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View over the Terracotta Army, 210 BC (photo)
View over the Terracotta Army, 210 BC (photo)

STF284214: View over the Terracotta Army, 210 BC (photo), Chinese School, (3rd century BC) / Bridgeman Images

ID: STF284214

View over the Terracotta Army, 210 BC (photo)

Chinese School, (3rd century BC)

Isabella Bird Bishop (1831-1904) 1881 (b/w photo)
Isabella Bird Bishop (1831-1904) 1881 (b/w photo)

RGS242356: Isabella Bird Bishop (1831-1904) 1881 (b/w photo), English Photographer, (19th century) / Bridgeman Images

ID: RGS242356

Isabella Bird Bishop (1831-1904) 1881 (b/w photo)

English Photographer, (19th century)

Birds (pen & ink & wash on paper) (b/w photo)
Birds (pen & ink & wash on paper) (b/w photo)

XIR239565: Birds (pen & ink & wash on paper) (b/w photo), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: XIR239565

Birds (pen & ink & wash on paper) (b/w photo)

Rembrandt Harmensz. van Rijn (1606-69)

Queen of Joy, 1892 (colour litho)
Queen of Joy, 1892 (colour litho)

XIR243020: Queen of Joy, 1892 (colour litho), Toulouse-Lautrec, Henri de (1864-1901) / Bridgeman Images

ID: XIR243020

Queen of Joy, 1892 (colour litho)

Toulouse-Lautrec, Henri de (1864-1901)

Cannibals savouring Human Remains, c.1800-08 (oil on panel) (pair of 83503)
Cannibals savouring Human Remains, c.1800-08 (oil on panel) (pair of 83503)

XIR243022: Cannibals savouring Human Remains, c.1800-08 (oil on panel) (pair of 83503), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

ID: XIR243022

Cannibals savouring Human Remains, c.1800-08 (oil on panel) (pair of 83503)

Goya y Lucientes, Francisco Jose de (1746-1828)

Ms 18 fol.84v Charles the Bold, Duke of Burgundy, receiving the envoys from France and Guyenne, from the Memoirs of Philippe of Commines (1445-1509) (vellum)
Ms 18 fol.84v Charles the Bold, Duke of Burgundy, receiving the envoys from France and Guyenne, from the Memoirs of Philippe of Commines (1445-1509) (vellum)

XIR239924: Ms 18 fol.84v Charles the Bold, Duke of Burgundy, receiving the envoys from France and Guyenne, from the Memoirs of Philippe of Commines (1445-1509) (vellum), French School, (16th century) / Bridgeman Images

ID: XIR239924

Ms 18 fol.84v Charles the Bold, Duke of Burgundy, receiving the envoys from France and Guyenne, from the Memoirs of Philippe of Commines (1445-1509) (vellum)

French School, (16th century)

General Blucher (1742-1819) with the Cossacks in Bautzen, 1885 (oil on canvas)
General Blucher (1742-1819) with the Cossacks in Bautzen, 1885 (oil on canvas)

XAB241177: General Blucher (1742-1819) with the Cossacks in Bautzen, 1885 (oil on canvas), Willewalde, Bogdan (1818-1903) / Bridgeman Images

ID: XAB241177

General Blucher (1742-1819) with the Cossacks in Bautzen, 1885 (oil on canvas)

Willewalde, Bogdan (1818-1903)

Michael Soutzo (Mihai Sutu), Prince of Moldavia 1819-21, engraved by Lemercier for 'Voyage a Athenes et Constantinople', written and illustrated by Dupre, 1828 (colour litho)
Michael Soutzo (Mihai Sutu), Prince of Moldavia 1819-21, engraved by Lemercier for 'Voyage a Athenes et Constantinople', written and illustrated by Dupre, 1828 (colour litho)

CHT293618: Michael Soutzo (Mihai Sutu), Prince of Moldavia 1819-21, engraved by Lemercier for 'Voyage a Athenes et Constantinople', written and illustrated by Dupre, 1828 (colour litho), Dupre, Louis (1789-1837) (after) / Bridgeman Images

ID: CHT293618

Michael Soutzo (Mihai Sutu), Prince of Moldavia 1819-21, engraved by Lemercier for 'Voyage a Athenes et Constantinople', written and illustrated by Dupre, 1828 (colour litho)

