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Margaret Frances Langton Clarke, September 1864 (albumen print)
Margaret Frances Langton Clarke, September 1864 (albumen print)

XCC2971370: Margaret Frances Langton Clarke, September 1864 (albumen print), Dodgson, Charles Lutwidge (Lewis Carroll) (1832-98) / Bridgeman Images

ID: XCC2971370

Margaret Frances Langton Clarke, September 1864 (albumen print)

Dodgson, Charles Lutwidge (Lewis Carroll) (1832-98)

Balaustion, October 1871 (albumen print)
Balaustion, October 1871 (albumen print)

XCC2971439: Balaustion, October 1871 (albumen print), Cameron, Julia Margaret (1815-79) / Bridgeman Images

ID: XCC2971439

Balaustion, October 1871 (albumen print)

Cameron, Julia Margaret (1815-79)

Animal Locomotion, Plate 319, 1887 (collotype, from animal locomotion)
Animal Locomotion, Plate 319, 1887 (collotype, from animal locomotion)

XCC2971453: Animal Locomotion, Plate 319, 1887 (collotype, from animal locomotion), Muybridge, Eadweard (1830-1904) / Bridgeman Images

ID: XCC2971453

Animal Locomotion, Plate 319, 1887 (collotype, from animal locomotion)

Muybridge, Eadweard (1830-1904)

Portrait of Ellen Andrée, c.1876 (monotype)
Portrait of Ellen Andrée, c.1876 (monotype)

XCC2971462: Portrait of Ellen Andrée, c.1876 (monotype), Degas, Edgar (1834-1917) / Bridgeman Images

ID: XCC2971462

Portrait of Ellen Andrée, c.1876 (monotype)

Degas, Edgar (1834-1917)

Study for The Martyrdom of Saint Bartholomew, 1635-36 (pen and brown ink, with brush and brown wash, on buff laid paper, laid down on ivory laid paper, edge mounted under blue wove paper)
Study for The Martyrdom of Saint Bartholomew, 1635-36 (pen and brown ink, with brush and brown wash, on buff laid paper, laid down on ivory laid paper, edge mounted under blue wove paper)

XCC2971511: Study for The Martyrdom of Saint Bartholomew, 1635-36 (pen and brown ink, with brush and brown wash, on buff laid paper, laid down on ivory laid paper, edge mounted under blue wove paper), Guercino (Giovanni Francesco Barbieri) (1591-1666) / Bridgeman Images

ID: XCC2971511

Study for The Martyrdom of Saint Bartholomew, 1635-36 (pen and brown ink, with brush and brown wash, on buff laid paper, laid down on ivory laid paper, edge mounted under blue wove paper)

Guercino (Giovanni Francesco Barbieri) (1591-1666)

Oscar Wilde and Whistler, 1894 (pen & black ink, with black crayon & touches of blue crayon, on ivory laminate board)
Oscar Wilde and Whistler, 1894 (pen & black ink, with black crayon & touches of blue crayon, on ivory laminate board)

XCC2971516: Oscar Wilde and Whistler, 1894 (pen & black ink, with black crayon & touches of blue crayon, on ivory laminate board), May, Phil (1864-1903) / Bridgeman Images

ID: XCC2971516

Oscar Wilde and Whistler, 1894 (pen & black ink, with black crayon & touches of blue crayon, on ivory laminate board)

May, Phil (1864-1903)

Flamborough Head, England, 1882 (graphite & opaque white w/c on medium thick, slightly textured, tan laid paper with red and blue fibres)
Flamborough Head, England, 1882 (graphite & opaque white w/c on medium thick, slightly textured, tan laid paper with red and blue fibres)

XCC2971530: Flamborough Head, England, 1882 (graphite & opaque white w/c on medium thick, slightly textured, tan laid paper with red and blue fibres), Homer, Winslow (1836-1910) / Bridgeman Images

ID: XCC2971530

Flamborough Head, England, 1882 (graphite & opaque white w/c on medium thick, slightly textured, tan laid paper with red and blue fibres)

Homer, Winslow (1836-1910)

Landscape with a castle, 1716-18 (red chalk on buff laid paper, laid down on cream laid card)
Landscape with a castle, 1716-18 (red chalk on buff laid paper, laid down on cream laid card)

