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Horse rider in racing colours (mosaic)
Horse rider in racing colours (mosaic)

XZL151132: Horse rider in racing colours (mosaic), Roman / Bridgeman Images

ID: XZL151132

Horse rider in racing colours (mosaic)

Roman

Anemones, c.1914 (oil on canvas)
Anemones, c.1914 (oil on canvas)

GPC152716: Anemones, c.1914 (oil on canvas), Peploe, Samuel John (1871-1935) / Bridgeman Images

ID: GPC152716

Anemones, c.1914 (oil on canvas)

Peploe, Samuel John (1871-1935)

Adoration of the Magi (fresco)
Adoration of the Magi (fresco)

XIR157796: Adoration of the Magi (fresco), Luini, Bernardino (c.1480-1532) / Bridgeman Images

ID: XIR157796

Adoration of the Magi (fresco)

Luini, Bernardino (c.1480-1532)

Portrait of Juliette Drouet (1806-83) (watercolour on paper)
Portrait of Juliette Drouet (1806-83) (watercolour on paper)

XIR155593: Portrait of Juliette Drouet (1806-83) (watercolour on paper), Voillemot, Charles (1823-93) / Bridgeman Images

ID: XIR155593

Portrait of Juliette Drouet (1806-83) (watercolour on paper)

Voillemot, Charles (1823-93)

Benjamin Delessert (1773-1847), c.1810 (oil on canvas)
Benjamin Delessert (1773-1847), c.1810 (oil on canvas)

XIR158229: Benjamin Delessert (1773-1847), c.1810 (oil on canvas), French School, (19th century) / Bridgeman Images

ID: XIR158229

Benjamin Delessert (1773-1847), c.1810 (oil on canvas)

French School, (19th century)

Terrestrial Globe, showing the Indian Ocean, made in Nuremberg, 1492 (see also 158163 and 158166)
Terrestrial Globe, showing the Indian Ocean, made in Nuremberg, 1492 (see also 158163 and 158166)

XIR158167: Terrestrial Globe, showing the Indian Ocean, made in Nuremberg, 1492 (see also 158163 and 158166), Behaim, Martin (1459-1507) / Bridgeman Images

ID: XIR158167

Terrestrial Globe, showing the Indian Ocean, made in Nuremberg, 1492 (see also 158163 and 158166)

Behaim, Martin (1459-1507)

Scene from the Life of Cincinnatus. Cincinnatus Returning to his Plough Decorated with a Laurel Wreath, 1799 (oil on canvas)
Scene from the Life of Cincinnatus. Cincinnatus Returning to his Plough Decorated with a Laurel Wreath, 1799 (oil on canvas)

XIR155924: Scene from the Life of Cincinnatus. Cincinnatus Returning to his Plough Decorated with a Laurel Wreath, 1799 (oil on canvas), Poerson, Charles Francois (1653-1725) / Bridgeman Images

ID: XIR155924

Scene from the Life of Cincinnatus. Cincinnatus Returning to his Plough Decorated with a Laurel Wreath, 1799 (oil on canvas)

Poerson, Charles Francois (1653-1725)

House at Cagnes, c.1900 (oil on canvas)
House at Cagnes, c.1900 (oil on canvas)

BRN158955: House at Cagnes, c.1900 (oil on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: BRN158955

House at Cagnes, c.1900 (oil on canvas)

Renoir, Pierre Auguste (1841-1919)

St. Anthony of Padua, 15th century (tempera on panel)
St. Anthony of Padua, 15th century (tempera on panel)

XIR157004: St. Anthony of Padua, 15th century (tempera on panel), Vivarini, Bartolomeo (1432-99) (attr.to) / Bridgeman Images

ID: XIR157004

St. Anthony of Padua, 15th century (tempera on panel)

Vivarini, Bartolomeo (1432-99) (attr.to)

Waterlilies with Reflections of Willows, c.1920 (oil on canvas)
Waterlilies with Reflections of Willows, c.1920 (oil on canvas)

CH99236: Waterlilies with Reflections of Willows, c.1920 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: CH99236

Waterlilies with Reflections of Willows, c.1920 (oil on canvas)

Monet, Claude (1840-1926)

Portrait of a Bearded Nobleman, possibly Gian Galeazzo Visconti, Duke of Milan (1351-1402) (oil on vellum)
Portrait of a Bearded Nobleman, possibly Gian Galeazzo Visconti, Duke of Milan (1351-1402) (oil on vellum)

PFA109548: Portrait of a Bearded Nobleman, possibly Gian Galeazzo Visconti, Duke of Milan (1351-1402) (oil on vellum), Predis, Giovanni Ambrogio de (c.1455-c.1522) (attr. to) / Bridgeman Images

