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Self portrait (oil on canvas)
Self portrait (oil on canvas)

XAM79044: Self portrait (oil on canvas), Schoenberg, Arnold (1874-1951) / Bridgeman Images

ID: XAM79044

Self portrait (oil on canvas)

Schoenberg, Arnold (1874-1951)

Bohemia, 1831
Bohemia, 1831

RAF80074: Bohemia, 1831, Dulac, Sebastien (1802-p.1849) / Bridgeman Images

ID: RAF80074

Bohemia, 1831

Dulac, Sebastien (1802-p.1849)

Christ handing the keys to St. Peter, from the main niche in the south ambulatory, 5th or 7th century (mosaic)
Christ handing the keys to St. Peter, from the main niche in the south ambulatory, 5th or 7th century (mosaic)

KAB76947: Christ handing the keys to St. Peter, from the main niche in the south ambulatory, 5th or 7th century (mosaic) / Bridgeman Images

ID: KAB76947

Christ handing the keys to St. Peter, from the main niche in the south ambulatory, 5th or 7th century (mosaic)

Broken Forms
Broken Forms

BAL81222: Broken Forms, Marc, Franz (1880-1916) / Bridgeman Images

ID: BAL81222

Broken Forms

Marc, Franz (1880-1916)

View of the Haringspacker Tower in Amsterdam, with a working clock-face set into the painting, 1684 (panel)
View of the Haringspacker Tower in Amsterdam, with a working clock-face set into the painting, 1684 (panel)

RAF81610: View of the Haringspacker Tower in Amsterdam, with a working clock-face set into the painting, 1684 (panel), Storck, Abraham (c.1635-c.1710) / Bridgeman Images

ID: RAF81610

View of the Haringspacker Tower in Amsterdam, with a working clock-face set into the painting, 1684 (panel)

Storck, Abraham (c.1635-c.1710)

The Pyre, c.1800-05 (oil on canvas)
The Pyre, c.1800-05 (oil on canvas)

XIR157730: The Pyre, c.1800-05 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images

ID: XIR157730

The Pyre, c.1800-05 (oil on canvas)

Goya y Lucientes, Francisco Jose de (1746-1828)

Samson (oil on canvas) (post restoration)
Samson (oil on canvas) (post restoration)

WGL158197: Samson (oil on canvas) (post restoration), Solomon, Solomon Joseph (1860-1927) / Bridgeman Images

ID: WGL158197

Samson (oil on canvas) (post restoration)

Solomon, Solomon Joseph (1860-1927)

Aldus Manutius (1449-1515) (engraving) (b/w photo)
Aldus Manutius (1449-1515) (engraving) (b/w photo)

XIR155926: Aldus Manutius (1449-1515) (engraving) (b/w photo), French School, (17th century) / Bridgeman Images

ID: XIR155926

Aldus Manutius (1449-1515) (engraving) (b/w photo)

French School, (17th century)

The Instrument Maker's Workshop, plate XVIII from the 'Encyclopedia' by Denis Diderot (1713-84) and Jean le Rond d'Alembert (1717-83) 1772 (engraving) (b/w photo) (see also 82083)
The Instrument Maker's Workshop, plate XVIII from the 'Encyclopedia' by Denis Diderot (1713-84) and Jean le Rond d'Alembert (1717-83) 1772 (engraving) (b/w photo) (see also 82083)

XIR155933: The Instrument Maker's Workshop, plate XVIII from the 'Encyclopedia' by Denis Diderot (1713-84) and Jean le Rond d'Alembert (1717-83) 1772 (engraving) (b/w photo) (see also 82083), Benard, Robert (fl.1734) / Bridgeman Images

ID: XIR155933

The Instrument Maker's Workshop, plate XVIII from the 'Encyclopedia' by Denis Diderot (1713-84) and Jean le Rond d'Alembert (1717-83) 1772 (engraving) (b/w photo) (see also 82083)

Benard, Robert (fl.1734)

The Watering Can, 1880 (oil on canvas)
The Watering Can, 1880 (oil on canvas)

PNY156304: The Watering Can, 1880 (oil on canvas), Manet, Edouard (1832-83) / Bridgeman Images

ID: PNY156304

The Watering Can, 1880 (oil on canvas)

Manet, Edouard (1832-83)

Entry of Bonaparte, as First Consul, into Antwerp on 18th July 1803, 1807 (oil on canvas)
Entry of Bonaparte, as First Consul, into Antwerp on 18th July 1803, 1807 (oil on canvas)

