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Cupid with Grapes (oil on canvas)
Cupid with Grapes (oil on canvas)

XIR214812: Cupid with Grapes (oil on canvas), Boucher, Francois (1703-70) (studio of) / Bridgeman Images

ID: XIR214812

Cupid with Grapes (oil on canvas)

Boucher, Francois (1703-70) (studio of)

How the inhabitants of Florida made decisions on important matters, from 'Brevis Narratio..', engraved by Theodore de Bry (1528-88) 1563 (coloured engraving)
How the inhabitants of Florida made decisions on important matters, from 'Brevis Narratio..', engraved by Theodore de Bry (1528-88) 1563 (coloured engraving)

XIR214142: How the inhabitants of Florida made decisions on important matters, from 'Brevis Narratio..', engraved by Theodore de Bry (1528-88) 1563 (coloured engraving), Le Moyne, Jacques (de Morgues) (1533-88) (after) / Bridgeman Images

ID: XIR214142

How the inhabitants of Florida made decisions on important matters, from 'Brevis Narratio..', engraved by Theodore de Bry (1528-88) 1563 (coloured engraving)

Le Moyne, Jacques (de Morgues) (1533-88) (after)

The Dublin General Post Office after the Easter Uprising of 1916 (b/w photo)
The Dublin General Post Office after the Easter Uprising of 1916 (b/w photo)

CHT214782: The Dublin General Post Office after the Easter Uprising of 1916 (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: CHT214782

The Dublin General Post Office after the Easter Uprising of 1916 (b/w photo)

English Photographer, (20th century)

James Brydges (1673-1744) 1st Duke of Chandos (oil on canvas)
James Brydges (1673-1744) 1st Duke of Chandos (oil on canvas)

SGS226049: James Brydges (1673-1744) 1st Duke of Chandos (oil on canvas), Dahl, Michael (1656-1743) / Bridgeman Images

ID: SGS226049

James Brydges (1673-1744) 1st Duke of Chandos (oil on canvas)

Dahl, Michael (1656-1743)

Ms E-7 fol.29b The Constellations of Sagittarius and Capricorn, illustration from 'The Wonders of the Creation and the Curiosities of Existence' by Zakariya'ibn Muhammad al-Qazwini (gouache on paper)
Ms E-7 fol.29b The Constellations of Sagittarius and Capricorn, illustration from 'The Wonders of the Creation and the Curiosities of Existence' by Zakariya'ibn Muhammad al-Qazwini (gouache on paper)

XIR352367: Ms E-7 fol.29b The Constellations of Sagittarius and Capricorn, illustration from 'The Wonders of the Creation and the Curiosities of Existence' by Zakariya'ibn Muhammad al-Qazwini (gouache on paper), Islamic School, (14th century) / Bridgeman Images

ID: XIR352367

Ms E-7 fol.29b The Constellations of Sagittarius and Capricorn, illustration from 'The Wonders of the Creation and the Curiosities of Existence' by Zakariya'ibn Muhammad al-Qazwini (gouache on paper)

Islamic School, (14th century)

Section of a Koran, Iran, Il-Khanid period (opaque watercolour, ink and gold on paper)
Section of a Koran, Iran, Il-Khanid period (opaque watercolour, ink and gold on paper)

FSG348678: Section of a Koran, Iran, Il-Khanid period (opaque watercolour, ink and gold on paper), Islamic School, (14th century) / Bridgeman Images

ID: FSG348678

Section of a Koran, Iran, Il-Khanid period (opaque watercolour, ink and gold on paper)

Islamic School, (14th century)

'
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STC267660: ' "Nothing could be better", said Holmes', illustration from 'The Stockbroker's Clerk' by Arthur Conan Doyle (1859-1930), published in 'Strand Magazine', March 1893 (engraving) (later colouration), Paget, Sidney (1860-1908) / Bridgeman Images

