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Via San Lorenzo, Genoa, Liguria, Italy
Via San Lorenzo, Genoa, Liguria, Italy

CUB4540392: Via San Lorenzo, Genoa, Liguria, Italy / Bridgeman Images

ID: CUB4540392

Via San Lorenzo, Genoa, Liguria, Italy

People strolling around the old city, Genoa, Liguria, Italy
People strolling around the old city, Genoa, Liguria, Italy

CUB4540397: People strolling around the old city, Genoa, Liguria, Italy / Bridgeman Images

ID: CUB4540397

People strolling around the old city, Genoa, Liguria, Italy

View of the city and the port from the Lanterna, Genoa, Liguria, Italy
View of the city and the port from the Lanterna, Genoa, Liguria, Italy

CUB4540400: View of the city and the port from the Lanterna, Genoa, Liguria, Italy / Bridgeman Images

ID: CUB4540400

View of the city and the port from the Lanterna, Genoa, Liguria, Italy

Plaque in loving memory of Fabrizio De Andrè, Genoa, Liguria, Italy
Plaque in loving memory of Fabrizio De Andrè, Genoa, Liguria, Italy

CUB4540404: Plaque in loving memory of Fabrizio De Andrè, Genoa, Liguria, Italy / Bridgeman Images

ID: CUB4540404

Plaque in loving memory of Fabrizio De Andrè, Genoa, Liguria, Italy

Palazzo Ducale in Piazza Matteotti, Genoa, Liguria, Italy
Palazzo Ducale in Piazza Matteotti, Genoa, Liguria, Italy

CUB4540413: Palazzo Ducale in Piazza Matteotti, Genoa, Liguria, Italy / Bridgeman Images

ID: CUB4540413

Palazzo Ducale in Piazza Matteotti, Genoa, Liguria, Italy

Piazza De Ferrari, Genoa, Liguria, Italy
Piazza De Ferrari, Genoa, Liguria, Italy

CUB4540420: Piazza De Ferrari, Genoa, Liguria, Italy / Bridgeman Images

ID: CUB4540420

Piazza De Ferrari, Genoa, Liguria, Italy

Via Ravecca, Genoa, Liguria, Italy
Via Ravecca, Genoa, Liguria, Italy

CUB4540427: Via Ravecca, Genoa, Liguria, Italy / Bridgeman Images

ID: CUB4540427

Via Ravecca, Genoa, Liguria, Italy

View of the city from Terrazza Martini, Genoa, Liguria, Italy
View of the city from Terrazza Martini, Genoa, Liguria, Italy

CUB4540429: View of the city from Terrazza Martini, Genoa, Liguria, Italy / Bridgeman Images

ID: CUB4540429

View of the city from Terrazza Martini, Genoa, Liguria, Italy

Via Scurreria, Genoa, Liguria, Italy
Via Scurreria, Genoa, Liguria, Italy

CUB4540430: Via Scurreria, Genoa, Liguria, Italy / Bridgeman Images

ID: CUB4540430

Via Scurreria, Genoa, Liguria, Italy

Woman restoring Cristo degli Abissi, Genoa, Liguria, Italy
Woman restoring Cristo degli Abissi, Genoa, Liguria, Italy

CUB4540438: Woman restoring Cristo degli Abissi, Genoa, Liguria, Italy / Bridgeman Images

ID: CUB4540438

Woman restoring Cristo degli Abissi, Genoa, Liguria, Italy

Shark jaws, Aquarium, Genoa, Liguria, Italy
Shark jaws, Aquarium, Genoa, Liguria, Italy

CUB4540457: Shark jaws, Aquarium, Genoa, Liguria, Italy / Bridgeman Images

ID: CUB4540457

Shark jaws, Aquarium, Genoa, Liguria, Italy

Rehersal time, Carlo Felice Theatre, Genoa, Liguria, Italy
Rehersal time, Carlo Felice Theatre, Genoa, Liguria, Italy

CUB4540471: Rehersal time, Carlo Felice Theatre, Genoa, Liguria, Italy / Bridgeman Images

