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Sculptures depicting Perseus and Adromeda by Louis Lerambert at Versailles, 1674 (etching)
Sculptures depicting Perseus and Adromeda by Louis Lerambert at Versailles, 1674 (etching)

STC2962836: Sculptures depicting Perseus and Adromeda by Louis Lerambert at Versailles, 1674 (etching), Lepautre, Jean (1618-82) / Bridgeman Images

Fountain with three tritons at Versailles, after Pierre le Gros, 1673 (engraving)
Fountain with three tritons at Versailles, after Pierre le Gros, 1673 (engraving)

STC2962839: Fountain with three tritons at Versailles, after Pierre le Gros, 1673 (engraving), Lepautre, Jean (1618-82) / Bridgeman Images

Fauve Madeline, 1905 (oil on canvas)
Fauve Madeline, 1905 (oil on canvas)

XMV2963020: Fauve Madeline, 1905 (oil on canvas), Vlaminck, Maurice de (1876-1958) / Bridgeman Images

Portrait of a Man, 1978 (w/c & pastel on paper)
Portrait of a Man, 1978 (w/c & pastel on paper)

XMV2963030: Portrait of a Man, 1978 (w/c & pastel on paper), Lane, Artis (b.1927) / Bridgeman Images

The Birmingham Mail near Aylesbury, engraved by Robert Havell, 1837 (coloured engraving)
The Birmingham Mail near Aylesbury, engraved by Robert Havell, 1837 (coloured engraving)

XMV2963031: The Birmingham Mail near Aylesbury, engraved by Robert Havell, 1837 (coloured engraving), Alken, Henry Thomas (1785-1851) (after) / Bridgeman Images

Silhouette of Mrs. Amory, Sister of Catherine Robinson,  c.1835-40 (pen and ink on paper)
Silhouette of Mrs. Amory, Sister of Catherine Robinson,  c.1835-40 (pen and ink on paper)

REV2963062: Silhouette of Mrs. Amory, Sister of Catherine Robinson, c.1835-40 (pen and ink on paper) / Bridgeman Images

Can you stand such a ceremony as this, 1907 (illustration)
Can you stand such a ceremony as this, 1907 (illustration)

XOS2963083: Can you stand such a ceremony as this, 1907 (illustration), Brock, Charles Edmund (1870-1938) / Bridgeman Images

Reaching one of his paws in at the door, as a cat does when she plays with a mouse. From Gulliver's voyage to Brobdingnag.   Illustration from Gullivers Travels published c.1875
Reaching one of his paws in at the door, as a cat does when she plays with a mouse. From Gulliver's voyage to Brobdingnag.   Illustration from Gullivers Travels published c.1875

MOR2963113: Reaching one of his paws in at the door, as a cat does when she plays with a mouse. From Gulliver's voyage to Brobdingnag. Illustration from Gullivers Travels published c.1875 / Bridgeman Images

I lay on the ground to kiss his majesty and the empress's hands. From Gulliver's voyage to Lilliput.   Illustration from Gullivers Travels published c.1875
I lay on the ground to kiss his majesty and the empress's hands. From Gulliver's voyage to Lilliput.   Illustration from Gullivers Travels published c.1875

MOR2963115: I lay on the ground to kiss his majesty and the empress's hands. From Gulliver's voyage to Lilliput. Illustration from Gullivers Travels published c.1875 / Bridgeman Images

Producing his credentials under the signet royal. From Gulliver's voyage to Lilliput. Illustration from Gullivers Travels published c.1875
Producing his credentials under the signet royal. From Gulliver's voyage to Lilliput. Illustration from Gullivers Travels published c.1875

MOR2963118: Producing his credentials under the signet royal. From Gulliver's voyage to Lilliput. Illustration from Gullivers Travels published c.1875 / Bridgeman Images

I perceived a vast opaque body between me and the sun. Gulliver's first sighting of the flying island or rock known as Laputa.  From Gullivers Travels published c.1875
I perceived a vast opaque body between me and the sun. Gulliver's first sighting of the flying island or rock known as Laputa.  From Gullivers Travels published c.1875

MOR2963128: I perceived a vast opaque body between me and the sun. Gulliver's first sighting of the flying island or rock known as Laputa. From Gullivers Travels published c.1875 / Bridgeman Images

This gracious princess held out her little finger towards me.  From Gulliver's voyage to Brobdingnag.  From Gullivers Travels published c.1875
This gracious princess held out her little finger towards me.  From Gulliver's voyage to Brobdingnag.  From Gullivers Travels published c.1875

MOR2963137: This gracious princess held out her little finger towards me. From Gulliver's voyage to Brobdingnag. From Gullivers Travels published c.1875 / Bridgeman Images