Dupre, Louis (1789-1837) (after)

A Man Loaded with Mischief, or Matrimony, c.1766 (colour etching)
A Man Loaded with Mischief, or Matrimony, c.1766 (colour etching)

XCF290992: A Man Loaded with Mischief, or Matrimony, c.1766 (colour etching), English School, (18th century) / Bridgeman Images

ID: XCF290992

A Man Loaded with Mischief, or Matrimony, c.1766 (colour etching)

English School, (18th century)

Black-backed Gulls, illustration from 'Wildfowl and Waders' (colour litho)
Black-backed Gulls, illustration from 'Wildfowl and Waders' (colour litho)

IL288863: Black-backed Gulls, illustration from 'Wildfowl and Waders' (colour litho), Southgate, Frank (1872-1916) / Bridgeman Images

ID: IL288863

Black-backed Gulls, illustration from 'Wildfowl and Waders' (colour litho)

Southgate, Frank (1872-1916)

Angkor Wat Temple, Cambodia (photo)
Angkor Wat Temple, Cambodia (photo)

RDZ291460: Angkor Wat Temple, Cambodia (photo) / Bridgeman Images

ID: RDZ291460

Angkor Wat Temple, Cambodia (photo)

Prospect of Leeds, c.1800 (oil on canvas)
Prospect of Leeds, c.1800 (oil on canvas)

LMG212363: Prospect of Leeds, c.1800 (oil on canvas), Fielding, Nathan Theodore (fl.1775-1814) / Bridgeman Images

ID: LMG212363

Prospect of Leeds, c.1800 (oil on canvas)

Fielding, Nathan Theodore (fl.1775-1814)

Alice and the Frog, illustration from 'Through the Looking Glass' by Lewis Carroll (1832-98) first published 1871 (litho)
Alice and the Frog, illustration from 'Through the Looking Glass' by Lewis Carroll (1832-98) first published 1871 (litho)

KWE232563: Alice and the Frog, illustration from 'Through the Looking Glass' by Lewis Carroll (1832-98) first published 1871 (litho), Tenniel, John (1820-1914) (after) / Bridgeman Images

ID: KWE232563

Alice and the Frog, illustration from 'Through the Looking Glass' by Lewis Carroll (1832-98) first published 1871 (litho)

Tenniel, John (1820-1914) (after)

Interior of a Harem in Oran, c.1847 (oil on canvas)
Interior of a Harem in Oran, c.1847 (oil on canvas)

XIR231700: Interior of a Harem in Oran, c.1847 (oil on canvas), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images

ID: XIR231700

Interior of a Harem in Oran, c.1847 (oil on canvas)

Delacroix, Ferdinand Victor Eugene (1798-1863)

Front cover of 'The Crisis', edited by Robert Owen (1771-1858) and Robert Dale Owen (1801-77) London, 1832 (engraving) (b/w photo)
Front cover of 'The Crisis', edited by Robert Owen (1771-1858) and Robert Dale Owen (1801-77) London, 1832 (engraving) (b/w photo)

CHT287060: Front cover of 'The Crisis', edited by Robert Owen (1771-1858) and Robert Dale Owen (1801-77) London, 1832 (engraving) (b/w photo), English School, (19th century) / Bridgeman Images

ID: CHT287060

Front cover of 'The Crisis', edited by Robert Owen (1771-1858) and Robert Dale Owen (1801-77) London, 1832 (engraving) (b/w photo)

English School, (19th century)

Reclining female nude (Gabrielle) 1906-07 (oil on canvas)
Reclining female nude (Gabrielle) 1906-07 (oil on canvas)

XIR287540: Reclining female nude (Gabrielle) 1906-07 (oil on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: XIR287540

Reclining female nude (Gabrielle) 1906-07 (oil on canvas)

Renoir, Pierre Auguste (1841-1919)

Jan Brueghel the Elder, 1817 (engraving)
Jan Brueghel the Elder, 1817 (engraving)

KWE285404: Jan Brueghel the Elder, 1817 (engraving), Girtin, James (John) (c.1780-after 1820) (after) / Bridgeman Images

