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Rare stele showing Artabanus V, the last Parthian king, investing Khwasak, the satrap of Susa: he hands a ring as emblem of his authority, from Susa, Iran, 14th September AD 215 (limestone)
Rare stele showing Artabanus V, the last Parthian king, investing Khwasak, the satrap of Susa: he hands a ring as emblem of his authority, from Susa, Iran, 14th September AD 215 (limestone)

BOO179129: Rare stele showing Artabanus V, the last Parthian king, investing Khwasak, the satrap of Susa: he hands a ring as emblem of his authority, from Susa, Iran, 14th September AD 215 (limestone), Parthian School, (3rd century AD) / Bridgeman Images

ID: BOO179129

Rare stele showing Artabanus V, the last Parthian king, investing Khwasak, the satrap of Susa: he hands a ring as emblem of his authority, from Susa, Iran, 14th September AD 215 (limestone)

Parthian School, (3rd century AD)

Portrait of an Elderly Woman or, The Falconer's Wife, 1558 (oil on canvas)
Portrait of an Elderly Woman or, The Falconer's Wife, 1558 (oil on canvas)

XIR182152: Portrait of an Elderly Woman or, The Falconer's Wife, 1558 (oil on canvas), Floris, Frans (1519-70) / Bridgeman Images

ID: XIR182152

Portrait of an Elderly Woman or, The Falconer's Wife, 1558 (oil on canvas)

Floris, Frans (1519-70)

John MacLachlan, Hugh Grahame, James MacFarlane and Angus Colquhoun, four of Queen Victoria's 'Highlanders', engraved by Vincent Brooks, 1869 (colour litho)
John MacLachlan, Hugh Grahame, James MacFarlane and Angus Colquhoun, four of Queen Victoria's 'Highlanders', engraved by Vincent Brooks, 1869 (colour litho)

INN181306: John MacLachlan, Hugh Grahame, James MacFarlane and Angus Colquhoun, four of Queen Victoria's 'Highlanders', engraved by Vincent Brooks, 1869 (colour litho), Macleay, Kenneth (1802-78) (after) / Bridgeman Images

ID: INN181306

John MacLachlan, Hugh Grahame, James MacFarlane and Angus Colquhoun, four of Queen Victoria's 'Highlanders', engraved by Vincent Brooks, 1869 (colour litho)

Macleay, Kenneth (1802-78) (after)

White Boat in the Port, Nice, 1881 (watercolour on paper)
White Boat in the Port, Nice, 1881 (watercolour on paper)

XIR181511: White Boat in the Port, Nice, 1881 (watercolour on paper), Morisot, Berthe (1841-95) / Bridgeman Images

ID: XIR181511

White Boat in the Port, Nice, 1881 (watercolour on paper)

Morisot, Berthe (1841-95)

Portrait of Abraham-Louis Breguet (1747-1823) early 19th century (panel)
Portrait of Abraham-Louis Breguet (1747-1823) early 19th century (panel)

CHT178309: Portrait of Abraham-Louis Breguet (1747-1823) early 19th century (panel), French School, (19th century) / Bridgeman Images

ID: CHT178309

Portrait of Abraham-Louis Breguet (1747-1823) early 19th century (panel)

French School, (19th century)

Midocean, (oil on canvas)
Midocean, (oil on canvas)

CH650642: Midocean, (oil on canvas), Harrison, Lowell Birge (1854-1929) / Bridgeman Images

ID: CH650642

Midocean, (oil on canvas)

Harrison, Lowell Birge (1854-1929)

After the Ball, (oil on canvas)
After the Ball, (oil on canvas)

CH651440: After the Ball, (oil on canvas), Caputo, Ulisse (1872-1948) / Bridgeman Images

ID: CH651440

After the Ball, (oil on canvas)

Caputo, Ulisse (1872-1948)

Head of a Peasant; Tete de Paysanne, 1885 (oil on canvas)
Head of a Peasant; Tete de Paysanne, 1885 (oil on canvas)

