1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

2497570 Search Results

The Smoker (oil on panel)
The Smoker (oil on panel)

BAL121433: The Smoker (oil on panel), Vois, Arie de (1631-80) / Bridgeman Images

ID: BAL121433

The Smoker (oil on panel)

Vois, Arie de (1631-80)

A Wedding Party by a Frozen River (oil on panel)
A Wedding Party by a Frozen River (oil on panel)

BAL121439: A Wedding Party by a Frozen River (oil on panel), Battem, Gerrit van (c.1636-84) / Bridgeman Images

ID: BAL121439

A Wedding Party by a Frozen River (oil on panel)

Battem, Gerrit van (c.1636-84)

Chon-Mon-I-Case or 'L'Ietan', an Oto Half-chief, 1821, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)
Chon-Mon-I-Case or 'L'Ietan', an Oto Half-chief, 1821, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

BAL122945: Chon-Mon-I-Case or 'L'Ietan', an Oto Half-chief, 1821, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho), King, Charles Bird (1785-1862) (after) / Bridgeman Images

ID: BAL122945

Chon-Mon-I-Case or 'L'Ietan', an Oto Half-chief, 1821, illustration from 'The Indian Tribes of North America, Vol.1', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

King, Charles Bird (1785-1862) (after)

Office In The Desert, camouflaged against enemy view, from 'Signal' Magazine, Number 7, first edition of April 1942 (litho)
Office In The Desert, camouflaged against enemy view, from 'Signal' Magazine, Number 7, first edition of April 1942 (litho)

BAL142510: Office In The Desert, camouflaged against enemy view, from 'Signal' Magazine, Number 7, first edition of April 1942 (litho), German Photographer, (20th Century) / Bridgeman Images

ID: BAL142510

Office In The Desert, camouflaged against enemy view, from 'Signal' Magazine, Number 7, first edition of April 1942 (litho)

German Photographer, (20th Century)

Flower stand, in Brussels, from 'Signal' Magazine, Number 10, second edition of May 1942 (litho)
Flower stand, in Brussels, from 'Signal' Magazine, Number 10, second edition of May 1942 (litho)

BAL142513: Flower stand, in Brussels, from 'Signal' Magazine, Number 10, second edition of May 1942 (litho), German Photographer, (20th Century) / Bridgeman Images

ID: BAL142513

Flower stand, in Brussels, from 'Signal' Magazine, Number 10, second edition of May 1942 (litho)

German Photographer, (20th Century)

Article 22 of the Treaty of Whampoa, 24th October 1844, from 'Grandeur and SUpremacy of Peking', by Alphonse Hubrecht, 1928 (engraving)
Article 22 of the Treaty of Whampoa, 24th October 1844, from 'Grandeur and SUpremacy of Peking', by Alphonse Hubrecht, 1928 (engraving)

BAL122562: Article 22 of the Treaty of Whampoa, 24th October 1844, from 'Grandeur and SUpremacy of Peking', by Alphonse Hubrecht, 1928 (engraving), French School, (20th century) / Bridgeman Images

ID: BAL122562

Article 22 of the Treaty of Whampoa, 24th October 1844, from 'Grandeur and SUpremacy of Peking', by Alphonse Hubrecht, 1928 (engraving)

French School, (20th century)

Gourd Beater, illustration from 'Calls, Sounds and Merchandise of the Peking Street Peddlers', by Samuel V. Constant, 1937 (colour litho)
Gourd Beater, illustration from 'Calls, Sounds and Merchandise of the Peking Street Peddlers', by Samuel V. Constant, 1937 (colour litho)

BAL122571: Gourd Beater, illustration from 'Calls, Sounds and Merchandise of the Peking Street Peddlers', by Samuel V. Constant, 1937 (colour litho), English School, (20th century) / Bridgeman Images

ID: BAL122571

Gourd Beater, illustration from 'Calls, Sounds and Merchandise of the Peking Street Peddlers', by Samuel V. Constant, 1937 (colour litho)

English School, (20th century)

Victorian Greetings Card
Victorian Greetings Card

BAL122606: Victorian Greetings Card / Bridgeman Images

ID: BAL122606

Victorian Greetings Card

Detail from a shroud, 1400s (woven cotton & vicuna brocaded in coloured wools)
Detail from a shroud, 1400s (woven cotton & vicuna brocaded in coloured wools)