ID: KWE285404

Jan Brueghel the Elder, 1817 (engraving)

Girtin, James (John) (c.1780-after 1820) (after)

The Production of Olive Oil, plate 13 from 'Nova Reperta' (New Discoveries) engraved by Philip Galle (1537-1612) c.1600 (engraving) (later colouration)
The Production of Olive Oil, plate 13 from 'Nova Reperta' (New Discoveries) engraved by Philip Galle (1537-1612) c.1600 (engraving) (later colouration)

STC285798: The Production of Olive Oil, plate 13 from 'Nova Reperta' (New Discoveries) engraved by Philip Galle (1537-1612) c.1600 (engraving) (later colouration), Straet, Jan van der (Giovanni Stradano) (1523-1605) (after) / Bridgeman Images

ID: STC285798

The Production of Olive Oil, plate 13 from 'Nova Reperta' (New Discoveries) engraved by Philip Galle (1537-1612) c.1600 (engraving) (later colouration)

Straet, Jan van der (Giovanni Stradano) (1523-1605) (after)

Arch of Trajan, detail, distributing food to Roman people (marble) (b/w photo)
Arch of Trajan, detail, distributing food to Roman people (marble) (b/w photo)

FAF287659: Arch of Trajan, detail, distributing food to Roman people (marble) (b/w photo) / Bridgeman Images

ID: FAF287659

Arch of Trajan, detail, distributing food to Roman people (marble) (b/w photo)

Ms 327 fol.28r Surveying and demarcation of land, from 'Traite d'Arpentage' by Arnaud de Villeneuve (1240-1312) (vellum)
Ms 327 fol.28r Surveying and demarcation of land, from 'Traite d'Arpentage' by Arnaud de Villeneuve (1240-1312) (vellum)

XIR204982: Ms 327 fol.28r Surveying and demarcation of land, from 'Traite d'Arpentage' by Arnaud de Villeneuve (1240-1312) (vellum), Boysset, Bertrand (1355-1415) / Bridgeman Images

ID: XIR204982

Ms 327 fol.28r Surveying and demarcation of land, from 'Traite d'Arpentage' by Arnaud de Villeneuve (1240-1312) (vellum)

Boysset, Bertrand (1355-1415)

The Court of Love or, The Conjugal Virtues, 1562 (fresco)
The Court of Love or, The Conjugal Virtues, 1562 (fresco)

XIR227297: The Court of Love or, The Conjugal Virtues, 1562 (fresco), Veronese, (Caliari, Paolo) (1528-88) / Bridgeman Images

ID: XIR227297

The Court of Love or, The Conjugal Virtues, 1562 (fresco)

Veronese, (Caliari, Paolo) (1528-88)

Suit of armour and matching horse armour
Suit of armour and matching horse armour

XBP227794: Suit of armour and matching horse armour, English School, (15th century) / Bridgeman Images

ID: XBP227794

Suit of armour and matching horse armour

English School, (15th century)

Tolima ornament in the form of a human-headed bird, from Colombia (gold)
Tolima ornament in the form of a human-headed bird, from Colombia (gold)

XIR228229: Tolima ornament in the form of a human-headed bird, from Colombia (gold), Pre-Columbian / Bridgeman Images

ID: XIR228229

Tolima ornament in the form of a human-headed bird, from Colombia (gold)

Pre-Columbian

Midnight! or The Fashionable Apartment, 1920 (pochoir print)
Midnight! or The Fashionable Apartment, 1920 (pochoir print)

STC226842: Midnight! or The Fashionable Apartment, 1920 (pochoir print), Barbier, Georges (1882-1932) / Bridgeman Images

ID: STC226842

Midnight! or The Fashionable Apartment, 1920 (pochoir print)

Barbier, Georges (1882-1932)

Relief depicting a secutor (stone)
Relief depicting a secutor (stone)

XIR226114: Relief depicting a secutor (stone), Roman, (2nd century) / Bridgeman Images

ID: XIR226114

Relief depicting a secutor (stone)

Roman, (2nd century)

A Marriage, from the National Law Codes of Magnus Eriksson (1319-64) c.1450 (vellum)
A Marriage, from the National Law Codes of Magnus Eriksson (1319-64) c.1450 (vellum)