CH656366: Head of a Peasant; Tete de Paysanne, 1885 (oil on canvas), Gogh, Vincent van (1853-90) / Bridgeman Images

ID: CH656366

Head of a Peasant; Tete de Paysanne, 1885 (oil on canvas)

Gogh, Vincent van (1853-90)

Sadak in Search of the Waters of Oblivion, 1812 (oil on canvas)
Sadak in Search of the Waters of Oblivion, 1812 (oil on canvas)

STM620397: Sadak in Search of the Waters of Oblivion, 1812 (oil on canvas), Martin, John (1789-1854) / Bridgeman Images

ID: STM620397

Sadak in Search of the Waters of Oblivion, 1812 (oil on canvas)

Martin, John (1789-1854)

Coat of arms of Austrian Empire (Kaisertum Österreich) from 1816 until 1867, c.1898 (colour litho)
Coat of arms of Austrian Empire (Kaisertum Österreich) from 1816 until 1867, c.1898 (colour litho)

DGC617788: Coat of arms of Austrian Empire (Kaisertum Österreich) from 1816 until 1867, c.1898 (colour litho), German School, (19th century) / Bridgeman Images

ID: DGC617788

Coat of arms of Austrian Empire (Kaisertum Österreich) from 1816 until 1867, c.1898 (colour litho)

German School, (19th century)

Mary, Lady Guildford, 1527 (oil on panel)
Mary, Lady Guildford, 1527 (oil on panel)

STM620268: Mary, Lady Guildford, 1527 (oil on panel), Holbein the Younger, Hans (1497/8-1543) / Bridgeman Images

ID: STM620268

Mary, Lady Guildford, 1527 (oil on panel)

Holbein the Younger, Hans (1497/8-1543)

The Custom House, Dublin, 1792 (hand-coloured engraving)
The Custom House, Dublin, 1792 (hand-coloured engraving)

STC740372: The Custom House, Dublin, 1792 (hand-coloured engraving) , Malton, James (1761-1803) / Bridgeman Images

ID: STC740372

The Custom House, Dublin, 1792 (hand-coloured engraving)

Malton, James (1761-1803)

Resurrection of Christ, c.1611-12 (oil on panel)
Resurrection of Christ, c.1611-12 (oil on panel)

LAF715403: Resurrection of Christ, c.1611-12 (oil on panel), Rubens, Peter Paul (1577-1640) / Bridgeman Images

ID: LAF715403

Resurrection of Christ, c.1611-12 (oil on panel)

Rubens, Peter Paul (1577-1640)

Copse at the head of the Amsteldijk near Trompenburg, c.1649 (pen & ink on paper)
Copse at the head of the Amsteldijk near Trompenburg, c.1649 (pen & ink on paper)

CTS695915: Copse at the head of the Amsteldijk near Trompenburg, c.1649 (pen & ink on paper), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: CTS695915

Copse at the head of the Amsteldijk near Trompenburg, c.1649 (pen & ink on paper)

Rembrandt Harmensz. van Rijn (1606-69)

Double Mask for the Gelede Society, attributed to Eshubyi workshop, mid to late 19th century (wood, pigment, & traces of indigo)
Double Mask for the Gelede Society, attributed to Eshubyi workshop, mid to late 19th century (wood, pigment, & traces of indigo)

STM752762: Double Mask for the Gelede Society, attributed to Eshubyi workshop, mid to late 19th century (wood, pigment, & traces of indigo), Yoruba Culture (19th century) / Bridgeman Images

ID: STM752762

Double Mask for the Gelede Society, attributed to Eshubyi workshop, mid to late 19th century (wood, pigment, & traces of indigo)

Yoruba Culture (19th century)

Saskia van Uylenburgh, c.1634-1640 (oil on panel)
Saskia van Uylenburgh, c.1634-1640 (oil on panel)

