1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

5777833 Search Results

Madame Cézanne in a Yellow Chair, 1888-90 (oil on canvas)
Madame Cézanne in a Yellow Chair, 1888-90 (oil on canvas)

XCC2968451: Madame Cézanne in a Yellow Chair, 1888-90 (oil on canvas), Cezanne, Paul (1839-1906) / Bridgeman Images

ID: XCC2968451

Madame Cézanne in a Yellow Chair, 1888-90 (oil on canvas)

Cezanne, Paul (1839-1906)

Evening Calm, Concarneau, Opus 220 (Allegro Maestoso), 1891 (oil on canvas)
Evening Calm, Concarneau, Opus 220 (Allegro Maestoso), 1891 (oil on canvas)

XOS3432934: Evening Calm, Concarneau, Opus 220 (Allegro Maestoso), 1891 (oil on canvas), Signac, Paul (1863-1935) / Bridgeman Images

ID: XOS3432934

Evening Calm, Concarneau, Opus 220 (Allegro Maestoso), 1891 (oil on canvas)

Signac, Paul (1863-1935)

London, Elevation of Proposed Studio in Glebe Place and Upper Cheyne Walk, 1920 (pencil, w/c & bodycolour on paper)
London, Elevation of Proposed Studio in Glebe Place and Upper Cheyne Walk, 1920 (pencil, w/c & bodycolour on paper)

CH3431731: London, Elevation of Proposed Studio in Glebe Place and Upper Cheyne Walk, 1920 (pencil, w/c & bodycolour on paper), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

ID: CH3431731

London, Elevation of Proposed Studio in Glebe Place and Upper Cheyne Walk, 1920 (pencil, w/c & bodycolour on paper)

Mackintosh, Charles Rennie (1868-1928)

One hundred and fifty insects, dominated at the top by a large dragonfly (w/c with bodycolour on grey paper)
One hundred and fifty insects, dominated at the top by a large dragonfly (w/c with bodycolour on grey paper)

CH3431749: One hundred and fifty insects, dominated at the top by a large dragonfly (w/c with bodycolour on grey paper), Rowan, Marian Ellis (1848-1922) / Bridgeman Images

ID: CH3431749

One hundred and fifty insects, dominated at the top by a large dragonfly (w/c with bodycolour on grey paper)

Rowan, Marian Ellis (1848-1922)

Cranes, An'ei Period, 1772 (ink, colour & gold leaf on panel)
Cranes, An'ei Period, 1772 (ink, colour & gold leaf on panel)

XOS3116861: Cranes, An'ei Period, 1772 (ink, colour & gold leaf on panel), Okyo, Maruyama (1733-95) / Bridgeman Images

ID: XOS3116861

Cranes, An'ei Period, 1772 (ink, colour & gold leaf on panel)

Okyo, Maruyama (1733-95)

The Garden of Earthly Delights, 1490-1500 (oil on panel)
The Garden of Earthly Delights, 1490-1500 (oil on panel)

XOS3107141: The Garden of Earthly Delights, 1490-1500 (oil on panel) , Bosch, Hieronymus (c.1450-1516) / Bridgeman Images

ID: XOS3107141

The Garden of Earthly Delights, 1490-1500 (oil on panel)

Bosch, Hieronymus (c.1450-1516)

Portrait of Montesquieu (1689 - 1755) in medallion, 1728.
Portrait of Montesquieu (1689 - 1755) in medallion, 1728.

GIA4814794: Portrait of Montesquieu (1689 - 1755) in medallion, 1728., French School, (18th century) / Bridgeman Images

ID: GIA4814794

Portrait of Montesquieu (1689 - 1755) in medallion, 1728.