XIR226149: A Marriage, from the National Law Codes of Magnus Eriksson (1319-64) c.1450 (vellum), Swedish School, (15th century) / Bridgeman Images

ID: XIR226149

A Marriage, from the National Law Codes of Magnus Eriksson (1319-64) c.1450 (vellum)

Swedish School, (15th century)

The Five Senses - Sight (oil on canvas)
The Five Senses - Sight (oil on canvas)

XIR226022: The Five Senses - Sight (oil on canvas), Bosse, Abraham (1602-76) (after) / Bridgeman Images

ID: XIR226022

The Five Senses - Sight (oil on canvas)

Bosse, Abraham (1602-76) (after)

Acheulian hand axe, c.200 000 BC (flint)
Acheulian hand axe, c.200 000 BC (flint)

JLF276576: Acheulian hand axe, c.200 000 BC (flint), Prehistoric / Bridgeman Images

ID: JLF276576

Acheulian hand axe, c.200 000 BC (flint)

Prehistoric

Construction of the Temple of Solomon at Jerusalem (colour engraving)
Construction of the Temple of Solomon at Jerusalem (colour engraving)

CHT274908: Construction of the Temple of Solomon at Jerusalem (colour engraving), French School, (19th century) / Bridgeman Images

ID: CHT274908

Construction of the Temple of Solomon at Jerusalem (colour engraving)

French School, (19th century)

Felix Nadar, c.1860 (b/w photo)
Felix Nadar, c.1860 (b/w photo)

CHT274934: Felix Nadar, c.1860 (b/w photo), Nadar, (Gaspard Felix Tournachon) (1820-1910) / Bridgeman Images

ID: CHT274934

Felix Nadar, c.1860 (b/w photo)

Nadar, (Gaspard Felix Tournachon) (1820-1910)

The Birthday (oil on canvas)
The Birthday (oil on canvas)

XIR222451: The Birthday (oil on canvas), Bogaevsky, Konstantin Fedorovich (1872-1943) / Bridgeman Images

ID: XIR222451

The Birthday (oil on canvas)

Bogaevsky, Konstantin Fedorovich (1872-1943)

St. Sebastian Holding Two Arrows and the Martyr's Palm (oil on panel)
St. Sebastian Holding Two Arrows and the Martyr's Palm (oil on panel)

XIR222728: St. Sebastian Holding Two Arrows and the Martyr's Palm (oil on panel), Sarto, Andrea del (1486-1530) (after) / Bridgeman Images

ID: XIR222728

St. Sebastian Holding Two Arrows and the Martyr's Palm (oil on panel)

Sarto, Andrea del (1486-1530) (after)

Belle Boyd (b/w photo)
Belle Boyd (b/w photo)

PNP270100: Belle Boyd (b/w photo), American Photographer, (19th century) / Bridgeman Images

ID: PNP270100

Belle Boyd (b/w photo)

American Photographer, (19th century)

Boris Godunov with Ivan the Terrible (oil on canvas)
Boris Godunov with Ivan the Terrible (oil on canvas)

BAL269913: Boris Godunov with Ivan the Terrible (oil on canvas), Repin, Ilya Efimovich (1844-1930) / Bridgeman Images

ID: BAL269913

Boris Godunov with Ivan the Terrible (oil on canvas)

Repin, Ilya Efimovich (1844-1930)

A Road in Naples (oil on canvas)
A Road in Naples (oil on canvas)

BRM205455: A Road in Naples (oil on canvas), Caillebotte, Gustave (1848-94) / Bridgeman Images

ID: BRM205455

A Road in Naples (oil on canvas)

Caillebotte, Gustave (1848-94)

The Clairvoyant or, The Sleepwalker, c.1865 (oil on canvas)
The Clairvoyant or, The Sleepwalker, c.1865 (oil on canvas)

XIR205476: The Clairvoyant or, The Sleepwalker, c.1865 (oil on canvas), Courbet, Gustave (1819-77) / Bridgeman Images

ID: XIR205476

The Clairvoyant or, The Sleepwalker, c.1865 (oil on canvas)

Courbet, Gustave (1819-77)


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