ID: CUB4540471

Rehersal time, Carlo Felice Theatre, Genoa, Liguria, Italy

Interior of Palazzo Rosso, Genoa, Liguria, Italy
Interior of Palazzo Rosso, Genoa, Liguria, Italy

CUB4540485: Interior of Palazzo Rosso, Genoa, Liguria, Italy / Bridgeman Images

ID: CUB4540485

Interior of Palazzo Rosso, Genoa, Liguria, Italy

Ballroom, Palazzo Spinola, Genoa, Liguria, Italy
Ballroom, Palazzo Spinola, Genoa, Liguria, Italy

CUB4540492: Ballroom, Palazzo Spinola, Genoa, Liguria, Italy / Bridgeman Images

ID: CUB4540492

Ballroom, Palazzo Spinola, Genoa, Liguria, Italy

Suit of armour at the Museo della Navigazione, Genoa, Liguria, Italy
Suit of armour at the Museo della Navigazione, Genoa, Liguria, Italy

CUB4540507: Suit of armour at the Museo della Navigazione, Genoa, Liguria, Italy / Bridgeman Images

ID: CUB4540507

Suit of armour at the Museo della Navigazione, Genoa, Liguria, Italy

Galleria degli Specchi, XVII century, Palazzo Reale, Genoa, Liguria, Italy
Galleria degli Specchi, XVII century, Palazzo Reale, Genoa, Liguria, Italy

CUB4540510: Galleria degli Specchi, XVII century, Palazzo Reale, Genoa, Liguria, Italy / Bridgeman Images

ID: CUB4540510

Galleria degli Specchi, XVII century, Palazzo Reale, Genoa, Liguria, Italy

The Aquarium, Genoa, Liguria, Italy
The Aquarium, Genoa, Liguria, Italy

CUB4540523: The Aquarium, Genoa, Liguria, Italy / Bridgeman Images

ID: CUB4540523

The Aquarium, Genoa, Liguria, Italy

People at the dolphins' tank, The largest Aquarium in Europe, Genoa, Liguria, Italy
People at the dolphins' tank, The largest Aquarium in Europe, Genoa, Liguria, Italy

CUB4540528: People at the dolphins' tank, The largest Aquarium in Europe, Genoa, Liguria, Italy / Bridgeman Images

ID: CUB4540528

People at the dolphins' tank, The largest Aquarium in Europe, Genoa, Liguria, Italy

English actor Charles Potier and Miss Pauline in the comedy L'Homme de Sixty Ans by d'Artois, Simonnin and Ferdinand at the Theatre des Varietes, 1824. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles by K. Y. Z, Chez Louis Janet, Paris, 1825.
English actor Charles Potier and Miss Pauline in the comedy L'Homme de Sixty Ans by d'Artois, Simonnin and Ferdinand at the Theatre des Varietes, 1824. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles by K. Y. Z, Chez Louis Janet, Paris, 1825.

FLO4562942: English actor Charles Potier and Miss Pauline in the comedy L'Homme de Sixty Ans by d'Artois, Simonnin and Ferdinand at the Theatre des Varietes, 1824. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles by K. Y. Z, Chez Louis Janet, Paris, 1825. / Bridgeman Images

ID: FLO4562942

English actor Charles Potier and Miss Pauline in the comedy L'Homme de Sixty Ans by d'Artois, Simonnin and Ferdinand at the Theatre des Varietes, 1824. Handcoloured copperplate engraving from Charles Malo's Almanach des Spectacles by K. Y. Z, Chez Louis Janet, Paris, 1825.

Ipomee, nemophile, flax flower and hosta (formerly funkia). Lithograph by James Andrews (1801-1876), published in Fleurs des pays etrangers, by Robert Tyas, London, 1853, edited by Houlston and Stoneman.
Ipomee, nemophile, flax flower and hosta (formerly funkia). Lithograph by James Andrews (1801-1876), published in Fleurs des pays etrangers, by Robert Tyas, London, 1853, edited by Houlston and Stoneman.