ID: STC267660

' "Nothing could be better", said Holmes', illustration from 'The Stockbroker's Clerk' by Arthur Conan Doyle (1859-1930), published in 'Strand Magazine', March 1893 (engraving) (later colouration)

Paget, Sidney (1860-1908)

John Bull Triumphant, published by William Humphrey, 4th January 1780 (coloured lithograph)
John Bull Triumphant, published by William Humphrey, 4th January 1780 (coloured lithograph)

XCF268672: John Bull Triumphant, published by William Humphrey, 4th January 1780 (coloured lithograph), Gillray, James (1757-1815) / Bridgeman Images

ID: XCF268672

John Bull Triumphant, published by William Humphrey, 4th January 1780 (coloured lithograph)

Gillray, James (1757-1815)

New and accurate map of the West Indies (colour litho)
New and accurate map of the West Indies (colour litho)

XCF274391: New and accurate map of the West Indies (colour litho), American School / Bridgeman Images

ID: XCF274391

New and accurate map of the West Indies (colour litho)

American School

Greater Flamingo, 1838 (w/c, egg whit & graphite on paper)
Greater Flamingo, 1838 (w/c, egg whit & graphite on paper)

NYH273492: Greater Flamingo, 1838 (w/c, egg whit & graphite on paper), Audubon, John James (1785-1851) / Bridgeman Images

ID: NYH273492

Greater Flamingo, 1838 (w/c, egg whit & graphite on paper)

Audubon, John James (1785-1851)

Beatrix Dussane in a radio recording studio, c.1936 (b/w photo)
Beatrix Dussane in a radio recording studio, c.1936 (b/w photo)

CHT276303: Beatrix Dussane in a radio recording studio, c.1936 (b/w photo), French Photographer, (20th century) / Bridgeman Images

ID: CHT276303

Beatrix Dussane in a radio recording studio, c.1936 (b/w photo)

French Photographer, (20th century)

Allegory of the Commune, 1871 (coloured engraving)
Allegory of the Commune, 1871 (coloured engraving)

XIR213947: Allegory of the Commune, 1871 (coloured engraving), Corseaux, J. (fl.1871) / Bridgeman Images

ID: XIR213947

Allegory of the Commune, 1871 (coloured engraving)

Corseaux, J. (fl.1871)

Exterior of Saint-Lazare station, sunlight effect, 1877 (oil on canvas)
Exterior of Saint-Lazare station, sunlight effect, 1877 (oil on canvas)

CH5916156: Exterior of Saint-Lazare station, sunlight effect, 1877 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: CH5916156

Exterior of Saint-Lazare station, sunlight effect, 1877 (oil on canvas)

Monet, Claude (1840-1926)

Interview of Napoleon I (1769-1821) and Francois II (1768-1835), 19th century (oil on canvas)
Interview of Napoleon I (1769-1821) and Francois II (1768-1835), 19th century (oil on canvas)

JLJ4645988: Interview of Napoleon I (1769-1821) and Francois II (1768-1835), 19th century (oil on canvas), Gros, Antoine Jean (1771-1835) / Bridgeman Images

ID: JLJ4645988

Interview of Napoleon I (1769-1821) and Francois II (1768-1835), 19th century (oil on canvas)

Gros, Antoine Jean (1771-1835)

View of the Town Hall (of Marseille) during the plague of 1720, (detail) 1721 (oil on canvas)
View of the Town Hall (of Marseille) during the plague of 1720, (detail) 1721 (oil on canvas)

JEB4961120: View of the Town Hall (of Marseille) during the plague of 1720, (detail) 1721 (oil on canvas), Serre, Michel (1658-1753) / Bridgeman Images

ID: JEB4961120

View of the Town Hall (of Marseille) during the plague of 1720, (detail) 1721 (oil on canvas)

Serre, Michel (1658-1753)

The Sacred Mistletoe - Gauls and their priests or Druids - Picking mistletoe from druids in Gaul - Druids Cutting the Mistletoe. End of the 19th century (chromolithograph)
The Sacred Mistletoe - Gauls and their priests or Druids - Picking mistletoe from druids in Gaul - Druids Cutting the Mistletoe. End of the 19th century (chromolithograph)