Illustration of a Long Song Seller, entitled Two Under Fifty for a Fardy.  From The Connoisseur Magazine, published 1902. A long song seller sold song sheets. These sheets were about one yard, 90cm long, with 3 columns of songs and advertised as 'three yards of songs for a penny',
Illustration of a Long Song Seller, entitled Two Under Fifty for a Fardy.  From The Connoisseur Magazine, published 1902. A long song seller sold song sheets. These sheets were about one yard, 90cm long, with 3 columns of songs and advertised as 'three yards of songs for a penny',

MOR2963139: Illustration of a Long Song Seller, entitled Two Under Fifty for a Fardy. From The Connoisseur Magazine, published 1902. A long song seller sold song sheets. These sheets were about one yard, 90cm long, with 3 columns of songs and advertised as 'three yards of songs for a penny', / Bridgeman Images

Elizabeth, Countess of Northumberland, Elizabeth Percy, née Seymour, Duchess of Northumberland and 2nd Baroness Percy, 1716 –  1776.  British peeress.  From The Connoisseur Magazine, published 1902.
Elizabeth, Countess of Northumberland, Elizabeth Percy, née Seymour, Duchess of Northumberland and 2nd Baroness Percy, 1716 –  1776.  British peeress.  From The Connoisseur Magazine, published 1902.

MOR2963142: Elizabeth, Countess of Northumberland, Elizabeth Percy, née Seymour, Duchess of Northumberland and 2nd Baroness Percy, 1716 – 1776. British peeress. From The Connoisseur Magazine, published 1902. / Bridgeman Images

Harvesting in the mid 17th century.  From The Story of England, published 1930.
Harvesting in the mid 17th century.  From The Story of England, published 1930.

MOR2963146: Harvesting in the mid 17th century. From The Story of England, published 1930. / Bridgeman Images

The countryside near Ostia, Rome, Italy in the late 19th century.  From Italian Pictures by Rev. Samuel Manning, published c.1890.
The countryside near Ostia, Rome, Italy in the late 19th century.  From Italian Pictures by Rev. Samuel Manning, published c.1890.

MOR2963156: The countryside near Ostia, Rome, Italy in the late 19th century. From Italian Pictures by Rev. Samuel Manning, published c.1890., Manning, Reverend Samuel (fl.1880s) / Bridgeman Images

War Reliefs of Tiglath-Pileser III (BC 745 - 172) late 19th Century (photogravure)
War Reliefs of Tiglath-Pileser III (BC 745 - 172) late 19th Century (photogravure)

STC3026003: War Reliefs of Tiglath-Pileser III (BC 745 - 172) late 19th Century (photogravure), English Photographer, (19th century) / Bridgeman Images

Francis Poulenc and Luigi Oldani, Teatro della Scala, Milan, January 1957 (b/w photo)
Francis Poulenc and Luigi Oldani, Teatro della Scala, Milan, January 1957 (b/w photo)

XEE3027054: Francis Poulenc and Luigi Oldani, Teatro della Scala, Milan, January 1957 (b/w photo), Italian Photographer, (20th century) / Bridgeman Images

The Venice Carnival in Casanova's time - illustration from la Vie Parisienne, 1929 (litho)
The Venice Carnival in Casanova's time - illustration from la Vie Parisienne, 1929 (litho)

DGC3029645: The Venice Carnival in Casanova's time - illustration from la Vie Parisienne, 1929 (litho), French School, (20th century) / Bridgeman Images

Three Prix Féminins - Prize of little old granny from a large family -  illustration from la Vie Parisienne 1919 (litho)
Three Prix Féminins - Prize of little old granny from a large family -  illustration from la Vie Parisienne 1919 (litho)

DGC3029646: Three Prix Féminins - Prize of little old granny from a large family - illustration from la Vie Parisienne 1919 (litho), Kuhn-Regnier, Joseph (1873-1940) / Bridgeman Images

Three Feminine Prizes - Prize for virtue - illustration from la Vie Parisienne, 1929  (litho)
Three Feminine Prizes - Prize for virtue - illustration from la Vie Parisienne, 1929  (litho)

DGC3029647: Three Feminine Prizes - Prize for virtue - illustration from la Vie Parisienne, 1929 (litho), Kuhn-Regnier, Joseph (1873-1940) / Bridgeman Images

The champion of integral feminism training - illustration from la Vie Parisienne, 1929  (litho)
The champion of integral feminism training - illustration from la Vie Parisienne, 1929  (litho)

DGC3029649: The champion of integral feminism training - illustration from la Vie Parisienne, 1929 (litho), French School, (20th century) / Bridgeman Images

Souvenir from a Spring Sunday - The First cuckoos - illustration from la Vie Parisienne, 1927  (litho)
Souvenir from a Spring Sunday - The First cuckoos - illustration from la Vie Parisienne, 1927  (litho)

