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Frontispiece to 'Quattro libri dell'architettura' by Andrea Palladio, 1570 (engraving)
Frontispiece to 'Quattro libri dell'architettura' by Andrea Palladio, 1570 (engraving)

XJF394200: Frontispiece to 'Quattro libri dell'architettura' by Andrea Palladio, 1570 (engraving), Italian School, (16th century) / Bridgeman Images

ID: XJF394200

Frontispiece to 'Quattro libri dell'architettura' by Andrea Palladio, 1570 (engraving)

Italian School, (16th century)

Still life of pie, 1884 (oil on canvas)
Still life of pie, 1884 (oil on canvas)

XIR390379: Still life of pie, 1884 (oil on canvas), Fouace, Guillaume Romain (1827-95) / Bridgeman Images

ID: XIR390379

Still life of pie, 1884 (oil on canvas)

Fouace, Guillaume Romain (1827-95)

Byzantine mosaic depicting fish and loaves of bread (ceramic tiles)
Byzantine mosaic depicting fish and loaves of bread (ceramic tiles)

BLP398126: Byzantine mosaic depicting fish and loaves of bread (ceramic tiles), Israeli School, (5th Century) / Bridgeman Images

ID: BLP398126

Byzantine mosaic depicting fish and loaves of bread (ceramic tiles)

Israeli School, (5th Century)

Coins of Emperor Nero (metal)
Coins of Emperor Nero (metal)

BLP398292: Coins of Emperor Nero (metal), Roman, (1st century AD) / Bridgeman Images

ID: BLP398292

Coins of Emperor Nero (metal)

Roman, (1st century AD)

Bouquet, 1884 (oil on canvas)
Bouquet, 1884 (oil on canvas)

XAB385515: Bouquet, 1884 (oil on canvas), Gauguin, Paul (1848-1903) / Bridgeman Images

ID: XAB385515

Bouquet, 1884 (oil on canvas)

Gauguin, Paul (1848-1903)

'Die Simplonlinie an den Gestaden des Genfersees', poster advertising rail travel around Lake Geneva, 1949 (colour litho)
'Die Simplonlinie an den Gestaden des Genfersees', poster advertising rail travel around Lake Geneva, 1949 (colour litho)

SIT370346: 'Die Simplonlinie an den Gestaden des Genfersees', poster advertising rail travel around Lake Geneva, 1949 (colour litho), Cardinaux, Emil (1877-1936) / Bridgeman Images

ID: SIT370346

'Die Simplonlinie an den Gestaden des Genfersees', poster advertising rail travel around Lake Geneva, 1949 (colour litho)

Cardinaux, Emil (1877-1936)

The Galerie Durand-Ruel, 103, rue des Petits-Champs, Paris, 2nd half 19th century (litho)
The Galerie Durand-Ruel, 103, rue des Petits-Champs, Paris, 2nd half 19th century (litho)

CHT488597: The Galerie Durand-Ruel, 103, rue des Petits-Champs, Paris, 2nd half 19th century (litho), French School, (19th century) / Bridgeman Images

ID: CHT488597

The Galerie Durand-Ruel, 103, rue des Petits-Champs, Paris, 2nd half 19th century (litho)

French School, (19th century)

The Repentant Prodigal's Return to his Father (oil on panel)
The Repentant Prodigal's Return to his Father (oil on panel)

AMO497472: The Repentant Prodigal's Return to his Father (oil on panel), Etty, William (1787-1849) / Bridgeman Images

ID: AMO497472

The Repentant Prodigal's Return to his Father (oil on panel)

Etty, William (1787-1849)

Esau Selling his Birthright to Jacob, 1630 (oil on canvas)
Esau Selling his Birthright to Jacob, 1630 (oil on canvas)

XIR205490: Esau Selling his Birthright to Jacob, 1630 (oil on canvas), Corneille, Michel (1602-64) / Bridgeman Images

ID: XIR205490

Esau Selling his Birthright to Jacob, 1630 (oil on canvas)

Corneille, Michel (1602-64)

Calvary or, The Road to Calvary, 1889 (oil on canvas)
Calvary or, The Road to Calvary, 1889 (oil on canvas)

XIR205491: Calvary or, The Road to Calvary, 1889 (oil on canvas), Denis, Maurice (1870-1943) / Bridgeman Images

ID: XIR205491

Calvary or, The Road to Calvary, 1889 (oil on canvas)

Denis, Maurice (1870-1943)

