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Exterior of Saint-Lazare station, sunlight effect, 1877 (oil on canvas)
Exterior of Saint-Lazare station, sunlight effect, 1877 (oil on canvas)

CH5916156: Exterior of Saint-Lazare station, sunlight effect, 1877 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: CH5916156

Exterior of Saint-Lazare station, sunlight effect, 1877 (oil on canvas)

Monet, Claude (1840-1926)

Interview of Napoleon I (1769-1821) and Francois II (1768-1835), 19th century (oil on canvas)
Interview of Napoleon I (1769-1821) and Francois II (1768-1835), 19th century (oil on canvas)

JLJ4645988: Interview of Napoleon I (1769-1821) and Francois II (1768-1835), 19th century (oil on canvas), Gros, Antoine Jean (1771-1835) / Bridgeman Images

ID: JLJ4645988

Interview of Napoleon I (1769-1821) and Francois II (1768-1835), 19th century (oil on canvas)

Gros, Antoine Jean (1771-1835)

View of the Town Hall (of Marseille) during the plague of 1720, (detail) 1721 (oil on canvas)
View of the Town Hall (of Marseille) during the plague of 1720, (detail) 1721 (oil on canvas)

JEB4961120: View of the Town Hall (of Marseille) during the plague of 1720, (detail) 1721 (oil on canvas), Serre, Michel (1658-1753) / Bridgeman Images

ID: JEB4961120

View of the Town Hall (of Marseille) during the plague of 1720, (detail) 1721 (oil on canvas)

Serre, Michel (1658-1753)

The Sacred Mistletoe - Gauls and their priests or Druids - Picking mistletoe from druids in Gaul - Druids Cutting the Mistletoe. End of the 19th century (chromolithograph)
The Sacred Mistletoe - Gauls and their priests or Druids - Picking mistletoe from druids in Gaul - Druids Cutting the Mistletoe. End of the 19th century (chromolithograph)

ELD4965285: The Sacred Mistletoe - Gauls and their priests or Druids - Picking mistletoe from druids in Gaul - Druids Cutting the Mistletoe. End of the 19th century (chromolithograph), French School, (19th century) / Bridgeman Images

ID: ELD4965285

The Sacred Mistletoe - Gauls and their priests or Druids - Picking mistletoe from druids in Gaul - Druids Cutting the Mistletoe. End of the 19th century (chromolithograph)

French School, (19th century)

Portrait of Henry David Thoreau (1817-62) American essayist, poet, philosopher (engraving)
Portrait of Henry David Thoreau (1817-62) American essayist, poet, philosopher (engraving)

XEE4163302: Portrait of Henry David Thoreau (1817-62) American essayist, poet, philosopher (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4163302

Portrait of Henry David Thoreau (1817-62) American essayist, poet, philosopher (engraving)

Unknown Artist, (19th century)

Study of an Old Woman, c.1600-1700 (oil on panel)
Study of an Old Woman, c.1600-1700 (oil on panel)

BAL7742: Study of an Old Woman, c.1600-1700 (oil on panel), Rembrandt Harmensz. van Rijn (1606-69) (after) / Bridgeman Images

ID: BAL7742

Study of an Old Woman, c.1600-1700 (oil on panel)

Rembrandt Harmensz. van Rijn (1606-69) (after)

Trafalgar Square, with The National Gallery and St. Martin's Church, engraved by Thomas Picken (fl.1838-d.1870) pub. 1852 by Lloyd Bros. & Co. (lithograph)
Trafalgar Square, with The National Gallery and St. Martin's Church, engraved by Thomas Picken (fl.1838-d.1870) pub. 1852 by Lloyd Bros. & Co. (lithograph)

GHL8772: Trafalgar Square, with The National Gallery and St. Martin's Church, engraved by Thomas Picken (fl.1838-d.1870) pub. 1852 by Lloyd Bros. & Co. (lithograph), Walker, Edmund (fl.1836-d.1882) (after) / Bridgeman Images