FLO4563001: Ipomee, nemophile, flax flower and hosta (formerly funkia). Lithograph by James Andrews (1801-1876), published in Fleurs des pays etrangers, by Robert Tyas, London, 1853, edited by Houlston and Stoneman. / Bridgeman Images

ID: FLO4563001

Ipomee, nemophile, flax flower and hosta (formerly funkia). Lithograph by James Andrews (1801-1876), published in Fleurs des pays etrangers, by Robert Tyas, London, 1853, edited by Houlston and Stoneman.

Bignone has large flowers or Chinese bignone. Lithograph in The New Practical Gardener, by James Anderson, published in Glascow in 1872.
Bignone has large flowers or Chinese bignone. Lithograph in The New Practical Gardener, by James Anderson, published in Glascow in 1872.

FLO4563028: Bignone has large flowers or Chinese bignone. Lithograph in The New Practical Gardener, by James Anderson, published in Glascow in 1872. / Bridgeman Images

ID: FLO4563028

Bignone has large flowers or Chinese bignone. Lithograph in The New Practical Gardener, by James Anderson, published in Glascow in 1872.

Pink swamp rose, Rosa pensylvanica (Rosa palustris). Handcoloured copperplate botanical drawn, engraved and coloured by Henry Charles Andrews for his own “Roses, a monograph of the genus Rosa,” London, 1806. Andrews was an English botanist, artist and engraver who published the “” Botanist's Repository”” from 1797 to 1812 and separate volumes on roses, geraniums and heaths.
Pink swamp rose, Rosa pensylvanica (Rosa palustris). Handcoloured copperplate botanical drawn, engraved and coloured by Henry Charles Andrews for his own “Roses, a monograph of the genus Rosa,” London, 1806. Andrews was an English botanist, artist and engraver who published the “” Botanist's Repository”” from 1797 to 1812 and separate volumes on roses, geraniums and heaths.

FLO4563076: Pink swamp rose, Rosa pensylvanica (Rosa palustris). Handcoloured copperplate botanical drawn, engraved and coloured by Henry Charles Andrews for his own “Roses, a monograph of the genus Rosa,” London, 1806. Andrews was an English botanist, artist and engraver who published the “” Botanist's Repository”” from 1797 to 1812 and separate volumes on roses, geraniums and heaths. / Bridgeman Images

ID: FLO4563076

Pink swamp rose, Rosa pensylvanica (Rosa palustris). Handcoloured copperplate botanical drawn, engraved and coloured by Henry Charles Andrews for his own “Roses, a monograph of the genus Rosa,” London, 1806. Andrews was an English botanist, artist and engraver who published the “” Botanist's Repository”” from 1797 to 1812 and separate volumes on roses, geraniums and heaths.

White rose, Rosa lucida. Handcoloured copperplate botanical drawn, engraved and coloured by Henry Charles Andrews for his own “Roses, a monograph of the genus Rosa,” London, 1806. Andrews was an English botanist, artist and engraver who published the “” Botanist's Repository”” from 1797 to 1812 and separate volumes on roses, geraniums and heaths.
White rose, Rosa lucida. Handcoloured copperplate botanical drawn, engraved and coloured by Henry Charles Andrews for his own “Roses, a monograph of the genus Rosa,” London, 1806. Andrews was an English botanist, artist and engraver who published the “” Botanist's Repository”” from 1797 to 1812 and separate volumes on roses, geraniums and heaths.

FLO4563113: White rose, Rosa lucida. Handcoloured copperplate botanical drawn, engraved and coloured by Henry Charles Andrews for his own “Roses, a monograph of the genus Rosa,” London, 1806. Andrews was an English botanist, artist and engraver who published the “” Botanist's Repository”” from 1797 to 1812 and separate volumes on roses, geraniums and heaths. / Bridgeman Images

ID: FLO4563113

White rose, Rosa lucida. Handcoloured copperplate botanical drawn, engraved and coloured by Henry Charles Andrews for his own “Roses, a monograph of the genus Rosa,” London, 1806. Andrews was an English botanist, artist and engraver who published the “” Botanist's Repository”” from 1797 to 1812 and separate volumes on roses, geraniums and heaths.