BAL122612: Detail from a shroud, 1400s (woven cotton & vicuna brocaded in coloured wools), Peruvian School (15th Century) / Bridgeman Images

ID: BAL122612

Detail from a shroud, 1400s (woven cotton & vicuna brocaded in coloured wools)

Peruvian School (15th Century)

Ongewae, a Chippeway Chief, illustration from 'The Indian Tribes of North America, Vol.3', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)
Ongewae, a Chippeway Chief, illustration from 'The Indian Tribes of North America, Vol.3', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

BAL122979: Ongewae, a Chippeway Chief, illustration from 'The Indian Tribes of North America, Vol.3', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho), American School, (20th century) / Bridgeman Images

ID: BAL122979

Ongewae, a Chippeway Chief, illustration from 'The Indian Tribes of North America, Vol.3', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

American School, (20th century)

Tukosee Mathla, a Seminole Chief from Florida, illustration from 'The Indian Tribes of North America, Vol.3', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)
Tukosee Mathla, a Seminole Chief from Florida, illustration from 'The Indian Tribes of North America, Vol.3', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

BAL122978: Tukosee Mathla, a Seminole Chief from Florida, illustration from 'The Indian Tribes of North America, Vol.3', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho), American School, (20th century) / Bridgeman Images

ID: BAL122978

Tukosee Mathla, a Seminole Chief from Florida, illustration from 'The Indian Tribes of North America, Vol.3', by Thomas L. McKenney and James Hall, pub. by John Grant (colour litho)

American School, (20th century)

The Interior of Fort Sumter During the Bombardment, 12th April 1861, from 'Harper's Weekly', April 27th 1861 (engraving) (b&w photo)
The Interior of Fort Sumter During the Bombardment, 12th April 1861, from 'Harper's Weekly', April 27th 1861 (engraving) (b&w photo)

BAL124519: The Interior of Fort Sumter During the Bombardment, 12th April 1861, from 'Harper's Weekly', April 27th 1861 (engraving) (b&w photo), American School, (19th century) / Bridgeman Images

ID: BAL124519

The Interior of Fort Sumter During the Bombardment, 12th April 1861, from 'Harper's Weekly', April 27th 1861 (engraving) (b&w photo)

American School, (19th century)

Allemachtij, from 'The Leaguer of Ladysmith', 1900 (colour litho)
Allemachtij, from 'The Leaguer of Ladysmith', 1900 (colour litho)

BAL143059: Allemachtij, from 'The Leaguer of Ladysmith', 1900 (colour litho), Captain Clive Dixon (fl.1900) / Bridgeman Images

ID: BAL143059

Allemachtij, from 'The Leaguer of Ladysmith', 1900 (colour litho)

Captain Clive Dixon (fl.1900)

Flag of Truce after Surprise Hill, from 'The Leaguer of Ladysmith', 1900 (colour litho)
Flag of Truce after Surprise Hill, from 'The Leaguer of Ladysmith', 1900 (colour litho)

BAL143063: Flag of Truce after Surprise Hill, from 'The Leaguer of Ladysmith', 1900 (colour litho), Captain Clive Dixon (fl.1900) / Bridgeman Images

ID: BAL143063

Flag of Truce after Surprise Hill, from 'The Leaguer of Ladysmith', 1900 (colour litho)

Captain Clive Dixon (fl.1900)

The Volunteers' Ponies, from 'The Leaguer of Ladysmith', 1900 (colour litho)
The Volunteers' Ponies, from 'The Leaguer of Ladysmith', 1900 (colour litho)

BAL143066: The Volunteers' Ponies, from 'The Leaguer of Ladysmith', 1900 (colour litho), Captain Clive Dixon (fl.1900) / Bridgeman Images

ID: BAL143066

The Volunteers' Ponies, from 'The Leaguer of Ladysmith', 1900 (colour litho)

Captain Clive Dixon (fl.1900)

'Defence Commanders proving that the two 6.3 inch Howlitzers are absolutely necessary in his particular section', from 'The Leaguer of Ladysmith', 1900 (colour litho)
'Defence Commanders proving that the two 6.3 inch Howlitzers are absolutely necessary in his particular section', from 'The Leaguer of Ladysmith', 1900 (colour litho)

BAL143070: 'Defence Commanders proving that the two 6.3 inch Howlitzers are absolutely necessary in his particular section', from 'The Leaguer of Ladysmith', 1900 (colour litho), Captain Clive Dixon (fl.1900) / Bridgeman Images

