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Head of a Peasant Woman, c.1884 (oil on canvas on wood panel)
Head of a Peasant Woman, c.1884 (oil on canvas on wood panel)

CIN424838: Head of a Peasant Woman, c.1884 (oil on canvas on wood panel), Gogh, Vincent van (1853-90) / Bridgeman Images

ID: CIN424838

Head of a Peasant Woman, c.1884 (oil on canvas on wood panel)

Gogh, Vincent van (1853-90)

The French Army Retreat over the River Berezina, 26th November 1812, engraved by J.A. Klein (coloured engraving)
The French Army Retreat over the River Berezina, 26th November 1812, engraved by J.A. Klein (coloured engraving)

BMT439218: The French Army Retreat over the River Berezina, 26th November 1812, engraved by J.A. Klein (coloured engraving), Habermann, Franz von (1788-1866) / Bridgeman Images

ID: BMT439218

The French Army Retreat over the River Berezina, 26th November 1812, engraved by J.A. Klein (coloured engraving)

Habermann, Franz von (1788-1866)

Landscape, c.1750 (oil on panel)
Landscape, c.1750 (oil on panel)

OJ378774: Landscape, c.1750 (oil on panel), Gainsborough, Thomas (1727-88) / Bridgeman Images

ID: OJ378774

Landscape, c.1750 (oil on panel)

Gainsborough, Thomas (1727-88)

Rear View of a Dancer (black chalk & pastel)
Rear View of a Dancer (black chalk & pastel)

CH376536: Rear View of a Dancer (black chalk & pastel), Degas, Edgar (1834-1917) / Bridgeman Images

ID: CH376536

Rear View of a Dancer (black chalk & pastel)

Degas, Edgar (1834-1917)

Thirty-Six Poets, Edo Period (ink, colour & gold on paper)
Thirty-Six Poets, Edo Period (ink, colour & gold on paper)

FSG390899: Thirty-Six Poets, Edo Period (ink, colour & gold on paper), Hoitsu, Sakai (1761-1828) / Bridgeman Images

ID: FSG390899

Thirty-Six Poets, Edo Period (ink, colour & gold on paper)

Hoitsu, Sakai (1761-1828)

The Arrival of Napoleon (1769-1821) at the Tuileries on 20th March 1815 (colour litho)
The Arrival of Napoleon (1769-1821) at the Tuileries on 20th March 1815 (colour litho)

PLT230592: The Arrival of Napoleon (1769-1821) at the Tuileries on 20th March 1815 (colour litho), English School, (19th century) / Bridgeman Images

ID: PLT230592

The Arrival of Napoleon (1769-1821) at the Tuileries on 20th March 1815 (colour litho)

English School, (19th century)

Skiddaw and Derwent Water (pen & ink with w/c over graphite on wove paper)
Skiddaw and Derwent Water (pen & ink with w/c over graphite on wove paper)

XYC232599: Skiddaw and Derwent Water (pen & ink with w/c over graphite on wove paper), Farington, Joseph (1747-1821) / Bridgeman Images

ID: XYC232599

Skiddaw and Derwent Water (pen & ink with w/c over graphite on wove paper)

Farington, Joseph (1747-1821)

Joseph-Marie (1706-47) Duc de Boufflers (oil on canvas)
Joseph-Marie (1706-47) Duc de Boufflers (oil on canvas)

XIR231782: Joseph-Marie (1706-47) Duc de Boufflers (oil on canvas), Nattier, Jean-Marc (1685-1766) / Bridgeman Images

ID: XIR231782

Joseph-Marie (1706-47) Duc de Boufflers (oil on canvas)

Nattier, Jean-Marc (1685-1766)

Whale Chart of the North Pacific, 1851 (litho)
Whale Chart of the North Pacific, 1851 (litho)

XBP231801: Whale Chart of the North Pacific, 1851 (litho), American School, (19th century) / Bridgeman Images

ID: XBP231801

Whale Chart of the North Pacific, 1851 (litho)

American School, (19th century)

He reached the altar where the crown lay: lifting it he placed it upon his head, illustration from 'A History of Germany' by H.E. Marshall, 1913 (colour litho)
He reached the altar where the crown lay: lifting it he placed it upon his head, illustration from 'A History of Germany' by H.E. Marshall, 1913 (colour litho)