ID: GHL8772

Trafalgar Square, with The National Gallery and St. Martin's Church, engraved by Thomas Picken (fl.1838-d.1870) pub. 1852 by Lloyd Bros. & Co. (lithograph)

Walker, Edmund (fl.1836-d.1882) (after)

St. Gregory
St. Gregory

BH32374: St. Gregory, Sacchi, Andrea (1599-1661) / Bridgeman Images

ID: BH32374

St. Gregory

Sacchi, Andrea (1599-1661)

Marlow Ferry (w/c on paper)
Marlow Ferry (w/c on paper)

THA15362: Marlow Ferry (w/c on paper), Walker, Frederick (1840-75) / Bridgeman Images

ID: THA15362

Marlow Ferry (w/c on paper)

Walker, Frederick (1840-75)

The Casino, Monte Carlo, 1884 (oil on canvas)
The Casino, Monte Carlo, 1884 (oil on canvas)

CH15705: The Casino, Monte Carlo, 1884 (oil on canvas), Bokelman, Christian Ludwig (1844-94) / Bridgeman Images

ID: CH15705

The Casino, Monte Carlo, 1884 (oil on canvas)

Bokelman, Christian Ludwig (1844-94)

Exterior of St. Peter's, Rome, from the Piazza, 1868
Exterior of St. Peter's, Rome, from the Piazza, 1868

BAL39901: Exterior of St. Peter's, Rome, from the Piazza, 1868, Haghe, Louis (1806-85) / Bridgeman Images

ID: BAL39901

Exterior of St. Peter's, Rome, from the Piazza, 1868

Haghe, Louis (1806-85)

The Surgeon, 1638 (oil on panel)
The Surgeon, 1638 (oil on panel)

XIR18075: The Surgeon, 1638 (oil on panel), Ryckaert, David III (1612-61) / Bridgeman Images

ID: XIR18075

The Surgeon, 1638 (oil on panel)

Ryckaert, David III (1612-61)

Rue de la Paix, Paris,
Rue de la Paix, Paris,

BAL15178: Rue de la Paix, Paris, "Art Gout Beaute", 1920's (colour litho), French School, (20th century) / Bridgeman Images

ID: BAL15178

Rue de la Paix, Paris, "Art Gout Beaute", 1920's (colour litho)

French School, (20th century)

Winter Landscape (oil on panel)
Winter Landscape (oil on panel)

BAL47571: Winter Landscape (oil on panel), Brueghel, Pieter the Younger (c.1564-1638) / Bridgeman Images

ID: BAL47571

Winter Landscape (oil on panel)

Brueghel, Pieter the Younger (c.1564-1638)

Fol.197v An Indian spy observes the arrival of a Spanish ship on the Mexican coast, 1579 (vellum)
Fol.197v An Indian spy observes the arrival of a Spanish ship on the Mexican coast, 1579 (vellum)

XIR42211: Fol.197v An Indian spy observes the arrival of a Spanish ship on the Mexican coast, 1579 (vellum), Duran, Diego (16th century) / Bridgeman Images

ID: XIR42211

Fol.197v An Indian spy observes the arrival of a Spanish ship on the Mexican coast, 1579 (vellum)

Duran, Diego (16th century)

Jardin du Luxembourg, 1883 (oil on canvas)
Jardin du Luxembourg, 1883 (oil on canvas)

CH27089: Jardin du Luxembourg, 1883 (oil on canvas), Thaulow, Fritz (1847-1906) / Bridgeman Images

ID: CH27089

Jardin du Luxembourg, 1883 (oil on canvas)

Thaulow, Fritz (1847-1906)

The Divine Comedy, Inferno, Canto 1: Dante in the savage wood - by Dante Alighieri - 1885 (engraving)
The Divine Comedy, Inferno, Canto 1: Dante in the savage wood - by Dante Alighieri - 1885 (engraving)