ELD4965285: The Sacred Mistletoe - Gauls and their priests or Druids - Picking mistletoe from druids in Gaul - Druids Cutting the Mistletoe. End of the 19th century (chromolithograph), French School, (19th century) / Bridgeman Images

ID: ELD4965285

The Sacred Mistletoe - Gauls and their priests or Druids - Picking mistletoe from druids in Gaul - Druids Cutting the Mistletoe. End of the 19th century (chromolithograph)

French School, (19th century)

Portrait of Henry David Thoreau (1817-62) American essayist, poet, philosopher (engraving)
Portrait of Henry David Thoreau (1817-62) American essayist, poet, philosopher (engraving)

XEE4163302: Portrait of Henry David Thoreau (1817-62) American essayist, poet, philosopher (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4163302

Portrait of Henry David Thoreau (1817-62) American essayist, poet, philosopher (engraving)

Unknown Artist, (19th century)

Study of an Old Woman, c.1600-1700 (oil on panel)
Study of an Old Woman, c.1600-1700 (oil on panel)

BAL7742: Study of an Old Woman, c.1600-1700 (oil on panel), Rembrandt Harmensz. van Rijn (1606-69) (after) / Bridgeman Images

ID: BAL7742

Study of an Old Woman, c.1600-1700 (oil on panel)

Rembrandt Harmensz. van Rijn (1606-69) (after)

Trafalgar Square, with The National Gallery and St. Martin's Church, engraved by Thomas Picken (fl.1838-d.1870) pub. 1852 by Lloyd Bros. & Co. (lithograph)
Trafalgar Square, with The National Gallery and St. Martin's Church, engraved by Thomas Picken (fl.1838-d.1870) pub. 1852 by Lloyd Bros. & Co. (lithograph)

GHL8772: Trafalgar Square, with The National Gallery and St. Martin's Church, engraved by Thomas Picken (fl.1838-d.1870) pub. 1852 by Lloyd Bros. & Co. (lithograph), Walker, Edmund (fl.1836-d.1882) (after) / Bridgeman Images

ID: GHL8772

Trafalgar Square, with The National Gallery and St. Martin's Church, engraved by Thomas Picken (fl.1838-d.1870) pub. 1852 by Lloyd Bros. & Co. (lithograph)

Walker, Edmund (fl.1836-d.1882) (after)

St. Gregory
St. Gregory

BH32374: St. Gregory, Sacchi, Andrea (1599-1661) / Bridgeman Images

ID: BH32374

St. Gregory

Sacchi, Andrea (1599-1661)

Marlow Ferry (w/c on paper)
Marlow Ferry (w/c on paper)

THA15362: Marlow Ferry (w/c on paper), Walker, Frederick (1840-75) / Bridgeman Images

ID: THA15362

Marlow Ferry (w/c on paper)

Walker, Frederick (1840-75)

The Casino, Monte Carlo, 1884 (oil on canvas)
The Casino, Monte Carlo, 1884 (oil on canvas)

CH15705: The Casino, Monte Carlo, 1884 (oil on canvas), Bokelman, Christian Ludwig (1844-94) / Bridgeman Images

ID: CH15705

The Casino, Monte Carlo, 1884 (oil on canvas)

Bokelman, Christian Ludwig (1844-94)

Exterior of St. Peter's, Rome, from the Piazza, 1868
Exterior of St. Peter's, Rome, from the Piazza, 1868

BAL39901: Exterior of St. Peter's, Rome, from the Piazza, 1868, Haghe, Louis (1806-85) / Bridgeman Images

ID: BAL39901

Exterior of St. Peter's, Rome, from the Piazza, 1868

Haghe, Louis (1806-85)

The Surgeon, 1638 (oil on panel)
The Surgeon, 1638 (oil on panel)

