph Brodtmann from Heinrich Rudolf Schinz's Illustrated Natural History of Men and Animals, 1836., Brodtmann, Karl Joseph (1787-1862) / Bridgeman Images

Portrait of the Marquis and Marquise of Marigny, 1769 (oil on canvas)
Portrait of the Marquis and Marquise of Marigny, 1769 (oil on canvas)

JLJ4690801: Portrait of the Marquis and Marquise of Marigny, 1769 (oil on canvas), Loo, Louis Michel van (1707-71) / Bridgeman Images

Self Portrait Painting by Rosa Bacigalupo Carrera (19th century) 19th century Genes, Modern Art Galleria
Self Portrait Painting by Rosa Bacigalupo Carrera (19th century) 19th century Genes, Modern Art Galleria

LRI4693023: Self Portrait Painting by Rosa Bacigalupo Carrera (19th century) 19th century Genes, Modern Art Galleria, Bacigalupo Carrea, Rosa (1794-1854) / Bridgeman Images

Saint Benedict fixes a broken sieve In the center of the picture, self-portrait of the artist - Fresco of the cloitre realised by Antonio Bazzi dit il Sodoma (1477 - 1549) recounting the life of Saint Benedict of Nursie (480 - 567) founder of the Order of Benedictine 1503 - 1508 Aye de Monte Oliveto Maggiore, Florence
Saint Benedict fixes a broken sieve In the center of the picture, self-portrait of the artist - Fresco of the cloitre realised by Antonio Bazzi dit il Sodoma (1477 - 1549) recounting the life of Saint Benedict of Nursie (480 - 567) founder of the Order of Benedictine 1503 - 1508 Aye de Monte Oliveto Maggiore, Florence

LRI4694994: Saint Benedict fixes a broken sieve In the center of the picture, self-portrait of the artist - Fresco of the cloitre realised by Antonio Bazzi dit il Sodoma (1477 - 1549) recounting the life of Saint Benedict of Nursie (480 - 567) founder of the Order of Benedictine 1503 - 1508 Aye de Monte Oliveto Maggiore, Florence, Sodoma, Giovanni Antonio Bazzi (1477-1549) / Bridgeman Images

Life of St. Francesca Romana : 1st March 1433, Francesca in a vision is taken by the Mother of God under her mantle (Fresco, 1468)
Life of St. Francesca Romana : 1st March 1433, Francesca in a vision is taken by the Mother of God under her mantle (Fresco, 1468)

LRI4692251: Life of St. Francesca Romana : 1st March 1433, Francesca in a vision is taken by the Mother of God under her mantle (Fresco, 1468), Romano, Antoniazzo (c.1430-1512) / Bridgeman Images

The first steps of a child Painting by Gaetano Chierici (1838-1920) 1865 Dim 70x100 cm Genes, Galleria d'Arte Moderna, inv 49
The first steps of a child Painting by Gaetano Chierici (1838-1920) 1865 Dim 70x100 cm Genes, Galleria d'Arte Moderna, inv 49

LRI4694882: The first steps of a child Painting by Gaetano Chierici (1838-1920) 1865 Dim 70x100 cm Genes, Galleria d'Arte Moderna, inv 49, Chierici, Gaetano (1838-1920) / Bridgeman Images

Donna Erminia (oil on canvas, 1874)
Donna Erminia (oil on canvas, 1874)

LRI4693826: Donna Erminia (oil on canvas, 1874), Musso, Benedetto (1835-1883) / Bridgeman Images

Adultery: a surprised monk trying to hide and a naked woman in bed. Lithograph sd. early 19th century.
Adultery: a surprised monk trying to hide and a naked woman in bed. Lithograph sd. early 19th century.