XIR70358: Entry of Bonaparte, as First Consul, into Antwerp on 18th July 1803, 1807 (oil on canvas), Bree, Mathieu Ignace van (1773-1839) / Bridgeman Images

ID: XIR70358

Entry of Bonaparte, as First Consul, into Antwerp on 18th July 1803, 1807 (oil on canvas)

Bree, Mathieu Ignace van (1773-1839)

Allegory of Married life depicting the Gods Vesta, Hymen, Mars and Venus
Allegory of Married life depicting the Gods Vesta, Hymen, Mars and Venus

XAM70705: Allegory of Married life depicting the Gods Vesta, Hymen, Mars and Venus, Varotari, Alessandro (Il Padovanino) (1588-1648) / Bridgeman Images

ID: XAM70705

Allegory of Married life depicting the Gods Vesta, Hymen, Mars and Venus

Varotari, Alessandro (Il Padovanino) (1588-1648)

The Coronation of Queen Victoria, June 28th 1838 (oil on canvas)
The Coronation of Queen Victoria, June 28th 1838 (oil on canvas)

FC68096: The Coronation of Queen Victoria, June 28th 1838 (oil on canvas), Parris, Edmund Thomas (1793-1873) / Bridgeman Images

ID: FC68096

The Coronation of Queen Victoria, June 28th 1838 (oil on canvas)

Parris, Edmund Thomas (1793-1873)

W.13r Study of a male nude, stretching upwards (chalk on paper)
W.13r Study of a male nude, stretching upwards (chalk on paper)

BAL68594: W.13r Study of a male nude, stretching upwards (chalk on paper), Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

ID: BAL68594

W.13r Study of a male nude, stretching upwards (chalk on paper)

Buonarroti, Michelangelo (1475-1564)

Still Life: Fruit on a Table, 1864 (oil on canvas)
Still Life: Fruit on a Table, 1864 (oil on canvas)

XIR73588: Still Life: Fruit on a Table, 1864 (oil on canvas), Manet, Edouard (1832-83) / Bridgeman Images

ID: XIR73588

Still Life: Fruit on a Table, 1864 (oil on canvas)

Manet, Edouard (1832-83)

Study of a decorative urn (pen and ink on paper)
Study of a decorative urn (pen and ink on paper)

BAL69781: Study of a decorative urn (pen and ink on paper), Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

ID: BAL69781

Study of a decorative urn (pen and ink on paper)

Buonarroti, Michelangelo (1475-1564)

Ivan Petrovich Pavlov (1849-1936) in his House at Koltushy, near St. Petersburg, 1935 (oil on canvas)
Ivan Petrovich Pavlov (1849-1936) in his House at Koltushy, near St. Petersburg, 1935 (oil on canvas)

CCL72183: Ivan Petrovich Pavlov (1849-1936) in his House at Koltushy, near St. Petersburg, 1935 (oil on canvas), Nesterov, Mikhail Vasilievich (1862-1942) / Bridgeman Images

ID: CCL72183

Ivan Petrovich Pavlov (1849-1936) in his House at Koltushy, near St. Petersburg, 1935 (oil on canvas)

Nesterov, Mikhail Vasilievich (1862-1942)

The Marchioness of Northampton, Playing a Harp, c.1820
The Marchioness of Northampton, Playing a Harp, c.1820

BAL72308: The Marchioness of Northampton, Playing a Harp, c.1820, Raeburn, Henry (1756-1823) / Bridgeman Images

ID: BAL72308

The Marchioness of Northampton, Playing a Harp, c.1820

Raeburn, Henry (1756-1823)

Francois Nicolaie (1811-79) 1858 (pencil on paper)
Francois Nicolaie (1811-79) 1858 (pencil on paper)

XIR155400: Francois Nicolaie (1811-79) 1858 (pencil on paper), Monet, Claude (1840-1926) / Bridgeman Images

ID: XIR155400

Francois Nicolaie (1811-79) 1858 (pencil on paper)

Monet, Claude (1840-1926)

Banquet Given by Bartolomeo Colleoni for King Christian I of Denmark, 1520-30 (fresco) (detail)
Banquet Given by Bartolomeo Colleoni for King Christian I of Denmark, 1520-30 (fresco) (detail)