XCC2971547: Landscape with a castle, 1716-18 (red chalk on buff laid paper, laid down on cream laid card), Watteau, Jean Antoine (1684-1721) / Bridgeman Images

ID: XCC2971547

Landscape with a castle, 1716-18 (red chalk on buff laid paper, laid down on cream laid card)

Watteau, Jean Antoine (1684-1721)

Country Fair, 1653 (black chalk, with brush and grey wash, on ivory laid paper)
Country Fair, 1653 (black chalk, with brush and grey wash, on ivory laid paper)

XCC2971561: Country Fair, 1653 (black chalk, with brush and grey wash, on ivory laid paper), Goyen, Jan Josephsz van (1596-1656) / Bridgeman Images

ID: XCC2971561

Country Fair, 1653 (black chalk, with brush and grey wash, on ivory laid paper)

Goyen, Jan Josephsz van (1596-1656)

Emperor Nicolas working in his cabinet, plate 94 from Actualités, 1850 (lithograph in black on white wove paper)
Emperor Nicolas working in his cabinet, plate 94 from Actualités, 1850 (lithograph in black on white wove paper)

XCC2971571: Emperor Nicolas working in his cabinet, plate 94 from Actualités, 1850 (lithograph in black on white wove paper), Daumier, Honore (1808-79) / Bridgeman Images

ID: XCC2971571

Emperor Nicolas working in his cabinet, plate 94 from Actualités, 1850 (lithograph in black on white wove paper)

Daumier, Honore (1808-79)

Les Invisibles, 1810 (hand-colored etching on ivory wove paper)
Les Invisibles, 1810 (hand-colored etching on ivory wove paper)

XCC2972605: Les Invisibles, 1810 (hand-colored etching on ivory wove paper), Gillray, James (1757-1815) / Bridgeman Images

ID: XCC2972605

Les Invisibles, 1810 (hand-colored etching on ivory wove paper)

Gillray, James (1757-1815)

The Little Abbot Reading the Ramayana, 1883 (charcoal with black chalk, stumping, scraping & erasing, on dark cream wove paper, discolored to tan. ruled in pale red-orange pastel, offset impression of tadpole, verso.)
The Little Abbot Reading the Ramayana, 1883 (charcoal with black chalk, stumping, scraping & erasing, on dark cream wove paper, discolored to tan. ruled in pale red-orange pastel, offset impression of tadpole, verso.)

XCC2972610: The Little Abbot Reading the Ramayana, 1883 (charcoal with black chalk, stumping, scraping & erasing, on dark cream wove paper, discolored to tan. ruled in pale red-orange pastel, offset impression of tadpole, verso.), Redon, Odilon (1840-1916) / Bridgeman Images

ID: XCC2972610

The Little Abbot Reading the Ramayana, 1883 (charcoal with black chalk, stumping, scraping & erasing, on dark cream wove paper, discolored to tan. ruled in pale red-orange pastel, offset impression of tadpole, verso.)

Redon, Odilon (1840-1916)

Denis Talon, 1656 (engraving on paper)
Denis Talon, 1656 (engraving on paper)

XCC2972619: Denis Talon, 1656 (engraving on paper), Nanteuil, Robert (1623-78) / Bridgeman Images

ID: XCC2972619

Denis Talon, 1656 (engraving on paper)

Nanteuil, Robert (1623-78)

The Shepherd's Dream, c.1820 (pen & black ink, with brush, black & grey wash, over graphite, on ivory wove paper)
The Shepherd's Dream, c.1820 (pen & black ink, with brush, black & grey wash, over graphite, on ivory wove paper)

XCC2972621: The Shepherd's Dream, c.1820 (pen & black ink, with brush, black & grey wash, over graphite, on ivory wove paper), North, Lady Georgina (1798-1835) (attr.to) / Bridgeman Images

ID: XCC2972621

The Shepherd's Dream, c.1820 (pen & black ink, with brush, black & grey wash, over graphite, on ivory wove paper)

North, Lady Georgina (1798-1835) (attr.to)