DGC3029657: Souvenir from a Spring Sunday - The First cuckoos - illustration from la Vie Parisienne, 1927 (litho), Prejelan, Rene (1877-1968) / Bridgeman Images

What was, in the Olympian period, Le Prix de  Diane - Full races results - Le Résultat complet de courses - illustration from la Vie Parisienne, 1927  (litho)
What was, in the Olympian period, Le Prix de  Diane - Full races results - Le Résultat complet de courses - illustration from la Vie Parisienne, 1927  (litho)

DGC3029659: What was, in the Olympian period, Le Prix de Diane - Full races results - Le Résultat complet de courses - illustration from la Vie Parisienne, 1927 (litho), Kuhn-Regnier, Joseph (1873-1940) / Bridgeman Images

The so called Beauty Mask and the new maid - My God ! - illustration from la Vie Parisienne, 1927  (litho)
The so called Beauty Mask and the new maid - My God ! - illustration from la Vie Parisienne, 1927  (litho)

DGC3029662: The so called Beauty Mask and the new maid - My God ! - illustration from la Vie Parisienne, 1927 (litho), French School, (20th century) / Bridgeman Images

illustration from la Vie Parisienne, 1918  (litho)
illustration from la Vie Parisienne, 1918  (litho)

DGC3029663: illustration from la Vie Parisienne, 1918 (litho), Herouard, Cheri (1881-1961) / Bridgeman Images

The only affordable paintings will be the ones of legal tender, illustration from la Vie Parisienne, 1918  (litho)
The only affordable paintings will be the ones of legal tender, illustration from la Vie Parisienne, 1918  (litho)

DGC3029665: The only affordable paintings will be the ones of legal tender, illustration from la Vie Parisienne, 1918 (litho), French School, (20th century) / Bridgeman Images

And hats, outrageously expensive muffs from rue de la Paix :Les elegantes will get dressed in the supermarket aisles from now on  - illustration from la Vie Parisienne, 1918 (litho)
And hats, outrageously expensive muffs from rue de la Paix :Les elegantes will get dressed in the supermarket aisles from now on  - illustration from la Vie Parisienne, 1918 (litho)

DGC3029667: And hats, outrageously expensive muffs from rue de la Paix :Les elegantes will get dressed in the supermarket aisles from now on - illustration from la Vie Parisienne, 1918 (litho), French School, (20th century) / Bridgeman Images

Pianos are going to be taxed… Alas we won't lose a thing : saxophones will be all the rage - illustration from la Vie Parisienne, 1918  (litho)
Pianos are going to be taxed… Alas we won't lose a thing : saxophones will be all the rage - illustration from la Vie Parisienne, 1918  (litho)

DGC3029668: Pianos are going to be taxed… Alas we won't lose a thing : saxophones will be all the rage - illustration from la Vie Parisienne, 1918 (litho), French School, (20th century) / Bridgeman Images

Woman in an interior, c.1908 (oil on canvas)
Woman in an interior, c.1908 (oil on canvas)

CH3032126: Woman in an interior, c.1908 (oil on canvas), Bonnard, Pierre (1867-1947) / Bridgeman Images

Peugeot bicycle advert, 1905 (colour litho)
Peugeot bicycle advert, 1905 (colour litho)

PNP3032162: Peugeot bicycle advert, 1905 (colour litho), French School, (20th century) / Bridgeman Images

Bicycle advert, 1930s (colour litho)
Bicycle advert, 1930s (colour litho)

PNP3032175: Bicycle advert, 1930s (colour litho), English School, (20th century) / Bridgeman Images

Advert for Hercules bicycles, 1934 (colour litho)
Advert for Hercules bicycles, 1934 (colour litho)

PNP3032178: Advert for Hercules bicycles, 1934 (colour litho), English School, (20th century) / Bridgeman Images

Advert for Hercules bicycles, 1953 (colour litho)
Advert for Hercules bicycles, 1953 (colour litho)

PNP3032184: Advert for Hercules bicycles, 1953 (colour litho), English School, (20th century) / Bridgeman Images

French Army tricycle rider (velocipediste), 1888 (coloured engraving)
French Army tricycle rider (velocipediste), 1888 (coloured engraving)

PNP3032185: French Army tricycle rider (velocipediste), 1888 (coloured engraving), French School, (19th century) / Bridgeman Images

Circus strongman Stefan demonstrates his strength by towing a motorcar with his teeth through the streets of Berlin, 1925 (photo)
Circus strongman Stefan demonstrates his strength by towing a motorcar with his teeth through the streets of Berlin, 1925 (photo)

DGC3032304: Circus strongman Stefan demonstrates his strength by towing a motorcar with his teeth through the streets of Berlin, 1925 (photo) / Bridgeman Images


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