French School, (18th century)

Germanic families travelling during the great period of migration (barbaric invasions) 3rd to 5th century (Migration period, Volkerwanderung, germanic peoples moved out of southern Scandinavia and Germany westward and southward, 3rd - 5th century) Engraving from “germania” by Johannes Scherr 1880 Private collection
Germanic families travelling during the great period of migration (barbaric invasions) 3rd to 5th century (Migration period, Volkerwanderung, germanic peoples moved out of southern Scandinavia and Germany westward and southward, 3rd - 5th century) Engraving from “germania” by Johannes Scherr 1880 Private collection

ELD4931541: Germanic families travelling during the great period of migration (barbaric invasions) 3rd to 5th century (Migration period, Volkerwanderung, germanic peoples moved out of southern Scandinavia and Germany westward and southward, 3rd - 5th century) Engraving from “germania” by Johannes Scherr 1880 Private collection / Bridgeman Images

ID: ELD4931541

Germanic families travelling during the great period of migration (barbaric invasions) 3rd to 5th century (Migration period, Volkerwanderung, germanic peoples moved out of southern Scandinavia and Germany westward and southward, 3rd - 5th century) Engraving from “germania” by Johannes Scherr 1880 Private collection

Portrait of Blaise Pascal - painting by Francois Quesnel, (1595-1661), circa 1691. museum of Versailles.
Portrait of Blaise Pascal - painting by Francois Quesnel, (1595-1661), circa 1691. museum of Versailles.

GIA4811361: Portrait of Blaise Pascal - painting by Francois Quesnel, (1595-1661), circa 1691. museum of Versailles., Quesnel, Francois (1543-1619) (after) / Bridgeman Images

ID: GIA4811361

Portrait of Blaise Pascal - painting by Francois Quesnel, (1595-1661), circa 1691. museum of Versailles.

Quesnel, Francois (1543-1619) (after)

Peter III and Catherine II of Russia with a page c.1756 (oil on canvas)
Peter III and Catherine II of Russia with a page c.1756 (oil on canvas)

XOS3588403: Peter III and Catherine II of Russia with a page c.1756 (oil on canvas), Lisiewska, Anna Rosina (1716-83) / Bridgeman Images

ID: XOS3588403

Peter III and Catherine II of Russia with a page c.1756 (oil on canvas)

Lisiewska, Anna Rosina (1716-83)

Fight Between Jacob And The Angel, detail, 1860 (painting)
Fight Between Jacob And The Angel, detail, 1860 (painting)

JLJ4672077: Fight Between Jacob And The Angel, detail, 1860 (painting), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

ID: JLJ4672077

Fight Between Jacob And The Angel, detail, 1860 (painting)

Delacroix, Ferdinand Victor Eugene (1798-1863)

Portrait Of Saint Ambrose (340-397), Eveque Of Milan, 1633-1639 (oil on canvas)
Portrait Of Saint Ambrose (340-397), Eveque Of Milan, 1633-1639 (oil on canvas)

JLJ4673579: Portrait Of Saint Ambrose (340-397), Eveque Of Milan, 1633-1639 (oil on canvas), Stomer, (Stom) Matthias (c.1600-p.1650) / Bridgeman Images

ID: JLJ4673579

Portrait Of Saint Ambrose (340-397), Eveque Of Milan, 1633-1639 (oil on canvas)

Stomer, (Stom) Matthias (c.1600-p.1650)

Little girl with the sheaf, 1888 (oil on canvas)
Little girl with the sheaf, 1888 (oil on canvas)

JLJ4657070: Little girl with the sheaf, 1888 (oil on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: JLJ4657070

Little girl with the sheaf, 1888 (oil on canvas)

Renoir, Pierre Auguste (1841-1919)

Philip IV the Beautiful, a flower of lily in the right hand, c.1555-1566 (miniature)
Philip IV the Beautiful, a flower of lily in the right hand, c.1555-1566 (miniature)

JLJ4690217: Philip IV the Beautiful, a flower of lily in the right hand, c.1555-1566 (miniature), French School, (16th century) / Bridgeman Images

ID: JLJ4690217

Philip IV the Beautiful, a flower of lily in the right hand, c.1555-1566 (miniature)

French School, (16th century)

Last Judgement, c.1435 (tempera on oak)
Last Judgement, c.1435 (tempera on oak)

JLJ4690625: Last Judgement, c.1435 (tempera on oak), Lochner, Stephan (fl.1442-1451) / Bridgeman Images