Botanical board: Scent dill (Anethum graveolens). Coloured copper prints from a drawing by B. Thanner by Johannes Zorn “” Afbeeldingen der Artseny-Gewassen”” (Icons de plantes medicinales) published by Jan Christiaan Sepp in 1796. Zorn (1739-1799) was a German pharmacist and botanist who travelled all over Europe looking for medicinal plants.
Botanical board: Scent dill (Anethum graveolens). Coloured copper prints from a drawing by B. Thanner by Johannes Zorn “” Afbeeldingen der Artseny-Gewassen”” (Icons de plantes medicinales) published by Jan Christiaan Sepp in 1796. Zorn (1739-1799) was a German pharmacist and botanist who travelled all over Europe looking for medicinal plants.

FLO4563141: Botanical board: Scent dill (Anethum graveolens). Coloured copper prints from a drawing by B. Thanner by Johannes Zorn “” Afbeeldingen der Artseny-Gewassen”” (Icons de plantes medicinales) published by Jan Christiaan Sepp in 1796. Zorn (1739-1799) was a German pharmacist and botanist who travelled all over Europe looking for medicinal plants. / Bridgeman Images

ID: FLO4563141

Botanical board: Scent dill (Anethum graveolens). Coloured copper prints from a drawing by B. Thanner by Johannes Zorn “” Afbeeldingen der Artseny-Gewassen”” (Icons de plantes medicinales) published by Jan Christiaan Sepp in 1796. Zorn (1739-1799) was a German pharmacist and botanist who travelled all over Europe looking for medicinal plants.

Gentleman fencer in the second position of the Disarm on the Carte or Second Thrust, after the Prime Parade parry. Handcolored copperplate engraving after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.
Gentleman fencer in the second position of the Disarm on the Carte or Second Thrust, after the Prime Parade parry. Handcolored copperplate engraving after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.

FLO4563181: Gentleman fencer in the second position of the Disarm on the Carte or Second Thrust, after the Prime Parade parry. Handcolored copperplate engraving after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787., Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: FLO4563181

Gentleman fencer in the second position of the Disarm on the Carte or Second Thrust, after the Prime Parade parry. Handcolored copperplate engraving after an illustration by Thomas Rowlandson from Mr. Domenico Angelo's The School of Fencing, London, 1787.

Rowlandson, Thomas (1756-1827)

Flora, crowned with a garden of flowers, offering floral tributes to three figures - Botany (shown holding an alembic), Physics (who is looking through a magnifying glass) and Pomona (who holds a spade and basket of fruit). Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771.
Flora, crowned with a garden of flowers, offering floral tributes to three figures - Botany (shown holding an alembic), Physics (who is looking through a magnifying glass) and Pomona (who holds a spade and basket of fruit). Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771.

FLO4563185: Flora, crowned with a garden of flowers, offering floral tributes to three figures - Botany (shown holding an alembic), Physics (who is looking through a magnifying glass) and Pomona (who holds a spade and basket of fruit). Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771. / Bridgeman Images

ID: FLO4563185

Flora, crowned with a garden of flowers, offering floral tributes to three figures - Botany (shown holding an alembic), Physics (who is looking through a magnifying glass) and Pomona (who holds a spade and basket of fruit). Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771.

Plans for formal gardens, 18th century. Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771.
Plans for formal gardens, 18th century. Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771.

FLO4563195: Plans for formal gardens, 18th century. Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771. / Bridgeman Images

ID: FLO4563195

Plans for formal gardens, 18th century. Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771.

Cowslip varieties, Primula veris 1-6, and pellitory, Achillea ptarmica 7-8. Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771.
Cowslip varieties, Primula veris 1-6, and pellitory, Achillea ptarmica 7-8. Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771.