GIA4692837: Adultery: a surprised monk trying to hide and a naked woman in bed. Lithograph sd. early 19th century., Unknown Artist, (19th century) / Bridgeman Images

Works of mercy: to clothe the naked (Painting, 17th century)
Works of mercy: to clothe the naked (Painting, 17th century)

LRI4693315: Works of mercy: to clothe the naked (Painting, 17th century), Wael, Cornelis de (1592-1667) / Bridgeman Images

Pawnshop. Mount of piety in Venice. Watercolour drawing and ink from the manuscript “Customs of the Venitians”” by Jan van Grevenbroeck (or Giovanni Grevembroch (Grevenbroch) (1731-1807), 18th century.
Pawnshop. Mount of piety in Venice. Watercolour drawing and ink from the manuscript “Customs of the Venitians”” by Jan van Grevenbroeck (or Giovanni Grevembroch (Grevenbroch) (1731-1807), 18th century.

GIA4693015: Pawnshop. Mount of piety in Venice. Watercolour drawing and ink from the manuscript “Customs of the Venitians”” by Jan van Grevenbroeck (or Giovanni Grevembroch (Grevenbroch) (1731-1807), 18th century., Grevenbroeck, Jan van (1731-1807) / Bridgeman Images

Miniature Old Testament page. 13th century. Carolingian era. Biblioteca Trivulziana, Milan.
Miniature Old Testament page. 13th century. Carolingian era. Biblioteca Trivulziana, Milan.

GIA4694430: Miniature Old Testament page. 13th century. Carolingian era. Biblioteca Trivulziana, Milan., Carolingian School / Bridgeman Images

Life of St Francesca Romana : the saint betrayed by a devil who took the appearance Onuphrius (fresco, 1450-1500)
Life of St Francesca Romana : the saint betrayed by a devil who took the appearance Onuphrius (fresco, 1450-1500)

LRI4692543: Life of St Francesca Romana : the saint betrayed by a devil who took the appearance Onuphrius (fresco, 1450-1500), Italian School, (15th century) / Bridgeman Images

Beach View near Genes, Italy (View of the riviera, Genoa, italy) Painting by Serafin Avendano Martinez (ca. 1838-1916) 1881 Dim 85x132 cm Genes, Galleria d'Arte Moderna
Beach View near Genes, Italy (View of the riviera, Genoa, italy) Painting by Serafin Avendano Martinez (ca. 1838-1916) 1881 Dim 85x132 cm Genes, Galleria d'Arte Moderna

LRI4693153: Beach View near Genes, Italy (View of the riviera, Genoa, italy) Painting by Serafin Avendano Martinez (ca. 1838-1916) 1881 Dim 85x132 cm Genes, Galleria d'Arte Moderna, Avendano, Serafin (1838-1916) / Bridgeman Images

Fiery mirrors explained by Kircher including that of Archimede - Engraving of the 17th century
Fiery mirrors explained by Kircher including that of Archimede - Engraving of the 17th century

GIA4694591: Fiery mirrors explained by Kircher including that of Archimede - Engraving of the 17th century, Unknown Artist, (17th century) / Bridgeman Images

Deploration (Deposition) Anonymous wood painting on the back of a cross. 15th century Varazze, Cappella del Castello Invrea Italy
Deploration (Deposition) Anonymous wood painting on the back of a cross. 15th century Varazze, Cappella del Castello Invrea Italy

LRI4691375: Deploration (Deposition) Anonymous wood painting on the back of a cross. 15th century Varazze, Cappella del Castello Invrea Italy, Unknown Artist, (15th century) / Bridgeman Images

Mary and Martha (painting, ca. 1640)
Mary and Martha (painting, ca. 1640)

LRI4692059: Mary and Martha (painting, ca. 1640), Ferrari, Giovanni Andrea di (1598-1669) / Bridgeman Images

God creates Adam, animal, land, sky and water Wood painting decorating a cabinet panel of the ancient sacristy of Bramante (Painting in the sacristy of Bramante) Basilica di Santa Maria delle Grazie, Milan, Italy
God creates Adam, animal, land, sky and water Wood painting decorating a cabinet panel of the ancient sacristy of Bramante (Painting in the sacristy of Bramante) Basilica di Santa Maria delle Grazie, Milan, Italy