ID: JLJ4690625

Last Judgement, c.1435 (tempera on oak)

Lochner, Stephan (fl.1442-1451)

The waltz in Mabille dance scene in Mabille in 1867 (litho)
The waltz in Mabille dance scene in Mabille in 1867 (litho)

JLJ4563269: The waltz in Mabille dance scene in Mabille in 1867 (litho), Linder, Philippe Jacques (fl.1857-1880) / Bridgeman Images

ID: JLJ4563269

The waltz in Mabille dance scene in Mabille in 1867 (litho)

Linder, Philippe Jacques (fl.1857-1880)

Christ With Arms Folded, 1656-61 (oil on canvas)
Christ With Arms Folded, 1656-61 (oil on canvas)

FIA5402004: Christ With Arms Folded, 1656-61 (oil on canvas), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: FIA5402004

Christ With Arms Folded, 1656-61 (oil on canvas)

Rembrandt Harmensz. van Rijn (1606-69)

View of the Town Hall (of Marseille) during the plague of 1720, (detail) 1721 (oil on canvas)
View of the Town Hall (of Marseille) during the plague of 1720, (detail) 1721 (oil on canvas)

JEB4961120: View of the Town Hall (of Marseille) during the plague of 1720, (detail) 1721 (oil on canvas), Serre, Michel (1658-1753) / Bridgeman Images

ID: JEB4961120

View of the Town Hall (of Marseille) during the plague of 1720, (detail) 1721 (oil on canvas)

Serre, Michel (1658-1753)

the corpse of Publius Clodius Pulcher (92-52 BC) found on the via appia a Rome (engraving)
the corpse of Publius Clodius Pulcher (92-52 BC) found on the via appia a Rome (engraving)

ELD4961860: the corpse of Publius Clodius Pulcher (92-52 BC) found on the via appia a Rome (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: ELD4961860

the corpse of Publius Clodius Pulcher (92-52 BC) found on the via appia a Rome (engraving)

Unknown Artist, (19th century)

Portrait of Anne Comnene (Comnena or Komnene) Byzantine historian, princess, scholar, physician and hospital administrator, (1083-1153) daughter of Emperor Alexius I and Impress Irene Doukas. 19th century (engraving from “The illustrious women of Europe” by Countess Drojowowowan Ska)
Portrait of Anne Comnene (Comnena or Komnene) Byzantine historian, princess, scholar, physician and hospital administrator, (1083-1153) daughter of Emperor Alexius I and Impress Irene Doukas. 19th century (engraving from “The illustrious women of Europe” by Countess Drojowowowan Ska)

ELD4959225: Portrait of Anne Comnene (Comnena or Komnene) Byzantine historian, princess, scholar, physician and hospital administrator, (1083-1153) daughter of Emperor Alexius I and Impress Irene Doukas. 19th century (engraving from “The illustrious women of Europe” by Countess Drojowowowan Ska) / Bridgeman Images

ID: ELD4959225

Portrait of Anne Comnene (Comnena or Komnene) Byzantine historian, princess, scholar, physician and hospital administrator, (1083-1153) daughter of Emperor Alexius I and Impress Irene Doukas. 19th century (engraving from “The illustrious women of Europe” by Countess Drojowowowan Ska)

Paradise Lost, by Milton: The serpent approaches.
Paradise Lost, by Milton: The serpent approaches.

XLF3780023: Paradise Lost, by Milton: The serpent approaches., Dore, Gustave (1832-83) / Bridgeman Images

ID: XLF3780023

Paradise Lost, by Milton: The serpent approaches.

