XJF393821:
Title page from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images
ID: XJF393821
Title page from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)
Sponge Fisherman, Bahamas (w/c, gouache & pencil on paper)
Homer, Winslow (1836-1910)
CH401844:
A Singerie: Monkey Barbers serving Cats (oil on panel), Kessel, Jan van, the Elder (1626-79) / Bridgeman Images
ID: CH401844
A Singerie: Monkey Barbers serving Cats (oil on panel)
Kessel, Jan van, the Elder (1626-79)
XJF400698:
Handwritten musical score (ink on paper), Beethoven, Ludwig van (1770-1827) / Bridgeman Images
ID: XJF400698
Handwritten musical score (ink on paper)
Beethoven, Ludwig van (1770-1827)
XJF404244:
Cartoon lampooning landscape painters, from 'Charivari' magazine, 12 May, 1865 (litho), Daumier, Honore (1808-79) / Bridgeman Images
ID: XJF404244
Cartoon lampooning landscape painters, from 'Charivari' magazine, 12 May, 1865 (litho)
Daumier, Honore (1808-79)
CIN402926:
The Whistling Boy, 1902 (oil on canvas), Duveneck, Frank (1848-1919) / Bridgeman Images
ID: CIN402926
The Whistling Boy, 1902 (oil on canvas)
Duveneck, Frank (1848-1919)
IL370591:
Napoleon onboard Bellerophon, illustration from 'Hutchinson's Story of the Brtish Nation' (colour litho), Orchardson, William Quiller (1832-1910) (after) / Bridgeman Images
ID: IL370591
Napoleon onboard Bellerophon, illustration from 'Hutchinson's Story of the Brtish Nation' (colour litho)
Orchardson, William Quiller (1832-1910) (after)
MAA388904:
Sea and Sunshine, Lyme Regis, 1919 (oil on board), Dicksee, Frank (1853-1928) / Bridgeman Images
ID: MAA388904
Sea and Sunshine, Lyme Regis, 1919 (oil on board)
Dicksee, Frank (1853-1928)
XOS744789:
At the Water's Edge, c. 1890 (oil on canvas), Cezanne, Paul (1839-1906) / Bridgeman Images
ID: XOS744789
At the Water's Edge, c. 1890 (oil on canvas)
Cezanne, Paul (1839-1906)
STC416117:
Retreat of the Athenians from Syracuse (litho), English School, (19th century) / Bridgeman Images
ID: STC416117
Retreat of the Athenians from Syracuse (litho)
English School, (19th century)
STC451187:
Gin Lane, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images
ID: STC451187
Gin Lane, illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
Hogarth, William (1697-1764)
PHL450460:
The Sacred Mountain (Parahi Te Marae), 1892 (oil on canvas), Gauguin, Paul (1848-1903) / Bridgeman Images
ID: PHL450460
The Sacred Mountain (Parahi Te Marae), 1892 (oil on canvas)
Gauguin, Paul (1848-1903)
AMO419842:
Baked Clay Prism ('Weld-Blundell Prism') with the Sumerian King List giving rulers from 'before the Flood' to King Sin-magir of Isin (c.1827-17 BC) inscribed in cuneiform script, probably from Larsa, Iraq (stone), Sumerian / Bridgeman Images
ID: AMO419842
Baked Clay Prism ('Weld-Blundell Prism') with the Sumerian King List giving rulers from 'before the Flood' to King Sin-magir of Isin (c.1827-17 BC) inscribed in cuneiform script, probably from Larsa, Iraq (stone)
Sumerian
UIG527123:
The eye according to Hunain ibn Ishaq also called Johannitius (809-873) Baghdad physican and philosopher, c.1200 (manuscript) / Bridgeman Images
ID: UIG527123
The eye according to Hunain ibn Ishaq also called Johannitius (809-873) Baghdad physican and philosopher, c.1200 (manuscript)
XOS847290:
Eternal feminine, 1877 (oil on canvas), Cezanne, Paul (1839-1906) / Bridgeman Images
ID: XOS847290
Eternal feminine, 1877 (oil on canvas)
Cezanne, Paul (1839-1906)
SD873097:
Maria at La Granja, 1907 (oil on canvas), Sorolla y Bastida, Joaquin (1863-1923) / Bridgeman Images
ID: SD873097
Maria at La Granja, 1907 (oil on canvas)
Sorolla y Bastida, Joaquin (1863-1923)
XIR895770:
Young tiger playing with his mother, 1830 (oil on canvas), Delacroix, Ferdinand Victor Eugene (1798-1863) / Bridgeman Images
ID: XIR895770
Young tiger playing with his mother, 1830 (oil on canvas)
Delacroix, Ferdinand Victor Eugene (1798-1863)
CH825297:
Profile of Woman: Jane Avril; Profil de Femme: Jane Avril, 1893 (oil on canvas), Toulouse-Lautrec, Henri de (1864-1901) / Bridgeman Images
ID: CH825297
Profile of Woman: Jane Avril; Profil de Femme: Jane Avril, 1893 (oil on canvas)
Toulouse-Lautrec, Henri de (1864-1901)
XIR73574:
The Couple, 1923 (oil on canvas), Kirchner, Ernst Ludwig (1880-1938) / Bridgeman Images
ID: XIR73574
The Couple, 1923 (oil on canvas)
Kirchner, Ernst Ludwig (1880-1938)
XAM77190:
Franz Joseph I, Emperor of Austria and King of Hungary (1830-1916), Russ, Franz the Younger (1844-1906) / Bridgeman Images
ID: XAM77190
Franz Joseph I, Emperor of Austria and King of Hungary (1830-1916)
Russ, Franz the Younger (1844-1906)
BAL72621:
Landscape with Tobias laying hold of the Fish, c.1610-13 (oil on copper), Domenichino (Domenico Zampieri) (1581-1641) / Bridgeman Images
ID: BAL72621
Landscape with Tobias laying hold of the Fish, c.1610-13 (oil on copper)
Domenichino (Domenico Zampieri) (1581-1641)
GG80909:
Rough Sea (oil on canvas), James, David (1834-97) / Bridgeman Images
ID: GG80909
Rough Sea (oil on canvas)
James, David (1834-97)
BAL82403:
A wooded winter landscape with a cart (panel), Brueghel, J. (1568-1625) & Momper, J. de (1564-1635) / Bridgeman Images
ID: BAL82403
A wooded winter landscape with a cart (panel)
Brueghel, J. (1568-1625) & Momper, J. de (1564-1635)
XIR78696:
St. John of the Cross and St. Teresa of Avila (engraving), French School, (16th century) / Bridgeman Images
ID: XIR78696
St. John of the Cross and St. Teresa of Avila (engraving)
French School, (16th century)
XIR66428:
Self Portrait with an Easel, c.1775-79 (pastel), Chardin, Jean-Baptiste Simeon (1699-1779) / Bridgeman Images
ID: XIR66428
Self Portrait with an Easel, c.1775-79 (pastel)
Chardin, Jean-Baptiste Simeon (1699-1779)
XND70237:
Illustrations of the Book of Job; Job accepting Charity, 1825 (pen, w/c and pencil), Blake, William (1757-1827) / Bridgeman Images
ID: XND70237
Illustrations of the Book of Job; Job accepting Charity, 1825 (pen, w/c and pencil)
Blake, William (1757-1827)
XAM68901:
Emperor Maximilian I, c.1500 (panel), Strigel, Bernhard (1460-1528) / Bridgeman Images
ID: XAM68901
Emperor Maximilian I, c.1500 (panel)
Strigel, Bernhard (1460-1528)
XAM69094:
Bacchanal, Rubens, Peter Paul (1577-1640) / Bridgeman Images
ID: XAM69094
Bacchanal
Rubens, Peter Paul (1577-1640)
BAL72383:
"Dungannon", the property of Colonel O'Kelly, painted in a paddock with a sheep, 1793, Stubbs, George (1724-1806) / Bridgeman Images
ID: BAL72383
"Dungannon", the property of Colonel O'Kelly, painted in a paddock with a sheep, 1793
Stubbs, George (1724-1806)
BAL72348:
King George II, 1759, Pine, Robert Edge (1730-88) / Bridgeman Images
ID: BAL72348
King George II, 1759
Pine, Robert Edge (1730-88)
BAL74589:
Still Life with Fruit (oil on canvas), Beyeren, Abraham Hendricksz van (1620/1-91) / Bridgeman Images
ID: BAL74589
Still Life with Fruit (oil on canvas)
Beyeren, Abraham Hendricksz van (1620/1-91)
XTD68581:
Richard Pococke in oriental costume, 1738, Liotard, Jean-Etienne (1702-89) / Bridgeman Images
ID: XTD68581
Richard Pococke in oriental costume, 1738
Liotard, Jean-Etienne (1702-89)
XAM68665:
Cimon and Iphigenia, 1617 (oil on canvas), Rubens, Peter Paul (1577-1640) / Bridgeman Images
ID: XAM68665
Cimon and Iphigenia, 1617 (oil on canvas)
Rubens, Peter Paul (1577-1640)
WMA82929:
"Hyacinth" wallpaper, designed for Morris and Company , Dearle, John Henry (1860-1932) / Bridgeman Images
ID: WMA82929
"Hyacinth" wallpaper, designed for Morris and Company
Dearle, John Henry (1860-1932)
STC83480:
An Arab Resting in the Desert, title page from 'The Valley of the Nile', engraved by Lemoine, pub. by Lemercier, 1848 (litho), Prisse d'Avennes, Emile (1807-79) (after) / Bridgeman Images
ID: STC83480
An Arab Resting in the Desert, title page from 'The Valley of the Nile', engraved by Lemoine, pub. by Lemercier, 1848 (litho)