Mademoiselle Dumesnil (1713-1803) in the Role of Agrippina in 'Britannicus' by Jean Racine (1639-99) engraved by Francois Seraphin Delpech (1778-1825) 1740 (colour litho)
Mademoiselle Dumesnil (1713-1803) in the Role of Agrippina in 'Britannicus' by Jean Racine (1639-99) engraved by Francois Seraphin Delpech (1778-1825) 1740 (colour litho)

XIR212842: Mademoiselle Dumesnil (1713-1803) in the Role of Agrippina in 'Britannicus' by Jean Racine (1639-99) engraved by Francois Seraphin Delpech (1778-1825) 1740 (colour litho), Lecomte, Hippolyte (1781-1857) (after) / Bridgeman Images

ID: XIR212842

Mademoiselle Dumesnil (1713-1803) in the Role of Agrippina in 'Britannicus' by Jean Racine (1639-99) engraved by Francois Seraphin Delpech (1778-1825) 1740 (colour litho)

Lecomte, Hippolyte (1781-1857) (after)

Cover of a programme for 'Le Missionaire' at the Theatre Libre, 1893-94 (colour litho) (see also 202671)
Cover of a programme for 'Le Missionaire' at the Theatre Libre, 1893-94 (colour litho) (see also 202671)

XIR212843: Cover of a programme for 'Le Missionaire' at the Theatre Libre, 1893-94 (colour litho) (see also 202671), Toulouse-Lautrec, Henri de (1864-1901) / Bridgeman Images

ID: XIR212843

Cover of a programme for 'Le Missionaire' at the Theatre Libre, 1893-94 (colour litho) (see also 202671)

Toulouse-Lautrec, Henri de (1864-1901)

The Descent from the Cross, c.1614-15 (oil on canvas)
The Descent from the Cross, c.1614-15 (oil on canvas)

XIR212907: The Descent from the Cross, c.1614-15 (oil on canvas), Rubens, Peter Paul (1577-1640) / Bridgeman Images

ID: XIR212907

The Descent from the Cross, c.1614-15 (oil on canvas)

Rubens, Peter Paul (1577-1640)

Holland Including the Seven United Provinces of the Low Countries, from 'Atlas de Toutes les Parties Connues du Globe Terrestre' by Guillaume Raynal (1713-96) published 1780 (coloured engraving)
Holland Including the Seven United Provinces of the Low Countries, from 'Atlas de Toutes les Parties Connues du Globe Terrestre' by Guillaume Raynal (1713-96) published 1780 (coloured engraving)

KWE206605: Holland Including the Seven United Provinces of the Low Countries, from 'Atlas de Toutes les Parties Connues du Globe Terrestre' by Guillaume Raynal (1713-96) published 1780 (coloured engraving), Bonne, Charles Marie Rigobert (1727-95) / Bridgeman Images

ID: KWE206605

Holland Including the Seven United Provinces of the Low Countries, from 'Atlas de Toutes les Parties Connues du Globe Terrestre' by Guillaume Raynal (1713-96) published 1780 (coloured engraving)

Bonne, Charles Marie Rigobert (1727-95)

Bathers or Two Nude Women, c.1858 (oil on canvas)
Bathers or Two Nude Women, c.1858 (oil on canvas)

XIR243444: Bathers or Two Nude Women, c.1858 (oil on canvas), Courbet, Gustave (1819-77) & Hanoteau, Hector (1823-90) / Bridgeman Images

ID: XIR243444

Bathers or Two Nude Women, c.1858 (oil on canvas)

Courbet, Gustave (1819-77) & Hanoteau, Hector (1823-90)

Assortment of gardening tools, from the 'Encyclopedie des Sciences et Metiers' by Denis Diderot (1713-84) published c.1770 (engraving)
Assortment of gardening tools, from the 'Encyclopedie des Sciences et Metiers' by Denis Diderot (1713-84) published c.1770 (engraving)

STC243951: Assortment of gardening tools, from the 'Encyclopedie des Sciences et Metiers' by Denis Diderot (1713-84) published c.1770 (engraving), French School, (18th century) / Bridgeman Images

ID: STC243951

Assortment of gardening tools, from the 'Encyclopedie des Sciences et Metiers' by Denis Diderot (1713-84) published c.1770 (engraving)

French School, (18th century)

Alexander III (356-323 BC) the Great before the Tomb of Achilles (oil on canvas)
Alexander III (356-323 BC) the Great before the Tomb of Achilles (oil on canvas)

XIR244148: Alexander III (356-323 BC) the Great before the Tomb of Achilles (oil on canvas), Pannini or Panini, Giovanni Paolo (1691/2-1765) / Bridgeman Images