Dore, Gustave (1832-83)

The Cruelty of Lolonois , 1893 (engraving)
The Cruelty of Lolonois , 1893 (engraving)

XLF3780159: The Cruelty of Lolonois , 1893 (engraving) / Bridgeman Images

ID: XLF3780159

The Cruelty of Lolonois , 1893 (engraving)

Act I, Scene 2 from 'The Tempest' by William Shakespeare, London, c.1870 (engraving)
Act I, Scene 2 from 'The Tempest' by William Shakespeare, London, c.1870 (engraving)

XLF3782968: Act I, Scene 2 from 'The Tempest' by William Shakespeare, London, c.1870 (engraving), Foster, Myles Birket (1825-99) (after) / Bridgeman Images

ID: XLF3782968

Act I, Scene 2 from 'The Tempest' by William Shakespeare, London, c.1870 (engraving)

Foster, Myles Birket (1825-99) (after)

David dancing before the ark by Tissot - Bible
David dancing before the ark by Tissot - Bible

XLF3783465: David dancing before the ark by Tissot - Bible, Tissot, James Jacques Joseph (1836-1902) (after) / Bridgeman Images

ID: XLF3783465

David dancing before the ark by Tissot - Bible

Tissot, James Jacques Joseph (1836-1902) (after)

Egfrid, King of Northumberland, from 'Old England: Pictorial Museum', by Charles Knight, c.1845 (engraving)
Egfrid, King of Northumberland, from 'Old England: Pictorial Museum', by Charles Knight, c.1845 (engraving)

XLF3784106: Egfrid, King of Northumberland, from 'Old England: Pictorial Museum', by Charles Knight, c.1845 (engraving), English School, (19th century) / Bridgeman Images

ID: XLF3784106

Egfrid, King of Northumberland, from 'Old England: Pictorial Museum', by Charles Knight, c.1845 (engraving)

English School, (19th century)

Man 's costume in reign of Richard II (1377- 1399)
Man 's costume in reign of Richard II (1377- 1399)

XLF3780751: Man 's costume in reign of Richard II (1377- 1399), Calthrop, Dion Clayton (1875-1937) / Bridgeman Images

ID: XLF3780751

Man 's costume in reign of Richard II (1377- 1399)

Calthrop, Dion Clayton (1875-1937)

Traditional Costumes of Jewish People, from 'The Jewish Encyclopedia', 1903 (print)
Traditional Costumes of Jewish People, from 'The Jewish Encyclopedia', 1903 (print)

XLF3790266: Traditional Costumes of Jewish People, from 'The Jewish Encyclopedia', 1903 (print), Unknown Artist, (20th century) / Bridgeman Images

ID: XLF3790266

Traditional Costumes of Jewish People, from 'The Jewish Encyclopedia', 1903 (print)

Unknown Artist, (20th century)

Attack on the Chinese Junks, 1841 (engraving)
Attack on the Chinese Junks, 1841 (engraving)

XLF3786686: Attack on the Chinese Junks, 1841 (engraving) / Bridgeman Images

ID: XLF3786686

Attack on the Chinese Junks, 1841 (engraving)

Baudelaire and President Sabatier. An intimate and unfinished painting depicting the poet Charles Baudelaire (1821-1867) and his muse mistress Apollonie Aglae Sabatier (1822-1889), known as the president who hosted a worldly salon in 19th century Paris. The hugging of lovers and the luminous whiteness of the woman's body confers to the canvas an eroticism daring for the period, sensuality reinforced by the pose of the woman that recalls the mythological theme of Leda. Painting directed to Thomas Couture (1811-1879), oil on canvas, circa 1850. 19th century French Art. Museum of Fine Arts in Clermont Ferrand (Clermont-Ferrand).
Baudelaire and President Sabatier. An intimate and unfinished painting depicting the poet Charles Baudelaire (1821-1867) and his muse mistress Apollonie Aglae Sabatier (1822-1889), known as the president who hosted a worldly salon in 19th century Paris. The hugging of lovers and the luminous whiteness of the woman's body confers to the canvas an eroticism daring for the period, sensuality reinforced by the pose of the woman that recalls the mythological theme of Leda. Painting directed to Thomas Couture (1811-1879), oil on canvas, circa 1850. 19th century French Art. Museum of Fine Arts in Clermont Ferrand (Clermont-Ferrand).