STC232156: He reached the altar where the crown lay: lifting it he placed it upon his head, illustration from 'A History of Germany' by H.E. Marshall, 1913 (colour litho), Michael, Arthur C. (d.1945) (after) / Bridgeman Images

ID: STC232156

He reached the altar where the crown lay: lifting it he placed it upon his head, illustration from 'A History of Germany' by H.E. Marshall, 1913 (colour litho)

Michael, Arthur C. (d.1945) (after)

Child poverty, London (photo)
Child poverty, London (photo)

LLJ605451: Child poverty, London (photo), English Photographer, (20th century) / Bridgeman Images

ID: LLJ605451

Child poverty, London (photo)

English Photographer, (20th century)

Coat of arms of Austrian Empire (Kaisertum Österreich) from 1816 until 1867, c.1898 (colour litho)
Coat of arms of Austrian Empire (Kaisertum Österreich) from 1816 until 1867, c.1898 (colour litho)

DGC617788: Coat of arms of Austrian Empire (Kaisertum Österreich) from 1816 until 1867, c.1898 (colour litho), German School, (19th century) / Bridgeman Images

ID: DGC617788

Coat of arms of Austrian Empire (Kaisertum Österreich) from 1816 until 1867, c.1898 (colour litho)

German School, (19th century)

Head of a Woman, c.1910-1911 (limestone)
Head of a Woman, c.1910-1911 (limestone)

XOS884385: Head of a Woman, c.1910-1911 (limestone), Modigliani, Amedeo (1884-1920) / Bridgeman Images

ID: XOS884385

Head of a Woman, c.1910-1911 (limestone)

Modigliani, Amedeo (1884-1920)

The Mughal Emerald, 1695-96 (emerald) (see also 778627-9)
The Mughal Emerald, 1695-96 (emerald) (see also 778627-9)

CH778628: The Mughal Emerald, 1695-96 (emerald) (see also 778627-9), Mughal School, (17th century) / Bridgeman Images

ID: CH778628

The Mughal Emerald, 1695-96 (emerald) (see also 778627-9)

Mughal School, (17th century)

On the Way to Church, 1904 (oil on canvas)
On the Way to Church, 1904 (oil on canvas)

CH823461: On the Way to Church, 1904 (oil on canvas), Bieler, Ernest (1863-1948) / Bridgeman Images

ID: CH823461

On the Way to Church, 1904 (oil on canvas)

Bieler, Ernest (1863-1948)

A Winter Landscape with Children Sledging, 1918 (oil on canvas)
A Winter Landscape with Children Sledging, 1918 (oil on canvas)

CH823603: A Winter Landscape with Children Sledging, 1918 (oil on canvas), Monsted, Peder (1859-1941) / Bridgeman Images

ID: CH823603

A Winter Landscape with Children Sledging, 1918 (oil on canvas)

Monsted, Peder (1859-1941)

Saskia van Uylenburgh, c.1634-1640 (oil on panel)
Saskia van Uylenburgh, c.1634-1640 (oil on panel)

XOS744883: Saskia van Uylenburgh, c.1634-1640 (oil on panel), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: XOS744883

Saskia van Uylenburgh, c.1634-1640 (oil on panel)

Rembrandt Harmensz. van Rijn (1606-69)

The Custom House, Dublin, 1792 (hand-coloured engraving)
The Custom House, Dublin, 1792 (hand-coloured engraving)

STC740372: The Custom House, Dublin, 1792 (hand-coloured engraving) , Malton, James (1761-1803) / Bridgeman Images

ID: STC740372

The Custom House, Dublin, 1792 (hand-coloured engraving)

Malton, James (1761-1803)

Neolithic 'tool kit': Polished stone axe, chopped flint axe and flint sickle from East Knoyle, c.3500 BC (stone)
Neolithic 'tool kit': Polished stone axe, chopped flint axe and flint sickle from East Knoyle, c.3500 BC (stone)

SSW1122990: Neolithic 'tool kit': Polished stone axe, chopped flint axe and flint sickle from East Knoyle, c.3500 BC (stone), Neolithic / Bridgeman Images

ID: SSW1122990

Neolithic 'tool kit': Polished stone axe, chopped flint axe and flint sickle from East Knoyle, c.3500 BC (stone)

Neolithic

Portrait of Lord Bernard Stuart after Van Dyck, 1760s (oil on canvas)
Portrait of Lord Bernard Stuart after Van Dyck, 1760s (oil on canvas)