XIR18075: The Surgeon, 1638 (oil on panel), Ryckaert, David III (1612-61) / Bridgeman Images

ID: XIR18075

The Surgeon, 1638 (oil on panel)

Ryckaert, David III (1612-61)

Rue de la Paix, Paris,
Rue de la Paix, Paris,

BAL15178: Rue de la Paix, Paris, "Art Gout Beaute", 1920's (colour litho), French School, (20th century) / Bridgeman Images

ID: BAL15178

Rue de la Paix, Paris, "Art Gout Beaute", 1920's (colour litho)

French School, (20th century)

Winter Landscape (oil on panel)
Winter Landscape (oil on panel)

BAL47571: Winter Landscape (oil on panel), Brueghel, Pieter the Younger (c.1564-1638) / Bridgeman Images

ID: BAL47571

Winter Landscape (oil on panel)

Brueghel, Pieter the Younger (c.1564-1638)

Fol.197v An Indian spy observes the arrival of a Spanish ship on the Mexican coast, 1579 (vellum)
Fol.197v An Indian spy observes the arrival of a Spanish ship on the Mexican coast, 1579 (vellum)

XIR42211: Fol.197v An Indian spy observes the arrival of a Spanish ship on the Mexican coast, 1579 (vellum), Duran, Diego (16th century) / Bridgeman Images

ID: XIR42211

Fol.197v An Indian spy observes the arrival of a Spanish ship on the Mexican coast, 1579 (vellum)

Duran, Diego (16th century)

Jardin du Luxembourg, 1883 (oil on canvas)
Jardin du Luxembourg, 1883 (oil on canvas)

CH27089: Jardin du Luxembourg, 1883 (oil on canvas), Thaulow, Fritz (1847-1906) / Bridgeman Images

ID: CH27089

Jardin du Luxembourg, 1883 (oil on canvas)

Thaulow, Fritz (1847-1906)

The Divine Comedy, Inferno, Canto 1: Dante in the savage wood - by Dante Alighieri - 1885 (engraving)
The Divine Comedy, Inferno, Canto 1: Dante in the savage wood - by Dante Alighieri - 1885 (engraving)

XEE4145774: The Divine Comedy, Inferno, Canto 1: Dante in the savage wood - by Dante Alighieri - 1885 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4145774

The Divine Comedy, Inferno, Canto 1: Dante in the savage wood - by Dante Alighieri - 1885 (engraving)

Dore, Gustave (1832-83)

Alexander the Great giving Campaspe to Apelles, 1822 (oil on canvas)
Alexander the Great giving Campaspe to Apelles, 1822 (oil on canvas)

JLJ4598305: Alexander the Great giving Campaspe to Apelles, 1822 (oil on canvas), Meynier, Charles (1768-1832) / Bridgeman Images

ID: JLJ4598305

Alexander the Great giving Campaspe to Apelles, 1822 (oil on canvas)

Meynier, Charles (1768-1832)

The Annunciation and the Nativity. High relief of marble carved, 1298-1301
The Annunciation and the Nativity. High relief of marble carved, 1298-1301

LRI4595145: The Annunciation and the Nativity. High relief of marble carved, 1298-1301, Pisano, Giovanni (c.1245-p.1314) / Bridgeman Images

ID: LRI4595145

The Annunciation and the Nativity. High relief of marble carved, 1298-1301

Pisano, Giovanni (c.1245-p.1314)

Bison at rest. Upper Paleoloithic (Magdalenian) (rock painting)
Bison at rest. Upper Paleoloithic (Magdalenian) (rock painting)

LRI4649427: Bison at rest. Upper Paleoloithic (Magdalenian) (rock painting), Prehistoric / Bridgeman Images

ID: LRI4649427

Bison at rest. Upper Paleoloithic (Magdalenian) (rock painting)