ID: PFA109548

Portrait of a Bearded Nobleman, possibly Gian Galeazzo Visconti, Duke of Milan (1351-1402) (oil on vellum)

Predis, Giovanni Ambrogio de (c.1455-c.1522) (attr. to)

Interior of the Pantheon, Rome, from 'Le Costume Ancien et Moderne' by Jules Ferrario, engraved by G. Castellini, published c.1820s-30s (colour litho)
Interior of the Pantheon, Rome, from 'Le Costume Ancien et Moderne' by Jules Ferrario, engraved by G. Castellini, published c.1820s-30s (colour litho)

STC105051: Interior of the Pantheon, Rome, from 'Le Costume Ancien et Moderne' by Jules Ferrario, engraved by G. Castellini, published c.1820s-30s (colour litho), Fumagalli (19th century) (after) / Bridgeman Images

ID: STC105051

Interior of the Pantheon, Rome, from 'Le Costume Ancien et Moderne' by Jules Ferrario, engraved by G. Castellini, published c.1820s-30s (colour litho)

Fumagalli (19th century) (after)

Columbus Discovering America, plate 2 from 'Nova Reperta' (New Discoveries) engraved by Theodor Galle (1571-1633) c.1600 (engraving)
Columbus Discovering America, plate 2 from 'Nova Reperta' (New Discoveries) engraved by Theodor Galle (1571-1633) c.1600 (engraving)

STC97580: Columbus Discovering America, plate 2 from 'Nova Reperta' (New Discoveries) engraved by Theodor Galle (1571-1633) c.1600 (engraving), Straet, Jan van der (Giovanni Stradano) (1523-1605) (after) / Bridgeman Images

ID: STC97580

Columbus Discovering America, plate 2 from 'Nova Reperta' (New Discoveries) engraved by Theodor Galle (1571-1633) c.1600 (engraving)

Straet, Jan van der (Giovanni Stradano) (1523-1605) (after)

Portrait of Alessandro Farnese (1546-92) 3rd Duke of Parma, Governor-General of the Netherlands (panel)
Portrait of Alessandro Farnese (1546-92) 3rd Duke of Parma, Governor-General of the Netherlands (panel)

MOU83921: Portrait of Alessandro Farnese (1546-92) 3rd Duke of Parma, Governor-General of the Netherlands (panel), Dutch School, (16th century) / Bridgeman Images

ID: MOU83921

Portrait of Alessandro Farnese (1546-92) 3rd Duke of Parma, Governor-General of the Netherlands (panel)

Dutch School, (16th century)

Coats of Arms of Richard III (1483-85) and Anne Neville (pen & ink with wash on paper)
Coats of Arms of Richard III (1483-85) and Anne Neville (pen & ink with wash on paper)

XND75968: Coats of Arms of Richard III (1483-85) and Anne Neville (pen & ink with wash on paper), English School / Bridgeman Images

ID: XND75968

Coats of Arms of Richard III (1483-85) and Anne Neville (pen & ink with wash on paper)

English School

A Recreation of the Architecture of Ancient Athens, c.1830 (pen & ink and w/c on paper)
A Recreation of the Architecture of Ancient Athens, c.1830 (pen & ink and w/c on paper)

CJP108731: A Recreation of the Architecture of Ancient Athens, c.1830 (pen & ink and w/c on paper), Pennathorne, James (1801-1871) (attr. to) / Bridgeman Images

ID: CJP108731

A Recreation of the Architecture of Ancient Athens, c.1830 (pen & ink and w/c on paper)

Pennathorne, James (1801-1871) (attr. to)

Relief of Epona, Gaulish goddess, protector of horses, riders and travellers, from Gannat, Allier, c.50 BC-400 AD (clay)
Relief of Epona, Gaulish goddess, protector of horses, riders and travellers, from Gannat, Allier, c.50 BC-400 AD (clay)

XIR106891: Relief of Epona, Gaulish goddess, protector of horses, riders and travellers, from Gannat, Allier, c.50 BC-400 AD (clay), Gallo-Roman / Bridgeman Images

ID: XIR106891

Relief of Epona, Gaulish goddess, protector of horses, riders and travellers, from Gannat, Allier, c.50 BC-400 AD (clay)

Gallo-Roman

Women at the Polls in New Jersey, illustration from 'Women at the Polls in New Jersey in the Good Old Times', pub. in in 'Harper's Weekly', 1880 (litho)
Women at the Polls in New Jersey, illustration from 'Women at the Polls in New Jersey in the Good Old Times', pub. in in 'Harper's Weekly', 1880 (litho)