GNS941803: Portrait of Lord Bernard Stuart after Van Dyck, 1760s (oil on canvas), Gainsborough, Thomas (1727-88) / Bridgeman Images

ID: GNS941803

Portrait of Lord Bernard Stuart after Van Dyck, 1760s (oil on canvas)

Gainsborough, Thomas (1727-88)

Peasants going to Market, 1770-74 (black & white chalk, stump with grey & brown washes, with white heightening & gouache on prepared brown paper)
Peasants going to Market, 1770-74 (black & white chalk, stump with grey & brown washes, with white heightening & gouache on prepared brown paper)

GNS941795: Peasants going to Market, 1770-74 (black & white chalk, stump with grey & brown washes, with white heightening & gouache on prepared brown paper), Gainsborough, Thomas (1727-88) / Bridgeman Images

ID: GNS941795

Peasants going to Market, 1770-74 (black & white chalk, stump with grey & brown washes, with white heightening & gouache on prepared brown paper)

Gainsborough, Thomas (1727-88)

Alma Parens, 1883 (oil on canvas)
Alma Parens, 1883 (oil on canvas)

NUM938624: Alma Parens, 1883 (oil on canvas), Bouguereau, William-Adolphe (1825-1905) / Bridgeman Images

ID: NUM938624

Alma Parens, 1883 (oil on canvas)

Bouguereau, William-Adolphe (1825-1905)

Emperor Tongzhi (1856 - 1875), his temple name was Muzong
Emperor Tongzhi (1856 - 1875), his temple name was Muzong

XOS1249003: Emperor Tongzhi (1856 - 1875), his temple name was Muzong, Chinese School / Bridgeman Images

ID: XOS1249003

Emperor Tongzhi (1856 - 1875), his temple name was Muzong

Chinese School

Storm at Sunset, Venice, c.1840 (w/c, gouache and red ink)
Storm at Sunset, Venice, c.1840 (w/c, gouache and red ink)

FIT65987: Storm at Sunset, Venice, c.1840 (w/c, gouache and red ink), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

ID: FIT65987

Storm at Sunset, Venice, c.1840 (w/c, gouache and red ink)

Turner, Joseph Mallord William (1775-1851)

Facsimile copy of Job: Frontispiece, Job being scolded by his wife, his house and family destroyed by a hurricane and his livestock stolen, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured litho)
Facsimile copy of Job: Frontispiece, Job being scolded by his wife, his house and family destroyed by a hurricane and his livestock stolen, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured litho)

STC67533: Facsimile copy of Job: Frontispiece, Job being scolded by his wife, his house and family destroyed by a hurricane and his livestock stolen, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured litho), German School, (15th century) (after) / Bridgeman Images

ID: STC67533

Facsimile copy of Job: Frontispiece, Job being scolded by his wife, his house and family destroyed by a hurricane and his livestock stolen, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured litho)

German School, (15th century) (after)

Banksia serrata: Plate 285 from
Banksia serrata: Plate 285 from

AHE64162: Banksia serrata: Plate 285 from "Banks' Florilegium", gathered from Botany Bay, Australia on Captain Cook's First Voyage, engraved by G. Smith, after Sydney Parkinson (1770) and J.F. Miller (1773) / Bridgeman Images

ID: AHE64162

Banksia serrata: Plate 285 from "Banks' Florilegium", gathered from Botany Bay, Australia on Captain Cook's First Voyage, engraved by G. Smith, after Sydney Parkinson (1770) and J.F. Miller (1773)

Life Among the Gypsies, Seville, 1853
Life Among the Gypsies, Seville, 1853

BON65299: Life Among the Gypsies, Seville, 1853, Phillip, John (1817-67) / Bridgeman Images

ID: BON65299

Life Among the Gypsies, Seville, 1853

Phillip, John (1817-67)

P.352-1945 Scene 5, Comparison of celebrated beauties and the loyal league, c.1797 (colour woodblock print)
P.352-1945 Scene 5, Comparison of celebrated beauties and the loyal league, c.1797 (colour woodblock print)

FIT71356: P.352-1945 Scene 5, Comparison of celebrated beauties and the loyal league, c.1797 (colour woodblock print), Utamaro, Kitagawa (1753-1806) / Bridgeman Images

ID: FIT71356

P.352-1945 Scene 5, Comparison of celebrated beauties and the loyal league, c.1797 (colour woodblock print)