ID: XIR244148

Alexander III (356-323 BC) the Great before the Tomb of Achilles (oil on canvas)

Pannini or Panini, Giovanni Paolo (1691/2-1765)

Martin Luther (1483-1546) writing on the church door at Wittenberg in 1517 (engraving)
Martin Luther (1483-1546) writing on the church door at Wittenberg in 1517 (engraving)

XIR242407: Martin Luther (1483-1546) writing on the church door at Wittenberg in 1517 (engraving), Swiss School, (16th century) / Bridgeman Images

ID: XIR242407

Martin Luther (1483-1546) writing on the church door at Wittenberg in 1517 (engraving)

Swiss School, (16th century)

Japanese Crab Apple Blossom, Kew, 1921 (oil on canvas)
Japanese Crab Apple Blossom, Kew, 1921 (oil on canvas)

AGN252256: Japanese Crab Apple Blossom, Kew, 1921 (oil on canvas), Pissarro, Lucien (1863-1944) / Bridgeman Images

ID: AGN252256

Japanese Crab Apple Blossom, Kew, 1921 (oil on canvas)

Pissarro, Lucien (1863-1944)

New and accurate map of the West Indies (colour litho)
New and accurate map of the West Indies (colour litho)

XCF274391: New and accurate map of the West Indies (colour litho), American School / Bridgeman Images

ID: XCF274391

New and accurate map of the West Indies (colour litho)

American School

Fluorite
Fluorite

UCL273843: Fluorite / Bridgeman Images

ID: UCL273843

Fluorite

Leaving the Bath, c.1926-30 (oil on canvas)
Leaving the Bath, c.1926-30 (oil on canvas)

XIR262767: Leaving the Bath, c.1926-30 (oil on canvas), Bonnard, Pierre (1867-1947) / Bridgeman Images

ID: XIR262767

Leaving the Bath, c.1926-30 (oil on canvas)

Bonnard, Pierre (1867-1947)

Jezzar Pacha (c.1720-1804) condemning a criminal (colour engraving)
Jezzar Pacha (c.1720-1804) condemning a criminal (colour engraving)

CHT263045: Jezzar Pacha (c.1720-1804) condemning a criminal (colour engraving), Orme, Edward (1774-c.1820) (after) / Bridgeman Images

ID: CHT263045

Jezzar Pacha (c.1720-1804) condemning a criminal (colour engraving)

Orme, Edward (1774-c.1820) (after)

Captain William Kidd burying his Bible, 1844 (engraving)
Captain William Kidd burying his Bible, 1844 (engraving)

XJF261186: Captain William Kidd burying his Bible, 1844 (engraving), English School, (18th century) (after) / Bridgeman Images

ID: XJF261186

Captain William Kidd burying his Bible, 1844 (engraving)

English School, (18th century) (after)

View from Highgate Hill (oil on canvas)
View from Highgate Hill (oil on canvas)

OJ264765: View from Highgate Hill (oil on canvas), Constable, John (1776-1837) / Bridgeman Images

ID: OJ264765

View from Highgate Hill (oil on canvas)

Constable, John (1776-1837)

The Flayed Angel', from 'Myologie Complette en Couleur et Grandeur Naturelle', 1746 (mezzotint)
The Flayed Angel', from 'Myologie Complette en Couleur et Grandeur Naturelle', 1746 (mezzotint)

CHT235060: The Flayed Angel', from 'Myologie Complette en Couleur et Grandeur Naturelle', 1746 (mezzotint), Gautier d'Agoty, Jacques-Fabien (1710-81) / Bridgeman Images

ID: CHT235060

The Flayed Angel', from 'Myologie Complette en Couleur et Grandeur Naturelle', 1746 (mezzotint)

Gautier d'Agoty, Jacques-Fabien (1710-81)

The Steel Balm, engraved by Francois Seraphin Delpech (1778-1825) c.1826 (colour litho)
The Steel Balm, engraved by Francois Seraphin Delpech (1778-1825) c.1826 (colour litho)

CHT235304: The Steel Balm, engraved by Francois Seraphin Delpech (1778-1825) c.1826 (colour litho), Boilly, Louis Leopold (1761-1845) / Bridgeman Images

ID: CHT235304

The Steel Balm, engraved by Francois Seraphin Delpech (1778-1825) c.1826 (colour litho)

Boilly, Louis Leopold (1761-1845)