BAL107299: Women at the Polls in New Jersey, illustration from 'Women at the Polls in New Jersey in the Good Old Times', pub. in in 'Harper's Weekly', 1880 (litho), Pyle, Howard (1853-1911) (after) / Bridgeman Images

ID: BAL107299

Women at the Polls in New Jersey, illustration from 'Women at the Polls in New Jersey in the Good Old Times', pub. in in 'Harper's Weekly', 1880 (litho)

Pyle, Howard (1853-1911) (after)

An Allegory of Death and Beauty (oil on panel)
An Allegory of Death and Beauty (oil on panel)

PFA109300: An Allegory of Death and Beauty (oil on panel), Baldung Grien, Hans (1484-1545) (circle of) / Bridgeman Images

ID: PFA109300

An Allegory of Death and Beauty (oil on panel)

Baldung Grien, Hans (1484-1545) (circle of)

The Twilight Moon, 1899 (oil on canvas)
The Twilight Moon, 1899 (oil on canvas)

SRM106303: The Twilight Moon, 1899 (oil on canvas), Levitan, Isaak Ilyich (1860-1900) / Bridgeman Images

ID: SRM106303

The Twilight Moon, 1899 (oil on canvas)

Levitan, Isaak Ilyich (1860-1900)

The Nymph of Fontainebleau, 1542 (bronze)
The Nymph of Fontainebleau, 1542 (bronze)

XIR108525: The Nymph of Fontainebleau, 1542 (bronze), Cellini, Benvenuto (1500-71) / Bridgeman Images

ID: XIR108525

The Nymph of Fontainebleau, 1542 (bronze)

Cellini, Benvenuto (1500-71)

The Whisper of the Rose, a portrait of George Frederick Watts (b/w photo)
The Whisper of the Rose, a portrait of George Frederick Watts (b/w photo)

BAL105264: The Whisper of the Rose, a portrait of George Frederick Watts (b/w photo), Cameron, Julia Margaret (1815-79) / Bridgeman Images

ID: BAL105264

The Whisper of the Rose, a portrait of George Frederick Watts (b/w photo)

Cameron, Julia Margaret (1815-79)

Saffron Crocus from 'Phytographie Medicale' by Joseph Roques (1772-1850), published in 1821 (engraving)
Saffron Crocus from 'Phytographie Medicale' by Joseph Roques (1772-1850), published in 1821 (engraving)

STC148913: Saffron Crocus from 'Phytographie Medicale' by Joseph Roques (1772-1850), published in 1821 (engraving), Hoquart, L.F.J. (fl 1821) / Bridgeman Images

ID: STC148913

Saffron Crocus from 'Phytographie Medicale' by Joseph Roques (1772-1850), published in 1821 (engraving)

Hoquart, L.F.J. (fl 1821)

Blacksmith's House in a Valley, 1857 (oil on canvas)
Blacksmith's House in a Valley, 1857 (oil on canvas)

AGR145106: Blacksmith's House in a Valley, 1857 (oil on canvas), Blatterbauer, Theodor (1823-1906) / Bridgeman Images

ID: AGR145106

Blacksmith's House in a Valley, 1857 (oil on canvas)

Blatterbauer, Theodor (1823-1906)

Papaver Somniferum from 'Phytographie Medicale' by Joseph Roques (1772-1850), published in 1821 (engraving)
Papaver Somniferum from 'Phytographie Medicale' by Joseph Roques (1772-1850), published in 1821 (engraving)

STC148920: Papaver Somniferum from 'Phytographie Medicale' by Joseph Roques (1772-1850), published in 1821 (engraving), Hoquart, L.F.J. (fl 1821) / Bridgeman Images

ID: STC148920

Papaver Somniferum from 'Phytographie Medicale' by Joseph Roques (1772-1850), published in 1821 (engraving)

Hoquart, L.F.J. (fl 1821)

In the Wood at Fontainebleau (oil on panel)
In the Wood at Fontainebleau (oil on panel)

XKH147976: In the Wood at Fontainebleau (oil on panel), Rousseau, Theodore (1812-67) / Bridgeman Images

ID: XKH147976

In the Wood at Fontainebleau (oil on panel)

Rousseau, Theodore (1812-67)

The Banks of the Elbe, 1840 (oil on paper on board)
The Banks of the Elbe, 1840 (oil on paper on board)

XKH145516: The Banks of the Elbe, 1840 (oil on paper on board), Gensler, Jacob (1808-45) / Bridgeman Images

ID: XKH145516

The Banks of the Elbe, 1840 (oil on paper on board)