XIR154940: Banquet Given by Bartolomeo Colleoni for King Christian I of Denmark, 1520-30 (fresco) (detail), Romanino, Girolamo (c.1485-c.1566) (attr.to) / Bridgeman Images

ID: XIR154940

Banquet Given by Bartolomeo Colleoni for King Christian I of Denmark, 1520-30 (fresco) (detail)

Romanino, Girolamo (c.1485-c.1566) (attr.to)

The Dance, 1856 (oil on canvas)
The Dance, 1856 (oil on canvas)

XIR154110: The Dance, 1856 (oil on canvas), Bouguereau, William-Adolphe (1825-1905) / Bridgeman Images

ID: XIR154110

The Dance, 1856 (oil on canvas)

Bouguereau, William-Adolphe (1825-1905)

Group of Whirling Dervishes, from the Large Clive Album, c.1595 (opaque w/c with gold on paper)
Group of Whirling Dervishes, from the Large Clive Album, c.1595 (opaque w/c with gold on paper)

STC153436: Group of Whirling Dervishes, from the Large Clive Album, c.1595 (opaque w/c with gold on paper), Mughal School, (16th century) / Bridgeman Images

ID: STC153436

Group of Whirling Dervishes, from the Large Clive Album, c.1595 (opaque w/c with gold on paper)

Mughal School, (16th century)

Ducking a Scold, 1812 (etching)
Ducking a Scold, 1812 (etching)

HMP86628: Ducking a Scold, 1812 (etching), Rowlandson, Thomas (1756-1827) / Bridgeman Images

ID: HMP86628

Ducking a Scold, 1812 (etching)

Rowlandson, Thomas (1756-1827)

Blind Man's Bluff
Blind Man's Bluff

PFA88829: Blind Man's Bluff, Dargelas, Andre Henri (1828-1906) / Bridgeman Images

ID: PFA88829

Blind Man's Bluff

Dargelas, Andre Henri (1828-1906)

Coffee House in Cairo, 1870s (oil on canvas)
Coffee House in Cairo, 1870s (oil on canvas)

XAB126079: Coffee House in Cairo, 1870s (oil on canvas), Makovsky, Konstantin Egorovich (1839-1915) / Bridgeman Images

ID: XAB126079

Coffee House in Cairo, 1870s (oil on canvas)

Makovsky, Konstantin Egorovich (1839-1915)

Group Portrait at a Drawing Room Table (oil on canvas)
Group Portrait at a Drawing Room Table (oil on canvas)

PFA124409: Group Portrait at a Drawing Room Table (oil on canvas), Spilsbury, Maria (1777-c.1823) / Bridgeman Images

ID: PFA124409

Group Portrait at a Drawing Room Table (oil on canvas)

Spilsbury, Maria (1777-c.1823)

The Strange Garden, 1903 (oil on canvas)
The Strange Garden, 1903 (oil on canvas)

XIR126291: The Strange Garden, 1903 (oil on canvas), Mehoffer, Jozef (1869-1946) / Bridgeman Images

ID: XIR126291

The Strange Garden, 1903 (oil on canvas)

Mehoffer, Jozef (1869-1946)

Domestic Pleasures (oil on canvas)
Domestic Pleasures (oil on canvas)

XOS126774: Domestic Pleasures (oil on canvas), Chardin, Jean-Baptiste Simeon (1699-1779) / Bridgeman Images

ID: XOS126774

Domestic Pleasures (oil on canvas)

Chardin, Jean-Baptiste Simeon (1699-1779)

The Embarkation of Henry VIII at Dover, May 31st 1520, c 1781 (engraving)
The Embarkation of Henry VIII at Dover, May 31st 1520, c 1781 (engraving)

XJF105367: The Embarkation of Henry VIII at Dover, May 31st 1520, c 1781 (engraving) , Grimm, Samuel Hieronymous (1733-94) (after) / Bridgeman Images

ID: XJF105367

The Embarkation of Henry VIII at Dover, May 31st 1520, c 1781 (engraving)

Grimm, Samuel Hieronymous (1733-94) (after)

A Blackfoot Indian on Horseback, plate 19 from Volume 1 of 'Travels in the Interior of North America', engraved by Leopold Beyer (1784-c.1870) 1843 (aquatint)
A Blackfoot Indian on Horseback, plate 19 from Volume 1 of 'Travels in the Interior of North America', engraved by Leopold Beyer (1784-c.1870) 1843 (aquatint)