XOS744883: Saskia van Uylenburgh, c.1634-1640 (oil on panel), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: XOS744883

Saskia van Uylenburgh, c.1634-1640 (oil on panel)

Rembrandt Harmensz. van Rijn (1606-69)

The Mughal Emerald, 1695-96 (emerald) (see also 778627-9)
The Mughal Emerald, 1695-96 (emerald) (see also 778627-9)

CH778628: The Mughal Emerald, 1695-96 (emerald) (see also 778627-9), Mughal School, (17th century) / Bridgeman Images

ID: CH778628

The Mughal Emerald, 1695-96 (emerald) (see also 778627-9)

Mughal School, (17th century)

Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante and Virgil into the last circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)
Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante and Virgil into the last circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

GIA745673: Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante and Virgil into the last circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: GIA745673

Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante and Virgil into the last circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

Dore, Gustave (1832-83)

Inferno, Canto 5 : The souls of Paolo and Francesca, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)
Inferno, Canto 5 : The souls of Paolo and Francesca, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

GIA745730: Inferno, Canto 5 : The souls of Paolo and Francesca, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: GIA745730

Inferno, Canto 5 : The souls of Paolo and Francesca, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

Dore, Gustave (1832-83)

The Gamblers, 1623 (oil on canvas)
The Gamblers, 1623 (oil on canvas)

MNS488008: The Gamblers, 1623 (oil on canvas), Brugghen, Hendrick Ter (1588-1629) / Bridgeman Images

ID: MNS488008

The Gamblers, 1623 (oil on canvas)

Brugghen, Hendrick Ter (1588-1629)

Sunset, c.1845 (w/c on paper)
Sunset, c.1845 (w/c on paper)

MAN495756: Sunset, c.1845 (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: MAN495756

Sunset, c.1845 (w/c on paper)

Turner, Joseph Mallord William (1775-1851)

The Call, 1902 (oil on fabric)
The Call, 1902 (oil on fabric)

XCL491272: The Call, 1902 (oil on fabric), Gauguin, Paul (1848-1903) / Bridgeman Images

ID: XCL491272

The Call, 1902 (oil on fabric)

Gauguin, Paul (1848-1903)

Advertisement for the 'Carbolic Smoke Ball Company', 1892 (engraving)
Advertisement for the 'Carbolic Smoke Ball Company', 1892 (engraving)

XJF486365: Advertisement for the 'Carbolic Smoke Ball Company', 1892 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF486365

Advertisement for the 'Carbolic Smoke Ball Company', 1892 (engraving)

English School, (19th century)

Spaniard and Mulatta Produce a Morisca, c.1715 (oil on canvas)
Spaniard and Mulatta Produce a Morisca, c.1715 (oil on canvas)

BRH470269: Spaniard and Mulatta Produce a Morisca, c.1715 (oil on canvas), Juarez, Juan Rodriguez (1675-1728) / Bridgeman Images

ID: BRH470269

Spaniard and Mulatta Produce a Morisca, c.1715 (oil on canvas)

Juarez, Juan Rodriguez (1675-1728)

Madonna at the Fountain, 1439 (oil on panel)
Madonna at the Fountain, 1439 (oil on panel)

LAF471200: Madonna at the Fountain, 1439 (oil on panel), Eyck, Jan van (c.1390-1441) / Bridgeman Images

ID: LAF471200

Madonna at the Fountain, 1439 (oil on panel)

Eyck, Jan van (c.1390-1441)

The meeting of Hector and Andromache
The meeting of Hector and Andromache

LLM455884: The meeting of Hector and Andromache, Flaxman, John (1755-1826) (after) / Bridgeman Images

ID: LLM455884

The meeting of Hector and Andromache

Flaxman, John (1755-1826) (after)

Blue Composition (oil on canvas)
Blue Composition (oil on canvas)

CH496152: Blue Composition (oil on canvas), Stael, Nicolas de (1914-55) / Bridgeman Images