Joseph's Brothers Showing His Coat to Jacob, 1640s (pen & brown ink, with brush & brown wash, on ivory laid paper, laid down on ivory laid paper)
Joseph's Brothers Showing His Coat to Jacob, 1640s (pen & brown ink, with brush & brown wash, on ivory laid paper, laid down on ivory laid paper)

XCC2972633: Joseph's Brothers Showing His Coat to Jacob, 1640s (pen & brown ink, with brush & brown wash, on ivory laid paper, laid down on ivory laid paper), Victors, Jan (c.1619-1676) / Bridgeman Images

ID: XCC2972633

Joseph's Brothers Showing His Coat to Jacob, 1640s (pen & brown ink, with brush & brown wash, on ivory laid paper, laid down on ivory laid paper)

Victors, Jan (c.1619-1676)

The Prophet Elie Arriving at the House of Sareptas' Widow, 1604 (engraving on paper)
The Prophet Elie Arriving at the House of Sareptas' Widow, 1604 (engraving on paper)

XCC2972635: The Prophet Elie Arriving at the House of Sareptas' Widow, 1604 (engraving on paper), Saenredam, Jan (1565-1607) / Bridgeman Images

ID: XCC2972635

The Prophet Elie Arriving at the House of Sareptas' Widow, 1604 (engraving on paper)

Saenredam, Jan (1565-1607)

Lady and cavalier, n.d. (graphite, on ivory wove paper, discoloured to cream, perimeter mounted on cream board)
Lady and cavalier, n.d. (graphite, on ivory wove paper, discoloured to cream, perimeter mounted on cream board)

XCC2972651: Lady and cavalier, n.d. (graphite, on ivory wove paper, discoloured to cream, perimeter mounted on cream board), Deveria, Eugene (1808-65) / Bridgeman Images

ID: XCC2972651

Lady and cavalier, n.d. (graphite, on ivory wove paper, discoloured to cream, perimeter mounted on cream board)

Deveria, Eugene (1808-65)

Mary Cassatt at the Louvre: The Etruscan Gallery, 1879–-80 (soft ground etching, drypoint, aquatint, & etching on cream Japanese paper)
Mary Cassatt at the Louvre: The Etruscan Gallery, 1879–-80 (soft ground etching, drypoint, aquatint, & etching on cream Japanese paper)

XCC2972658: Mary Cassatt at the Louvre: The Etruscan Gallery, 1879–-80 (soft ground etching, drypoint, aquatint, & etching on cream Japanese paper), Degas, Edgar (1834-1917) / Bridgeman Images

ID: XCC2972658

Mary Cassatt at the Louvre: The Etruscan Gallery, 1879–-80 (soft ground etching, drypoint, aquatint, & etching on cream Japanese paper)

Degas, Edgar (1834-1917)

Portrait of Honoré Daumier, 1862 (lithograph in black, with scraping on stone, on light grey china paper laid down using chine collé on white wove paper)
Portrait of Honoré Daumier, 1862 (lithograph in black, with scraping on stone, on light grey china paper laid down using chine collé on white wove paper)

XCC2972663: Portrait of Honoré Daumier, 1862 (lithograph in black, with scraping on stone, on light grey china paper laid down using chine collé on white wove paper), Carjat, Etienne (1828-1906) / Bridgeman Images

ID: XCC2972663

Portrait of Honoré Daumier, 1862 (lithograph in black, with scraping on stone, on light grey china paper laid down using chine collé on white wove paper)

Carjat, Etienne (1828-1906)

Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper)
Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper)

XCC2972681: Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XCC2972681

Study for The Blue Girl: Portrait of Miss Elinor Leyland, c.1879 (pen and brown ink with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper)

Whistler, James Abbott McNeill (1834-1903)

Fragmentary copy, 1710-15 (red chalk on ivory laid paper)
Fragmentary copy, 1710-15 (red chalk on ivory laid paper)

XCC2972686: Fragmentary copy, 1710-15 (red chalk on ivory laid paper), Crespi, Giuseppe Maria (Lo Spagnuolo) (1665-1747) / Bridgeman Images

ID: XCC2972686

Fragmentary copy, 1710-15 (red chalk on ivory laid paper)

Crespi, Giuseppe Maria (Lo Spagnuolo) (1665-1747)