STC101377: A Blackfoot Indian on Horseback, plate 19 from Volume 1 of 'Travels in the Interior of North America', engraved by Leopold Beyer (1784-c.1870) 1843 (aquatint), Bodmer, Karl (1809-93) (after) / Bridgeman Images

ID: STC101377

A Blackfoot Indian on Horseback, plate 19 from Volume 1 of 'Travels in the Interior of North America', engraved by Leopold Beyer (1784-c.1870) 1843 (aquatint)

Bodmer, Karl (1809-93) (after)

A Friday Evening Discourse at the Royal Institution; Sir James Dewar on Liquid Hydrogen, 1904 (oil on canvas)
A Friday Evening Discourse at the Royal Institution; Sir James Dewar on Liquid Hydrogen, 1904 (oil on canvas)

TRI101904: A Friday Evening Discourse at the Royal Institution; Sir James Dewar on Liquid Hydrogen, 1904 (oil on canvas), Brooks, Henry Jamyn (1865-1925) / Bridgeman Images

ID: TRI101904

A Friday Evening Discourse at the Royal Institution; Sir James Dewar on Liquid Hydrogen, 1904 (oil on canvas)

Brooks, Henry Jamyn (1865-1925)

Captain Meriwether Lewis with Drewyer and Shield Meeting the Sho-Shone Indians, August 13, 1805, illustration from 'The Trial of Lewis and Clark', engraved by the artist, pub. c.1904 (colour litho)
Captain Meriwether Lewis with Drewyer and Shield Meeting the Sho-Shone Indians, August 13, 1805, illustration from 'The Trial of Lewis and Clark', engraved by the artist, pub. c.1904 (colour litho)

RGS101979: Captain Meriwether Lewis with Drewyer and Shield Meeting the Sho-Shone Indians, August 13, 1805, illustration from 'The Trial of Lewis and Clark', engraved by the artist, pub. c.1904 (colour litho), Russell, Charles Marion (1865-1926) / Bridgeman Images

ID: RGS101979

Captain Meriwether Lewis with Drewyer and Shield Meeting the Sho-Shone Indians, August 13, 1805, illustration from 'The Trial of Lewis and Clark', engraved by the artist, pub. c.1904 (colour litho)

Russell, Charles Marion (1865-1926)

Sarcophagus with relief depicting Prometheus and the Creation of Man, Roman, from Arles, 3rd century AD (marble)
Sarcophagus with relief depicting Prometheus and the Creation of Man, Roman, from Arles, 3rd century AD (marble)

PWI105606: Sarcophagus with relief depicting Prometheus and the Creation of Man, Roman, from Arles, 3rd century AD (marble) / Bridgeman Images

ID: PWI105606

Sarcophagus with relief depicting Prometheus and the Creation of Man, Roman, from Arles, 3rd century AD (marble)

Panel of Tiles, Kashan, Central Iran, c.1250-1300 (fritware)
Panel of Tiles, Kashan, Central Iran, c.1250-1300 (fritware)

PWI105668: Panel of Tiles, Kashan, Central Iran, c.1250-1300 (fritware), Persian School, (13th century) / Bridgeman Images

ID: PWI105668

Panel of Tiles, Kashan, Central Iran, c.1250-1300 (fritware)

Persian School, (13th century)

Portrait of William Wordsworth (1770-1850) engraved by Henry Meyer (1782-1847) (engraving) (b/w photo)
Portrait of William Wordsworth (1770-1850) engraved by Henry Meyer (1782-1847) (engraving) (b/w photo)

XJF105770: Portrait of William Wordsworth (1770-1850) engraved by Henry Meyer (1782-1847) (engraving) (b/w photo), Carruthers, Richard (1792-1876) (after) / Bridgeman Images

ID: XJF105770

Portrait of William Wordsworth (1770-1850) engraved by Henry Meyer (1782-1847) (engraving) (b/w photo)

Carruthers, Richard (1792-1876) (after)

Flat Landscape, 1924 (no 134) (w/c on primed paper on cardboard)
Flat Landscape, 1924 (no 134) (w/c on primed paper on cardboard)

NUM117820: Flat Landscape, 1924 (no 134) (w/c on primed paper on cardboard), Klee, Paul (1879-1940) / Bridgeman Images

ID: NUM117820

Flat Landscape, 1924 (no 134) (w/c on primed paper on cardboard)

Klee, Paul (1879-1940)


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