'Left alone, Rastignac walked a few steps to the highest part of the cemetery', illustration from 'Le Pere Goriot' by Honore de Balzac (1799-1850) (engraving) (b/w photo)
'Left alone, Rastignac walked a few steps to the highest part of the cemetery', illustration from 'Le Pere Goriot' by Honore de Balzac (1799-1850) (engraving) (b/w photo)

XIR239746: 'Left alone, Rastignac walked a few steps to the highest part of the cemetery', illustration from 'Le Pere Goriot' by Honore de Balzac (1799-1850) (engraving) (b/w photo), Laisne (19th century) / Bridgeman Images

ID: XIR239746

'Left alone, Rastignac walked a few steps to the highest part of the cemetery', illustration from 'Le Pere Goriot' by Honore de Balzac (1799-1850) (engraving) (b/w photo)

Laisne (19th century)

Jules Verne (1828-1905) (litho)
Jules Verne (1828-1905) (litho)

KWE237053: Jules Verne (1828-1905) (litho), French School, (19th century) / Bridgeman Images

ID: KWE237053

Jules Verne (1828-1905) (litho)

French School, (19th century)

A Lesson in Hippiatric Anatomy with Philippe-Etienne Lafosse (1738-1820) (oil on canvas)
A Lesson in Hippiatric Anatomy with Philippe-Etienne Lafosse (1738-1820) (oil on canvas)

CHT234577: A Lesson in Hippiatric Anatomy with Philippe-Etienne Lafosse (1738-1820) (oil on canvas), French School, (18th century) / Bridgeman Images

ID: CHT234577

A Lesson in Hippiatric Anatomy with Philippe-Etienne Lafosse (1738-1820) (oil on canvas)

French School, (18th century)

Macaw and a monkey (oil on canvas)
Macaw and a monkey (oil on canvas)

BAL234925: Macaw and a monkey (oil on canvas), Hondecoeter, Melchior de (1636-95) / Bridgeman Images

ID: BAL234925

Macaw and a monkey (oil on canvas)

Hondecoeter, Melchior de (1636-95)

Illustration from 'La Maison Tellier' by Guy de Maupassant (1850-93) engraved by Maurice Potin, 1933 (engraving)
Illustration from 'La Maison Tellier' by Guy de Maupassant (1850-93) engraved by Maurice Potin, 1933 (engraving)

STC250593: Illustration from 'La Maison Tellier' by Guy de Maupassant (1850-93) engraved by Maurice Potin, 1933 (engraving), Degas, Edgar (1834-1917) (after) / Bridgeman Images

ID: STC250593

Illustration from 'La Maison Tellier' by Guy de Maupassant (1850-93) engraved by Maurice Potin, 1933 (engraving)

Degas, Edgar (1834-1917) (after)

Marc-Pierre de Voyer-de-Paulmy (1696-1764) Count of Argenson (oil on canvas)
Marc-Pierre de Voyer-de-Paulmy (1696-1764) Count of Argenson (oil on canvas)

XIR232823: Marc-Pierre de Voyer-de-Paulmy (1696-1764) Count of Argenson (oil on canvas), Rigaud, Hyacinthe (1659-1743) (studio of) / Bridgeman Images

ID: XIR232823

Marc-Pierre de Voyer-de-Paulmy (1696-1764) Count of Argenson (oil on canvas)

Rigaud, Hyacinthe (1659-1743) (studio of)

The Palais du Trocadero at the Exposition Universelle in Paris in 1878 (coloured engraving)
The Palais du Trocadero at the Exposition Universelle in Paris in 1878 (coloured engraving)

XIR232831: The Palais du Trocadero at the Exposition Universelle in Paris in 1878 (coloured engraving), French School, (19th century) / Bridgeman Images

ID: XIR232831

The Palais du Trocadero at the Exposition Universelle in Paris in 1878 (coloured engraving)

French School, (19th century)

The Passing of the Great Emancipation Act, c.1829 (oil on panel)
The Passing of the Great Emancipation Act, c.1829 (oil on panel)

XYC230564: The Passing of the Great Emancipation Act, c.1829 (oil on panel), Jones, George (1786-1869) / Bridgeman Images

ID: XYC230564

The Passing of the Great Emancipation Act, c.1829 (oil on panel)

Jones, George (1786-1869)

The Convent of St. Catherine, Mount Sinai (w/c on paper)
The Convent of St. Catherine, Mount Sinai (w/c on paper)

STC255147: The Convent of St. Catherine, Mount Sinai (w/c on paper), Bartlett, William Henry (1809-54) / Bridgeman Images

ID: STC255147

The Convent of St. Catherine, Mount Sinai (w/c on paper)

Bartlett, William Henry (1809-54)


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