LRI4690929: God creates Adam, animal, land, sky and water Wood painting decorating a cabinet panel of the ancient sacristy of Bramante (Painting in the sacristy of Bramante) Basilica di Santa Maria delle Grazie, Milan, Italy, Italian School, (16th century) / Bridgeman Images

Portrait Of Mademoiselle Salle In 1737, 1737 (oil on canvas)
Portrait Of Mademoiselle Salle In 1737, 1737 (oil on canvas)

JLJ4690898: Portrait Of Mademoiselle Salle In 1737, 1737 (oil on canvas), Van Loo, Louis Michel (1707-71) / Bridgeman Images

View of the Holy Staircase, decorated with frescoes. 14th century (photography)
View of the Holy Staircase, decorated with frescoes. 14th century (photography)

LRI4690640: View of the Holy Staircase, decorated with frescoes. 14th century (photography), Master Trecentesco of Sacro Speco School (14th Century) / Bridgeman Images

The twelve Apotres Detail of a fresco of the school of Siena. 14th century. Monastery of St. Benedict (Sacro Speco), Superior Church in Subiaco (Rome), Italy
The twelve Apotres Detail of a fresco of the school of Siena. 14th century. Monastery of St. Benedict (Sacro Speco), Superior Church in Subiaco (Rome), Italy

LRI4690207: The twelve Apotres Detail of a fresco of the school of Siena. 14th century. Monastery of St. Benedict (Sacro Speco), Superior Church in Subiaco (Rome), Italy, Sienese School, (14th century) / Bridgeman Images

The disbelief of the apostle Thomas, 14th century (Fresco)
The disbelief of the apostle Thomas, 14th century (Fresco)

LRI4690218: The disbelief of the apostle Thomas, 14th century (Fresco), Sienese School, (14th century) / Bridgeman Images

The miracle of Saint Placidus: Saint Benedict of Nursie saves the young Placidus caught in the stream of a lake. 13th century (fresco)
The miracle of Saint Placidus: Saint Benedict of Nursie saves the young Placidus caught in the stream of a lake. 13th century (fresco)

LRI4690283: The miracle of Saint Placidus: Saint Benedict of Nursie saves the young Placidus caught in the stream of a lake. 13th century (fresco), Consolo (Magister Conxolus) (13th century) / Bridgeman Images

The skeleton of Death sits in the porter's chair of a great house, as the terrified servants come down the stairs to investigate. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death sits in the porter's chair of a great house, as the terrified servants come down the stairs to investigate. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690164: The skeleton of Death sits in the porter's chair of a great house, as the terrified servants come down the stairs to investigate. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Mata mata or matamata turtle, Chelus fimbriata (fimbriated tortoise, Testudo fimbriata). Handcoloured copperplate engraving by Heath after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801.
Mata mata or matamata turtle, Chelus fimbriata (fimbriated tortoise, Testudo fimbriata). Handcoloured copperplate engraving by Heath after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801.

FLO4694454: Mata mata or matamata turtle, Chelus fimbriata (fimbriated tortoise, Testudo fimbriata). Handcoloured copperplate engraving by Heath after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801. / Bridgeman Images

Moustached guenon or moustached monkey, Cercopithecus cephus. Simia cephus Linn. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Moustached guenon or moustached monkey, Cercopithecus cephus. Simia cephus Linn. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4691590: Moustached guenon or moustached monkey, Cercopithecus cephus. Simia cephus Linn. Handcoloured copperplate engraving by Johann Nussbiegel after an illustration by Jacques de Seve from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

Barbary ape or macaque, Macaca sylvanus. Endangered. Simia inuus Linn. Handcoloured copperplate engraving by Tyroff after an illustration by Bourdachot from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Barbary ape or macaque, Macaca sylvanus. Endangered. Simia inuus Linn. Handcoloured copperplate engraving by Tyroff after an illustration by Bourdachot from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4692003: Barbary ape or macaque, Macaca sylvanus. Endangered. Simia inuus Linn. Handcoloured copperplate engraving by Tyroff after an illustration by Bourdachot from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

Cotton-top tamarin, Saguinus oedipus. Critically endangered. Simia oedipus Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by George Edwards from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.
Cotton-top tamarin, Saguinus oedipus. Critically endangered. Simia oedipus Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by George Edwards from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775.