ID: CH496152

Blue Composition (oil on canvas)

Stael, Nicolas de (1914-55)

Peasants going to Market, 1770-74 (black & white chalk, stump with grey & brown washes, with white heightening & gouache on prepared brown paper)
Peasants going to Market, 1770-74 (black & white chalk, stump with grey & brown washes, with white heightening & gouache on prepared brown paper)

GNS941795: Peasants going to Market, 1770-74 (black & white chalk, stump with grey & brown washes, with white heightening & gouache on prepared brown paper), Gainsborough, Thomas (1727-88) / Bridgeman Images

ID: GNS941795

Peasants going to Market, 1770-74 (black & white chalk, stump with grey & brown washes, with white heightening & gouache on prepared brown paper)

Gainsborough, Thomas (1727-88)

Portrait of Lord Bernard Stuart after Van Dyck, 1760s (oil on canvas)
Portrait of Lord Bernard Stuart after Van Dyck, 1760s (oil on canvas)

GNS941803: Portrait of Lord Bernard Stuart after Van Dyck, 1760s (oil on canvas), Gainsborough, Thomas (1727-88) / Bridgeman Images

ID: GNS941803

Portrait of Lord Bernard Stuart after Van Dyck, 1760s (oil on canvas)

Gainsborough, Thomas (1727-88)

The Annunciation in Fiesole, 1928 (oil on canvas)
The Annunciation in Fiesole, 1928 (oil on canvas)

CH908535: The Annunciation in Fiesole, 1928 (oil on canvas), Denis, Maurice (1870-1943) / Bridgeman Images

ID: CH908535

The Annunciation in Fiesole, 1928 (oil on canvas)

Denis, Maurice (1870-1943)

Regattas in the Port of Trouville-Deauville, c.1938 (oil on canvas)
Regattas in the Port of Trouville-Deauville, c.1938 (oil on canvas)

CH988530: Regattas in the Port of Trouville-Deauville, c.1938 (oil on canvas), Dufy, Raoul (1877-1953) / Bridgeman Images

ID: CH988530

Regattas in the Port of Trouville-Deauville, c.1938 (oil on canvas)

Dufy, Raoul (1877-1953)

The Coast of Varengeville, 1882 (oil on canvas)
The Coast of Varengeville, 1882 (oil on canvas)

CH988594: The Coast of Varengeville, 1882 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: CH988594

The Coast of Varengeville, 1882 (oil on canvas)

Monet, Claude (1840-1926)

Hourtide, (oil on canvas)
Hourtide, (oil on canvas)

CH984924: Hourtide, (oil on canvas), Potthast, Edward Henry (1857-1927) / Bridgeman Images

ID: CH984924

Hourtide, (oil on canvas)

Potthast, Edward Henry (1857-1927)

A View of London with St, (oil on canvas)
A View of London with St, (oil on canvas)

CH989936: A View of London with St, (oil on canvas), Gendall, John (1790-1865) / Bridgeman Images

ID: CH989936

A View of London with St, (oil on canvas)

Gendall, John (1790-1865)

An Arab plucking a Thorn from his Foot, (oil on canvas)
An Arab plucking a Thorn from his Foot, (oil on canvas)

CH989944: An Arab plucking a Thorn from his Foot, (oil on canvas), Bonnat, Leon Joseph Florentin (1833-1922) / Bridgeman Images

ID: CH989944

An Arab plucking a Thorn from his Foot, (oil on canvas)

Bonnat, Leon Joseph Florentin (1833-1922)

Algiers, 1886 (oil on canvas)
Algiers, 1886 (oil on canvas)

CH989322: Algiers, 1886 (oil on canvas), Bridgman, Frederick Arthur (1847-1928) / Bridgeman Images

ID: CH989322

Algiers, 1886 (oil on canvas)

Bridgman, Frederick Arthur (1847-1928)


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