XEE4145774: The Divine Comedy, Inferno, Canto 1: Dante in the savage wood - by Dante Alighieri - 1885 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4145774

The Divine Comedy, Inferno, Canto 1: Dante in the savage wood - by Dante Alighieri - 1885 (engraving)

Dore, Gustave (1832-83)

Alexander the Great giving Campaspe to Apelles, 1822 (oil on canvas)
Alexander the Great giving Campaspe to Apelles, 1822 (oil on canvas)

JLJ4598305: Alexander the Great giving Campaspe to Apelles, 1822 (oil on canvas), Meynier, Charles (1768-1832) / Bridgeman Images

ID: JLJ4598305

Alexander the Great giving Campaspe to Apelles, 1822 (oil on canvas)

Meynier, Charles (1768-1832)

The Annunciation and the Nativity. High relief of marble carved, 1298-1301
The Annunciation and the Nativity. High relief of marble carved, 1298-1301

LRI4595145: The Annunciation and the Nativity. High relief of marble carved, 1298-1301, Pisano, Giovanni (c.1245-p.1314) / Bridgeman Images

ID: LRI4595145

The Annunciation and the Nativity. High relief of marble carved, 1298-1301

Pisano, Giovanni (c.1245-p.1314)

Bison at rest. Upper Paleoloithic (Magdalenian) (rock painting)
Bison at rest. Upper Paleoloithic (Magdalenian) (rock painting)

LRI4649427: Bison at rest. Upper Paleoloithic (Magdalenian) (rock painting), Prehistoric / Bridgeman Images

ID: LRI4649427

Bison at rest. Upper Paleoloithic (Magdalenian) (rock painting)

Prehistoric

Emperor Napoleon I presents his son the King of Rome to the dignitaries of the Empire on 20/03/1811 (oil on canvas)
Emperor Napoleon I presents his son the King of Rome to the dignitaries of the Empire on 20/03/1811 (oil on canvas)

JLJ4642854: Emperor Napoleon I presents his son the King of Rome to the dignitaries of the Empire on 20/03/1811 (oil on canvas), Rouget, Georges (1784-1869) / Bridgeman Images

ID: JLJ4642854

Emperor Napoleon I presents his son the King of Rome to the dignitaries of the Empire on 20/03/1811 (oil on canvas)

Rouget, Georges (1784-1869)

Two young people playing and playing, 1751 (oil on canvas)
Two young people playing and playing, 1751 (oil on canvas)

JLJ4643201: Two young people playing and playing, 1751 (oil on canvas), Fragonard, Jean-Honore (1732-1806) / Bridgeman Images

ID: JLJ4643201

Two young people playing and playing, 1751 (oil on canvas)

Fragonard, Jean-Honore (1732-1806)

Roses in a Cup, 1882 (oil on canvas)
Roses in a Cup, 1882 (oil on canvas)

JLJ4644833: Roses in a Cup, 1882 (oil on canvas), Fantin-Latour, Henri (1836-1904) / Bridgeman Images

ID: JLJ4644833

Roses in a Cup, 1882 (oil on canvas)

Fantin-Latour, Henri (1836-1904)

Baudelaire and President Sabatier. An intimate and unfinished painting depicting the poet Charles Baudelaire (1821-1867) and his muse mistress Apollonie Aglae Sabatier (1822-1889), known as the president who hosted a worldly salon in 19th century Paris. The hugging of lovers and the luminous whiteness of the woman's body confers to the canvas an eroticism daring for the period, sensuality reinforced by the pose of the woman that recalls the mythological theme of Leda. Painting directed to Thomas Couture (1811-1879), oil on canvas, circa 1850. 19th century French Art. Museum of Fine Arts in Clermont Ferrand (Clermont-Ferrand).
Baudelaire and President Sabatier. An intimate and unfinished painting depicting the poet Charles Baudelaire (1821-1867) and his muse mistress Apollonie Aglae Sabatier (1822-1889), known as the president who hosted a worldly salon in 19th century Paris. The hugging of lovers and the luminous whiteness of the woman's body confers to the canvas an eroticism daring for the period, sensuality reinforced by the pose of the woman that recalls the mythological theme of Leda. Painting directed to Thomas Couture (1811-1879), oil on canvas, circa 1850. 19th century French Art. Museum of Fine Arts in Clermont Ferrand (Clermont-Ferrand).