Utamaro, Kitagawa (1753-1806)

Mural from the Tombs of the Kings of Thebes, discovered by G. Belzoni, plate 19 from `Plates Illustrative of the Researches in Egypt and Nubia`, engraved by Charles Hullmandel (1789-1850) 1820-22 (litho)
Mural from the Tombs of the Kings of Thebes, discovered by G. Belzoni, plate 19 from `Plates Illustrative of the Researches in Egypt and Nubia`, engraved by Charles Hullmandel (1789-1850) 1820-22 (litho)

STC88806: Mural from the Tombs of the Kings of Thebes, discovered by G. Belzoni, plate 19 from `Plates Illustrative of the Researches in Egypt and Nubia`, engraved by Charles Hullmandel (1789-1850) 1820-22 (litho), Belzoni, Giovanni Battista (1778-1823) (after) / Bridgeman Images

ID: STC88806

Mural from the Tombs of the Kings of Thebes, discovered by G. Belzoni, plate 19 from `Plates Illustrative of the Researches in Egypt and Nubia`, engraved by Charles Hullmandel (1789-1850) 1820-22 (litho)

Belzoni, Giovanni Battista (1778-1823) (after)

Assembly of Free Masons for the Initiation of a Master, from 'The Ceremonies of Religion and Custom', c.1733 (engraving)
Assembly of Free Masons for the Initiation of a Master, from 'The Ceremonies of Religion and Custom', c.1733 (engraving)

STC88456: Assembly of Free Masons for the Initiation of a Master, from 'The Ceremonies of Religion and Custom', c.1733 (engraving), French School, (18th century) / Bridgeman Images

ID: STC88456

Assembly of Free Masons for the Initiation of a Master, from 'The Ceremonies of Religion and Custom', c.1733 (engraving)

French School, (18th century)

The Breakfast, plate 3 from 'Anglo Indians', engraved by J. Bouvier, 1842 (litho)
The Breakfast, plate 3 from 'Anglo Indians', engraved by J. Bouvier, 1842 (litho)

STC82081: The Breakfast, plate 3 from 'Anglo Indians', engraved by J. Bouvier, 1842 (litho), Tayler, William (1808-92) (after) / Bridgeman Images

ID: STC82081

The Breakfast, plate 3 from 'Anglo Indians', engraved by J. Bouvier, 1842 (litho)

Tayler, William (1808-92) (after)

The River of Paradise, no.82 from 'The Apocalypse of Angers', 1373-87 (tapestry)
The River of Paradise, no.82 from 'The Apocalypse of Angers', 1373-87 (tapestry)

XIR83995: The River of Paradise, no.82 from 'The Apocalypse of Angers', 1373-87 (tapestry), Bataille, Nicolas (fl. 1363-1400) / Bridgeman Images

ID: XIR83995

The River of Paradise, no.82 from 'The Apocalypse of Angers', 1373-87 (tapestry)

Bataille, Nicolas (fl. 1363-1400)

Reclining Nude, 1931
Reclining Nude, 1931

GG80981: Reclining Nude, 1931, Mercer, Edward Stanley (1889-1932) / Bridgeman Images

ID: GG80981

Reclining Nude, 1931

Mercer, Edward Stanley (1889-1932)

The Presentation of Christ in the Temple, c.1556
The Presentation of Christ in the Temple, c.1556

JFS81266: The Presentation of Christ in the Temple, c.1556, Lotto, Lorenzo (c.1480-1556) / Bridgeman Images

ID: JFS81266

The Presentation of Christ in the Temple, c.1556

Lotto, Lorenzo (c.1480-1556)

The Road to Essoyes, 1901 (oil on canvas)
The Road to Essoyes, 1901 (oil on canvas)

BAL76852: The Road to Essoyes, 1901 (oil on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: BAL76852

The Road to Essoyes, 1901 (oil on canvas)

Renoir, Pierre Auguste (1841-1919)

Six-Winged Seraph, 1904 (oil on canvas)
Six-Winged Seraph, 1904 (oil on canvas)

SRM76960: Six-Winged Seraph, 1904 (oil on canvas), Vrubel, Mikhail Aleksandrovich (1856-1910) / Bridgeman Images

ID: SRM76960

Six-Winged Seraph, 1904 (oil on canvas)

Vrubel, Mikhail Aleksandrovich (1856-1910)


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