FLO4563277: Cowslip varieties, Primula veris 1-6, and pellitory, Achillea ptarmica 7-8. Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771. / Bridgeman Images

ID: FLO4563277

Cowslip varieties, Primula veris 1-6, and pellitory, Achillea ptarmica 7-8. Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771.

Guelder-rose, Viburnum opulus 1, red scabious, Scabiosa peregrina 2, mountain scabious, Pterocephalus dumetorum 3, devil's bit, Succisa pratensis 4, and thistle protea, Protea scolymocephala 5-7. (Sambucus, Scabiosa, Scolymocephalus.) Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771.
Guelder-rose, Viburnum opulus 1, red scabious, Scabiosa peregrina 2, mountain scabious, Pterocephalus dumetorum 3, devil's bit, Succisa pratensis 4, and thistle protea, Protea scolymocephala 5-7. (Sambucus, Scabiosa, Scolymocephalus.) Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771.

FLO4563281: Guelder-rose, Viburnum opulus 1, red scabious, Scabiosa peregrina 2, mountain scabious, Pterocephalus dumetorum 3, devil's bit, Succisa pratensis 4, and thistle protea, Protea scolymocephala 5-7. (Sambucus, Scabiosa, Scolymocephalus.) Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771. / Bridgeman Images

ID: FLO4563281

Guelder-rose, Viburnum opulus 1, red scabious, Scabiosa peregrina 2, mountain scabious, Pterocephalus dumetorum 3, devil's bit, Succisa pratensis 4, and thistle protea, Protea scolymocephala 5-7. (Sambucus, Scabiosa, Scolymocephalus.) Handcoloured copperplate engraving after Mario Cammerari from Professor Filippo Arena's La natura e cultura dei fiori fisicamente esposta (The nature and culture of flowers physically displayed), Palermo, Italy, 1771.

Silver fir, Abies alba (Pinus picea). Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876.
Silver fir, Abies alba (Pinus picea). Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876.

FLO4563349: Silver fir, Abies alba (Pinus picea). Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876. / Bridgeman Images

ID: FLO4563349

Silver fir, Abies alba (Pinus picea). Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876.

Buckbean or bogbean, Menyanthes trifoliata.
Buckbean or bogbean, Menyanthes trifoliata.

FLO4563458: Buckbean or bogbean, Menyanthes trifoliata. / Bridgeman Images

ID: FLO4563458

Buckbean or bogbean, Menyanthes trifoliata.

Bittersweet nightshade, Solanum dulcamara. Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876.
Bittersweet nightshade, Solanum dulcamara. Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876.

FLO4563487: Bittersweet nightshade, Solanum dulcamara. Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876. / Bridgeman Images

ID: FLO4563487

Bittersweet nightshade, Solanum dulcamara. Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876.

Jimsonweed or Devil's snare, Datura stramonium. Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876.
Jimsonweed or Devil's snare, Datura stramonium. Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876.

FLO4563523: Jimsonweed or Devil's snare, Datura stramonium. Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876. / Bridgeman Images

ID: FLO4563523

Jimsonweed or Devil's snare, Datura stramonium. Handcoloured copperplate engraving from Dr. Willibald Artus' Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants), Jena, 1876.

Trullo, Alberobello, Puglia, Italy
Trullo, Alberobello, Puglia, Italy

CUB4541422: Trullo, Alberobello, Puglia, Italy / Bridgeman Images

ID: CUB4541422

Trullo, Alberobello, Puglia, Italy

Roof a trullo, Alberobello, Puglia, Italy
Roof a trullo, Alberobello, Puglia, Italy

CUB4541439: Roof a trullo, Alberobello, Puglia, Italy / Bridgeman Images

ID: CUB4541439

Roof a trullo, Alberobello, Puglia, Italy

Woolen cloth, Alberobello, Puglia, Italy
Woolen cloth, Alberobello, Puglia, Italy

CUB4541442: Woolen cloth, Alberobello, Puglia, Italy / Bridgeman Images

ID: CUB4541442

Woolen cloth, Alberobello, Puglia, Italy


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