LSE4313476: Baudelaire and President Sabatier. An intimate and unfinished painting depicting the poet Charles Baudelaire (1821-1867) and his muse mistress Apollonie Aglae Sabatier (1822-1889), known as the president who hosted a worldly salon in 19th century Paris. The hugging of lovers and the luminous whiteness of the woman's body confers to the canvas an eroticism daring for the period, sensuality reinforced by the pose of the woman that recalls the mythological theme of Leda. Painting directed to Thomas Couture (1811-1879), oil on canvas, circa 1850. 19th century French Art. Museum of Fine Arts in Clermont Ferrand (Clermont-Ferrand)., Couture, Thomas (1815-79) / Bridgeman Images

ID: LSE4313476

Baudelaire and President Sabatier. An intimate and unfinished painting depicting the poet Charles Baudelaire (1821-1867) and his muse mistress Apollonie Aglae Sabatier (1822-1889), known as the president who hosted a worldly salon in 19th century Paris. The hugging of lovers and the luminous whiteness of the woman's body confers to the canvas an eroticism daring for the period, sensuality reinforced by the pose of the woman that recalls the mythological theme of Leda. Painting directed to Thomas Couture (1811-1879), oil on canvas, circa 1850. 19th century French Art. Museum of Fine Arts in Clermont Ferrand (Clermont-Ferrand).

Couture, Thomas (1815-79)

Herd of Bison on the Upper Missouri, plate 40 from Volume 2 of 'Travels in the Interior of North America', engraved by William James Bishop (1805-88) and Sigismond Himely (1801-72) 1844 (aquatint)
Herd of Bison on the Upper Missouri, plate 40 from Volume 2 of 'Travels in the Interior of North America', engraved by William James Bishop (1805-88) and Sigismond Himely (1801-72) 1844 (aquatint)

STC103858: Herd of Bison on the Upper Missouri, plate 40 from Volume 2 of 'Travels in the Interior of North America', engraved by William James Bishop (1805-88) and Sigismond Himely (1801-72) 1844 (aquatint), Bodmer, Karl (1809-93) (after) / Bridgeman Images

ID: STC103858

Herd of Bison on the Upper Missouri, plate 40 from Volume 2 of 'Travels in the Interior of North America', engraved by William James Bishop (1805-88) and Sigismond Himely (1801-72) 1844 (aquatint)

Bodmer, Karl (1809-93) (after)

Frontispiece to 'Eighty Sermons Preached by that Learned and Reverend Divine, John Donne', pub. 1640 (engraving)
Frontispiece to 'Eighty Sermons Preached by that Learned and Reverend Divine, John Donne', pub. 1640 (engraving)

XJF105731: Frontispiece to 'Eighty Sermons Preached by that Learned and Reverend Divine, John Donne', pub. 1640 (engraving), Merian, Mattaus the Younger (1621-87) / Bridgeman Images

ID: XJF105731

Frontispiece to 'Eighty Sermons Preached by that Learned and Reverend Divine, John Donne', pub. 1640 (engraving)

Merian, Mattaus the Younger (1621-87)

The Hussars (oil on canvas)
The Hussars (oil on canvas)

CH96324: The Hussars (oil on canvas), Neuville, Alphonse Marie de (1835-85) / Bridgeman Images

ID: CH96324

The Hussars (oil on canvas)