LSE4313476: Baudelaire and President Sabatier. An intimate and unfinished painting depicting the poet Charles Baudelaire (1821-1867) and his muse mistress Apollonie Aglae Sabatier (1822-1889), known as the president who hosted a worldly salon in 19th century Paris. The hugging of lovers and the luminous whiteness of the woman's body confers to the canvas an eroticism daring for the period, sensuality reinforced by the pose of the woman that recalls the mythological theme of Leda. Painting directed to Thomas Couture (1811-1879), oil on canvas, circa 1850. 19th century French Art. Museum of Fine Arts in Clermont Ferrand (Clermont-Ferrand)., Couture, Thomas (1815-79) / Bridgeman Images

ID: LSE4313476

Baudelaire and President Sabatier. An intimate and unfinished painting depicting the poet Charles Baudelaire (1821-1867) and his muse mistress Apollonie Aglae Sabatier (1822-1889), known as the president who hosted a worldly salon in 19th century Paris. The hugging of lovers and the luminous whiteness of the woman's body confers to the canvas an eroticism daring for the period, sensuality reinforced by the pose of the woman that recalls the mythological theme of Leda. Painting directed to Thomas Couture (1811-1879), oil on canvas, circa 1850. 19th century French Art. Museum of Fine Arts in Clermont Ferrand (Clermont-Ferrand).

Couture, Thomas (1815-79)

Path to Louveciennes, 1870 (oil on canvas)
Path to Louveciennes, 1870 (oil on canvas)

JLJ4675050: Path to Louveciennes, 1870 (oil on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: JLJ4675050

Path to Louveciennes, 1870 (oil on canvas)

Renoir, Pierre Auguste (1841-1919)

Costume for the character of Don Juan in scene 2 of Act I of the homonymous piece, 19th century (engraving)
Costume for the character of Don Juan in scene 2 of Act I of the homonymous piece, 19th century (engraving)

JLJ4678618: Costume for the character of Don Juan in scene 2 of Act I of the homonymous piece, 19th century (engraving), French School, (19th century) / Bridgeman Images

ID: JLJ4678618

Costume for the character of Don Juan in scene 2 of Act I of the homonymous piece, 19th century (engraving)

French School, (19th century)

Composition No. I, with Red and Black, 1929 (oil on canvas)
Composition No. I, with Red and Black, 1929 (oil on canvas)

XOS3956471: Composition No. I, with Red and Black, 1929 (oil on canvas), Mondrian, Piet (1872-1944) / Bridgeman Images

ID: XOS3956471

Composition No. I, with Red and Black, 1929 (oil on canvas)

Mondrian, Piet (1872-1944)

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: Dante in the savage wood - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: Dante in the savage wood - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145774: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: Dante in the savage wood - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4145774

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 1: Dante in the savage wood - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

Dore, Gustave (1832-83)

Henry IV left for the German War and entrusted to Queen Mary of Medicis, 1610 (oil on canvas)
Henry IV left for the German War and entrusted to Queen Mary of Medicis, 1610 (oil on canvas)

JLJ4643526: Henry IV left for the German War and entrusted to Queen Mary of Medicis, 1610 (oil on canvas), Rubens, Peter Paul (1577-1640) / Bridgeman Images

ID: JLJ4643526

Henry IV left for the German War and entrusted to Queen Mary of Medicis, 1610 (oil on canvas)

Rubens, Peter Paul (1577-1640)

L'Estaque vue du gulf de Marseille, 1878 (oil on canvas)
L'Estaque vue du gulf de Marseille, 1878 (oil on canvas)

JLJ4644430: L'Estaque vue du gulf de Marseille, 1878 (oil on canvas), Cezanne, Paul (1839-1906) / Bridgeman Images

ID: JLJ4644430

L'Estaque vue du gulf de Marseille, 1878 (oil on canvas)

Cezanne, Paul (1839-1906)

Portrait of the poet Charles Baudelaire - oil on canvas, 1847
Portrait of the poet Charles Baudelaire - oil on canvas, 1847

LRI4571368: Portrait of the poet Charles Baudelaire - oil on canvas, 1847, Courbet, Gustave (1819-77) / Bridgeman Images

ID: LRI4571368

Portrait of the poet Charles Baudelaire - oil on canvas, 1847

Courbet, Gustave (1819-77)


Back to top