Studies of Warriors, Horsemen, and Lions, 1528-33 (pen & iron gall ink, on ivory laid paper, prepared with a red chalk wash)
Studies of Warriors, Horsemen, and Lions, 1528-33 (pen & iron gall ink, on ivory laid paper, prepared with a red chalk wash)

XCC2972687: Studies of Warriors, Horsemen, and Lions, 1528-33 (pen & iron gall ink, on ivory laid paper, prepared with a red chalk wash), Vaga, Perino del (Pietro Buonaccorsi) (1501-47) / Bridgeman Images

ID: XCC2972687

Studies of Warriors, Horsemen, and Lions, 1528-33 (pen & iron gall ink, on ivory laid paper, prepared with a red chalk wash)

Vaga, Perino del (Pietro Buonaccorsi) (1501-47)

Three studies for the Resurrected Christ Adored by a Female Saint and San Silvestro Gozzalini, 1607 (red and black chalk, heightened with white chalk, on blue laid paper)
Three studies for the Resurrected Christ Adored by a Female Saint and San Silvestro Gozzalini, 1607 (red and black chalk, heightened with white chalk, on blue laid paper)

XCC2972689: Three studies for the Resurrected Christ Adored by a Female Saint and San Silvestro Gozzalini, 1607 (red and black chalk, heightened with white chalk, on blue laid paper), Vanni, Francesco (1563-1610) / Bridgeman Images

ID: XCC2972689

Three studies for the Resurrected Christ Adored by a Female Saint and San Silvestro Gozzalini, 1607 (red and black chalk, heightened with white chalk, on blue laid paper)

Vanni, Francesco (1563-1610)

The Descent from the Summit: Jean Martin Steadies Hélène, the Banker's Daughter, 1881 (black chalk on cream laid paper (discolored to tan))
The Descent from the Summit: Jean Martin Steadies Hélène, the Banker's Daughter, 1881 (black chalk on cream laid paper (discolored to tan))

XCC2972697: The Descent from the Summit: Jean Martin Steadies Hélène, the Banker's Daughter, 1881 (black chalk on cream laid paper (discolored to tan)), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: XCC2972697

The Descent from the Summit: Jean Martin Steadies Hélène, the Banker's Daughter, 1881 (black chalk on cream laid paper (discolored to tan))

Renoir, Pierre Auguste (1841-1919)

Young Girls at a Fountain, c.1790-99 (pen and brown ink with brush and brown wash, on cream laid paper)
Young Girls at a Fountain, c.1790-99 (pen and brown ink with brush and brown wash, on cream laid paper)

XCC2972700: Young Girls at a Fountain, c.1790-99 (pen and brown ink with brush and brown wash, on cream laid paper), Reinhart, Johann Christian (1761-1847) / Bridgeman Images

ID: XCC2972700

Young Girls at a Fountain, c.1790-99 (pen and brown ink with brush and brown wash, on cream laid paper)

Reinhart, Johann Christian (1761-1847)

Self portrait, 1871-73 (black chalk, with stumping, heightened with white chalk, on pale brown wove paper, laid down on tan wood-pulp laminate board)
Self portrait, 1871-73 (black chalk, with stumping, heightened with white chalk, on pale brown wove paper, laid down on tan wood-pulp laminate board)

XCC2972702: Self portrait, 1871-73 (black chalk, with stumping, heightened with white chalk, on pale brown wove paper, laid down on tan wood-pulp laminate board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

ID: XCC2972702

Self portrait, 1871-73 (black chalk, with stumping, heightened with white chalk, on pale brown wove paper, laid down on tan wood-pulp laminate board)

Whistler, James Abbott McNeill (1834-1903)

Allegorie des Mariages Faits par la Ville de Paris a la Naissance du Duc de Bourgogne, 1751 (etching)
Allegorie des Mariages Faits par la Ville de Paris a la Naissance du Duc de Bourgogne, 1751 (etching)

XCC2972733: Allegorie des Mariages Faits par la Ville de Paris a la Naissance du Duc de Bourgogne, 1751 (etching), Saint-Aubin, Gabriel de (1724-80) / Bridgeman Images