Neuville, Alphonse Marie de (1835-85)

Ackroyd's Loom-Shed at Halifax (Worsted Goods) (engraving)
Ackroyd's Loom-Shed at Halifax (Worsted Goods) (engraving)

XJF105873: Ackroyd's Loom-Shed at Halifax (Worsted Goods) (engraving), English School, (18th century) / Bridgeman Images

ID: XJF105873

Ackroyd's Loom-Shed at Halifax (Worsted Goods) (engraving)

English School, (18th century)

A Shilling for the King, 1812 (w/c on paper)
A Shilling for the King, 1812 (w/c on paper)

CJP108784: A Shilling for the King, 1812 (w/c on paper), English School, (19th century) / Bridgeman Images

ID: CJP108784

A Shilling for the King, 1812 (w/c on paper)

English School, (19th century)

A Commedia Dell'Arte Troupe Before a Renaissance Town (oil on panel)
A Commedia Dell'Arte Troupe Before a Renaissance Town (oil on panel)

PFA109545: A Commedia Dell'Arte Troupe Before a Renaissance Town (oil on panel), Bianco, Baccio del (1604-56) (attr. to) / Bridgeman Images

ID: PFA109545

A Commedia Dell'Arte Troupe Before a Renaissance Town (oil on panel)

Bianco, Baccio del (1604-56) (attr. to)

Self Portrait at the age of about Forty, c.1772-3
Self Portrait at the age of about Forty, c.1772-3

BAL72364: Self Portrait at the age of about Forty, c.1772-3, Wright of Derby, Joseph (1734-97) / Bridgeman Images

ID: BAL72364

Self Portrait at the age of about Forty, c.1772-3

Wright of Derby, Joseph (1734-97)

Iris xiphium, engraved by Langlois, from 'Choix des Plus Belles Fleurs', 1827 (coloured engraving)
Iris xiphium, engraved by Langlois, from 'Choix des Plus Belles Fleurs', 1827 (coloured engraving)

NP125906: Iris xiphium, engraved by Langlois, from 'Choix des Plus Belles Fleurs', 1827 (coloured engraving), Redoute, Pierre Joseph (1759-1840) (after) / Bridgeman Images

ID: NP125906

Iris xiphium, engraved by Langlois, from 'Choix des Plus Belles Fleurs', 1827 (coloured engraving)

Redoute, Pierre Joseph (1759-1840) (after)

The Bakery in de Geest, 1882 (pencil and charcoal on vellum)
The Bakery in de Geest, 1882 (pencil and charcoal on vellum)

HGM81105: The Bakery in de Geest, 1882 (pencil and charcoal on vellum), Gogh, Vincent van (1853-90) / Bridgeman Images

ID: HGM81105

The Bakery in de Geest, 1882 (pencil and charcoal on vellum)

Gogh, Vincent van (1853-90)

Tycho Brahe (1546-1601) (oil on canvas) (b&w photo)
Tycho Brahe (1546-1601) (oil on canvas) (b&w photo)

XJF115856: Tycho Brahe (1546-1601) (oil on canvas) (b&w photo), Danish School, (16th century) / Bridgeman Images

ID: XJF115856

Tycho Brahe (1546-1601) (oil on canvas) (b&w photo)

Danish School, (16th century)

Louveciennes, detail of lovers (oil on canvas)
Louveciennes, detail of lovers (oil on canvas)

SOU112507: Louveciennes, detail of lovers (oil on canvas), Pissarro, Camille (1830-1903) / Bridgeman Images

ID: SOU112507

Louveciennes, detail of lovers (oil on canvas)

Pissarro, Camille (1830-1903)

Samuel Richardson, 1747
Samuel Richardson, 1747

BAL72337: Samuel Richardson, 1747, Highmore, Joseph (1692-1780) / Bridgeman Images

ID: BAL72337

Samuel Richardson, 1747

Highmore, Joseph (1692-1780)


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