ID: BAL143070

'Defence Commanders proving that the two 6.3 inch Howlitzers are absolutely necessary in his particular section', from 'The Leaguer of Ladysmith', 1900 (colour litho)

Captain Clive Dixon (fl.1900)

Sir Edmund Hillary (b.1919) 1954 (b/w/photo)
Sir Edmund Hillary (b.1919) 1954 (b/w/photo)

BAL144974: Sir Edmund Hillary (b.1919) 1954 (b/w/photo) / Bridgeman Images

ID: BAL144974

Sir Edmund Hillary (b.1919) 1954 (b/w/photo)

Lute player, 1609 (oil on panel)
Lute player, 1609 (oil on panel)

BAL212001: Lute player, 1609 (oil on panel), Zyll, Roelof van (fl.1608-28) / Bridgeman Images

ID: BAL212001

Lute player, 1609 (oil on panel)

Zyll, Roelof van (fl.1608-28)

Queen Victoria in the House of Lords (colour engraving)
Queen Victoria in the House of Lords (colour engraving)

BAL212680: Queen Victoria in the House of Lords (colour engraving), Nash, Joseph (1809-78) (after) / Bridgeman Images

ID: BAL212680

Queen Victoria in the House of Lords (colour engraving)

Nash, Joseph (1809-78) (after)

Richard the Lionheart (1157-99) assailed by a group of Turkish Horsemen, illustration from 'The Crusaders: A Story of the War for the Holy Sepulchre' published 1912 (colour litho)
Richard the Lionheart (1157-99) assailed by a group of Turkish Horsemen, illustration from 'The Crusaders: A Story of the War for the Holy Sepulchre' published 1912 (colour litho)

BAL223578: Richard the Lionheart (1157-99) assailed by a group of Turkish Horsemen, illustration from 'The Crusaders: A Story of the War for the Holy Sepulchre' published 1912 (colour litho), Morrow, George (Geo. M) (1870-1955) / Bridgeman Images

ID: BAL223578

Richard the Lionheart (1157-99) assailed by a group of Turkish Horsemen, illustration from 'The Crusaders: A Story of the War for the Holy Sepulchre' published 1912 (colour litho)

Morrow, George (Geo. M) (1870-1955)

Still Life of Assorted Flowers, 1634 (oil on panel)
Still Life of Assorted Flowers, 1634 (oil on panel)

BAL226649: Still Life of Assorted Flowers, 1634 (oil on panel), Bosschaert, Ambrosius the Younger (1609-45) / Bridgeman Images

ID: BAL226649

Still Life of Assorted Flowers, 1634 (oil on panel)

Bosschaert, Ambrosius the Younger (1609-45)

A Vase of Flowers, 1635 (oil on panel)
A Vase of Flowers, 1635 (oil on panel)

BAL226685: A Vase of Flowers, 1635 (oil on panel), Bosschaert, Ambrosius the Younger (1609-45) / Bridgeman Images

ID: BAL226685

A Vase of Flowers, 1635 (oil on panel)

Bosschaert, Ambrosius the Younger (1609-45)

Man on a horse with a woman and child (oil on panel)
Man on a horse with a woman and child (oil on panel)

BAL234933: Man on a horse with a woman and child (oil on panel), Wouwermans or Wouwerman, Philips (1619-68) / Bridgeman Images

ID: BAL234933

Man on a horse with a woman and child (oil on panel)

Wouwermans or Wouwerman, Philips (1619-68)

View of the scaena (stage) and orchestra of the theatre, Roman, late 2nd century AD, restored 1937 (photo) (for detail see 85401)
View of the scaena (stage) and orchestra of the theatre, Roman, late 2nd century AD, restored 1937 (photo) (for detail see 85401)

BAL136737: View of the scaena (stage) and orchestra of the theatre, Roman, late 2nd century AD, restored 1937 (photo) (for detail see 85401) / Bridgeman Images

ID: BAL136737

View of the scaena (stage) and orchestra of the theatre, Roman, late 2nd century AD, restored 1937 (photo) (for detail see 85401)

View of Temple 'E', Selinus, Greek, c.490-480 BC (photo)
View of Temple 'E', Selinus, Greek, c.490-480 BC (photo)

BAL136749: View of Temple 'E', Selinus, Greek, c.490-480 BC (photo) / Bridgeman Images