Prehistoric

Emperor Napoleon I presents his son the King of Rome to the dignitaries of the Empire on 20/03/1811 (oil on canvas)
Emperor Napoleon I presents his son the King of Rome to the dignitaries of the Empire on 20/03/1811 (oil on canvas)

JLJ4642854: Emperor Napoleon I presents his son the King of Rome to the dignitaries of the Empire on 20/03/1811 (oil on canvas), Rouget, Georges (1784-1869) / Bridgeman Images

ID: JLJ4642854

Emperor Napoleon I presents his son the King of Rome to the dignitaries of the Empire on 20/03/1811 (oil on canvas)

Rouget, Georges (1784-1869)

Two young people playing and playing, 1751 (oil on canvas)
Two young people playing and playing, 1751 (oil on canvas)

JLJ4643201: Two young people playing and playing, 1751 (oil on canvas), Fragonard, Jean-Honore (1732-1806) / Bridgeman Images

ID: JLJ4643201

Two young people playing and playing, 1751 (oil on canvas)

Fragonard, Jean-Honore (1732-1806)

Roses in a Cup, 1882 (oil on canvas)
Roses in a Cup, 1882 (oil on canvas)

JLJ4644833: Roses in a Cup, 1882 (oil on canvas), Fantin-Latour, Henri (1836-1904) / Bridgeman Images

ID: JLJ4644833

Roses in a Cup, 1882 (oil on canvas)

Fantin-Latour, Henri (1836-1904)

Baudelaire and President Sabatier. An intimate and unfinished painting depicting the poet Charles Baudelaire (1821-1867) and his muse mistress Apollonie Aglae Sabatier (1822-1889), known as the president who hosted a worldly salon in 19th century Paris. The hugging of lovers and the luminous whiteness of the woman's body confers to the canvas an eroticism daring for the period, sensuality reinforced by the pose of the woman that recalls the mythological theme of Leda. Painting directed to Thomas Couture (1811-1879), oil on canvas, circa 1850. 19th century French Art. Museum of Fine Arts in Clermont Ferrand (Clermont-Ferrand).
Baudelaire and President Sabatier. An intimate and unfinished painting depicting the poet Charles Baudelaire (1821-1867) and his muse mistress Apollonie Aglae Sabatier (1822-1889), known as the president who hosted a worldly salon in 19th century Paris. The hugging of lovers and the luminous whiteness of the woman's body confers to the canvas an eroticism daring for the period, sensuality reinforced by the pose of the woman that recalls the mythological theme of Leda. Painting directed to Thomas Couture (1811-1879), oil on canvas, circa 1850. 19th century French Art. Museum of Fine Arts in Clermont Ferrand (Clermont-Ferrand).

LSE4313476: Baudelaire and President Sabatier. An intimate and unfinished painting depicting the poet Charles Baudelaire (1821-1867) and his muse mistress Apollonie Aglae Sabatier (1822-1889), known as the president who hosted a worldly salon in 19th century Paris. The hugging of lovers and the luminous whiteness of the woman's body confers to the canvas an eroticism daring for the period, sensuality reinforced by the pose of the woman that recalls the mythological theme of Leda. Painting directed to Thomas Couture (1811-1879), oil on canvas, circa 1850. 19th century French Art. Museum of Fine Arts in Clermont Ferrand (Clermont-Ferrand)., Couture, Thomas (1815-79) / Bridgeman Images

ID: LSE4313476

Baudelaire and President Sabatier. An intimate and unfinished painting depicting the poet Charles Baudelaire (1821-1867) and his muse mistress Apollonie Aglae Sabatier (1822-1889), known as the president who hosted a worldly salon in 19th century Paris. The hugging of lovers and the luminous whiteness of the woman's body confers to the canvas an eroticism daring for the period, sensuality reinforced by the pose of the woman that recalls the mythological theme of Leda. Painting directed to Thomas Couture (1811-1879), oil on canvas, circa 1850. 19th century French Art. Museum of Fine Arts in Clermont Ferrand (Clermont-Ferrand).

Couture, Thomas (1815-79)


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