FLO4691726: Cotton-top tamarin, Saguinus oedipus. Critically endangered. Simia oedipus Linn. Handcoloured copperplate engraving by Johann Sebastian Leitner after an illustration by George Edwards from Johann Christian Daniel Schreber's Animal Illustrations after Nature, or Schreber's Fantastic Animals, Erlangen, Germany, 1775. / Bridgeman Images

Gentleman and ugly lady with beautiful portrait in a parlour. He flatters her with, It looks like you, but you are more beautiful in the flesh. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, What we say and what we think, Gihaut Freres, Paris, 1829.
Gentleman and ugly lady with beautiful portrait in a parlour. He flatters her with, It looks like you, but you are more beautiful in the flesh. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, What we say and what we think, Gihaut Freres, Paris, 1829.

FLO4691313: Gentleman and ugly lady with beautiful portrait in a parlour. He flatters her with, It looks like you, but you are more beautiful in the flesh. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, What we say and what we think, Gihaut Freres, Paris, 1829. / Bridgeman Images

The skeleton of Death leads a young Recruit to join the Army, leaving his girl and family behind. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.
The skeleton of Death leads a young Recruit to join the Army, leaving his girl and family behind. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.

FLO4690453: The skeleton of Death leads a young Recruit to join the Army, leaving his girl and family behind. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816., Rowlandson, Thomas (1756-1827) / Bridgeman Images

Frgon - Mouse thorn, Ruscus hypoglossum. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.
Frgon - Mouse thorn, Ruscus hypoglossum. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.

FLO4692486: Frgon - Mouse thorn, Ruscus hypoglossum. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871. / Bridgeman Images

Summer spiranth - Summer ladys-tresses, Spiranthes aestivalis. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.
Summer spiranth - Summer ladys-tresses, Spiranthes aestivalis. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871.

FLO4693188: Summer spiranth - Summer ladys-tresses, Spiranthes aestivalis. Handcoloured lithograph from Diederich von Schlechtendal's German Flora (Flora von Deutschland), Jena, 1871. / Bridgeman Images

Northern leopard frog, Lithobates pipiens (Peeping frog, Rana pipiens). Handcoloured copperplate engraving by Hill after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801.
Northern leopard frog, Lithobates pipiens (Peeping frog, Rana pipiens). Handcoloured copperplate engraving by Hill after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801.

FLO4694576: Northern leopard frog, Lithobates pipiens (Peeping frog, Rana pipiens). Handcoloured copperplate engraving by Hill after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801. / Bridgeman Images

Sand lizard, Lacerta agilis (green lizard). Handcoloured copperplate engraving by Heath after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801.
Sand lizard, Lacerta agilis (green lizard). Handcoloured copperplate engraving by Heath after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801.

FLO4695000: Sand lizard, Lacerta agilis (green lizard). Handcoloured copperplate engraving by Heath after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801. / Bridgeman Images

European tree frog, Hyla arborea (tree frog, Rana arborea). Shown hanging from a rose bush, male inflating its throat, adhesive abdomen, tadpole and frogspawn. Handcoloured copperplate engraving by Heath after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801.
European tree frog, Hyla arborea (tree frog, Rana arborea). Shown hanging from a rose bush, male inflating its throat, adhesive abdomen, tadpole and frogspawn. Handcoloured copperplate engraving by Heath after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801.

FLO4694655: European tree frog, Hyla arborea (tree frog, Rana arborea). Shown hanging from a rose bush, male inflating its throat, adhesive abdomen, tadpole and frogspawn. Handcoloured copperplate engraving by Heath after an illustration by George Shaw from his General Zoology, Amphibia, London, 1801. / Bridgeman Images


Back to top