ID: BAL136749

View of Temple 'E', Selinus, Greek, c.490-480 BC (photo)

I Must Fetch Down all the Stars in Order to Polish Them, from the story of 'Ole-Luk-Oie' in an edition of 'Fairy Tales' by Hans Christian Andersen (1805-75) 1920 (w/c on paper)
I Must Fetch Down all the Stars in Order to Polish Them, from the story of 'Ole-Luk-Oie' in an edition of 'Fairy Tales' by Hans Christian Andersen (1805-75) 1920 (w/c on paper)

BAL139074: I Must Fetch Down all the Stars in Order to Polish Them, from the story of 'Ole-Luk-Oie' in an edition of 'Fairy Tales' by Hans Christian Andersen (1805-75) 1920 (w/c on paper), Appleton, Honor Charlotte (1879-1951) / Bridgeman Images

ID: BAL139074

I Must Fetch Down all the Stars in Order to Polish Them, from the story of 'Ole-Luk-Oie' in an edition of 'Fairy Tales' by Hans Christian Andersen (1805-75) 1920 (w/c on paper)

Appleton, Honor Charlotte (1879-1951)

Palace of the Jurisconsults, Cremona, Italy, built in 1292, from 'Examples of the Municipal, Commercial, and Street Architecture of France and Italy from the 12th to the 15th century', 1841 (engraving)
Palace of the Jurisconsults, Cremona, Italy, built in 1292, from 'Examples of the Municipal, Commercial, and Street Architecture of France and Italy from the 12th to the 15th century', 1841 (engraving)

BAL140600: Palace of the Jurisconsults, Cremona, Italy, built in 1292, from 'Examples of the Municipal, Commercial, and Street Architecture of France and Italy from the 12th to the 15th century', 1841 (engraving), Anderson, R. (19th century) / Bridgeman Images

ID: BAL140600

Palace of the Jurisconsults, Cremona, Italy, built in 1292, from 'Examples of the Municipal, Commercial, and Street Architecture of France and Italy from the 12th to the 15th century', 1841 (engraving)

Anderson, R. (19th century)

Windows in the Hall of the Monastery, Cluny, from 'Examples of the Municipal, Commercial, and Street Architecture of France and Italy from the 12th to the 15th Century', 1841 (engraving)
Windows in the Hall of the Monastery, Cluny, from 'Examples of the Municipal, Commercial, and Street Architecture of France and Italy from the 12th to the 15th Century', 1841 (engraving)

BAL140606: Windows in the Hall of the Monastery, Cluny, from 'Examples of the Municipal, Commercial, and Street Architecture of France and Italy from the 12th to the 15th Century', 1841 (engraving), Anderson, R. (19th century) / Bridgeman Images

ID: BAL140606

Windows in the Hall of the Monastery, Cluny, from 'Examples of the Municipal, Commercial, and Street Architecture of France and Italy from the 12th to the 15th Century', 1841 (engraving)

Anderson, R. (19th century)

Palazzo Pubblico, Orvieto, Italy, from 'Examples of the Municipal, Commercial, and Street Architecture of France and Italy from the 12th to the 15th Century' publ. by W.Mackenzie, 1841 (engraving)
Palazzo Pubblico, Orvieto, Italy, from 'Examples of the Municipal, Commercial, and Street Architecture of France and Italy from the 12th to the 15th Century' publ. by W.Mackenzie, 1841 (engraving)

BAL140609: Palazzo Pubblico, Orvieto, Italy, from 'Examples of the Municipal, Commercial, and Street Architecture of France and Italy from the 12th to the 15th Century' publ. by W.Mackenzie, 1841 (engraving), Anderson, R. (19th century) (after) / Bridgeman Images

ID: BAL140609

Palazzo Pubblico, Orvieto, Italy, from 'Examples of the Municipal, Commercial, and Street Architecture of France and Italy from the 12th to the 15th Century' publ. by W.Mackenzie, 1841 (engraving)

Anderson, R. (19th century) (after)

Part of the Piazza San Pellegrino, Viterbo, Italy, from 'Examples of the Municipal, Commercial, and Street Architecture of France and Italy from the 12th to the 15th Century, publ. by W.Mackenzie, 1841 (engraving)
Part of the Piazza San Pellegrino, Viterbo, Italy, from 'Examples of the Municipal, Commercial, and Street Architecture of France and Italy from the 12th to the 15th Century, publ. by W.Mackenzie, 1841 (engraving)