ID: XCC2972733

Allegorie des Mariages Faits par la Ville de Paris a la Naissance du Duc de Bourgogne, 1751 (etching)

Saint-Aubin, Gabriel de (1724-80)

Masonic Temple, Boston, 1832 (litho on cream wove paper)
Masonic Temple, Boston, 1832 (litho on cream wove paper)

XCC2972749: Masonic Temple, Boston, 1832 (litho on cream wove paper), Nutting, Benjamin F. (c.1803-87) / Bridgeman Images

ID: XCC2972749

Masonic Temple, Boston, 1832 (litho on cream wove paper)

Nutting, Benjamin F. (c.1803-87)

The Dreamer, 1712-14 (oil on panel)
The Dreamer, 1712-14 (oil on panel)

XCC2970680: The Dreamer, 1712-14 (oil on panel), Watteau, Jean Antoine (1684-1721) / Bridgeman Images

ID: XCC2970680

The Dreamer, 1712-14 (oil on panel)

Watteau, Jean Antoine (1684-1721)

Saint Christopher Meets Satan, Saint Christopher before the King of Lycia, 1480-85 (tempera with oil glazes on panel)
Saint Christopher Meets Satan, Saint Christopher before the King of Lycia, 1480-85 (tempera with oil glazes on panel)

XCC2970694: Saint Christopher Meets Satan, Saint Christopher before the King of Lycia, 1480-85 (tempera with oil glazes on panel), Soria, Martín de (c.1449-c.1487) / Bridgeman Images

ID: XCC2970694

Saint Christopher Meets Satan, Saint Christopher before the King of Lycia, 1480-85 (tempera with oil glazes on panel)

Soria, Martín de (c.1449-c.1487)

Bust of Saïd Abdallah of the Darfour People, 1848 (bronze)
Bust of Saïd Abdallah of the Darfour People, 1848 (bronze)

XCC2970699: Bust of Saïd Abdallah of the Darfour People, 1848 (bronze), Cordier, Charles-Henri-Joseph (1827-1905) / Bridgeman Images

ID: XCC2970699

Bust of Saïd Abdallah of the Darfour People, 1848 (bronze)

Cordier, Charles-Henri-Joseph (1827-1905)

Diptych panel with Virgin and Child and two angels, 1375-1400 (ivory)
Diptych panel with Virgin and Child and two angels, 1375-1400 (ivory)

XCC2970707: Diptych panel with Virgin and Child and two angels, 1375-1400 (ivory), French School, (14th century) / Bridgeman Images

ID: XCC2970707

Diptych panel with Virgin and Child and two angels, 1375-1400 (ivory)

French School, (14th century)

Boy with Pitcher, c.1862-72 (oil on canvas)
Boy with Pitcher, c.1862-72 (oil on canvas)

XCC2970719: Boy with Pitcher, c.1862-72 (oil on canvas), Manet, Edouard (1832-83) / Bridgeman Images

ID: XCC2970719

Boy with Pitcher, c.1862-72 (oil on canvas)

Manet, Edouard (1832-83)

Arabian Horses, 19th century (oil on panel)
Arabian Horses, 19th century (oil on panel)

XCC2970796: Arabian Horses, 19th century (oil on panel), Fromentin, Eugene (1820-76) / Bridgeman Images

ID: XCC2970796

Arabian Horses, 19th century (oil on panel)

Fromentin, Eugene (1820-76)

Day (Truth), 1896-98 (oil on canvas)
Day (Truth), 1896-98 (oil on canvas)

XCC2970914: Day (Truth), 1896-98 (oil on canvas), Hodler, Ferdinand (1853-1918) / Bridgeman Images

ID: XCC2970914

Day (Truth), 1896-98 (oil on canvas)

Hodler, Ferdinand (1853-1918)

Crucifix, c.1646 (bronze, pearwood with ebonizing & staining)
Crucifix, c.1646 (bronze, pearwood with ebonizing & staining)

XCC2970916: Crucifix, c.1646 (bronze, pearwood with ebonizing & staining), Algardi, Alessandro (1598-1654) / Bridgeman Images

ID: XCC2970916

Crucifix, c.1646 (bronze, pearwood with ebonizing & staining)

Algardi, Alessandro (1598-1654)


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