Gensler, Jacob (1808-45)

The House and Garden of Llanerch Hall, Denbighshire, c.1662-72 (oil on canvas)
The House and Garden of Llanerch Hall, Denbighshire, c.1662-72 (oil on canvas)

XYC148398: The House and Garden of Llanerch Hall, Denbighshire, c.1662-72 (oil on canvas), English School, (17th century) / Bridgeman Images

ID: XYC148398

The House and Garden of Llanerch Hall, Denbighshire, c.1662-72 (oil on canvas)

English School, (17th century)

King Edward I's (1239-1307) First Expedition Against the Scots (engraving)
King Edward I's (1239-1307) First Expedition Against the Scots (engraving)

XJF148712: King Edward I's (1239-1307) First Expedition Against the Scots (engraving), Scottish School, (18th century) / Bridgeman Images

ID: XJF148712

King Edward I's (1239-1307) First Expedition Against the Scots (engraving)

Scottish School, (18th century)

Tasmanian Wolf or Tiger (thylacinus cynocephalus) (coloured engraving)
Tasmanian Wolf or Tiger (thylacinus cynocephalus) (coloured engraving)

XZL149467: Tasmanian Wolf or Tiger (thylacinus cynocephalus) (coloured engraving), Richter, Henry Constantine (1821-1902) / Bridgeman Images

ID: XZL149467

Tasmanian Wolf or Tiger (thylacinus cynocephalus) (coloured engraving)

Richter, Henry Constantine (1821-1902)

Sketch for the opera, 'The Golden Cockerel', by Nikolai Rimsky-Korsakov (1844-1908), 1909 (colour litho)
Sketch for the opera, 'The Golden Cockerel', by Nikolai Rimsky-Korsakov (1844-1908), 1909 (colour litho)

XAB153664: Sketch for the opera, 'The Golden Cockerel', by Nikolai Rimsky-Korsakov (1844-1908), 1909 (colour litho), Bilibin, Ivan (1876-1942) / Bridgeman Images

ID: XAB153664

Sketch for the opera, 'The Golden Cockerel', by Nikolai Rimsky-Korsakov (1844-1908), 1909 (colour litho)

Bilibin, Ivan (1876-1942)

The Mughal Emperor Babur (r.1526-30) about to oversee the laying out of a garden, using lines, from the 'Akbarnama', c.1590 (gouache on parchment)
The Mughal Emperor Babur (r.1526-30) about to oversee the laying out of a garden, using lines, from the 'Akbarnama', c.1590 (gouache on parchment)

XCF153488: The Mughal Emperor Babur (r.1526-30) about to oversee the laying out of a garden, using lines, from the 'Akbarnama', c.1590 (gouache on parchment), Mughal School, (16th century) / Bridgeman Images

ID: XCF153488

The Mughal Emperor Babur (r.1526-30) about to oversee the laying out of a garden, using lines, from the 'Akbarnama', c.1590 (gouache on parchment)

Mughal School, (16th century)

At the Bank, c.1800 (engraving)
At the Bank, c.1800 (engraving)

STC152476: At the Bank, c.1800 (engraving), English School, (19th century) / Bridgeman Images

ID: STC152476

At the Bank, c.1800 (engraving)

English School, (19th century)

Madame Cezanne with Green Hat, 1891-92 (oil on canvas)
Madame Cezanne with Green Hat, 1891-92 (oil on canvas)

BRN158914: Madame Cezanne with Green Hat, 1891-92 (oil on canvas), Cezanne, Paul (1839-1906) / Bridgeman Images

ID: BRN158914

Madame Cezanne with Green Hat, 1891-92 (oil on canvas)

Cezanne, Paul (1839-1906)

Scenes from 'Niels Klim's Subterranean Journey' by Baron Ludvig Holberg (1684-1754) (oil on canvas)
Scenes from 'Niels Klim's Subterranean Journey' by Baron Ludvig Holberg (1684-1754) (oil on canvas)

XKH141045: Scenes from 'Niels Klim's Subterranean Journey' by Baron Ludvig Holberg (1684-1754) (oil on canvas), Abildgaard, Nicolai Abraham (1743-1809) / Bridgeman Images

ID: XKH141045

Scenes from 'Niels Klim's Subterranean Journey' by Baron Ludvig Holberg (1684-1754) (oil on canvas)

Abildgaard, Nicolai Abraham (1743-1809)

Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante and Virgil into the last circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)
Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante and Virgil into the last circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

GIA745673: Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante and Virgil into the last circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

ID: GIA745673

Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante and Virgil into the last circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving)

Dore, Gustave (1832-83)


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