BAL140607: Part of the Piazza San Pellegrino, Viterbo, Italy, from 'Examples of the Municipal, Commercial, and Street Architecture of France and Italy from the 12th to the 15th Century, publ. by W.Mackenzie, 1841 (engraving), Anderson, R. (19th century) (after) / Bridgeman Images

ID: BAL140607

Part of the Piazza San Pellegrino, Viterbo, Italy, from 'Examples of the Municipal, Commercial, and Street Architecture of France and Italy from the 12th to the 15th Century, publ. by W.Mackenzie, 1841 (engraving)

Anderson, R. (19th century) (after)

Empress Ying Tsung, from 'Portraits of Emperors and Empresses of Mongolia' (litho)
Empress Ying Tsung, from 'Portraits of Emperors and Empresses of Mongolia' (litho)

BAL141070: Empress Ying Tsung, from 'Portraits of Emperors and Empresses of Mongolia' (litho), English School, (20th century) / Bridgeman Images

ID: BAL141070

Empress Ying Tsung, from 'Portraits of Emperors and Empresses of Mongolia' (litho)

English School, (20th century)

House in the Piazza del Duomo, Viterbo, Italy, from 'Examples of the Municipal, Commercial, and Street Architecture of France and Italy from the 12th to the 15th Century', publ. by W.Mackenzie, 1841 (engraving)
House in the Piazza del Duomo, Viterbo, Italy, from 'Examples of the Municipal, Commercial, and Street Architecture of France and Italy from the 12th to the 15th Century', publ. by W.Mackenzie, 1841 (engraving)

BAL140616: House in the Piazza del Duomo, Viterbo, Italy, from 'Examples of the Municipal, Commercial, and Street Architecture of France and Italy from the 12th to the 15th Century', publ. by W.Mackenzie, 1841 (engraving), Anderson, R. (19th century) (after) / Bridgeman Images

ID: BAL140616

House in the Piazza del Duomo, Viterbo, Italy, from 'Examples of the Municipal, Commercial, and Street Architecture of France and Italy from the 12th to the 15th Century', publ. by W.Mackenzie, 1841 (engraving)

Anderson, R. (19th century) (after)

Scientific equipment, from 'The Elements of Chemistry' by Antoine Laurent de Lavoisier (1743-94) engraved by D.Lizars, 1796 (engraving)
Scientific equipment, from 'The Elements of Chemistry' by Antoine Laurent de Lavoisier (1743-94) engraved by D.Lizars, 1796 (engraving)

BAL140622: Scientific equipment, from 'The Elements of Chemistry' by Antoine Laurent de Lavoisier (1743-94) engraved by D.Lizars, 1796 (engraving), French School, (18th century) / Bridgeman Images

ID: BAL140622

Scientific equipment, from 'The Elements of Chemistry' by Antoine Laurent de Lavoisier (1743-94) engraved by D.Lizars, 1796 (engraving)

French School, (18th century)

Townsfolk on the Riverbank (oil on panel)
Townsfolk on the Riverbank (oil on panel)

BAL227468: Townsfolk on the Riverbank (oil on panel), Boudewyns, A.F.(1644-1711) & Bouts, P. (1658-1702) / Bridgeman Images

ID: BAL227468

Townsfolk on the Riverbank (oil on panel)

Boudewyns, A.F.(1644-1711) & Bouts, P. (1658-1702)

Homer Singing to the People on the Chian Strand, engraved by B.Barloccini, 1849 (engraving)
Homer Singing to the People on the Chian Strand, engraved by B.Barloccini, 1849 (engraving)

BAL136300: Homer Singing to the People on the Chian Strand, engraved by B.Barloccini, 1849 (engraving), Perkins, C.C (19th century) (after) / Bridgeman Images

ID: BAL136300

Homer Singing to the People on the Chian Strand, engraved by B.Barloccini, 1849 (engraving)

Perkins, C.C (19th century) (after)

The north entrance to the palace, Minoan, c.1500 BC (photo)
The north entrance to the palace, Minoan, c.1500 BC (photo)

BAL136753: The north entrance to the palace, Minoan, c.1500 BC (photo) / Bridgeman Images

ID: BAL136753

The north entrance to the palace, Minoan, c.1500 BC (photo)


Back to top